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Live Recap: Yoke Lore's Sold Out Return to Schubas for TNK Fest 2019

Brooklyn’s Adrian Galvin (AKA Yoke Lore) is no stranger to Chicago, having played the city several times over the past couple of years. At Schubas alone, Yoke Lore has performed there supporting Overcoats and as headliner, and this past Saturday, he returned to headline a sold out show. The TNK show, which took place on the fourth night of the annual winter festival, had sold out weeks in advance, so I knew going into the show that the room would be packed with eager fans.

After Shortly had to unfortunately cancel their set, Deanna Devore stepped in to open up the show, alongside Chicago’s Ester and Nashvilles Sontalk. The crowd of dedicated fans showed up early and listened attentively to the first three acts, and in the final moments before Yoke Lore would hit the stage, the room buzzed with anxious excitement. Finally, the lights dimmed and Galvin and his bandmate made their way up onto the dark stage. As Galvin began to strum his banjo, the lights flickered on and Yoke Lore music videos and visuals were projected on the screen set up as a backdrop. The crowd sang along to the set openers “Fake You” and “Only You,” and Galvin’s signature dance moves accompanied his ethereal vocals and twangy banjo. When it came time in the set for Yoke Lore to perform the viral cover of “Truly Madly Deeply” by Savage Garden, an audience member shouted out that the track was their wedding song, and Galvin dedicated the performance to them. The highlight of the night came when it was time for Galvin to perform the popular single “Beige,” and the echoes of every single person in the room singing along bounced around the room.

Eventually, it was time for Yoke Lore to exit the stage, but the audience begged for an encore with cheers and applause. Galvin didn’t make them wait long before he returned for a couple more songs, including the unreleased “Tom Robbins.” Before playing the final song, Galvin explained that he’ll probably never record the tune, in order to keep it as a special part of his live shows forever. “When you record a song, there’s a piece of it that gets morphed,” he said. “I want this song to be just for us,” he continued and played the song while the backdrop showed a starry night scene.

Yoke Lore’s TNK performance added another layer with the visual projections, but at its core remained the beautiful authenticity that Galvin’s art and music has always showcased. Based on the success of this show, 2019 is gearing up to be a huge year for Yoke Lore, so don’t miss him when he comes to a city near you! Check out Yoke Lore’s 2019 tour dates here.


Photos of Deanna Devore, Ester, Sontalk and Yoke Lore at Schubas Tavern

Live Recap: Snail Mail Returns to TNK Fest for a Sold Out Show with Varsity and Lala Lala

Last year, Lindsey Jordan’s project Snail Mail played a sold out headline show at Schubas as part of Chicago’s annual TNK Festival, and this year, Jordan and her band returned to do the same. Only this time, they played to about five times as many people at The Metro.

From the moment the doors opened at the Wrigleyville venue, streams of fans took their place in the packed room for a great night of music, which kicked off at 9PM sharp with Chicago’s own Varsity. The indie pop-rock five piece delivered a short, but sweet set to warm everyone up for the rest of the night. Varsity kept their between-song banter to a minimum and smoothly transitioned from song to song in order to pack in as many of their tunes as possible into their set time. The crowd sang along to a lot of Varsity’s familiar favorites, like “So Sad, So Sad,” which got a lot of cheers when the opening chords rang out. Before closing out with one of their latest singles “The Dogs Only Listen to Him,” the band tested out a brand new song on the attentive audience.

Next, it was time for Lala Lala, the project of Chicago-based singer-songwriter Lillie West. The set kicked off with the single “Water Over Sex” from Lala Lala’s second album The Lamb, which was just released in September last year, but was easily one of my top played albums of 2018. Based on the amount of people singing and dancing along, it clearly wasn’t just me who had the album on repeat. Like the album itself, the live set showcases the dynamic production and soundscapes of the songs, ranging from the jarring, percussive intro of “I Get Cut” to the mellow and slow-building “Lala Song.”  Although West’s live lineup of fellow Chicago musicians often changes with different tours based on schedules, her current band had great chemistry and seamlessly flowed with one another. West and the band closed out the set on a high note, performing West and WHY?’s collaboration “Siren 042,” which had just been released the week prior. The final song of the set featured Sen Morimoto on saxophone, who will also be joining Lala Lala on their nearly two month tour that kicked off last week.

Finally, with the crowd warmed up and anxious for Snail Mail to hit the stage, the lights dimmed and Jordan made her way onstage with her bandmates. The musicians were welcomed with an overwhelming wave of cheers and applause as they began an instrumental intro, which bled into the single “Heat Wave” from Snail Mail’s 2018 debut album Lush. The crowd immediately became a choir, echoing the lyrics back to Jordan, who gave her approval with a “sounds good” and a smile. While Snail Mail may only have one album out, the band spent 2018 touring relentlessly, and the graceful and humble nature displayed by Jordan on Thursday night was that of a seasoned, veteran performer.

Throughout the rest of the set, Jordan’s humility remained, paired with an effortless and natural stage presence that kept the sold-out crowd hypnotized. Whether it was to songs from the album, like “Let’s Find An Out” and “Deep Sea,” or earlier material like “Thinning” from Snail Mail’s 2016 EP Habit, the audience never stopped singing along. When it came time for Jordan to perform the lead single from the album, “Pristine,” she invited a couple of guests up onstage to lend a hand as backing vocalists. As the night began to wind down, Jordan closed out the set sans band to give a solo performance of “Anytime” and “Stick.”


If you missed out on tickets to the memorizing TNK show, see where you can catch Snail Mail next here.


Photos of Varsity, Lala Lala and Snail Mail at TNK night two

TNK Spotlight: Nine Artists You Can't Miss at Tomorrow Never Knows 2019

It’s mid-January in Chicago, and you know what that means, right? Tomorrow Never Knows Fest kicks off this week! You’ve got your 5-day pass (or at least I hope you do—they’re already sold out), and now all that’s left to do is plot out your schedule for this annual indoor winter festival extravaganza that takes place across different venues in the city, like Lincoln Hall, Schubas, Sleeping Village and Metro. If you didn’t happen to snag five day passes, some of the shows still have individual tickets available, but read up on our recommendations and act quickly so you’re not left out in the cold for this year’s TNK!


Active Bird Community

Photo Credit: Eleanor Petry

Photo Credit: Eleanor Petry

Brooklyn-based four piece Active Bird Community combines long-term friendships with a candid, yet playful demeanor to deliver a live show full of punchy riffs and inside jokes told between songs. Tom D'Agustino, Andrew Wolfson, Zach Slater, and Quinn McGovern have been playing music together for more than ten years, which translates as a true sense of camaraderie both onstage and on their records. Every time I’ve seen this band, I spent their set bopping my head along to their upbeat melodies and laughing at their stage banter, making their set one not to miss at TNK. This past Fall, they released their third album Amends, which follows up 2015’s I’ve Been Going Swimming and 2017’s Stick Around, so their set at Lincoln Hall will be sure to feature some new music. For more on Active Bird Community, check out our interview here.

For Fans Of: The Frights, together PANGEA, Vundabar

Start With: “Pick me Apart,” “Virginia,” “Amends”

Where to catch them: Wednesday, January 16th at Lincoln Hall with Charly Bliss and Girl K

Lala Lala

Photo by Matthew James-Wilson

Photo by Matthew James-Wilson

The project of London-born, Chicago-based singer songwriter Lillie West (AKA Lala Lala) has been garnering buzz throughout the city the last few years, and recently nationally since West and her band toured nearly non-stop last year with bands like Frankie Cosmos, Wolf Parade and WHY?. 2018 saw the release of Lala Lala’s second full length album, The Lamb, which showcases West’s knack for honest and introspective storytelling through her lyrics. West also fearlessly dives into different sonic territories on the album’s twelve tracks, blending together different genres that portray the various emotions explored in the songs. The Lamb is easily one of my most listened to albums of 2018, and the band puts on one of the best live shows. If you need even more reason to add this to your TNK itinerary, this gig will be the last chance to catch Lala Lala in town for a while (they embark on a two month tour afterwards). Don’t miss it!

For Fans Of: Madeline Kenney, Jay Som, Soccer Mommy

Start With: “Water Over Sex,” “Scary Movie,” “I Get Cut”

Where to catch them: Thursday, January 17th at Metro with Varsity and Snail Mail

Pool Holograph

Photo by Rachel Zyzda

Photo by Rachel Zyzda

What began as a solo, bedroom-recorded project of songwriter Wyatt Grant has since blossomed into the full four piece that is current day Pool Holograph. With Zach Stuckman and brothers Paul and Jake Stolz joining Grant, their sound has filled out and developed in order to transition well in a live setting, making Pool Holograph’s show a must-see at this year’s TNK. The group recently followed up their 2017 album Transparent World with two new singles “Contours” and “No Escape,” which both highlight the band’s versatile sound that blends together elements of post punk, art rock, and lo-fi genres— or as Grant describes their sound, it’s like “a closed Urban Outfitters store circa 2008.” For more fun facts about the band (if that one didn’t already sell you), check out our interview with them here.

For Fans Of: Omni, NE-HI, Clearance

Start With: “Heat Map,” “Contours,” “Stratus Sheets”

Where to catch them: Wednesday, January 16th at Schubas with Bad Bad Hats, Video Age, Con Davison

Varsity

Photo by Kristina Pedersen

Photo by Kristina Pedersen

With their polished indie rock sound and memorable melodies, Chicago’s Varsity has an air about their music that is familiar without being derivative. Over the past few years, the group has toured regularly and shared stages with the likes of Japanese Breakfast and SALES, earning them a well-deserved fanbase that extends outside of the city. In the midst of touring (and sharing members Paul and Jake Stolz with Pool Holograph), Varsity still managed to release their sophomore album Parallel Person and two singles, “The Dogs Only Listen to Him” and “UFO,” in 2018. On top of all of that fresh music, the band teased the possibility of another brand new song being ready for their TNK set this week, so hopefully you already snagged tickets to this sold out show!

For Fans Of: Japanese Breakfast, No Vacation, Alvvays

Start With: “UFO,” “Downtown,” “A Friend Named Paul”

Where to catch them: Thursday, January 17th at Metro with Lala Lala and Snail Mail

Jordanna

Photo by Juliet Cangelosi

Photo by Juliet Cangelosi

Whether it’s her musical transformation from lead singer of a punk band to a sweet and soulful solo artist, her thoughtful marketing strategies, or her humor on social media (I mean have you seen her lip-sync videos??), Jordanna’s artistry knows no bounds. Her buttery vocals and sultry, smooth tempos are equally enthralling and soothing for her listeners and audience members, and she brings a sense of authenticity to everything she does. Jordanna’s debut EP, “Sweet Tooth,” features tracks like “Lucky For You” and “Sugar” which will be sure to have you grooving and swaying along. Her show at TNK is sold out, so hopefully you have a ticket or a 5 day pass— but if not you can also check out Jordanna at her own annual event on February 23rd: Candyland.

For Fans Of: Your Smith (FKA Caroline Smith), Tasha, The Marías

Start With: “Lucky For You,” “Eu Quero Você,” “I’m Your Girl”

Where to catch them: Thursday, January 17th at Schubas with Still Woozy, Victor!, Monster Rally

Yoke Lore

Photo by Rachel Zyzda

Photo by Rachel Zyzda

Adrian Galvin (aka Yoke Lore) is part musician, part visual artist, part dancer, and part spiritual guru. He’s even an expert on pirates (more on that here). Despite the fact that Galvin has so many creative passions, he still manages to excel in all aspects of his art. Through his message and his music, Galvin radiates motivation and positivity that can’t help but lift your spirits when you hear it. By blending ethereal vocals, the occasional twang of a banjo, and sweeping melodies, Yoke Lore’s music is easy to love and hard to forget. Yoke Lore’s show is one of the sold out ones on this list, but if you were smart enough to snag tickets ahead of time, be prepared to be blown away at his show on Saturday night.

For Fans Of: Overcoats, Rainbow Kitten Surprise, Lewis Del Mar

Start With: “Beige,” “Goodpain,” “Cut and Run”

Where to catch them: Saturday, January 19th at Schubas with Sontalk, Shortly, Ester

Bad Bad Hats

Photo by Zoe Prinds-Flash

Photo by Zoe Prinds-Flash

Minneapolis’s Bad Bad Hats earns a place on this list as one of the few non-Chicagoan bands with their bright, effervescent indie pop-rock. The trio, consisting of Kerry Alexander, Chris Hoge, and Connor Davison, has released two albums (the most recent, Lightning Round, just came out in August), and both records deliver a multifaceted, layered and diverse soundscape. Their sophomore album especially explores different genres and hues that set each song apart as a separate chapter, yet each track seamlessly complements the rest of the album perfectly. Their show at TNK will certainly keep the audience on their toes with the band’s dynamic catalog of songs.

For Fans Of: Hippo Campus, Maggie Rogers, Hala

Start With: “It Hurts,” “Midway,” “Psychic Reader”

Where to catch them: Wednesday, January 16th at Schubas with Video Age, Con Davison, Pool Holograph

Sports

With their groovy bass lines that you can’t resist dancing to and their live production that adds an extra layer of sparkle and shine, it’s impossible not to smile while at a Sports show. The band’s feel-good, synth laden music and the infectious energy that the band members all exude with their stage presence will make their show on Sunday night at TNK the perfect end to the five day festival. This past August, Sports followed up 2016’s album People Can’t Stop Chillin with Everyone’s Invited, so their set will be sure to feature some new tunes since their last show here in Chicago.

For Fans Of: POND, St. Lucia, Triathalon

Start With: “Panama,'“ “You Are the Right One,” “Don’t Tell Me”

Where to catch them: Sunday, January 20th at Lincoln Hall with Pavo Pavo and Arlie

Girl K

Photo by  Xitlaly Viveros

The brain child of Chicago-based singer songwriter Kathy Patino, Girl K, has provided a refreshing addition to the local rock scene, making a huge splash in a relatively short amount of time. Much like a few of the other artists on this list, the project began as a solo endeavor for Patino in 2017 before she added a full roster with musicians Ajay Raghuraman, Alex Pieczynski, and Kevin Sheppard. Girl K has kept Chicago music fans hooked by regularly playing shows around the city and releasing music— In 2018, Patino released three singles to follow up her debut full length Sunflower Court, and her recent live shows have featured performances of brand new material. 2019 is gearing up to be an even bigger year for Girl K, so don’t miss them kicking off TNK on Wednesday night.

For Fans Of: Beach Bunny, Lunar Vacation, Slow Pulp

Start With: “Dog Year Lungs,” “Cinnamon,” “80’s Baby”

Where to catch them: Wednesday, January 16th at Lincoln Hall with Active Bird Community and Charly Bliss


Audiotree Music Festival 2018 Recap

The Chicago-based audiovisual tastemaker company Audiotree set up camp in Kalamazoo, Michigan during the weekend of September 22nd and 23rd for their annual music festival. This year, the fest’s lineup showcased a diverse lineup of talent from across the spectrum. Artists ranged from up and coming bands from the Chicago or Kalamazoo areas to the likes of Real Estate, Local Natives, and Father John Misty. With just two stages that never had overlapping set times, the festival allowed the attendees to really focus on this music and appreciate the art without any overcrowding or over-scheduling.

The event also remained a safe space the entire time, with the organization Our Music, My Body tabling the festival so that concert-goers had someone to talk to if they felt violated, or if they just wanted to get further educated on consent and keeping everyone comfortable in public spaces. Throughout the weekend, bands like Diet Cig and Stuyedeyed began their sets announcing that any behavior that made others feel unsafe wouldn’t be tolerated.

If you missed out on the weekend, relive the experience with our photo recap below.


Day 1 featuring Stuyedeyed, V.V. Lightbody, Melkbelly, NE-HI, The Regrettes, Diet Cig, Michigander, Basement, Khruangbin, and Local Natives

Day 2 Featuring Common Holly, Major Murphy, Lume, Palm, REZN, Post Animal, Pool Holograph, Slow Mass, Chicano Batman, Real Estate, and Father John Misty

Artist Portraits

PHOTOS: Half Acre's Big North Festival with Post Animal, DEHD, and Divino Niño

Half Acre's annual Big North festival returned for its third year at the brewery's Balmoral location. In addition to endless beer and burgers, the fest also highlighted three of the city's best bands: Post Animal, DEHD, and Divino NiñoCheck out our photo gallery of the musical portion of the fest below.

Live Recap: The Inaugural Bellwether Festival

Bellwether Festival made its debut over the weekend, bringing some of the freshest names in indie music as well as some celebrated classics to the festival site, which usually plays home to a renaissance festival. The first-time, two-day festival encountered some setbacks, like a storm that forced the cancellation of Friday's headliner MGMT, but Bellwether also excelled in other ways. Limiting its grounds to feature only two stages within easy walking distance and limiting the lineup to rule out any schedule overlap allowed for the festival attendees to focus on the music and see every artist.

If you missed out on the fest, check out the top five moments of the weekend below. 

"Golden Days" Met The Golden Hour During Whitney's Set

Following the success of their debut project Light Upon The Lake, Whitney toured relentlessly for the better part of two years, playing several headline runs and appearing on the major festival circuits. Their early evening set at Bellwether marked a rare live set from the group this year, as they've been slowly, but surely chipping away at their sophomore effort. Beginning with a quick sprinkle of rain, Whitney's set revisited their beloved first album, including their popular single "Golden Days." The band performed the anthemic break up song just after the sun had broken through the rain, delivering the perfect soundtrack to Friday's golden hour. The set also included a Neil Young and NRBQ cover, as well as Whitney's unreleased song "Rolling Blackout" that has become a staple of their live shows. As the set closed out, lead singer Julien Ehrlich left the crowd with the promise of new music soon; "See you next time. With a new album. We've been working on it...we're happy about it."

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Local Natives Egged on the Rain

Like Whitney, Los Angeles' Local Natives are between albums at the moment, but lead singer Taylor Rice also teased their next album. "We're almost done with the fourth record. We can't say much but we like it," Rice told the crowd. While the news gave the audience something to look forward to with the future of Local Natives, the crowd also got a chance to celebrate the past with the band. Kelcey Ayer of the band reminisced on the band's history, noting that they just hit their ten year anniversary. "In honor of that we're gonna close the set with a few Gorilla Manor songs," the band announced before revisiting songs from their first album. Just before playing their final song of the set, "Sun Hands," Rice commented on the fact that they'd managed to hold off the rain despite the lightning filling the sky behind them. "If it rains, just go crazier. It's our last song so give it everything you've got," the frontman said, egging on the inevitable storm brewing, which let loose just as Local Natives left the stage. 

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Japanese Breakfast Invited The Flaming Lips to Olive Garden

Fronted by Michelle Zauner, Philadelphia outfit Japanese Breakfast has been hitting the road consistently following the release of Soft Sounds From Another Planet last summer. Despite their taxing tour schedule, Zauner and her band brought their usual energy and witty stage banter to their Bellwether Fest set. Between songs, Zauner called attention to the fact that the festival site also hosts a renaissance fair; "I should have worn my John Snow Outfit," she joked, adding that she was hoping to see more capes in the crowd. She also shared the band's excitement to be a part of the small but mighty lineup, expressing her admiration of that night's headliner, The Flaming Lips. "If they're here, we would like to extend an invitation to the Olive Garden," Zauner said about Wayne Coyne and co before ending the set with an explosive, high energy jam with her band. 

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The Psychedelic Furs and Echo & The Bunnymen Evoked 80's Nostalgia

After Japanese Breakfast's set, the lineup turned back to the era of The Breakfast Club, with back to back sets from post punk bands The Psychedelic Furs and Echo & The Bunnymen. The Psychedelic Furs kicked off the nostalgic streak, attracting zealous fans to the front rows to chant frontman Richard Butler's name just before they took the stage. Their set had fans from all generations singing along to the hits like "Pretty in Pink" and "Love My Way," and the band sounded as tight as ever. Butler's signature vocals remained strong throughout the whole set, and the band's saxophone player added some spice to the songs. Echo & The Bunnymen kept the post punk train rolling during their set, frontman Ian McCulloch also sounding great as the band played through their hits. Again, fans from all different generations flocked to see the iconic group, one fan in the front even donning a Donnie Darko mask as a nod to the band's song "The Killing Moon" being featured on the film's soundtrack. 

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The Flaming Lips Covered MGMT 

While the weather forecast showed a chance of storms all weekend, the rain managed to hold off most of Saturday. Despite the clear skies on day two, the muddy grounds and disappointment of headliner MGMT's cancelled set lingered in the air and reminded the festival goers of the previous night's storm. The festival staff offered some perks, like free Saturday entry for Friday ticket holders, to lessen that sting, but The Flaming Lips were the ultimate festival heroes when they covered MGMT's song "Kids" at the beginning of their set. Lead singer Wayne Coyne set up the cover saying that the cancellation from the rain was obviously no one's fault, and MGMT had left him a note in the green room. The "note" ended up being lyrics to "Kids," which Coyne began reading slowly, before the band pitched in with the melody and Coyne began singing. The cover came after the group had opened their set with "Race For The Prize," which they paired with a confetti cannon, giant balloons, and lots of fog. The theatrics continued nonstop for the entire show; the bright lights and colorful props lifting the spirits of everyone at the festival and ending the weekend on the most magical note. One of the absolute highlights of The Flaming Lips' production came towards the end of the set, when the band covered Bowie's "Space Oddity"; Coyne stepped inside of a giant bubble and floated along the top of the crowd during the performance. As Coyne said, the rain that had put a damper on Friday's headlining set was no one's fault, and the spectacular close of Saturday night outweighed the set backs. 

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Check out more photos of the whole weekend below, featuring Whitney, Dr. Dog, Local Natives, Allah-Las, Japanese Breakfast, The Psychedelic Furs, Echo & The Bunnymen, and The Flaming Lips. 

Bellwether returns next year on August 9th and 10th. Get more details here

Live Recap: The Wombats Bring New Music, The Hits, and Infectious Energy to Their Lollapalooza Aftershow

This past Thursday night, The Wombats closed out the first day of Lollapalooza 2018 with a sold out aftershow at Lincoln Hall


As the clock struck midnight, hoards of music fans had piled into Lincoln Hall to celebrate the end of the first day of Lollapalooza with The Wombats. Although they had just performed out in Tinley Park with The Pixies last month and at Lollapalooza earlier that day, the last time The Wombats had performed as a headliner in Chicago was more that two years ago, when they played The Metro in support of their album Glitterbug. Despite the late start time of the aftershow, old and new fans of the band buzzed with anticipation during the moments leading up The Wombats’ entrance to the small stage, everyone anxious to hear some of their old favorites as well as the freshest material from this year’s Beautiful People Will Ruin Your Life.

The set began with the new; The group opened with “Cheetah Tongue,” the first track off their fourth studio album, but from there on, the setlist took twists and turns through The Wombats’ extensive catalog of material. Following “Give Me a Try” from Glitterbug, the band threw it back to 2011 and 2007 with “1996” and “Kill The Director.” While The Wombats did a great job at compiling a setlist of songs that highlighted each of their album eras, one of the best experiences of the show was looking around and seeing fans scream the lyrics along with lead singer Matthew Murphy and dance throughout the night with unwavering gusto, during every single song. Murphy and bandmates Dan Haggis and Tord Øverland have continuously mastered creating music that blends clever and sharp narratives with danceable melodies and grooving bass lines, allowing for fans to connect with the lyrics while dancing it out.

Live, the trio translates their records to life with a keen stage presence and unmatched chemistry, which stems from their years and years of playing music together. Despite their grueling tour and travel schedule as of late and the fact that they had played Lollapalooza earlier that afternoon, The Wombats never skimped on the energy during their show at Lincoln Hall; Øverland still delivered his signature kicks and jumps as he played bass and Murphy often paraded around the stage with his guitar. The entire room was already beaming from ear to ear as the set came to a close, but the band still had one more surprise up their sleeves. During iconic tune “Let’s Dance To Joy Division,” three people dressed up head-to-toe in wombat suits rushed the crowd and stage to close out the night, and everyone (even the wombats) clapped along to the athemic bridge of the song.

Following the humorous guest appearance, The Wombats (the band) returned for an encore, bringing along the costumed wombats again. The three song encore consisted of one of their recent singles, “Turn,” “Tokyo-Vampires & Wolves” from their earlier days, and “Greek Tragedy” from their third album, once again equally representing all of their eras. No matter what year your favorite song from The Wombats comes from though, there’s no denying their music and their live show has a timeless quality to it; it will always be a challenge to find anyone having a bad time at a Wombats show.

Check out photos from the show below, and see where you can catch The Wombats next here. 

Listen to Beautiful People Will Ruin Your Life in full below.

Pitchfork Festival Recap 2018

Thousands of music fans returned to the familiar stomping grounds of Union Park for another successful Pitchfork Music Festival this past weekend. Looking at the thunderstorm-filled weather forecast during the days leading up to the festival, many of the festival goers speculated if the schedule would stay on track and if any sets would be canceled, but surprisingly the weather turned out to be close to perfect with minimal rain and lots of breeze. In addition to the ideal festival weather, P4K 2018 also featured more Chicago artists than it ever has in the past, and they also had a fair balance of female and male performers, which is something many other music festivals have failed to provide with recent line ups. If you missed out on the festival this year, dive in below to see what other standout moments happened over the weekend. 

Friday

Julie Byrne and her her harpist eased the crowd into Day 1

Friday morning and early afternoon did end up having some rain showers, but by the time singer songwriter Julie Byrne took the stage just before 3PM, the drizzle had died down, leaving a cloudy, cool breeze in the air. Bryne's mellow music and ethereal vocals perfectly complimented the gray skies, giving everyone a tranquil introduction to their festival weekend. Byrne's live band also included a rare harpist, which further hypnotized the crowd and eased them into what would inevitably be a long weekend of lots of great music. Byrne also gave a shout out to Chicago when she reminisced on her time she spent living here, before playing her song "Melting Grid" from her 2017 album Not Even Happiness

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Julien Baker Captivated a Large Crowd on her Own

Most of the time when solo artists perform live, they're joined by a live band to help them fill out the arrangements and make a more dynamic performance, but Julien Baker took the stage at Pitchfork completely alone at the beginning of her set. Armed with her guitar and her powerful vocals, Baker completely captivated the large crowd that overflowed the area around the Blue Stage, opening with "Turn Out The Lights." After performing the title track of her latest album, the chilling track "Appointments" from the same album, Baker was eventually joined by a violinist, who added a special touch to Baker's narratives. Again, it's rare to witness a solo performance as powerful as Baker's but with her vocal gusto and emotive stage presence, her shows are always something special.

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SYD Celebrated The Internet's New Album

Lead vocalist of The Internet and solo artist SYD hit one of the festival's main stages in the early evening hours, bringing her silky smooth vocals and effortlessly cool demeanor to the growing crowd. Earlier that day, The Internet had released their brand new album Hive Mind, and fans and Pitchfork were eager to see if any of the new songs would make it into SYD's solo set. After performing songs like "All About Me" and "Got Her Own" from 2017's Fin, as well as her Kaytranada collaboration "You're The One," SYD did in fact bring out some of The Internet to perform a few of their brand new tracks. The hypnotizing set finished with one of The Internet's most popular tracks, "Girl," allowing for the audience to get the full experience of SYD's discography. 

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Big Thief Made a Comeback

It seem's like the members of Brooklyn's Big Thief never take a day off; after releasing full albums in 2016 and 2017 and touring in between, Buck Meek of the group also somehow managed to release his debut solo album and tour it this year. Buck Meek has played a couple of times in Chicago as his solo project, but this performance at Pitchfork was the first time the full band had played a show in town this year, and they were welcomed back by the Chicago audience with open arms as they performed crowd favorites from both of their albums. Their show stood out among all of the performances of the weekend with lead vocalist Adrianne Lenker's emotive delivery of her narratives and the magnetic chemistry among the group.

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Courtney Barnett Had a Hype Man

Before Courtney Barnett performed as the second to last act on Friday, flocks of fans had gathered in front of the red stage, anxiously buzzing for the Australian singer to take the stage. A lone fan started a chant for their apparent favorite song off Barnett's new album Tell Me How You Really Feel: "Nameless, Faceless." Before long, the majority of the crowd was chanting the song title along with the no longer lone fan and the anticipation for the show peaked. Barnett and her band rewarded the enthusiastic audience with another stand out set of the weekend, amplifying the already high energy on the studio versions of Barnett's records. 

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Tame Impala Made it Rain

Following Courtney Barnett's set, fellow Australians in Tame Impala hit the Green stage, closing out the first night of the festival. Before they even walked onstage, trippy lighting and visuals illuminated the stage, prefacing their psychedelic rock tunes. A couple of songs in, the rain that had been looming in the forecast all day finally fell upon the massive crowd watching Tame Impala, falling just after the band had already showered the front rows with confetti. The rain couldn't put a damper on the infectiously jovial mood of the audience, and the rain even added another dynamic layer to the multicolored visuals swirling around on the stage screens. Just as soon as it hit though, the rain had passed leaving the crowd to dance around in the aftermath of the storm. 

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Saturday

Paul Cherry Played His Debut Album in Full

Chicago's own Paul Cherry checked a huge accomplishment off his bucket list when he opened up the second day of the festival. Cherry brought his dreamy psych-pop debut album to life with the help of a full band, which included Kevin Krauter from Hoops and Mat Roberts from Mild High Club. The super group performed the 2018 album Flavour in full--"even the instrumentals," as Cherry pointed out. Although the early set definitely had a thinner crowd than the later performances, plenty of festival goers made sure to get there on time and show their support to one of their own. 

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Zola Jesus Made a Theatrical Entrance

Singer songwriter Zola Jesus took the stage in the early afternoon to suspenseful introduction music, donning a layered red dress that covered her entire body and face. She began her set singing through the garment, eventually pushing the red veil back to reveal her face. The extensive catalog of Zola Jesus explores different sonic pockets, ranging from delicate piano melodies to ominous synths, but her powerful and evocative vocals always stand out on her records. During her Pitchfork performance, Zola Jesus and her band brought all those aspects of her records to life, pairing them with a simple yet theatrical production featuring her outfit and choreography. Despite the heaviness of her songs, between them, the singer made light-hearted banter with the crowd, shouting out any audience members from Wisconsin, where she had attended college. 

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Moses Sumney Walked the Catwalk

Moses Sumney's incredible vocal range and live band lineup that even included orchestral instruments would have been enough to make his set stand out as a highlight, but his showmanship and interaction with the audience is what really set his show apart from others. Sumney worked the entire stage as he played songs from his 2017 album Aromanticism and his latest single "Make Out in My Car," giving the whole audience his attention throughout the show. Towards the end of his set, Sumney got even more up close and personal with the crowd when he left the stage to walk up and down the catwalk barricade in front of the stage. 

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Girlpool Reminisced About Myspace

Cleo Tucker and Harmony Tividad, better known as Girlpool took the Blue Stage on Saturday afternoon, providing festival goers a chance to sit back and relax to their laidback indie rock tunes. Girlpool have a sound that's instantly like-able, drawing in a huge crowd of both their avid listeners as well as curious passerby looking to discover new music at a festival. Between songs, the pair made witty banter to keep the entertainment rolling; Harmony Tividad even reminisced about Myspace at one point, sipping Gatorade and recalling that she had once included the drink in her Myspace bio. The duo's natural stage presence continued to add another layer to their performance, making them a fan favorite.

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 Blood Orange Brought a Production and New Music

Dev Hynes, known by his stage name Blood Orange, returned to Pitchfork Music Festival this year, delivering a full production and new music. Hynes and his full band performed in front of revolving videos being projected on the screen behind them. In addition to the visual layer added to the performance, Hynes added choreography and dance moves as well as backup singers to fill out the layered production. While most of the set consisted of tracks from his 2016 album Freetown Sound, Hynes threw a couple of new songs in, including "Charcoal Baby" from his upcoming album Negro Swan, out August 24th. 

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Sunday

Kweku Collins Had High School Classmates in the Audience

Evanston rapper and producer has been buzzed about in Chicago for a couple of years now, but his early Sunday performance marked his Pitchfork Chicago debut. Despite his 2:30PM start time on the third of the festival and the rainy morning, Collins still drew a large crowd of enthusiastic fans. Among the throngs of festival goers echoing the lyrics back to Collins, he recognized some of the audience members as his former high school classmates. Being 21, Collins admitted that his high school days weren't that long ago, but you could tell it meant a lot to him to have some hometown support. Collins also used his performance time to put his platform to good use; during his set he addressed one of the common issues at music festivals. "Guys watch your space. Your presence is not a burden until you make that shit a burden," continuing on to add that if we all go about it the right way and be respectful, everyone can have a great time. His statement set the tone for the final day of the festival and left everyone walking away with a smile. 

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RAVYN LENAE Made the Crowd Pinky Promise

Immediately following Kweku Collins' performance, another young Chicago artist took the Red Stage across the way: Ravyn Lenae. The R&B singer certainly made an entrance when she sauntered onstage draped in a sparkling fringe dress and carrying a microphone covered in red faux fur. Lenae's impressive range and vocal chops backed up her glittery stage set up, and she quickly had the crowd wrapped around her finger. Early on in her set, Lenae asked for the audience to raise their pinkies and promise to dance and sing along to her music, and they happily obliged. 

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Japanese Breakfast Collaborated With An Old Tour-mate

Michelle Zauner, known under her moniker of Japanese Breakfast, made her Pitchfork Festival debut with her usual exuberant stage presence, projecting that positivity out into the crowd. Following her incredible set that featured songs from her two albums as well as a cover of "Dreams" by The Cranberries, Zauner returned to the Blue Stage a short time later, this time joining her former tour mate (Sandy) Alex G during his set. The two had toured together in 2017, and at Pitchfork they reunited to perform the crowd favorite "Brite Boy."

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Chicago Artists Made the City Proud

Chicago remained the name of the game on Sunday at Pitchfork; following the performances of Nnamdi Ogbonnaya, Kweku Collins, and Ravyn Lenae, the Chicago acts just kept rolling. Rapper Noname delivered a special show with her full backing band and a few guest appearances from her fellow Chicagoans Ravyn Lenae, Smino, Saba, and Joseph Chilliams. The guests during Noname's set showcased the collaborative nature in this city's music scene. 

The legendary Chaka Khan, another Chicago native, took the Red Stage next, keeping the hometown theme going. Her set consisted of nonstop hits, from her solo songs like "I'm Every Woman" to "Ain't Nobody," as well as songs from her funk band Rufus, the crowd never stopped singing along. 

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Lauryn Hill Actually Showed Up

Throughout the entire day and even the entire weekend, festival goers continued to speculate if Lauryn Hill would show up, and if she did show up, how late she would be. The legendary artist has earned herself an infamous reputation for cancelling shows last minute or showing up hours late. Needless to say, no one really had high expectations as the night began to come to a close and the headliner was scheduled to begin, but everyone got a pleasant surprise when Ms. Hill's DJ took the stage right on time. After about thirty minutes of hype brought on by the DJ and her other band members who began to trickle onstage, Lauryn Hill finally graced the Green Stage, rewarding the swarm of eager fans that spanned multiple generations. The weekend ended on a high note as the festival goers got to celebrate the 20th anniversary of The Miseducation of Lauryn Hill with the icon, who has since cancelled some of her upcoming tour dates. 

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Check out more photos of the entire weekend below