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Live Recap: King Gizzard & the Lizard Wizard Bring Their Residency Tour to Salt Shed

This past Sunday night, King Gizzard & the Lizard Wizard returned to Chicago for the first of their three-night sold-out residency here at the Salt Shed.

Despite it being nearly mid-June, the weather was unseasonably cold and windy, but that didn’t stop King Gizz’s dedicated fan base from coming out in droves. Amongst the jackets and beanies I saw walking into the Shed, I saw some folks wearing wizard hats and even someone rocking a lizard costume in homage to the band.

It’s been a few years since I last saw King Gizz here, and in that time they’ve released more albums than I can count on two hands, so I wasn’t sure which songs to expect on their set list. Many of the fans in attendance on Sunday night were planning on attending multiple nights of the tour (either in Chicago or elsewhere), but even they wouldn’t really know what to expect as KGWL has the tendency to change up their set from show to show.

On Sunday, the music kicked off with “Pleura” and “O.N.E.” from the 2021 album L.W. Just before launching into the third song of the evening, the band invited an audience member, whose name we learned was Seb, onto the stage to introduce the next song. Standing next to band members Joey Walker and Stu Mackenzie and their dual microphone stand, Seb commenced the performance of “Nuclear Fusion” by growling the song title in a similar fashion to what you can hear on the studio version. Seb’s short-but-sweet guest appearance got a raucous round of applause from the crowd.

From the jump, audience members began moshing and crowd surfing, but their energy only amplified when Mackenzie took a moment to thank everyone for coming out and braving the gnarly weather, adding “the best way to stay warm is to move your body.” Later on in their set, I stood on the Salt Shed’s balcony and got to take in the aerial view of the giant mosh pit, at one point even getting to witness a circle pit.

Throughout King Gizz’s two-hour set, they mixed in a lot of diverse musical styling and genres, but for the most part it swayed jam band-esque, which is fitting because the band jokingly dedicated one of their songs to John Mayer. Mayer was in town the same weekend for shows with Dead and Company, but if you ask me, I’d much prefer to watch “The Grateful Gizz” in concert! KGWL added texture to their live performance by peppering in flute (played by Mackenzie) and saxophone (played by Ambrose Kenny-Smith) on some of the songs. The evening closed out with a performance of “Boogieman Sam” from the 2019 album Fishing for Fishies.

Check out photos of the evening below, and see where you can catch the tour next here.

LIVE: King Gizzard and the Lizard Wizard and Mild High Club at Lincoln Hall

Mild High Club and King Gizzard and the Lizard Wizard made a perfect pairing for a double header of sold out shows at Chicago’s Lincoln Hall. The two groups created an IRL experience of "Sketches of Brunswick East" for the first time. 


Mild High Club took the stage shortly after 8PM on Monday for a hometown show that featured collaborations and additional layers that brought their recorded music to life. Kicking off the collaborations, vocalist Quinn Tsan joined the group to sing alongside lead singer and frontman Alex Brettin. Shortly after Tsan left the stage to a swooping round of applause, the band added in a saxophonist for a few songs, followed by a brief guest appearance of Adam LP from new Chicago outfit wavy id. While both Sunday and Monday night’s set included popular songs like “Windowpane” and “Tessellation,” Brettin and his bandmates switched up the order of their set each nice to make their show even more dynamic. The combination of guest appearances, a refreshed setlist, and a trippy light show made for an all encompassing and captivating performance from Mild High Club.


Australian psych rockers King Gizzard and the Lizard Wizard hit the stage next with a blaze of guitar jams and pacing rhythms that never slowed down, thanks in large part to their two drummers. The seven piece group completely filled out the humble stage at the 500 capacity venue, and the crowd completely packed in to be as close as possible to stage. From the second the super group opened up with “Some Context” from their first album of 2017, Murder of the Universe, the audience and King Gizzard reciprocated one another’s energy levels. While frontman Stu MacKenzie would flip the top half of his body upside down, flail his guitar around, or flash his tongue to the crowd, the audience would thrash around in the mosh pit, which amplified in intensity as the 90 minute set progressed. The set spanned the course of several of King Gizzard’s albums, but the crowd got the rowdiest during “Rattlesnake” from Flying Microtonal Banana and “Gamma Knife” from Nonagon Infinity. At some points, a few audience members attempted to crowd surf (before being stopped by venue security). Nonetheless, the spirit of the crowd clung to the brim, never dipping as the ambitious Aussies kept up their signature pulsating pace. Just as King Gizzard’s set approached the finish line, they invited Alex and Mat of Mild High Club to join them on the stage to perform some of their collaborative album Sketches of Brunswick East, which made the stage even tighter than it already had been. The two groups performed the jazz-tinged “Countdown” and “Rolling Stoned” together before they all left the stage to a grateful and awestruck audience.


Photo Gallery of Mild High Club and King Gizzard and the Lizard Wizard

Find out more information about King Gizzard's US tour, including dates and tickets here, and listen to their collaborative album with Mild High Club, Sketches of Brunswick East, in full below!

PHOTOS: ORB // King Gizzard & The Lizard Wizard at Metro 4/8/17