ANCHR Magazine

Holding you down with the best new music

Live Recap: The Goo Goo Dolls with Dashboard Confessional at Northerly Island

On Wednesday, August 13th, I finally made my way to the Huntington Bank Pavilion at Northerly Island for the first time this summer to see a sold-out show from Dashboard Confessional and Goo Goo Dolls. As Johnny Rzeznik said during the Goo Goo Dolls headlining performance, “It ain’t summer until you come to Chicago and do a show,” but for me it truly doesn’t feel like summer in the city until I make it to a show at this beachfront venue. Concert attendees were treated to glorious weather after a couple of evenings filled with gloomy thunderstorms, and the music started just as golden hour hit the city skyline.

This past Wednesday was just a couple weeks shy of being exactly two years since the last time I caught a show from Goo Goo Dolls at the very same venue, only this time instead of O.A.R. they were joined by another of my teenaged self’s favorite bands— Dashboard Confessional. I mean truly, if you’ve never screamed the lyrics to “Vindicated” or “Hands Down” by Dashboard while driving with the windows down, you haven’t lived—but lucky for me that was one of my favorite pastimes in high school.

Also lucky for me, Dashboard Confessional’s setlist was packed with plenty of nostalgic tunes, opening up with “The Best Deceptions” from the 2001 album The Places You Have Come to Fear the Most. The show continued on to feature lots more music from the early 2000’s, including another favorite of mine “Remember to Breathe,” in which lead singer and songwriter Chris Carrabba sings “Remember to breathe/and everything will be okay.” In the recorded version of the song, Carrabba holds a long note on the words “breathe,” “everything,” and “okay,” and during the live version I was pleasantly surprised to hear Carrabba’s vocal chops were still going strong more than 20 years later and he held out those same notes. Honestly it felt like he took it even further during the show.

Along with his impressive vocal performance, Carrabba demonstrated wonderful creative chemistry with his bandmates, bringing these timeless tunes to life onstage. Their set ended on an epic singalong to the aforementioned “Hands Down.”

Goo Goo Dolls closed out the evening with another set filled to the brim with nostalgia and epic singalongs, starting off with “Naked” from their 1995 album A Boy Named Goo. As the setlist kicked off with a lot of material from the early discography, Rzeznik took the time to address the crowd after performing one of their hits “Black Balloon”—during which the audience bounced around actual black balloons throughout the venue, a tradition that seems to have stuck around from the last time I saw Goo Goo Dolls. “We’re just finally starting to get our groove, but I’m just here to play! I’m happy!" Rzeznik told the audience as the balloons continued to ricochet from fan to fan.

About halfway through the set, Rzeznik stripped back some of their songs, performing “Sympathy” and “Acoustic # 3” solo on acoustic guitar. He also kicked off “Name” with just himself and the guitar before being joined by the full band—and of course, the crowd as backup singers. “Thank you for remembering that song,” Rzeznik told everyone afterwards.

Another fun tradition that carried over from the last time I saw Goo Goo Dolls was that they covered another Tom Petty track. Last time, I got to hear “I Won’t Back Down,” and this time they treated the audience to a rendition of “You Wreck Me” by Petty before closing with their massive hit “Iris.” In the song Rzeznik sings “You're the closest to Heaven that I'll ever be,” and I’ve got to say, getting to hear iconic songs that you grew up with performed live more than 2 decades later at an outdoor venue during the Chicago summertime is pretty dang heavenly if you ask me.

See where you can catch your own slice of heaven on tour here, and check out photos of the evening below.

PHOTOS: Junior Varsity and Foster The People at Metro

Junior Varsity and Foster The People performed to a sold out Metro on Saturday, August 2nd, as part of an official Lollapalooza aftershow. Check out photos of the late-night gig below, and see where you can catch Foster The People on tour next here.

PHOTOS: Post Animal and Djo at Salt Shed

Post Animal and Djo hit the stage at Salt Shed ahead of their respective Lollapalooza festival sets over the weekend, performing to a sold-out crowd on Thursday, July 31st.

Check out photos of the show below, and see where you can catch the bands back on the road this fall here.

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Live Recap: Out of Space Festival 2025

Out of Space Festival returned to Skokie for another year, featuring four nights of diverse musical acts at North Field at Illinois Science & Technology Park. I was able to catch the opening and closing nights on Thursday, July 24th and Sunday, July 27th.

Mid-afternoon on Thursday we were hit with a gloomy but quick thunderstorm in the area that pushed back the time of doors, but the music still started on time with Case Oats. Bully hit the stage next, with lead vocalist and songwriter for the project, Alicia Bognanno, accompanied by her two bandmates. The majority of Bully’s performance saw Bognanno center-stage playing guitar for songs like “All I Do” and “Milkman,” but towards the end of her set, Bognanno moved over to the keyboard onstage to perform the melancholic and mesmerizing single “Atom Bomb.” Bully’s set wrapped up with the upbeat and anthemic “Days Move Slow” from the 2023 record Lucky For You.

Thursday’s headliners Sylvan Esso, the duo of singer Amelia Meath and producer Nick Sanborn, kept the upbeat energy going as they began their set during a cotton candy sunset. Meath took the stage donning a fluffy red jacket that she discarded after the first song, thanks to the mugginess that still clung to the summer air. Despite the hot night, as I looked around my fellow audience members, I saw people of all ages grooving along to the hypnotic beats of songs like “Hey Mami” and “Die Young.” The crowd kept the party vibes high as they bounced around beach balls and swayed atop shoulders in time to the music.

Sunday night’s performances kept the same positive energy, but the tone of the music took a turn towards “Pacific Northwest Hiking Vibes” with a lineup of Craig Finn, Kevin Morby, and The Decemberists.

I arrived back at the Skokie park as Kevin Morby and his bandmates hit the stage. Morby’s set featured an array of songs from his recent albums, like the title track “This Is A Photograph” from his 2022 album and "I Have Been to the Mountain” from 2016’s Singing Saw. Morby and his bandmates incorporated accompanying instruments like the saxophone and (more) cowbell to enrich the texture of their live performance.

Last but not least, The Decemberists took the stage to another beautiful sunset, wrapping up the entire weekend and festival. The band fittingly kicked off their set with “July, July” (how often do you get to a hear a song performed live during the month it was named after?!) and fans at the barricade began belting along to the music. The full-crowd singalong continued throughout the show, as The Decemberists played favorites like “Severed,” “Oceanside” and “Down by the Water.”

Check out photos from the two nights below, and keep an eye on upcoming SPACE shows here.

Photos of Bully and Sylvan Esso

 

Kevin Morby and The Decemberists

Live Recap: Winnetka Festival 2025

Winnetka Festival returned to downtown Winnetka on Friday, June 20th and Saturday, June 21st, featuring a jam-packed lineup of more than 20 artists across the two days and two stages.

I got the chance to catch the last part of Saturday’s festivities, arriving shortly before sunset to see Kam Franklin and her band at the Lincoln Stage. Franklin’s soulful powerhouse vocals captured the audience’s attention, and her raw, compassionate storytelling in songs like “Byrd And Shepard” pulled at our heartstrings. Before performing the song, Franklin told the crowd “It’s about James Byrd Jr. and Matthew Shepard. James Byrd Jr. was killed in 1998 in a dragging death in Jasper, Texas for being black and Matthew Shepard was killed in October 1998 for being gay.” In the song, she sings “Fact checker, fact fact checker/They’re trying to ban the books/But we won't forget ya” in homage to the men who suffered these hate crimes and a stark reminder that we can’t forget the tragedies of history.

Kam Franklin performing

Next up, Pete Yorn and his bandmates took the Main Stage on the other end of the festival grounds. Yorn opened up his set with a cover of “Ever Fallen in Love (With Someone You Shouldn't've)” by The Buzzcocks, which he introduced as a song from the movie Shrek. The band also sprinkled in a couple of other covers later on in the show, sharing their own version of “Bizarre Love Triangle” by New Order and “Atlantic City” by The Boss. In between the covers, Yorn also made sure to play a few newer tracks from his 2024 album The Hard Way, including the titular track, “Different Roads,” and “Real Good Love.” Long-time fans were also ecstatic to hear some of his earlier material like “Life On a Chain” and “Murray” from his 2001 debut album musicforthemorningafter.

Pete Yorn and his band performing

While Yorn wrapped up his set, Eggy began their show that closed out the Lincoln Stage for the festival. The quartet provided the jam band vibes of the evening, performing an eclectic mix of their expansive discography. Their setlist surprisingly didn’t include much from their most recent album, 20204’s Waiting Game, but like Pete Yorn, they also threw some covers into the mix. Fans got to travel back to the 60’s and 70’s and experience Eggy’s versions of “Skin It Back” by Little Feat and “Suite: Judy Blue Eyes” by Crosby, Stills & Nash while the sun went down.

Fans enjoying Eggy’s set

Last but not least, Cold War Kids wrapped up Winnetka Fest 2025 at the Main Stage. While night had fallen at last, the air was still muggy and thick with the heat of the day, but that didn’t stop fans from singing and dancing along to the hit-heavy setlist that the band delivered. Opening with the 2017 single “Love Is Mystical” from their LA Divine album, Cold War Kids then ventured through their winding discography that spans over 20 years. The band reciprocated the energy that the fans brought to the performance by jumping and moving across the stage, and the lead singer Nathan Willett made sure to express his gratitude saying, “We were at The Salt Shed last year around this time. We love Chicago, and now we love Winnetka.” After playing for a little over an hour, Cold War Kids ironically wrapped up their set by playing their song called “First” as the last and final tune of the evening and festival.

Cold War Kids closing out the night

Check out more photos of the festival below, and be sure to check out the lineups for Out Of Space and Evanston Folk Festival coming up later this Summer to continue the festivities.

Photos: Jack's Mannequin at Salt Shed

Jack’s Mannequin performed to a packed Salt Shed Fairgrounds on Friday, June 20th. The night was full of nostalgia and positive energy. Check out photos from the show below, and see where you can catch the tour next here.

Live Recap: Perfume Genius with Urika’s Bedroom at The Vic Theatre

Perfume Genius, the musical project of Michael Alden Hadreas, returned to Chicago on June 17th to play a stunning show at The Vic Theatre in honor of his new album Glory.

The night opened with Urika’s Bedroom performing a set that felt like stepping into a hazy, dreamy soundscape. Their music was delicate and ethereal, floating across the room in soft, shimmering layers. The light show added a subtle glow to their already atmospheric sound, making the room feel intimate and otherworldly — a beautiful, quiet beginning to the night.

Then came Perfume Genius, who transformed the stage into a strange, visceral, exhilarating performance space. From the start, the stage was framed by long, orange cords curled around like tendrils, hinting at the chaos to come. The set moved fluidly between tender, beautiful moments — like a lullaby rendition of “Me & Angel”, or a haunting cover of “Kanga Roo” by Big Star — to physical, kinetic displays that felt part modern dance, part raw impulse. During “It’s a Mirror,” Hadreas jumped on an exercise ball mid-song; in “No Front Teeth,” he spun wildly in a chair. At one point, during “Clean Heart,” he gathered the stage cables around himself, sat in a chair, and reached for the ball with his legs in a strange, tender moment of theatricality.

The choreography was wild and magnetic — moves like The Matrix during “Otherside”, chair dancing, leaping to the rail, then bouncing across the stage. The lighting played its part too: some songs like “Describe” glowed in eerie red, while others kept the singer backlit by towering, blinding lights, with smoke adding to the atmosphere. Perfume Genius created a show that felt entirely alive, unpredictable, and deeply human.

Check out photos of the evening below and see where you can catch the tour next here.

Photos: Jensen McRae with Lauren Juzang at Lincoln Hall

On Thursday, May 15th, singer-songwriter Jensen McRae headlined a sold-out show at Lincoln Hall in Chicago, with support from Lauren Juzang.

Check out a photo recap of the show below and see where you can catch Jensen on the road next here—including a stop at The Metro in Chicago in October.

Jensen McRae Setlist:

  1. The Rearranger

  2. My Ego Dies at the End

  3. God Has a Hitman

  4. Mother Wound

  5. Savannah

  6. Fever Dream

  7. Taken (MUNA cover)

  8. Tuesday

  9. I Can Change Him

  10. Daffodils

  11. Dead Girl Walking

  12. White Boy

  13. Thinking of You (Katy Perry cover)

  14. Good Legs

  15. If I Have a Boy

  16. Novelty

  17. Let Me Be Wrong

  18. Praying for Your Downfall

  19. I Don’t Do Drugs

  20. Massachusetts

Live Recap: Katie Gavin with Lucy Dacus at The Chicago Theatre

Singer-songwriter and 1/3 of the band MUNA Katie Gavin warmed up the stage for two sold-out nights with Lucy Dacus at the iconic Chicago Theatre on May 1st and 2nd—and I was lucky enough to attend for the second show on Friday night.

Gavin debuted her side-project last year, releasing the acoustic-driven solo album entitled What A Relief in October 2024. The record leans alt-country at times, particularly on tracks like “Inconsolable” and “The Baton” that feature Gavin on violin and pulls out a slight twang on her vocals. This collection of songs on the debut album showcases a tonal shift from MUNA’s usual vibe, but Gavin has said in an interview that shift was driven from the origin of these songs; throughout the years she’s written some material that the band ultimately decided wasn’t a fit with MUNA’s vision.

During the show on Friday night, Gavin told the crowd “This is the last tour that I’m gonna do for this solo record.” When her statement was met with audible disappointment from the audience, Katie added, “No, but you’re not upset because that means I’m going back into MUNA!” The upset immediately turned into excited cheers at the tease of MUNA’s return, but it felt special to get to catch one of the last shows for What A Relief . Another special moment of Gavin’s set included an appearance from her younger sister, who joined the band to play some cowbell for the duration of “Sanitized.” In addition to the cowbell, Gavin brought these stories to the stage playing the keyboard, guitar, and live violin on the aforementioned tracks “Inconsolable” and “The Baton,” the latter of which also featured a full crowd clap-along to the beat.

Towards the end of her set, Gavin slowed things down with the mellowed-out “Sketches,” which she introduced by sharing the song’s inspiration. “This song is a little bit of an exploration of that thing that maybe is love but maybe is addiction and kind of noticing that there’s certain relationships in your life that you can really grow and bloom with, and sometimes your life gets smaller. This song is about one of those times,” Katie said.

Katie Gavin’s performance wrapped up with her single “Aftertaste” and her wishing Lucy Dacus a very happy birthday. Check out photos of the show below, and catch the last few tour dates for Katie’s solo project here.

Photos: Japanese Breakfast at The Salt Shed

Japanese Breakfast performed three back-to-back nights at The Salt Shed in Chicago this week, in honor of the new album For Melancholy Brunettes (& Sad Women) that was just released at the end of March. Check out photos of the second night, Thursday, May 1st, below and see where you can catch the tour next here.