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SXSW 2019: The Complete Photo Gallery

Check out our photo gallery from the annual SXSW Music Festival in Austin, Texas— and stay tuned for interviews and more recaps coming next week.


March 12th featuring Husky Loops, Fatherson, and ShitKid

March 13th featuring The Dunts, Thyla, Easy Life, Dehd, Molly Burch, Slow Pulp, Shy Boys, Fontaines D.C.

March 14th: ANCHR Showcase featuring Faux Furrs, Seasaw, The Golden Fleece, Deeper, Pool Holograph, Uma Bloo, Half Gringa, Rookie, Thompson Springs, The Evening Attraction, Blue Dream

March 15th featuring Pottery, Parrot Dream, Black Belt Eagle Scout, HÆLOS, Tasha, Sir Babygirl

March 16th featuring WAND, Fontaines D.C., Gnarcissists, Stuyedeyed, High Waisted, Pinky Pinky, The Dunts, Native Sun, Miya Folick, Kirin J Callinan

Portraits featuring Stuyedeyed, Nardwuar with Public Practice, Pinky Pinky, Native Sun, Ric Wilson and The Dunts


SXSW 2019 Highlights: The Best New Acts We Saw in Austin

As with most music festivals, I went into the week at SXSW having a list of artists I had seen before and wanted to see again, but the true beauty of any festival is stumbling across some gems that you’ve either never seen before, or never even heard of. With hundreds of showcases and more than a thousand artists, SXSW offers the best opportunities for music fans to discover their new favorite bands, and this year I definitely found a few new personal favorites. Read up on the nine best new bands I caught at SXSW 2019 below!


Fatherson

I caught a great set from Scottish rock band Fatherson on my first night in Austin, on March 12th at Seven Grand. The Kilmarnock-based trio fronted by Ross Leighton have actually been around since 2010 and toured with the likes of Biffy Clyro, Frightened Rabbit, Panic! at the Disco, and Enter Shikari, but this year marked their return to SXSW for the first time since 2015, and I finally got the chance to see them perform this time around. Throughout their set at Seven Grand, the bandmates seemed to have this sense of ease and chemistry between one another, which perfectly complimented Leighton’s powerful, yet silky vocals.

Listen to Fatherson’s 2018 album Sum of All Your Parts here and see where they’re playing next here.

For Fans Of: Foals, Twin Atlantic, Frightened Rabbit

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ShitKid

Swedish musician Åsa Söderqvist— AKA ShitKid— took the stage at the wee hour of 1AM on March 12th at Cheer Up Charlie’s indoor venue, and while she and the audience theoretically should have been exhausted from a full day of music at that point, no one let on and the room buzzed with an electric energy during the entire set, proving you shouldn’t ever judge a band by their name. Söderqvist and her bandmate kept the crowd entertained throughout their set with different antics; whether it was dismantling the drum set on stage, climbing ledges around the room, or lifting their instruments above their heads, there was never a dull moment during the show. Unsurprisingly, the crowd begged for an encore song from ShitKid, but unfortunately the venue curfew didn’t allow for their demands to be granted.

Keep up with ShitKid’s upcoming tour dates here.

For Fans Of: Cherry Glazerr, Chastity Belt, Charly Bliss

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Fontaines D.C.

Easily one of the most buzzed about bands at this year’s festival, the Dublin-based Fontaines D.C. put on a show well worth the hype. I had the pleasure of seeing them perform twice, for the first time on March 13th at Swan Dive, which drew a huge crowd and a line out the door. The band’s collective stage presence had this juxtapositional sense about it, with lead singer Grian Chatten coming across visibly anxious as he paced the stage on his tip toes and bit his fingernails, while his bandmates would thrash around the stage or climb up on the amps during the show. The dynamic worked really well and had everyone hooked, and towards the end of the set, a large mosh pit started going for the Irish punk band.

Fontaines D.C. returns to The States later this year for a tour with Idles— dates here, and you can listen to their latest single here.


For Fans Of: Idles, Iceage, Protomartyr

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The Dunts

Another great export from across the pond at this year’s SXSW: Glasgow’s The Dunts. The four-piece formed in late 2016, but have already garnered plenty of buzz around their sound and live performances, which has earned them past slots at Reeding and Leeds festival and upcoming slots at UK Festivals this summer. Their guitar-driven tracks and rowdy stage presence blends perfectly with their catchy choruses and guaranteed-to-get-stuck-in-your-head melodies. Although this was their first ever SXSW, both of their performances that I caught (on 3/13 at The British Embassy and 3/16 at 720 Club) drew in very large crowds of enthusiastic fans.

Stay tuned for an interview with The Dunts coming soon, right here on ANCHR!

For Fans Of: The Vaccines, Shame, White Reaper

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Black Belt Eagle Scout

I was lucky enough to catch Black Belt Eagle Scout, the project of singer, songwriter, and multi-instrumentalist Katherine Paul, on Friday, 3/15, when I arrived to a venue early for HÆLOS’ final set of the festival. While I had never had a chance to listen to Black Belt Eagle Scout’s music, Paul and her bandmates instantly won me over with their live show, which kept the audience on their toes with a dynamic performance. The set had more delicate, softer moments that lured the audience members in, but Paul and her bassist also didn’t pass up the opportunity to shred.

Black Belt Eagle Scout will tour with Julia Jacklin in April and May, including an already sold out show at Schubas Tavern on May 8th. Full dates here.


For Fans Of: Julia Jacklin, Miya Folick, The Beths

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Pottery

Montreal’s Pottery hasn’t been around long at all, but they had large crowds at both of their sets that I attended. Blending together elements of different genres—from surf rock to post-punk to krautrock— there’s a special element to their sound that you just can’t put your finger on, but it made the perfect soundtrack for Friday afternoon when I first saw them at a Cheer Up Charlie’s day party. So far Pottery has only released two singles, but based on their live shows, their future releases will be worth the wait.

See where you can catch the new band on tour next— upcoming dates here.

For Fans Of: The Districts, Omni, Ty Segall

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Sir Babygirl

For the Father/Daughter Records showcase on Friday night, Sir Babygirl (the moniker for musician Kelsie Hogue) went all out with her stage presence; face paint, a full getup featuring a tutu-esque cape, and back up dancers. While that performance was completely captivating and demanded the audience’s attention for obvious reasons, I also had the chance to catch a solo, acoustic set from Sir Babygirl on Sunday afternoon, and Hogue’s stripped-back performance commanded the room just the same as the first time I saw her perform. As a songwriter and performer, Sir Babygirl exudes her message so clearly and so powerfully that you can’t help but listen and appreciate.

Keep up with Sir Babygirl updates here.

For Fans Of: Hand Habits, Caroline Rose, illuminati hotties

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Native Sun

SXSW-goers packed in Cheer Up Charlie’s indoor room for a rambunctious show from New York’s Native Sun on Saturday night, 3/16. While the four-piece was another one of buzziest bands this year, my first time seeing them only exceeded my expectations. Between the crowd surfing that occurred in the low-ceiling venue and lead singer Danny Gomez jumping off stage while the rest of the band let loose onstage, I think it’s safe to say everyone in the room had their adrenaline pumping at the end of the set.

Keep up with Native Sun here and stay tuned for our interview with them.

For Fans Of: Acid Dad, Naked Giants, Twin Peaks

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Gnarcissists

I got the chance to finally see one of Gnarcissists’ many SXSW sets on Saturday, 3/16, at Spider House, and besides being one of the best new bands I saw, their set was one of my all-time favorites at SXSW. Although this set was near the end of the long week, the band members cranked up the volume and still poured all of their energy into this performance. Refusing to remain confined to the stage set up outdoors at Spider House, the band jumped offstage to play amongst the crowd that had gathered to watch the care-free gig.

Keep up with Gnarcissists’ upcoming shows and announcements here.


For Fans Of: Cage The Elephant, Frankie and the Witch Fingers, Stuyedeyed

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PHOTOS: Grizfolk, Flor and Andrew McMahon in the Wilderness 03.02.19

This past Saturday night in Chicago, Grizfolk, Flor and Andrew McMahon in the Wilderness rocked the packed house at The Riviera Theatre. Check out our photo recap of the evening below!

PHOTOS: SHAED and JP Saxe at Subterranean 02.24.19

Last Sunday, SHAED headlined a sold out Subterranean, with singer songwriter JP Saxe warming up the crowd. If you missed out on tickets to the energetic show, check out our photo gallery below!

See where you can catch SHAED next in a city near you here, and listen to their latest EP Melt in full below.

PHOTOS: Lola Kirke With Alex Cameron and Roy Molloy "In The Round" at Thalia Hall

Alex Cameron and Roy Molloy rounded off the weekend with a rare duo performance in-the-round style at Thalia Hall, with singer songwriter Lola Kirke kicking off the night. If you missed out on the special evening, check out our photos of the show below!

 

Live Recap: Barns Courtney and The Kooks at The Riviera 02.21.19

This past Thursday night, The Kooks returned to Chicago for the first time since the release of their fifth studio album, Let’s Go Sunshine.

After Future Feats opened up the show, singer-songwriter Barns Courtney warmed up the packed house, getting everyone ready for The Kooks with a blaze of energy. Courtney burst onto the stage to join his live band as they opened up with an unreleased track “Fun Never Ends.” The high energy song set up the crowd to expect a good time from Courtney’s set, and he definitely lived up to that expectation as he sang through songs from his debut album and some new singles. As Courtney sauntered across the stage and put his all into his music, an appreciative fan shouted “you’re the coolest person ever!” Based on the amount of audience members dancing and singing along, both on the floor and in the balcony, it seemed that most agreed with the enthusiastic fan. The spirit of Courtney’s set culminated during the final few songs “Kicks” and “Fire,” in which the singer first crowd surfed, and then finished out the set singing the latter in the middle of the crowd.

Needless to say, Barns Courtney’s set left the crowd buzzing and ready for The Kooks, who hit the stage performing one of their classics “Always Where I Need To Be.” From their years of playing together, the band members had a sense of chemistry and ease about them that perfectly complemented lead singer Luke Pritchard’s captivating stage presence. Alongside the band’s long history of playing together and their lengthy setlist that pulled songs from every chapter of their extensive discography, The Kooks also had an impressive light show that added another special touch to their live show without being overpowering.

While the mood remained very energetic for most of the night, allowing for Pritchard to show off his dance moves, the set did slow down during the performance of “See Me Now” from 2014’s Listen, which Pritchard dedicated to his late father. Pritchard performed the emotional song at the piano, sans his bandmates. Although a hush fell over the crowd during this song, with everyone giving their undivided attention to the stage, the energy quickly picked back up when the full band rejoined Pritchard for “Pamela” from the latest album. While the band members kept their onstage chatting to a minimum in order to focus on the music, they didn’t shy away from fleshing out their songs with special, one-of-a-kind live arrangements. During “Bad Habit,” the band extended the introduction as Pritchard and the audience members partook in a call-and-response style chant, and during “Seaside,” the audience sounded like a choir backup Pritchard’s vocals in the simple song.

Eventually the time came for The Kooks to leave the stage, but it didn’t take long for the crowd to request an encore performance. Instead of the traditional “one more song!” or “encore!” chants, the crowd asked for the band to return by chanting the vocalized introduction to “Bad Habit” once again. The band obliged and returned with “No Pressure” and “Naive.” Before they began the final song of the night, Pritchard dedicated that night’s performance of the 2006 single to fan named Jeffery, giving one lucky fan a very special memory of the evening.

The Kooks wrap up their North American tour this week— see their live dates here, and check out our photo recap of Thursday night below.

Listen to Let’s Go Sunshine in full below

PHOTOS: Adrianne Lenker at Lincoln Hall 02.20.19

On Wednesday, February 20th, Lincoln Hall hosted a sold out show with singer songwriter Adrianne Lenker of Big Thief. Lenker’s stunning and soft set focused on her solo material, like the most recent album abysskiss, released late 2018. Check out photos of the magical evening below.

Keep up with Adrianne Lenker on Facebook + Instagram

PHOTOS: Skela's Project 10 Tour with Silver at Schubas 2.16.19

This past Saturday night, indie pop singer Skela brought her powerhouse vocals and DIY spirit to the Schubas stage in honor of her latest music release: Project 10. Check out photos from Skela’s Chicago headlining debut below, including shots from Silver’s supporting set.

Project 10:

PHOTOS: Sharon Van Etten and Lucy Dacus at Thalia Hall 2.15.19

This past Friday night, Sharon Van Etten headlined the Thalia Hall stage for night two of her back-to-back sold out shows in honor of Valentine’s Day. If you missed out on tickets to the second sold out show, also featuring special guest Lucy Dacus, check out our photo gallery of the night below.

Listen to Sharon Van Etten’s latest album in full below

Live Recap: ‘A Night Out With’ Aussie Surf Rockers Hockey Dad and HUNNY at Subterranean

Roughly 15,078 km away from their home of New South Wales Australia, Hockey Dad - comprised of duo Zach Stephenson and Billy Fleming - made Subterranean feel like home with their catchy surf-rock tunes, with a set that included a stellar mix of hits off of their first two albums. Returning to the Windy City six months after their previous headlining show at Beat Kitchen, the show was twice as packed and twice as fun. The sold-out show was vibing off the band’s infectious energy, singing back lyrics and dancing to the tune of crowd favorites like “Danny,” “My Stride,” and “Sweet Release.” The duo’s set saw plenty of crowd surfers catapulting off the stage, giving the show a very punk and rowdy vibe.

The band was accompanied by post-punk, pop band HUNNY from California, whose melodious sound had the crowd jumping and the floor shaking. Hunny played a few new singles such as “Vowels (And the Importance of Being Me)” and the already beloved songs, such as “Natalie,” “Rebel Red,” and “July.” The highlight of the band’s set was when HUNNY is frontman Jason Yarger hung off the balcony rail over astonished and (only slightly) frightened fans below during the band’s last song. He made it down safely into the pit to finish off the set. Pllush ( with two ls and from San Francisco—as to not be confused from the other Plush band out there) opened up the show with their sweet shoegaze/groovy pop that was rife with heavy 90’s influenced bass lines. This being their first time in Chicago, the band was greeted with warmth from the crowd who couldn’t get enough of lead singer Karli’s sweet harmonies and vocals. The Father/Daugther records artist are absolutely on the rise and their last album Stranger to the Pain is worth a spin or two.


Listen to Hockey Dad here and visit their website for additional tour info, merch, and news.

Photos of Pllush, HUNNY, and Hockey Dad from 2.01.19