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Filtering by Tag: Music Festival

10 Acts to Get There Early For at Outside Lands 2026

Outside Lands kicks off at Golden Gate Park in San Francisco on Friday, August 7th. The lineup is stacked with fresh new acts as well as familiar favorites. If you’re unsure who to add to your schedule besides some of the main acts, ANCHR has you covered. We always think it’s worth showing up early—you never know when you’ll discover your next favorite band— but read on to hear who ANCHR recommends adding to your early timeslots.


Haute & Freddy

Duo Michelle Buzz and Lance Shipp— AKA Haute and Freddy— craft vibrant alternative pop music that pulls in elements of 80s new wave and synth-backed melodies that’ll inspire you to get on the dance floor. After all, one of their most popular songs is their single “Dance The Pain Away,” so make sure to leave your problems behind during their Saturday afternoon set. Even better is that Buzz and Shipp perform while clad in brightly-colored costumes that look inspired by Baroque style with a touch of circus-chic, so you’ll feel like you’re getting a theatrical experience along with the music. They’ll be sure to get you hot and ready for the rest of the fest!

For Fans Of: Chappell Roan, Kate Bush, Eurythmics

Start With: “Dance The Pain Away,” “Freaks,” and “Anti-Superstar”

Time: Saturday, August 8th at 1:25PM

Where: Lands End

Die Spitz

Make sure to bring your ear plugs and stretch before Die Spitz’s set—they will be delivering ear-splitting guitar riffs that will encourage you to open up the pit early on day one of Outside Lands. Once you’re invigorated by their blend of heavy metal and punk influences, you’ll be ready to take on whatever the day has in store for you. Formed in Austin, Texas, the band is made up of Ava Schrobilgen, Eleanor Livingston, Kate Halter, and Chloe de St. Aubin—and they’ve released two full length records since their 2022 inception. If you don’t want to take our word for it, you can trust Jack White; Die Spitz’s sophomore album Something To Consume was released on Third Man Records.

For Fans Of: Lambrini Girls, Amyl and the Sniffers, Metallica

Start With: “Throw Yourself to the Sword,” “Hair of Dog,” “Riding With My Girls”

Time: Friday, August 7th at 1:40PM

Where: Sutro

After

Another duo you have to check out is that of Graham Epstein and Justine Dorsey, otherwise known as After. The dream-pop pair manage to create music that makes me feel just like I’m back in the simpler times of the early 2000’s, conjuring up memories of wandering the mall or watching Disney Channel Original Movies. I imagine browsing Tower Records and finding their CD alongside the likes of Dream (who remembers the bop “He Loves U Not”) or B*Witched if we could make music time travel—but alas, Dorsey and Epstein only started making music together in 2023. Fun fact, the two actually met each other on Hinge, and even though they’re not dating, they formed a magical musical partnership. And who knows, maybe their music will inspire a meet-cute straight out of an early aughts rom-com in the crowd during their set!

For Fans Of: Slow Pulp, Samia, The Marias

Start With: “Deep Diving,” “300 Dreams,” “Take Me to Sunrise”

Time: Saturday, August 8th at 1:55PM

Where: Twin Peaks

Bad Nerves

I often wonder what they put in the water in the UK because so many of my favorite bands come from across the pond, and Bad Nerves is another one to add to that list. Hailing from Essex in England, the band consists of Bobby Nerves, Will Power, Jon Poulton, Sam Morley, and Jimmy Ger. They’re another set that I’d recommend the ear plugs and pre-show stretching for in order to keep up with their lightning quick guitar riffs and razor sharp drum beats. Bad Nerves puts a raucous and refreshing spin on 70’s punk and 2000s NYC rock influences for a sound that is sure to get you amped up for the day and weekend.

For Fans Of: The Hives, The Strokes, Viagra Boys

Start With: “Baby Drummer,” “Network,” and “Dreaming”

Time: Friday, August 7th at 12:25PM

Where: Sutro

Audrey Hobert

You probably have heard Audrey Hobert’s viral hit “Sue Me,” but the singer has a plethora of songs that are chock-full of relatable lyrics and infectious hooks. I saw Hobert play a sold out show at Thalia Hall during Lollapalooza week and during the show she mentioned that she goes to a lot of concerts herself. “I’d always wonder what the difference between myself and the person onstage is,” she told the crowd, revealing that she didn’t really think there is a big difference between her and the audience and any one of them could be up there onstage. While I appreciate her humility and the human connection of that sentiment, I have to disagree that I personally wouldn’t be able to pull off the performance that Hobert did. I won’t spoil too much, but let’s just say there’s trampolines, height props and costumes involved, so I’m looking forward to catching her again at Outside Lands!

For Fans Of: Robyn, Renee Rapp, Charli xcx

Start With: “Sue Me,” “Sex and the city,” and “Phoebe”

Time: Saturday, August 8th at 2:40PM

Where: Lands End

Wunderhorse

The brainchild of songwriter and frontman Jacob Slater, Wunderhorse is another great alternative rock band from across the pond. The project started as a solo project for Slater, but has evolved into a full band also including Harry Fowler, Jamie Staples and Seb Byford. If you’re wondering how Wunderhorse will sound live, look no further than their sophomore record, entitled Midas— the album was tracked completely live to tape, really giving listeners a raw and unfiltered listening experience. Make sure to catch them at Outside Lands so you can get the full show in addition to their authentic sound.

For Fans Of: Bruce Springsteen, Fontaines D.C. and The Strokes

Start With: “Leader of the Pack,” “Aeroplane,” and “Midas”

Time: Saturday, August 8th at 1:50PM

Where: Sutro

Grace Ives

I remember having the Brooklyn-based singer-songwriter Grace Ives on my most-anticipated list of Pitchfork Festival 2023, and for good reason. Ives blends together the perfect mix of eclectic and relatable lyrics with dreamy vocals, glossy drumbeats and feel-good synthesizers. Since the last time I saw her, Ives released her third studio album Girlfriend and it was definitely worth the 4-year wait following her second album. While I’m a fan of her earlier discography, there’s an elevated air about this newer material that I think will translate well to an afternoon festival set. Take her single “Stupid Bitches” from the aforementioned album— it starts out with a simple synth before a punchy percussion beat is laced in; it has a sweeping cinematic quality that would make it great for an opening scene of a movie or TV show. Make sure that Grace Ives is part of the soundtrack of your Outside Lands!

For Fans Of: Lana Del Rey, Caroline Rose, Sylvan Esso

Start With: “Stupid Bitches,” “Lullaby,” and “Trouble”

Time: Friday, August 7th at 1:20PM

Where: Lands End

Balu Brigada

Balu Brigada is another feel-good indie rock act you should have on your radar for this weekend. Fronted by brothers Henry and Pierre Beasley, the band hails all the way from New Zealand, and they deliver upbeat bops that are easy for anyone to digest. They describe their music as “grove-pop” which perfectly encapsulates the pop elements woven into their groovy guitar melodies. If that’s not enough to get you hooked, they also have a song called “Golden Gate Girl” which will be super meta to hear in Golden Gate Park.

For Fans Of: Royel Otis, Foster The People, Good Neighbours

Start With: “So Cold,” “Golden Gate Girl,” and “Sideways”

Time: Sunday, August 9th at 2:25PM

Where: Lands End

Sports

Sports is a tried and true band that is also certified to get you grooving, which means they are a mandatory set to catch at a music festival. Cale Chronister and Christian Theriot have been making music together as Sports since 2015, but they just released a fresh batch of funky bangers earlier this year with their self-titled album. There’s such an infectious, sunny quality to their music, so make sure you catch their performance if you need a mood-boost.

For Fans Of: Tame Impala, Djo, Pond

Start With: “You Are The Right One,” “Keep Falling In Love,” and “Baby Baby”

Time: Sunday, August 9th at 1:10PM

Where: Lands End

Death Cab For Cutie and SurPrise Guest

For the 10th and bonus recommendation, we’re going a little off-road here but we had to make sure you had these sets on your radar! It’s unlikely you’re unfamiliar with Death Cab for Cutie if you’re going to Outside Lands, but if you are, make sure you dip your toe into their deep discography by checking out their early set on Sunday afternoon. I have to be honest- when I saw them slated for 12:40PM at the Sutro Stage on Sunday, I thought there was a typo on the schedule. However, this matinee performance is the perfect opportunity to make sure you can still see them if you also wanted to catch a different headlining show that evening.

On Saturday afternoon, there’s also a “Surprise Guest” at Duboce Triangle at 12:15PM, so make sure you catch that if your curiosity has also been peaked.


View the full Outside Lands schedule here, or download the app to personalize your festival schedule!

PHOTOS: Post Animal and Djo at Salt Shed

Post Animal and Djo hit the stage at Salt Shed ahead of their respective Lollapalooza festival sets over the weekend, performing to a sold-out crowd on Thursday, July 31st.

Check out photos of the show below, and see where you can catch the bands back on the road this fall here.

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Live Recap: Out of Space Festival 2025

Out of Space Festival returned to Skokie for another year, featuring four nights of diverse musical acts at North Field at Illinois Science & Technology Park. I was able to catch the opening and closing nights on Thursday, July 24th and Sunday, July 27th.

Mid-afternoon on Thursday we were hit with a gloomy but quick thunderstorm in the area that pushed back the time of doors, but the music still started on time with Case Oats. Bully hit the stage next, with lead vocalist and songwriter for the project, Alicia Bognanno, accompanied by her two bandmates. The majority of Bully’s performance saw Bognanno center-stage playing guitar for songs like “All I Do” and “Milkman,” but towards the end of her set, Bognanno moved over to the keyboard onstage to perform the melancholic and mesmerizing single “Atom Bomb.” Bully’s set wrapped up with the upbeat and anthemic “Days Move Slow” from the 2023 record Lucky For You.

Thursday’s headliners Sylvan Esso, the duo of singer Amelia Meath and producer Nick Sanborn, kept the upbeat energy going as they began their set during a cotton candy sunset. Meath took the stage donning a fluffy red jacket that she discarded after the first song, thanks to the mugginess that still clung to the summer air. Despite the hot night, as I looked around my fellow audience members, I saw people of all ages grooving along to the hypnotic beats of songs like “Hey Mami” and “Die Young.” The crowd kept the party vibes high as they bounced around beach balls and swayed atop shoulders in time to the music.

Sunday night’s performances kept the same positive energy, but the tone of the music took a turn towards “Pacific Northwest Hiking Vibes” with a lineup of Craig Finn, Kevin Morby, and The Decemberists.

I arrived back at the Skokie park as Kevin Morby and his bandmates hit the stage. Morby’s set featured an array of songs from his recent albums, like the title track “This Is A Photograph” from his 2022 album and "I Have Been to the Mountain” from 2016’s Singing Saw. Morby and his bandmates incorporated accompanying instruments like the saxophone and (more) cowbell to enrich the texture of their live performance.

Last but not least, The Decemberists took the stage to another beautiful sunset, wrapping up the entire weekend and festival. The band fittingly kicked off their set with “July, July” (how often do you get to a hear a song performed live during the month it was named after?!) and fans at the barricade began belting along to the music. The full-crowd singalong continued throughout the show, as The Decemberists played favorites like “Severed,” “Oceanside” and “Down by the Water.”

Check out photos from the two nights below, and keep an eye on upcoming SPACE shows here.

Photos of Bully and Sylvan Esso

 

Kevin Morby and The Decemberists

Live Recap: Winnetka Festival 2025

Winnetka Festival returned to downtown Winnetka on Friday, June 20th and Saturday, June 21st, featuring a jam-packed lineup of more than 20 artists across the two days and two stages.

I got the chance to catch the last part of Saturday’s festivities, arriving shortly before sunset to see Kam Franklin and her band at the Lincoln Stage. Franklin’s soulful powerhouse vocals captured the audience’s attention, and her raw, compassionate storytelling in songs like “Byrd And Shepard” pulled at our heartstrings. Before performing the song, Franklin told the crowd “It’s about James Byrd Jr. and Matthew Shepard. James Byrd Jr. was killed in 1998 in a dragging death in Jasper, Texas for being black and Matthew Shepard was killed in October 1998 for being gay.” In the song, she sings “Fact checker, fact fact checker/They’re trying to ban the books/But we won't forget ya” in homage to the men who suffered these hate crimes and a stark reminder that we can’t forget the tragedies of history.

Kam Franklin performing

Next up, Pete Yorn and his bandmates took the Main Stage on the other end of the festival grounds. Yorn opened up his set with a cover of “Ever Fallen in Love (With Someone You Shouldn't've)” by The Buzzcocks, which he introduced as a song from the movie Shrek. The band also sprinkled in a couple of other covers later on in the show, sharing their own version of “Bizarre Love Triangle” by New Order and “Atlantic City” by The Boss. In between the covers, Yorn also made sure to play a few newer tracks from his 2024 album The Hard Way, including the titular track, “Different Roads,” and “Real Good Love.” Long-time fans were also ecstatic to hear some of his earlier material like “Life On a Chain” and “Murray” from his 2001 debut album musicforthemorningafter.

Pete Yorn and his band performing

While Yorn wrapped up his set, Eggy began their show that closed out the Lincoln Stage for the festival. The quartet provided the jam band vibes of the evening, performing an eclectic mix of their expansive discography. Their setlist surprisingly didn’t include much from their most recent album, 20204’s Waiting Game, but like Pete Yorn, they also threw some covers into the mix. Fans got to travel back to the 60’s and 70’s and experience Eggy’s versions of “Skin It Back” by Little Feat and “Suite: Judy Blue Eyes” by Crosby, Stills & Nash while the sun went down.

Fans enjoying Eggy’s set

Last but not least, Cold War Kids wrapped up Winnetka Fest 2025 at the Main Stage. While night had fallen at last, the air was still muggy and thick with the heat of the day, but that didn’t stop fans from singing and dancing along to the hit-heavy setlist that the band delivered. Opening with the 2017 single “Love Is Mystical” from their LA Divine album, Cold War Kids then ventured through their winding discography that spans over 20 years. The band reciprocated the energy that the fans brought to the performance by jumping and moving across the stage, and the lead singer Nathan Willett made sure to express his gratitude saying, “We were at The Salt Shed last year around this time. We love Chicago, and now we love Winnetka.” After playing for a little over an hour, Cold War Kids ironically wrapped up their set by playing their song called “First” as the last and final tune of the evening and festival.

Cold War Kids closing out the night

Check out more photos of the festival below, and be sure to check out the lineups for Out Of Space and Evanston Folk Festival coming up later this Summer to continue the festivities.

PHOTOS: Lollapalooza 2024 - Saturday Recap

Lollapalooza returned to Grant Park in Chicago for Day 3 on Saturday, August 3rd. The packed lineup drew a mix of music fans of all genres, ranging from local rock bands to K-Pop singers. Check out a photo recap of the festivities featuring Brigitte Calls Me Baby, Briston Maroney, Deftones, Ethel Cain, Friko, Future x Metro Boomin, Hippo Campus, and IVE.

Stay tuned for coverage of Sunday, August 4th.

Pitchfork Music Festival 2024: Saturday Highlights

Pitchfork Music Fest returned for day two at Union Park on Saturday, July 20th, with another perfect day of weather and a musical line up that focused on good old fashioned rock n’ roll in the early afternoon and pivoted to pop queens and dance beats in the later hours.

The day began with some local love thanks to Chicago’s own Lifeguard opening the fest on the Green Stage. They kickstarted the rock-focused performances with their grungy, indie sound and had the early afternoon crowd enthralled. As I listened to their set, I overheard an audience member say, “I LOVE Lifeguard! The fact that these teenagers are rocking so hard like a band from the 90’s is insane.”

Photo by Daniel Cavazos

Next up, L'Rain, the moniker for artist Taja Cheek, and her band slowed down the tempo and projected a calm demeanor out to the crowd with their ambient, experimental sound that helped get everyone in the right headspace for a full day at a festival.

Photo by Daniel Cavazos

Another Chicago-based artist, Kara Jackson, hit the Green stage next, and she brought along other Chicago music icons to play in her band, including Sen Morimoto, Macie Stewart and Kaina— all of whom have played past Pitchfork Fests. Kara’s set opened with her popular cover of Karen Dalton’s song “Right, Wrong or Ready” before moving onto her single “no fun/party” from her 2023 debut album. During the second song, Jackson said, “I’ve done this song a billion times in the last year or so. It gets really boring sometimes but I realized it reminded me of one of my favorite other song that maybe some of you have heard before” as she slipped in a snippet of SZA’s “Love Galore.”

Photo by Daniel Cavazos

From there the tempo ramped back up with a slew of bands that all complemented each other’s sounds well. First, New York’s Hotline TNT riled up the Blue Stage, starting off their set telling the audience “Let’s go fucking crazy today” as the band and audience fed off of each other’s energy. Feeble Little Horse followed, drawing in a large crowd over at the Red Stage, especially for the early afternoon timeslot. “We’re so happy to be opening for Carly Rae Jepsen,” the band joked— adding in “And Karly from Wednesday. You should see them too.” Both Hotline TNT and Feeble Little Horse’s sounds had similar grunge elements as Lifeguard.

Photo by Daniel Cavazos

Before we got to the first Karly of the day, Water From Your Eyes hit the Blue Stage next. Lead vocalist Rachel Brown took the stage saying, “What’s up Chicago? Who likes alternative rock music?” once again keeping up the theme of Saturday’s afternoon line up. Brown also told the crowd that they were currently experiencing a lingering cough following a case of laryngitis, which they chalked up to as karma for sneaking into Pitchfork Festival ten years ago when they were a teenager.

Photo by Kenn Box

Asheville alternative rockers Wednesday, which includes vocalist Karly Hartzman and MJ Lenderman (who actually played Pitchfork Fest last year), hit the Green Stage next. The group amped up the volume and showcased Hartzman’s signature scream vocals as they played songs from their 2023 album Rat Saw God as well as some newer unreleased material. Wednesday’s set also included a cover of “Women Without Whiskey” by Drive-By Truckers.

Photo by Daniel Cavazos

As the day slipped into the evening hours, the vibes of Pitchfork crept more towards a dance party, starting with the legendary hip hop group De La Soul performing some of their iconic songs like “Me Myself and I” alongside a cover of “Simon Says” by Pharoahe Monch— the latter of which featured a guest appearance by Monch himself.

Photo by Pooneh Ghana

Pitchfork Fest began the descent into evening by journeying into pop music for my favorite set of the day from Jessie Ware. The singer and her band brought a full production packed with choreographed dance numbers and dazzling outfits. Ware herself donned a sparkling jumpsuit featuring cape sleeves and sequins that radiated from the evening sun, while her backup dancers also sported vests bedazzled in sequins. While Jessie showcased her flawless vocals and diva-belting abilities, she also connected to the crowd with her humbled and hilarious stage banter. “This is my favorite city in The States to play,” she proclaimed as she continued to shout out some of her long-time supporters from Chicago by their first names. Ware’s dancers shone as they did flips and lifted the singer up, but Ware also made sure to include the fans in their choreography as she performed her song “Beautiful People.” Everyone got into the crowd-participation dancing as Jessie told everyone to “stand up, turn around, take a bow.” The singer even joked that security could join in. As I’ve mentioned, several of the artists performed covers during their sets today—and who doesn’t love a good cover during a festival set? Jessie Ware’s show was no exception as she performed a rendition of Cher’s hit “Believe,” jumping down from the stage to sing with fans along the barricades.

Photo by Pooneh Ghana

Meanwhile Bratmobile kept the rock presence alive over on the Blue stage. They brought their riot grrrl songs like “Brat Girl” and “Panik” to the fest. True to the cover-song theme of the day, they also performed a cover of “Cherry Bomb” by The Runaways.

Photo by Daniel Cavazos

Carly Rae Jepsen flipped the switch back to pop over at the Red Stage, entering to “I Wanna Dance With Somebody” and rocking a sparkling sequin dress. Jepsen’s stage backdrop consisted of a disco ball screen that changed colors depending on the song. Jepsen also set up her songs with some fun stage banter, saying “Are you guys ready to run away with us tonight?” before her hit “Run Away With Me” and joking that she sometimes forgets the words to “Call Me Maybe” so she she’d need the audiences help singing along. The crowd happily obliged to singing and dancing along, and Jepsen also came down from the stage to sing with fans along the barricade.

Photo by Daniel Cavazos

The dance party wrapped up the second day of the rest with a headlining set from Jamie xx.

Photo by Kimberley Ross

Check out highlights from the first day of the festival here and stay tuned for the final day.

Pitchfork Music Festival Kicks Off in Two Weeks

In just two weeks, Pitchfork Music Festival will return to Chicago’s Union Park for three full days on music. Highlights of Friday, July 19th include 100 gecs, Jai Paul, Jeff Rosenstock, and Black Pumas. On Saturday, we’ll dance along to acts like Jessie Ware, Carly Rae Jepsen, and Jamie xx. Sunday closes out the fest with icons like Alanis Morissette, Brittany Howard and MUNA.

You can still grab tickets here, and view the full schedule here.

Get a preview of the festival with the official playlist from Pitchfork below.

Live Recap: Andrew Bird with Nora O'Connor and Uwade at Out of Space

Out of Space Festival continued on Sunday with Andrew Bird, Nora O’Connor and Uwade. 

Evanston’s own Nora O’Connor kicked off the evening, describing herself as the “warmy upy girl”—which, to be fair, is in fact what she was doing, but her boundless talent deserves more credit than that! Most of her set featured songs from her latest album, 2022’s My Heart, but she did throw in some songs from further back in her discography like 2004’s “Nightingale.” O’Connor also shared with the crowd that she used to tour around in a van with Andrew Bird, and (spoiler alert) we got to witness a more collaboration between the two later on in the evening. 

Singer songwriter Uwade was up next, and it was nice to see her again after I’d first been introduced to her supporting Fleet Foxes at Salt Shed last year.  She started her set out solo before eventually being joined by her bassist. Before playing her touching song “The Man Who Sees Tomorrow,” the singer dedicated it to her late father and shared that he used to call himself “the man who sees tomorrow.” Another highlight of Uwade’s set included her cover of “Tiger Mountain Peasant Song” by Fleet Foxes, who she has collaborated with in the past.

Next up, Andrew Bird took the stage for the main event, joined by his bassist and drummer. His set began with an instrumental introduction, which also featured Bird’s signature whistling (I mean, it makes sense if your last name is “Bird” that you’d whistle a lot!) Bird also started on the violin for the first part of his set for songs like “Make a Picture” and “Lone Didion,” but he switched over to playing guitar for other parts of the set.

Before performing a cover of “Harvest” by Neil Young, Bird welcomed Nora O’Connor back to the stage and their vocals meshed incredibly well together. O’Connor leant her vocals to several other songs in the set, including “Lusitania” and fan-favorite “Sisyphus”—which features more melodic whistling. Just before the encore, Bird began to wind down the set with “Armchairs” from the 2007 album Armchair Apocrypha, introducing it by saying, “We’re gonna do a song I haven’t done in quite a while but I thought of it today.” The song transitioned seamlessly into another fan favorite “Pulaski at Night,” which is a hometown anthem for Chicagoans.

See photos from the evening below, and see where you can catch Andrew Bird on tour next here.

Live Recap: Regina Spektor with Allison Russell and Elizabeth Moen at Out of Space

The annual Out of Space festival returned to Canal Shores Golf Course in Evanston, IL and ANCHR attended the third day of the fest with headliner Regina Spektor. 

Chicagoan, via Iowa, Elizabeth Moen warmed up the Saturday crowd with a solo set. Moen gave me a little bit of Stevie Nicks vibes. Maybe even Riley Keough as Daisy Jones, who was inspired by Nicks. She dedicated her third song of her set “Songbird” to Allison Russell, who Moen told the crowd inspired her to start writing and performing. 

Speaking of Allison Russell, she and her band—or “goddess circle” as she called them, played the second support set. Russell had a very zen, meditative introduction but the pace quickly picked up and Russell got to show off her soulful, powerhouse vocals. Her vocals gave me full body goosebumps, and I was so impressed with the chemistry between her and her bandmates. They truly seemed like they were having the best time on stage, which was infectious and put a smile on my face.

For the main event, Regina Spektor took the stage just as the sun had gone down. The night prior, there had been a torrential downpour, so Regina told the crowd she had an urge from “Jewish grandmothers” to tell the crowd to wear good shoes that day to deal with the mud. 

Another joy of the show taking place outdoors was that there were lots of trees. Spektor joked about that as well, saying she’d asked for less reverb during sound check and was told it was “treeverb.” Still, her vocals sounded incredible and the golf course had surprisingly good acoustics to show off her expansive vocal range. Spektor’s vocal talent remained on display for the entirety of the show, but she played her song “Baby Jesus” early on in the show, which highlighted her ability to go from deep, low vocals to quippy falsettos in just one song.

Spektor is obviously known for her spectacular talent as a pianist, but she was able to mix in percussive elements for some of her songs as well. For the song “Better,” she used a drumstick and a chair as makeshift drums. From start to finish, Spektor kept us all completely enthralled, which is quite the feat for a fully solo performance. Towards the end of the show, Spektor followed up her hit “Fidelity” with a dedication to the late Sinéad O’Connor and a performance of “One More Time With Feeling” before wrapping up with the song “Samson.”

See photos of the entire show below, and stay tuned for coverage of Andrew Bird at Out of Space the following night.

Friday Recap: Pitchfork Music Festival 2023

Pitchfork Music Festival kicked off Friday, July 21st in Union Park, with the day beginning with Nourished By Time on the Green stage and closing with The Smile on that same stage. Check out some highlights of day one of the festival below, as well as the full photo gallery.

Chicago’s own Sen Morimoto performed in the early afternoon on the Green stage. Although he’s a solo artist and typically records all of his own records, his live band had a slew of talented musicians to help bring his songs to life. In addition to playing the saxophone himself during some songs, Morimoto also had more horns with a trombone player and second saxophonist, backing vocals from Chicago artist Kaina, and more traditional live instruments like drums and guitar. Plenty of fans withstood the harsh beaming sun to see Morimoto’s set, and the crowd was having a great time. Morimoto dedicated his song “Woof” to dogs, and asked the audience to give him their best howl (which everyone happily obliged). Another highlight of the set included a cover of Cher’s song “Believe.”

Sen Morimoto performing

Next up, I caught another solo act, Grace Ives on the Red stage. This time around, the solo artist put on a complete one-person show—as Ives gave us her all with just a microphone and her programmed synthesizer. Ives’ performance kind of felt like she’d invited us all over for a living room dance party—even though she was up there owning the stage, she had a casual, inviting demeanor that made it feel like we were just a massive group on friends dancing and singing along.

Grace Ives performing

Youth Lagoon, the project of musician Trevor Powers, performed on the Green Stage next. It was nice to see Powers back performing as Youth Lagoon, since he had announced his retirement of the project back in 2016. Just last year, Powers announced a comeback was on the way, and he released Youth Lagoon’s latest album Heaven Is a Junkyard in June 2023. Youth Lagoon’s Pitchfork Fest set heavily featured songs from this new record, like “Rabbit” and “Idaho Alien,” but I was happy to also hear a comfort song of mine from 2011, “Afternoon,” from the album The Year of Hibernation. Youth Lagoon’s dreamy soundscape was the perfect soundtrack for an afternoon at a music fest.

Trevor Powers of Youth Lagoon

Nation of Language put on one of my favorite sets of the day over on the Red stage. The Brooklyn-based trio, featuring Ian Richard Devaney (lead vocals, guitar, synths), Aidan Noell (vocals and synths), and Alex MacKay (bass), already had a large fanbase at the fest, but they quickly won over newcomers in the crowd when they performed their song “I’ve Thought About Chicago” (who doesn’t love a hometown shout out?) The trio had the audience dancing along to their refreshing take on New Wave influences and synth-pop driven melodies, despite the sun that continued to blaze through the afternoon. Noell acknowledged the crowd’s dedication, saying “Thanks for sweating for us.” Nation of Language’s Pitchfork Fest set also featured some new, unreleased material from their upcoming album Strange Disciple.

Ian Richard Devaney of Nation of Language

The project of musician and songwriter Michael Alden Hadreas, better known as Perfume Genius, kept the dancing and high energy going during his performance. Hadreas was joined by a full band, but he really stole the show with his commanding stage presence and impeccable style. Donning full arm’s length red gloves, Hadreas glided around the stage performing songs like “Slip Away” and “Otherside.” Perfume Genius’s evening set wrapped up with the epic fan favorite “Queen.” Hadreas asks the question “Don’t you know you queen?” in the song and the crowd royally adored the performance.

Michael Alden Hadreas AKA Perfume Genius

Next, I went over to the Blue stage for the first time on Friday to catch another beloved Chicago act, Ric Wilson. Living up to his Instagram handle “Disco Ric,” Wilson brought all the great disco vibes to his Pitchfork performance. Not only did his music elicit pure happiness, but Wilson also made sure his set felt like a safe place for all when he asked everyone to put their fist up and repeat an inclusive chant after him, including “no racist, no sexist, no homophobic, and no transphobic!” Wilson shined with his vocal performance and charismatic dance moves, and he also had an incredible live band to help bring his music to life. Every time I’ve seen Ric Wilson, his shows have been an instant serotonin boost, and this time was no different.

Ric Wilson and his bandmates

Alvvays closed out the Red Stage on Friday, bringing their cheerful and dreamy music to an adoring crowd. As the band opened their set with the song “Pharmacist” from their 2022 album Blue Rev, I noticed so many fans in the front smiling and singing along—one fan even held up a signed copy of Alvvays’ album Antisocialites. Alvvays’ setlist contained many songs from their latest album, but they also mixed in plenty of their older material, including the fan favorite “Archie, Marry Me”—which had everyone belting the anthemic chorus along. Alvvays’ Pitchfork Fest performance made the best soundtrack to the Friday sunset.

Molly Rankin of Alvvays


You can see more photos of all of these performances below, also including interviews with Alvvays, Perfume Genius and The Smile’s Jonny Greenwood done at the Door Dash Backstage DashPass experience. Stay tuned for coverage of days 2 and 3!