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Filtering by Tag: Live Music

Photos: Jensen McRae with Lauren Juzang at Lincoln Hall

On Thursday, May 15th, singer-songwriter Jensen McRae headlined a sold-out show at Lincoln Hall in Chicago, with support from Lauren Juzang.

Check out a photo recap of the show below and see where you can catch Jensen on the road next here—including a stop at The Metro in Chicago in October.

Jensen McRae Setlist:

  1. The Rearranger

  2. My Ego Dies at the End

  3. God Has a Hitman

  4. Mother Wound

  5. Savannah

  6. Fever Dream

  7. Taken (MUNA cover)

  8. Tuesday

  9. I Can Change Him

  10. Daffodils

  11. Dead Girl Walking

  12. White Boy

  13. Thinking of You (Katy Perry cover)

  14. Good Legs

  15. If I Have a Boy

  16. Novelty

  17. Let Me Be Wrong

  18. Praying for Your Downfall

  19. I Don’t Do Drugs

  20. Massachusetts

Live Recap: Alice Merton at Lincoln Hall

Singer-songwriter Alice Merton returned to Chicago for the first time in five years to headline Lincoln Hall on Tuesday, May 14th.

The highly-anticipated return felt like both a concert and therapy session, thanks to Merton’s deeply insightful lyrics and the vulnerable anecdotes she shared with the audience between songs. And of course, there was also plenty of dancing opportunities during the hour and a half setlist.

The setlist started off with immediate intensity as the band played the introductory track “run away girl” from the singer’s 2024 EP entitled “Heron.” From there, the set ventured through a mix of the brand new EP and other favorites like “Vertigo” and “Homesick” from her albums S.I.D.E.S. and Mint, respectively.

Ahead of performing “how well do you know your feelings?” from “Heron,” Alice took some time to connect with the audience about the importance of listening to your own heart and gut when making decisions. “This song came from a conversation with a friend of mine. This friend always put other people’s happiness in front of theirs and every time I spoke to them, I felt so sad that they couldn’t voice their own opinions and say this is how I feel because they were always worried about what everyone else would think. There were so many people that said ‘next time we play a show it’s gonna be this place or that place’ and I was like but what about if that’s not what makes me happy. What if I want to have really beautiful, intimate shows where I can come out after to say hi to everyone and get to know the people that want to come to the show,” Merton told the audience. That choice to play an intimate venue like Lincoln Hall really helped create a sense of connection and camaraderie amongst the audience and with the band throughout the rest of the show.

The setlist ended on a lighthearted and optimistic note, with Alice and her band closing the main set with “Why So Serious,” which the singer confessed is a catchphrase she stole from The Joker. Merton came back for an encore of “The Other Side,” which describes the feeling of healing from a rough time. In that song, Alice sings “I'm seeing happy, I'm seeing dancin'“ and that’s exactly what I saw during her gig.

Check out photos from the Chicago show below and see where you can catch Alice Merton on the road next here.

Live Recap: Jesse McCartney at The Vic Theatre

Jesse McCartney fans in Chicago got to kick off their weekend with a sold-out, nostalgia-packed performance from the singer-songwriter at The Vic on Friday, May 3rd.

Following a set from support act Just Seconds Apart, the stage lights dimmed in preparation for the main act. McCartney’s band members took their places first and began to play introductory music while the stage lights flashed to welcome Jesse to the stage. Starting off with “Silver Spoon” from his latest “All’s Well” EP (which is also the namesake of the current tour), McCartney donned a dazzling black sequin suit. He began the show atop a platform, but Jesse quickly ran down the stairs of the platform to come closer to the front of the stage and serenade the fans at the barricade while singing a mix of familiar favorites, like “She’s No You” from his 2004 debut album and the title track “Right Where You Want Me” from his 2006 record, intertwined with some of his newer material. The first part of the set finished with “Tie The Knot,” which McCartney dedicated to all the married people in the audience.

The show then transitioned into an acoustic section, where Jesse and his guitar player took the opportunity to strip down some of his songs while they sat on the stairs of the stage’s platform. The acoustic segment included a cover of “More Than Words” by Extreme, and it wrapped up with a performance of “Just So You Know",” which McCartney introduced saying “In 2006, I wrote this song on a tour bus in London.”

The full band rejoined Jesse onstage after the stripped-back break in the set, and they went full-speed ahead with “Wasted,” which had the crowd dancing along. Before playing “Party For Two,” Jesse took a few minutes to address the crowd about what would happen next in the show. “I want to tell you guys about the song I wrote for my engagement. It’s a very special song that I only got to write once, but thankfully, I get to perform it for the rest of my life. I thought tonight, maybe I’d sing it for one of you guys,” he said. The house lights turned on to illuminate the crowd, and McCartney ended up selecting a lucky fan named Nancy to serenade for the performance.

After the serenade, Jesse left the stage for a quick outfit change, returning in a more casual outfit than his sparkling suit. He performed a couple of songs at the piano next, including the song “Bleeding Love” that he actually wrote, but was performed and popularized by Leona Lewis. “This is a song I wrote back in 2007. This is a song that almost didn’t get written. We were feeling lazy and decided to put one hour in at the studio to see where it went. This didn’t end up on my album, but thankfully it was pitched to a female artist. And I’m so so happy she recorded it because it would become the biggest song of my writing career,” he shared with the crowd.

The show concluded on a high energy note, with hit after hit like “Body Language,” “Leavin’” and “Beautiful Soul” all stacked towards the end of the set. Prior to performing the latter, the band had left the stage, only to be quickly summoned back for an encore with chants of “Jesse!”

If you get the chance to see Jesse McCartney on the All’s Well Tour, don’t miss out on the opportunity to experience some of your favorite songs from your teen years live. You can check out photos from the Chicago concert below, and see where you can catch the tour next here.

Live Recap: The Kooks and Vaccines with Daisy the Great

The Kooks, The Vaccines and Daisy the Great all rocked a sold out house at The Riviera to kick off the St.Patty’s Day weekend in Chicago.

The musical duo of Kelley Dugan and Mina Walker, AKA Daisy the Great, warmed up the Chicago crowd with a set that showcased the pair’s beautiful vocal harmonies along with their spunky energy. Daisy the Great performed the first song they ever released as a band, called “Record Player,” as well a few from their most recent “Tough Kid” EP, but they also introduced some brand new and unreleased material to the Chicago crowd. Dugan introduced one of the newer tracks saying, “This is our last new song, it’s about going on a walk. This song is called ‘Dog.’” Another fan favorite of their set was the song “Liar,” which Dugan explained was about having a secret crush on a friend—relatable!

After a quick changeover, it was time for The Vaccines to grace a Chicago stage for the first time since 2018, when they headlined a sold out Lincoln Hall. I luckily got to see The Vaccines in London in 2019, but it was still long overdue and great to have them back in my hometown—because the only vaccines I had in the meantime were covid and flu vaccines, and the band is a much better experience.

Each time I’ve seen The Vaccines, I know they’ll be great, but they never fail to impress me with just how topnotch they are as performers. This tour was in celebration of their new album Pick-Up Full Of Pink Carnations that they just released this January, and not only do they never miss in the witty and catchy songwriting department, but vocalist Justin Hayward-Young remains consistently charismatic (or as the kids would say nowadays, he has rizz). Whenever he wasn’t stationed in front of the mic stand so he could play guitar, Young slinked and danced his way across the length of the stage. The Vaccines’ stage presence has this effortlessly expressive and cool edge to it, yet it’s affable enough that they still feel approachable.

Although they had a relatively quick set length of an hour, the band still packed in hit after hit, mixing in plenty of fans’ old favorites between new material from their last album. Their set wrapped up on a peak of some of their most popular songs, including my personal favorites “I Always Knew” and “If You Wanna.”

Continuing the theme of familiar favorites, The Kooks kicked off the closing set of the evening with “Seaside” from their debut 2006 album Inside In/ Inside Out— which started simple with lead vocalist Luke Pritchard performing solo before the rest of the band joined him onstage. While The Vaccines were celebrating a new album on this tour, The Kooks were actually spotlighting the anniversary of their debut album, so naturally the set list featured the majority of Inside In/ Inside Out’s track list. True to form, “Seaside” is the first track on the album, and the live show followed suit for the first handful of songs, delivering hit after hit to the eager crowd.

While the band often moved from standing upstage to playing on platforms at the back of the stage, Pritchard alternated from playing guitar to roaming freely around the stage as he sang. During some of their songs, Pritchard even showed off his dance moves that were reminiscent of the infamous Hugh Grant dance scene in “Love Actually”— it must be a British thing. The crowd cheered loudly each time he danced, and they weren’t shy about cheering through out the rest of the show. For example, before “Bad Habit” fro 2014’s Listen, fans mimicked the chorus-like melody back in chant-form.

As we got closer to the finale of the evening, Pritchard told the audience, “If we’re gonna go ballistic, now is that time” before playing “Always Where I Need To Be.” The Kooks wrapped up their main set with “Junk of the Heart (Happy),” but returned to rowdy cheers to perform an encore of “Around Town” and the fan favorite “Naive.”

If you’re looking for a jam-packed night of feel-good songs and nostalgia, make sure to grab a ticket for when the tour hits your city and check out the photo recap of the Chicago show below.

Photo Recap: The Wombats at The Vic Theatre

The Wombats returned to Chicago to perform at The Vic Theatre on Wednesday night. Check out photos of the fun-packed show below and see where you can catch the tour next here.

Live Recap: Yoke Lore with Girlhouse at Metro

This past Tuesday night, Yoke Lore returned to Chicago to play his biggest headline show here yet—with a sold out gig at the iconic Metro.

girlhouse, the project of musician and songwriter Lauren Luiz, warmed up the crowd first. Luiz was joined by a full live band, and she told the audience she’d released four EPs this last year, so she had plenty of material to perform during her thirty-minute set. Early on in the set, a fan in the front asked if she’d be playing her single “the fatalist,” and Luiz coyly responded they’d have to wait and see. Towards the end of the set, the song was delivered and the singer told the fan “that was just for you.” girlhouse’s set wrapped up with “concussion,” which is a favorite of mine and has racked up over 10 million streams. I’d recommend adding girlhouse to your playlists if you’re a fan of Wallice, Samia, or Annie DiRusso.

Next up, the scene was set for Yoke Lore, the moniker of musician Adrian Galvin. Galvin and his band had been in Chicago earlier this year to open for Goth Babe at Salt Shed, but it was great to see him as the main event this time. All around the stage, lamps and light bulbs added a cozy vibe, which was fitting because Yoke Lore songs have such a comforting feeling about them. These light bulbs would end up changing colors and setting the tone throughout the night, adding different auras to different songs.

Galvin played through his first few songs, alternating between his signature banjo and acoustic guitar, but after performing his 2019 single “Chin Up,” Galvin took a break to speak to the crowd with a poetic introduction. He told the crowd “Hi, I’m Yoke Lore. I want to tell you what that means.” Galvin then defined the mission behind his musical project, ending the introductory speech by saying, “And music is how I use the personal to conjure the infinite.”

Galvin addressed the crowd in a similar style a few times throughout the evening, which really added a special touch to the live performance in between the songs. In addition to some of his tried and true material and fan favorites, like “Seeds” and his cover of “Truly Madly Deeply,” Galvin sprinkled in some newer music. The new songs included singles like “Hallucinate” and “Shake,” which were both released this year, as well as some unreleased songs from his upcoming debut album Toward A Never Ending New Beginning, which will be released this month. The new music had more of an electronic backbone to it, and Galvin took some time to show off his dance moves in those moments.

The main part of Yoke Lore’s set wrapped with his hit “Beige,” which was truly a beautiful moment. Galvin began standing at the edge of the stage playing the banjo, with the crowd kicking off the song in a choir-like fashion before he eventually moved back to the microphone to join them in singing.

After a very loud demand for an encore, Yoke Lore returned to the stage to perform Tom Robbins, which Galvin told the crowd is a song he only performs live and was inspired by his favorite book. The evening wrapped up with another full-venue singalong to “Goodpain.”

As I left the Metro that night, I found out the Cubs had a massive win, as I was greeted by “Go Cubs Go” cheers from Wrigley Field down the block. The victorious chants matched the euphoric energy I felt leaving the Yoke Lore show.

Check out photos from the evening below and see where you can catch Yoke Lore next here.

PHOTOS: Bastille's Bad Blood X Finale at The Wiltern

Bastille wrapped up their 10-year anniversary tour of their debut album, dubbed the Bad Blood X tour, on Friday night at The Wiltern in Los Angeles. Check out the photo gallery of the evening below, and see where you can catch the band next here.

Live Recap: The Goo Goo Dolls with O.A.R. at Northerly Island

While Summer may be winding down, there’s nothing better than an outdoor concert in Chicago (assuming the weather is cooperating). This past Tuesday night, The Goo Goo Dolls and O.A.R performed to a packed house at the Huntington Bank Pavilion at Northerly Island—one of the last handful of shows at this venue for the season.

As a teenager in the early aughts, I remember loving O.A.R.’s hit “Love and Memories,” but I went into their show not knowing too much more of their material. While I wasn’t able to sing along to the unfamiliar parts of their setlist, I seemed to be the odd man out, as I saw many of the people around me enthusiastically singing and dancing along to most of the band’s songs. O.A.R’s lineup also included Jerry DePizzo on the saxophone, which added some fun texture to their live sound. Lead vocalist Marc Roberge introduced fan favorite “This Town” as being a “celebration of our travels.” Other fan favorites included “Hey Girl” and “Shattered (Turn the Car Around).”

The Goo Goo Dolls took the stage next, after the sun had set. Their introduction featured a flurry of news reports that appeared on “televisions” on their background screen. The backdrop morphed throughout the night, flickering to different colors and graphics depending on the song—sometimes depicting stars and other times fire.

The setlist kicked off with “Broadway” from the band’s 1998 hit album Dizzy up the Girl, immediately setting the energy on high. We also heard “Slide” and “Black Balloon” from the same album in the early part of the set, which kept up the tone of nostalgia. For the latter of those songs, actual black balloons bounced around throughout the crowd, creating a tangible effect to accompany the song.

Johnny Rzeznik sang the majority of the songs on their 24-song set, but occasionally Rzeznik swapped the lead vocals duty with bassist/vocalist Robby Takac for songs like “Bringing On the Light” and “Life’s a Message.” Throughout the show, the band also introduced some refreshed arrangements on their popular songs; Rzeznik sang their song “Sympathy” sans guitar, accompanied only by the piano and he also sprinkled in some A capella moments during the performance of “Name.” Before playing that song, Rzeznik also introduced it as the first song The Goo Goo Dolls had played on the radio, saying “that’s when all the trouble started.”

Another highlight of the night included a cover of the late, great Tom Petty’s “I Won’t Back Down,” which featured Marc Roberge as a guest performer. The icing on the cake for the evening was the group therapy vibes of singing along the lyrics to “Iris” as the band’s closing song—there’s just something cathartic about screaming “And you bleed just to know you’re alive” along with a crowd full of strangers.

Check out photos of the evening below, and see where you can catch The Goo Goo Dolls next here.

PHOTOS: Temples with Post Animal at Metro

Temples and Post Animal kicked off the weekend with a performance at Metro on Friday, June 16th. Check out photos of the show below, and see where you can catch the tour next here.

Live Recap: King Gizzard & the Lizard Wizard Bring Their Residency Tour to Salt Shed

This past Sunday night, King Gizzard & the Lizard Wizard returned to Chicago for the first of their three-night sold-out residency here at the Salt Shed.

Despite it being nearly mid-June, the weather was unseasonably cold and windy, but that didn’t stop King Gizz’s dedicated fan base from coming out in droves. Amongst the jackets and beanies I saw walking into the Shed, I saw some folks wearing wizard hats and even someone rocking a lizard costume in homage to the band.

It’s been a few years since I last saw King Gizz here, and in that time they’ve released more albums than I can count on two hands, so I wasn’t sure which songs to expect on their set list. Many of the fans in attendance on Sunday night were planning on attending multiple nights of the tour (either in Chicago or elsewhere), but even they wouldn’t really know what to expect as KGWL has the tendency to change up their set from show to show.

On Sunday, the music kicked off with “Pleura” and “O.N.E.” from the 2021 album L.W. Just before launching into the third song of the evening, the band invited an audience member, whose name we learned was Seb, onto the stage to introduce the next song. Standing next to band members Joey Walker and Stu Mackenzie and their dual microphone stand, Seb commenced the performance of “Nuclear Fusion” by growling the song title in a similar fashion to what you can hear on the studio version. Seb’s short-but-sweet guest appearance got a raucous round of applause from the crowd.

From the jump, audience members began moshing and crowd surfing, but their energy only amplified when Mackenzie took a moment to thank everyone for coming out and braving the gnarly weather, adding “the best way to stay warm is to move your body.” Later on in their set, I stood on the Salt Shed’s balcony and got to take in the aerial view of the giant mosh pit, at one point even getting to witness a circle pit.

Throughout King Gizz’s two-hour set, they mixed in a lot of diverse musical styling and genres, but for the most part it swayed jam band-esque, which is fitting because the band jokingly dedicated one of their songs to John Mayer. Mayer was in town the same weekend for shows with Dead and Company, but if you ask me, I’d much prefer to watch “The Grateful Gizz” in concert! KGWL added texture to their live performance by peppering in flute (played by Mackenzie) and saxophone (played by Ambrose Kenny-Smith) on some of the songs. The evening closed out with a performance of “Boogieman Sam” from the 2019 album Fishing for Fishies.

Check out photos of the evening below, and see where you can catch the tour next here.