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Thousands of music fans returned to the familiar stomping grounds of Union Park for another successful Pitchfork Music Festival this past weekend. Looking at the thunderstorm-filled weather forecast during the days leading up to the festival, many of the festival goers speculated if the schedule would stay on track and if any sets would be canceled, but surprisingly the weather turned out to be close to perfect with minimal rain and lots of breeze. In addition to the ideal festival weather, P4K 2018 also featured more Chicago artists than it ever has in the past, and they also had a fair balance of female and male performers, which is something many other music festivals have failed to provide with recent line ups. If you missed out on the festival this year, dive in below to see what other standout moments happened over the weekend.
Julie Byrne and her her harpist eased the crowd into Day 1
Friday morning and early afternoon did end up having some rain showers, but by the time singer songwriter Julie Byrne took the stage just before 3PM, the drizzle had died down, leaving a cloudy, cool breeze in the air. Bryne's mellow music and ethereal vocals perfectly complimented the gray skies, giving everyone a tranquil introduction to their festival weekend. Byrne's live band also included a rare harpist, which further hypnotized the crowd and eased them into what would inevitably be a long weekend of lots of great music. Byrne also gave a shout out to Chicago when she reminisced on her time she spent living here, before playing her song "Melting Grid" from her 2017 album Not Even Happiness.
Julien Baker Captivated a Large Crowd on her Own
Most of the time when solo artists perform live, they're joined by a live band to help them fill out the arrangements and make a more dynamic performance, but Julien Baker took the stage at Pitchfork completely alone at the beginning of her set. Armed with her guitar and her powerful vocals, Baker completely captivated the large crowd that overflowed the area around the Blue Stage, opening with "Turn Out The Lights." After performing the title track of her latest album, the chilling track "Appointments" from the same album, Baker was eventually joined by a violinist, who added a special touch to Baker's narratives. Again, it's rare to witness a solo performance as powerful as Baker's but with her vocal gusto and emotive stage presence, her shows are always something special.
SYD Celebrated The Internet's New Album
Lead vocalist of The Internet and solo artist SYD hit one of the festival's main stages in the early evening hours, bringing her silky smooth vocals and effortlessly cool demeanor to the growing crowd. Earlier that day, The Internet had released their brand new album Hive Mind, and fans and Pitchfork were eager to see if any of the new songs would make it into SYD's solo set. After performing songs like "All About Me" and "Got Her Own" from 2017's Fin, as well as her Kaytranada collaboration "You're The One," SYD did in fact bring out some of The Internet to perform a few of their brand new tracks. The hypnotizing set finished with one of The Internet's most popular tracks, "Girl," allowing for the audience to get the full experience of SYD's discography.
Big Thief Made a Comeback
It seem's like the members of Brooklyn's Big Thief never take a day off; after releasing full albums in 2016 and 2017 and touring in between, Buck Meek of the group also somehow managed to release his debut solo album and tour it this year. Buck Meek has played a couple of times in Chicago as his solo project, but this performance at Pitchfork was the first time the full band had played a show in town this year, and they were welcomed back by the Chicago audience with open arms as they performed crowd favorites from both of their albums. Their show stood out among all of the performances of the weekend with lead vocalist Adrianne Lenker's emotive delivery of her narratives and the magnetic chemistry among the group.
Courtney Barnett Had a Hype Man
Before Courtney Barnett performed as the second to last act on Friday, flocks of fans had gathered in front of the red stage, anxiously buzzing for the Australian singer to take the stage. A lone fan started a chant for their apparent favorite song off Barnett's new album Tell Me How You Really Feel: "Nameless, Faceless." Before long, the majority of the crowd was chanting the song title along with the no longer lone fan and the anticipation for the show peaked. Barnett and her band rewarded the enthusiastic audience with another stand out set of the weekend, amplifying the already high energy on the studio versions of Barnett's records.
Tame Impala Made it Rain
Following Courtney Barnett's set, fellow Australians in Tame Impala hit the Green stage, closing out the first night of the festival. Before they even walked onstage, trippy lighting and visuals illuminated the stage, prefacing their psychedelic rock tunes. A couple of songs in, the rain that had been looming in the forecast all day finally fell upon the massive crowd watching Tame Impala, falling just after the band had already showered the front rows with confetti. The rain couldn't put a damper on the infectiously jovial mood of the audience, and the rain even added another dynamic layer to the multicolored visuals swirling around on the stage screens. Just as soon as it hit though, the rain had passed leaving the crowd to dance around in the aftermath of the storm.
Paul Cherry Played His Debut Album in Full
Chicago's own Paul Cherry checked a huge accomplishment off his bucket list when he opened up the second day of the festival. Cherry brought his dreamy psych-pop debut album to life with the help of a full band, which included Kevin Krauter from Hoops and Mat Roberts from Mild High Club. The super group performed the 2018 album Flavour in full--"even the instrumentals," as Cherry pointed out. Although the early set definitely had a thinner crowd than the later performances, plenty of festival goers made sure to get there on time and show their support to one of their own.
Zola Jesus Made a Theatrical Entrance
Singer songwriter Zola Jesus took the stage in the early afternoon to suspenseful introduction music, donning a layered red dress that covered her entire body and face. She began her set singing through the garment, eventually pushing the red veil back to reveal her face. The extensive catalog of Zola Jesus explores different sonic pockets, ranging from delicate piano melodies to ominous synths, but her powerful and evocative vocals always stand out on her records. During her Pitchfork performance, Zola Jesus and her band brought all those aspects of her records to life, pairing them with a simple yet theatrical production featuring her outfit and choreography. Despite the heaviness of her songs, between them, the singer made light-hearted banter with the crowd, shouting out any audience members from Wisconsin, where she had attended college.
Moses Sumney Walked the Catwalk
Moses Sumney's incredible vocal range and live band lineup that even included orchestral instruments would have been enough to make his set stand out as a highlight, but his showmanship and interaction with the audience is what really set his show apart from others. Sumney worked the entire stage as he played songs from his 2017 album Aromanticism and his latest single "Make Out in My Car," giving the whole audience his attention throughout the show. Towards the end of his set, Sumney got even more up close and personal with the crowd when he left the stage to walk up and down the catwalk barricade in front of the stage.
Girlpool Reminisced About Myspace
Cleo Tucker and Harmony Tividad, better known as Girlpool took the Blue Stage on Saturday afternoon, providing festival goers a chance to sit back and relax to their laidback indie rock tunes. Girlpool have a sound that's instantly like-able, drawing in a huge crowd of both their avid listeners as well as curious passerby looking to discover new music at a festival. Between songs, the pair made witty banter to keep the entertainment rolling; Harmony Tividad even reminisced about Myspace at one point, sipping Gatorade and recalling that she had once included the drink in her Myspace bio. The duo's natural stage presence continued to add another layer to their performance, making them a fan favorite.
Blood Orange Brought a Production and New Music
Dev Hynes, known by his stage name Blood Orange, returned to Pitchfork Music Festival this year, delivering a full production and new music. Hynes and his full band performed in front of revolving videos being projected on the screen behind them. In addition to the visual layer added to the performance, Hynes added choreography and dance moves as well as backup singers to fill out the layered production. While most of the set consisted of tracks from his 2016 album Freetown Sound, Hynes threw a couple of new songs in, including "Charcoal Baby" from his upcoming album Negro Swan, out August 24th.
Kweku Collins Had High School Classmates in the Audience
Evanston rapper and producer has been buzzed about in Chicago for a couple of years now, but his early Sunday performance marked his Pitchfork Chicago debut. Despite his 2:30PM start time on the third of the festival and the rainy morning, Collins still drew a large crowd of enthusiastic fans. Among the throngs of festival goers echoing the lyrics back to Collins, he recognized some of the audience members as his former high school classmates. Being 21, Collins admitted that his high school days weren't that long ago, but you could tell it meant a lot to him to have some hometown support. Collins also used his performance time to put his platform to good use; during his set he addressed one of the common issues at music festivals. "Guys watch your space. Your presence is not a burden until you make that shit a burden," continuing on to add that if we all go about it the right way and be respectful, everyone can have a great time. His statement set the tone for the final day of the festival and left everyone walking away with a smile.
RAVYN LENAE Made the Crowd Pinky Promise
Immediately following Kweku Collins' performance, another young Chicago artist took the Red Stage across the way: Ravyn Lenae. The R&B singer certainly made an entrance when she sauntered onstage draped in a sparkling fringe dress and carrying a microphone covered in red faux fur. Lenae's impressive range and vocal chops backed up her glittery stage set up, and she quickly had the crowd wrapped around her finger. Early on in her set, Lenae asked for the audience to raise their pinkies and promise to dance and sing along to her music, and they happily obliged.
Japanese Breakfast Collaborated With An Old Tour-mate
Michelle Zauner, known under her moniker of Japanese Breakfast, made her Pitchfork Festival debut with her usual exuberant stage presence, projecting that positivity out into the crowd. Following her incredible set that featured songs from her two albums as well as a cover of "Dreams" by The Cranberries, Zauner returned to the Blue Stage a short time later, this time joining her former tour mate (Sandy) Alex G during his set. The two had toured together in 2017, and at Pitchfork they reunited to perform the crowd favorite "Brite Boy."
Chicago Artists Made the City Proud
Chicago remained the name of the game on Sunday at Pitchfork; following the performances of Nnamdi Ogbonnaya, Kweku Collins, and Ravyn Lenae, the Chicago acts just kept rolling. Rapper Noname delivered a special show with her full backing band and a few guest appearances from her fellow Chicagoans Ravyn Lenae, Smino, Saba, and Joseph Chilliams. The guests during Noname's set showcased the collaborative nature in this city's music scene.
The legendary Chaka Khan, another Chicago native, took the Red Stage next, keeping the hometown theme going. Her set consisted of nonstop hits, from her solo songs like "I'm Every Woman" to "Ain't Nobody," as well as songs from her funk band Rufus, the crowd never stopped singing along.
Lauryn Hill Actually Showed Up
Throughout the entire day and even the entire weekend, festival goers continued to speculate if Lauryn Hill would show up, and if she did show up, how late she would be. The legendary artist has earned herself an infamous reputation for cancelling shows last minute or showing up hours late. Needless to say, no one really had high expectations as the night began to come to a close and the headliner was scheduled to begin, but everyone got a pleasant surprise when Ms. Hill's DJ took the stage right on time. After about thirty minutes of hype brought on by the DJ and her other band members who began to trickle onstage, Lauryn Hill finally graced the Green Stage, rewarding the swarm of eager fans that spanned multiple generations. The weekend ended on a high note as the festival goers got to celebrate the 20th anniversary of The Miseducation of Lauryn Hill with the icon, who has since cancelled some of her upcoming tour dates.
Check out more photos of the entire weekend below
It's that time of year again, where thousands of music fans, musicians, and music industry folks flock down to Austin, Texas for a jam packelizd week of endless live music. Going over the countless events and showcases that just keep rolling in, it's hard not to feel overwhelmed about who to see and what to do at the annationnual SXSW music festival. While we can't really help with the problem of wanting to be in 5 places at once, we can help you focus in on some of the key bands to see this week. Check out our list of our top ten must-see acts at SXSW 2018 below, and make sure you give our SXSW Spotify playlist a listen for even more recommendations.
London's buzzy post-punk rockers Shame have already been making a name for themselves all over The States, going on a headlining tour surrounding their debut album, Songs of Praise, which came out in January. Everybody and anybody who has seen them live seems to only have positive things to say about their raw and rambunctious energy onstage, and there will be no shortage of opportunities to catch one of their rowdy performances at this year's SXSW. Make sure you catch them this year before they move on to bigger and bigger venues. See their SXSW schedule here.
For Fans Of: Idles, Ought, The Vaccines
Start With: "Lampoon," "Dust on Trial," "Concrete"
Nation of Language
Fronted by Ian Devaney, this Brooklyn based trio manages to borrow components from past generations of musical geniuses, without delivering boring reiterations. Nation of Language recently toured with The Wombats, instantly winning over the crowd with their addictive synth melodies that sound like they belong on a soundtrack for a John Hughes film. While the band have yet to put out an album, they've gained traction and attention nationally with a handful of single releases. See their SXSW schedule here.
For Fans Of: The Psychedelic Furs, Night Riots, John Maus
Start With: "I've Thought About Chicago," "On Division St," "What Does the Normal Man Feel?"
If you're an avid ANCHR reader, this definitely isn't the first you've heard about Post Animal....and it definitely won't the last time you'll hear their name if you're going to SXSW this year. The Chicago based outfit had an insane year in 2017, touring across the entire country, and 2018 is set to be even bigger for them, rightfully so. Their shows never lack in energy and over the years they've expanded their live arrangements while keeping a tight sound. Following their rigorous touring schedule surrounding SXSW, Post Animal will release their official debut album via Polyvinyl Records on April 20th. Their summer touring schedule includes cities across the country and appearances at major festivals like Shaky Knees and Bonnaroo, so don't miss out on the abundance of chances to see Post Animal at SXSW before they blow up even more. Check out their full schedule here.
For Fans Of: Twin Peaks, King Gizzard, POND
Start With: "When I Get Home," "Special Moment," "Ralphie"
Nashville's Ron Gallo might be another familiar name to ANCHR readers, as we've frequently covered him here. Gallo has already had a great year, playing festivals like Governor's Ball and Lollapalooza in support of his debut solo album Heavy Meta, but he's managed to keep cranking out new music despite a grueling tour schedule. His live show not only highlights the chemistry between him and his band, but he always encourages kindness among his audiences, working to keep his shows a safe space, while also making his audience laugh with his quirky between-song anecdotes. If you're looking to hear some great music and have a laugh, make sure you go see Ron Gallo this year. Check out his schedule here.
For Fans Of: White Reaper, Diane Coffee, Naked Giants
Start With: "Put The Kids To Bed," "Really Nice Guys," "All the Punks are Domesticated"
NYC's Caroline Rose just put out her debut album Loner at the end of February, and with insanely catchy choruses, clever lyrical quips, and thoughtful themes, it's been nothing but well received. I have yet to see one of Caroline Rose's show, but based on the light-hearted tone of her album, her live show will undoubtedly be a blast. Lucky for us, there's no shortage of opportunities to see her down in Austin this week. See her plentiful schedule here.
For Fans Of: Liz Cooper & The Stampede, Angel Olsen, Courtney Barnett
Start With: "Bikini," "More of the Same," "Money"
Currently based in LA, the NYC native Sabrina Teitelbaum has been garnering all sorts of praise over her material released as BAUM. Although her releases are limited to only three official singles, BAUM threads powerful and empowering themes through catchy pop melodies. Her debut EP will be released on 3/16 during SXSW, so make sure you catch one of her shows to hear the new tracks live. See BAUM's schedule here.
For Fans Of: Grace Mitchell, Ryn Weaver, VÉRITE
Start With: "This Body," "Hot Water"
The Nude Party
If any of the bands on this list fall into the don't-judge-a-band-by-their-name category, it's this band. The Nude Party spices up their rock'n'roll tunes with a hint of twang and psychedelia. During their shows, the band members feed off one another's energy so well, and their audiences quickly reciprocate the infectious energy. See where you can catch on of their rowdy shows here.
For Fans Of: Black Lips, Meatbodies, Frankie & The Witch Fingers
Start With: "Time To Go," "Life's a Joke," "Poor Boy Walking Blues"
NYC rockers Acid Dad just put out their debut self-titled album on Friday, and they'll be celebrating all week in Austin, in the midst of an on-going national tour. The four piece have a distinct sound that blends psych and punk rock perfectly, and it translates incredibly well in a live setting. Check them out at SXSW at one of their plethora of live shows; information here.
For Fans Of: Honduras, No Parents, NE-HI
Start With: "Don't Get Taken," "Come Outside," "Fool's Gold"
Another name that should be familiar if you're a regular ANCHR reader, HINDS crafts irresistibly lively and light-hearted lo-fi rock tunes with melodies that'll get lodged in your head for days. Their live show is really where it's at...the quartet from Madrid exude so much chemistry and project endless positivity and energy whenever they take the stage, making their show one you cannot miss if you're going to SXSW. Luckily, HINDS have a new album on the way, so they will be hitting the Austin pavement hard this week. See their packed schedule here.
For Fans Of: Twin Peaks, The Big Moon, Cherry Glazerr
Start With: "Bamboo," "Garden," and "New For You"
Liza Anne's incredibly candid and raw songwriting style makes her music effortlessly relatable. The Nashville singer-songwriter's third album, Fine But Dying, showcases her vulnerability in the most beautiful way, and the eleven tracks remain cohesive while also exploring different sonic pallets. Her live shows take that authenticity and amplifies it in a stunningly captivating way, so don't miss your chance to see her in Austin.
For Fans Of: Japanese Breakfast, Tennis, Alvvays
Start With: "Small Talks," "Socks," "Paranoia"
There you have it! Again, don't forget to check out our Spotify list for even more recommendations. Also remember that these artists are all playing official showcases, but there's tons of unofficial showcases by both official and unofficial artists throughout the week. Keep your eyes on our social media for more unofficial suggestions, and make sure you check out Treehouse Records' showcase on 3/16 as well as all of the events put on by Howdy Gals here.
Last Saturday, Concord Music Hall ended its night with a sea of crowd surfers floating to the thrash punk rifts of Against Me!
Earlier that night, the Canadian trio, The Dirty Nil, was the first of a three band act to perform at the Concord Music Hall. These guys aren’t your average opener. With their raw and ravishing vocals blended with their punk rock rifts, The Dirty Nil managed to pump the crowd up with songs off their new album Higher Power.
Next up, Bleached played more than just a solid set this night. The band delivered their new, deep-cut punk single “Can You Deal?" The crowd couldn’t help but jump around and sing along to it. From songs on their recent album Welcome The Worms to their single “Carter," the surf rock group expelled a high dose of stellar tunes into the muggy air of the sold out concert venue.
Finally, with the crowd screaming for more noise and sound, Against Me! walked on to the stage. A big portion of the crowd was made of mid to late twenty years olds. So when the band played “I Was a Teenage Anarchist” early off in their set, it certainly launched everyone back to being 17 and those accompanying feelings of rebellion. The band managed to cover a massive variety of their songs and exceeded the expectation of the audience. One of the biggest closing songs the band performed that night was “Thrash Unreal. In unison, the crowd yelled out the lyrics and then the chorus hit. From the sea of fans, the crowd surfers emerge and glide across the floor. The floor literally shook to its foundation to close out an unreal performance.
See all of Against Me!'s upcoming tour dates here, and listen to their latest album in full below!
We had a blast at Loufest last weekend seeing some of our favorite artists perform across three stages. Read our Day 1 and Day 2 highlights, and now check out our full photo gallery from both days below.
Saturday gallery featuring Hippo Campus, Middle Kids, Ron Gallo, Cage the Elephant. Rainbow Kitten Surprise, and Snoop Dog.
Sunday gallery featuring Future Thieves, Mondo Cozmo, The Record Company, Lizzo, Noname, and Weezer.
Stay tuned for our interviews from Loufest!
This past Wednesday night, Aussie indie rockers Middle Kids brought both their sincere songs and witty stage banter to Lincoln Hall’s stage as part of WKQX’s Queued Up Artist Showcase. After Chicago’s own Glyders rocked the Lincoln Park concert venue, Middle Kids kicked off their roughly hour-long set with a new track from their upcoming debut album, called “On My Knees,” before moving into “Your Love” from the band’s debut EP. The latter, like most of Middle Kids’ EP, showcases lead singer Hannah Joy’s incredible vocal range and emotive tone that adds another layer to her intricate narratives.
Live, the band adds even more depth to their thoughtful and personal stories told in the songs, with Joy moving around on stage and jamming with bandmates Tim Fitz, Harry Day, and touring member Pete Covington. The energy built up during “Fire In Your Eyes,” which Joy told the crowd was the first song she and Fitz ever wrote, and “Old River,” which had Joy working the whole crowd and the band playing an extended jam during the bridge. The mood came to a hypnotizing lull for the next song, a piano ballad on the EP named “Doing It Right” that Joy reconstructed as a guitar ballad, performed as a solo on her part. The stripped back solo placed a weight of vulnerability on Joy, but she wrapped the crowd around her finger with the flawlessly fragile performance. The spell broke when the full band returned and Fitz delivered some banter about spit bubbles before diving into their viral track “Edge of Town,” which has been hyped by everyone...including Elton John. Joy prefaced another new song called “Don’t Be Hiding” by telling the crowd that their shows act as a little survey to test out the new ones. One final new tune trailed after “Never Start,” acting as an encore. The new song may have been the last, but instead of displaying any signs of exhaust for the prior performance, Joy’s voice remained resilient, weaving in and out of falsettos and powerful harmonies with her bandmates, while possessing a strong sense of conviction.
The Sydney trio had only made their Chicago debut earlier this year, but with the stellar show they put on at Lincoln Hall, there’s no doubt we’ll be seeing lots more of Middle Kids soon.
Check out photos of Glyders and Middle Kids at Lincoln Hall, and catch them in a city near you soon! All tour dates can be found here.
Can't get enough Middle Kids? Listen to their debut EP below, and check out our interview with Hannah Joy here.
All tickets for these shows are only $15, with a two ticket limit per event. Sign up here to get more information on each show, including times and venues. Tickets go on sale September 6th.
This past Friday night at Schubas Tavern, Marika Hackman and The Big Moon created an IRL experience of Hackman’s latest album I’m Not Your Man. Released on June 2nd, the sophomore album from Hackman marks a departure and transformation for the formerly folk artist. Boosting blunt lyrics, lighter melodies, and a lax, carefree recording style, I’m Not Your Man takes listeners through a 15-song journey, featuring The Big Moon as the backing band for the majority of them. Before The Big Moon pulled their second shift of the evening, backing Hackman at the Lakeview venue, they had performed their own 45 minute set, which carried the same carefree mood of friendship that comes across on their recordings. In addition to songs from their debut album Love in the 4th Dimension, the group also performed a cover of “Total Eclipse of the Heart.” Between songs, the band kept the crowd laughing with a bit of sarcasm and banter, but the standout moment of their set occurred during their song “Bonfire.” Front woman Juliette (Jules) Jackson left the stage and abandoned her guitar to sing the song in the crowd.
The same banter and laughter only amplified when Hackman joined The Big Moon, but the focus of the night remained on the effortless musicianship displayed between the friends. The songs from I’m Not Your Man translated beautifully in the live sense, seeing as most of the album had actually been tracked live, with a minimal use of overdubs. Hackman’s hourlong set focused on the new album, with a couple of older tunes like “Cinnamon” and “Ophelia” sprinkled in. The direct, honest lyrics of tracks like “My Lover Cindy” and “Violet” had the crowd captivated and wrapped around Hackman’s finger. Prior to performing the latter, Hackman introduced “Violet” as a sexy song, encouraging the crowd to kiss their dates (only with consent) if they were feeling it. “Gina’s World” also stood out during the 11-song set, with its hauntingly heavy guitar riffs and striking harmonies, which echoed beautifully throughout the venue. Just before the set wrapped up with the dreamy melody of “BlahBlahBlah,” Hackman and The Big Moon performed the lead single from I’m Not Your Man, “Boyfriend.” The playful tune teased the light-hearted reinvention of Hackman before the release of the album, and it definitely acted as a highlight of the live show.
Photos: The Big Moon and Marika Hackman at Schubas 8/11/17
Marika Hackman and The Big Moon wrap up their US Summer Tour this week. See the remaining dates here, and stay tuned for our interview with Marika Hackman, coming soon!
Listen to I'm Not Your Man in full below.
This past weekend, singer songwriter Barns Courtney put on one of the rowdy, energetic performances that he’s become infamous for...only this time, he did it on one leg, while the other remained locked in a cast. Earlier this Summer, while Courtney was putting on one of those aforementioned wild performances, he jumped off the stage at Milwaukee’s Summerfest, right onto a slab of concrete. Instead of cancelling his upcoming tour and festivals appearances to heal his broken foot, Courtney decided to power through, and during Lollapalooza weekend, the singer performed three times in Chicago.
For his first performance, Courtney hit the stage at Schubas Tavern just past midnight, forgoing his crutches and hopping right up to his mic stand. From then on, it was full force for the next 60 minutes, while Courtney performed songs from his EP The Dull Drums, as well as some unreleased tracks from his upcoming album The Attractions Of Youth. Rather than stay stationary with his makeshift leg rest that was placed next to the mic stand, Courtney hobbled around the stage as he performed popular songs like “Glitter and Gold” and “Little Boy.” The energy ironically amplified during one of the unreleased tracks called “Kicks,” even though one of Courtney’s legs was out of kicking commission. Between songs, Courtney also rattled of some of his infamously raunchy stage banter, telling fans about a wild plane ride with his lady.
The rambunctious set came to an end with the crowd and Courtney giving it 1000 percent, the latter jumping offstage, cast and all, to dance with his fans. While the set may have come to an explosive ending around 1 AM, the night didn’t end there. Barns Courtney mustered all of his final strands of energy to bound offstage and collapse onto the sidewalk outside of the venue, where he hosted one of the most unconventional meet and greets we’ve seen.
Chicago! If you missed out on Lolla and the sidewalk meet and greet, Barns Courtney will be back (hopefully with two fully functioning legs) on October 11th with The Kooks. Grab tickets to their show at The Vic Theatre here, and see all of his upcoming tour dates here.
Can't get enough Barns Courtney? Check out our interview with him from Hangout Festival here, and listen to his latest single "Golden Dandelions" below!