ANCHR Magazine

Holding you down with the best new music

Filtering by Tag: Uwade

Live Recap: Andrew Bird with Nora O'Connor and Uwade at Out of Space

Out of Space Festival continued on Sunday with Andrew Bird, Nora O’Connor and Uwade. 

Evanston’s own Nora O’Connor kicked off the evening, describing herself as the “warmy upy girl”—which, to be fair, is in fact what she was doing, but her boundless talent deserves more credit than that! Most of her set featured songs from her latest album, 2022’s My Heart, but she did throw in some songs from further back in her discography like 2004’s “Nightingale.” O’Connor also shared with the crowd that she used to tour around in a van with Andrew Bird, and (spoiler alert) we got to witness a more collaboration between the two later on in the evening. 

Singer songwriter Uwade was up next, and it was nice to see her again after I’d first been introduced to her supporting Fleet Foxes at Salt Shed last year.  She started her set out solo before eventually being joined by her bassist. Before playing her touching song “The Man Who Sees Tomorrow,” the singer dedicated it to her late father and shared that he used to call himself “the man who sees tomorrow.” Another highlight of Uwade’s set included her cover of “Tiger Mountain Peasant Song” by Fleet Foxes, who she has collaborated with in the past.

Next up, Andrew Bird took the stage for the main event, joined by his bassist and drummer. His set began with an instrumental introduction, which also featured Bird’s signature whistling (I mean, it makes sense if your last name is “Bird” that you’d whistle a lot!) Bird also started on the violin for the first part of his set for songs like “Make a Picture” and “Lone Didion,” but he switched over to playing guitar for other parts of the set.

Before performing a cover of “Harvest” by Neil Young, Bird welcomed Nora O’Connor back to the stage and their vocals meshed incredibly well together. O’Connor leant her vocals to several other songs in the set, including “Lusitania” and fan-favorite “Sisyphus”—which features more melodic whistling. Just before the encore, Bird began to wind down the set with “Armchairs” from the 2007 album Armchair Apocrypha, introducing it by saying, “We’re gonna do a song I haven’t done in quite a while but I thought of it today.” The song transitioned seamlessly into another fan favorite “Pulaski at Night,” which is a hometown anthem for Chicagoans.

See photos from the evening below, and see where you can catch Andrew Bird on tour next here.

Live Recap: Fleet Foxes and Uwade at Salt Shed

Fleet Foxes and Uwade performed to a huge crowd this past Wednesday night during the Salt Shed’s inaugural week.

The show was part of Salt Shed’s “Outside the Shed” series— a string of outdoor shows taking place around the venue while the indoor space continues to be revamped. The forecast had been calling for potential thunderstorms all evening, but the musical and weather gods blessed us with a clear forecast aside from a few sprinkles of rain here and there.

Uwade kicked off the evening with a solo support set, warming up the crowd with her stunning songwriting and friendly banter. Her show opened up with her song “Nostalgia,” which the singer shared was the first song she wrote. Uwade also introduced her next song “The Man Who Sees Tomorrow” by dedicating it to her father and sharing an anecdote about him and the creation of the song. Uwade also performed her newest single “Do You See The Light Around Me?,” which was released this year by Sylvan Esso’s record label Psychic Hotline.

The crowd attentively basked in the beauty of Uwade’s original music, and fortunately her set wasn’t the only time we saw her that evening— she returned to the stage at the start of Fleet Foxe’s set to perform “Wading In Waist-Hight Water” with the band. The track from 2020’s Shore features the collaboration between the singer and Fleet Foxes, so it was incredible to hear the song brought to life as the opening tune of their show.

Fleet Foxes’ set took place as the sun began to set, casting a hazy glow on the city’s skyline while the band provided the perfect soundtrack. Fleet Foxes’ frontman Robin Pecknold took the opportunity to share his appreciation for the evening several times throughout the night, but in the very beginning of the show, he told the audience how great it was to be at the venue for the opening week and called out that the weather cooperating.

Pecknold also engaged the crowd in banter between songs, asking “did everyone get a free popsicle?” in reference to the giveaway from Salt Shed, in partnership with Pretty Cool Ice Cream. While the set weaved through fan favorites like “Can I Believe You,” “White Winter Hymnal,” and “Third of May / Ōdaigahara,” Fleet Foxes also incorporated a few covers into the mix, including “Phoenix” by Big Red Machine and “The Kiss” by Judee Sill. Before playing the latter, Pecknold performed the song “If You Need To, Keep Time on Me” on acoustic guitar, accompanied only by Casey Westcott on piano while the rest of the band took a breather. The quieter moment provided juxtaposition against the full band that played for most of the show and included everything from trumpets, trombones and tambourines alongside the more traditional guitar, bass and piano.

The Chicago audience sadly missed out on the performance of Rage Against The Machine’s “Killing in the Name,” which a fan in the front had requested after seeing them cover it earlier this tour. Pecknold joked with the audience that they couldn’t perform the song because Christian [Wargo]’s mom was in attendance that night.

The evening wrapped up with an encore that once again featured the vocals of Uwade, providing a full circle moment to a wonderful night.

See photos of the show below, and see where you can catch Fleet Foxes on tour next here.