ANCHR Magazine

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Live Recap: Regina Spektor with Allison Russell and Elizabeth Moen at Out of Space

The annual Out of Space festival returned to Canal Shores Golf Course in Evanston, IL and ANCHR attended the third day of the fest with headliner Regina Spektor. 

Chicagoan, via Iowa, Elizabeth Moen warmed up the Saturday crowd with a solo set. Moen gave me a little bit of Stevie Nicks vibes. Maybe even Riley Keough as Daisy Jones, who was inspired by Nicks. She dedicated her third song of her set “Songbird” to Allison Russell, who Moen told the crowd inspired her to start writing and performing. 

Speaking of Allison Russell, she and her band—or “goddess circle” as she called them, played the second support set. Russell had a very zen, meditative introduction but the pace quickly picked up and Russell got to show off her soulful, powerhouse vocals. Her vocals gave me full body goosebumps, and I was so impressed with the chemistry between her and her bandmates. They truly seemed like they were having the best time on stage, which was infectious and put a smile on my face.

For the main event, Regina Spektor took the stage just as the sun had gone down. The night prior, there had been a torrential downpour, so Regina told the crowd she had an urge from “Jewish grandmothers” to tell the crowd to wear good shoes that day to deal with the mud. 

Another joy of the show taking place outdoors was that there were lots of trees. Spektor joked about that as well, saying she’d asked for less reverb during sound check and was told it was “treeverb.” Still, her vocals sounded incredible and the golf course had surprisingly good acoustics to show off her expansive vocal range. Spektor’s vocal talent remained on display for the entirety of the show, but she played her song “Baby Jesus” early on in the show, which highlighted her ability to go from deep, low vocals to quippy falsettos in just one song.

Spektor is obviously known for her spectacular talent as a pianist, but she was able to mix in percussive elements for some of her songs as well. For the song “Better,” she used a drumstick and a chair as makeshift drums. From start to finish, Spektor kept us all completely enthralled, which is quite the feat for a fully solo performance. Towards the end of the show, Spektor followed up her hit “Fidelity” with a dedication to the late Sinéad O’Connor and a performance of “One More Time With Feeling” before wrapping up with the song “Samson.”

See photos of the entire show below, and stay tuned for coverage of Andrew Bird at Out of Space the following night.