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Filtering by Tag: Dashboard Confessional

Live Recap: The Goo Goo Dolls with Dashboard Confessional at Northerly Island

On Wednesday, August 13th, I finally made my way to the Huntington Bank Pavilion at Northerly Island for the first time this summer to see a sold-out show from Dashboard Confessional and Goo Goo Dolls. As Johnny Rzeznik said during the Goo Goo Dolls headlining performance, “It ain’t summer until you come to Chicago and do a show,” but for me it truly doesn’t feel like summer in the city until I make it to a show at this beachfront venue. Concert attendees were treated to glorious weather after a couple of evenings filled with gloomy thunderstorms, and the music started just as golden hour hit the city skyline.

This past Wednesday was just a couple weeks shy of being exactly two years since the last time I caught a show from Goo Goo Dolls at the very same venue, only this time instead of O.A.R. they were joined by another of my teenaged self’s favorite bands— Dashboard Confessional. I mean truly, if you’ve never screamed the lyrics to “Vindicated” or “Hands Down” by Dashboard while driving with the windows down, you haven’t lived—but lucky for me that was one of my favorite pastimes in high school.

Also lucky for me, Dashboard Confessional’s setlist was packed with plenty of nostalgic tunes, opening up with “The Best Deceptions” from the 2001 album The Places You Have Come to Fear the Most. The show continued on to feature lots more music from the early 2000’s, including another favorite of mine “Remember to Breathe,” in which lead singer and songwriter Chris Carrabba sings “Remember to breathe/and everything will be okay.” In the recorded version of the song, Carrabba holds a long note on the words “breathe,” “everything,” and “okay,” and during the live version I was pleasantly surprised to hear Carrabba’s vocal chops were still going strong more than 20 years later and he held out those same notes. Honestly it felt like he took it even further during the show.

Along with his impressive vocal performance, Carrabba demonstrated wonderful creative chemistry with his bandmates, bringing these timeless tunes to life onstage. Their set ended on an epic singalong to the aforementioned “Hands Down.”

Goo Goo Dolls closed out the evening with another set filled to the brim with nostalgia and epic singalongs, starting off with “Naked” from their 1995 album A Boy Named Goo. As the setlist kicked off with a lot of material from the early discography, Rzeznik took the time to address the crowd after performing one of their hits “Black Balloon”—during which the audience bounced around actual black balloons throughout the venue, a tradition that seems to have stuck around from the last time I saw Goo Goo Dolls. “We’re just finally starting to get our groove, but I’m just here to play! I’m happy!" Rzeznik told the audience as the balloons continued to ricochet from fan to fan.

About halfway through the set, Rzeznik stripped back some of their songs, performing “Sympathy” and “Acoustic # 3” solo on acoustic guitar. He also kicked off “Name” with just himself and the guitar before being joined by the full band—and of course, the crowd as backup singers. “Thank you for remembering that song,” Rzeznik told everyone afterwards.

Another fun tradition that carried over from the last time I saw Goo Goo Dolls was that they covered another Tom Petty track. Last time, I got to hear “I Won’t Back Down,” and this time they treated the audience to a rendition of “You Wreck Me” by Petty before closing with their massive hit “Iris.” In the song Rzeznik sings “You're the closest to Heaven that I'll ever be,” and I’ve got to say, getting to hear iconic songs that you grew up with performed live more than 2 decades later at an outdoor venue during the Chicago summertime is pretty dang heavenly if you ask me.

See where you can catch your own slice of heaven on tour here, and check out photos of the evening below.

Live Recap: Counting Crows with Dashboard Confessional at Ravinia Festival

The Counting Crows and Dashboard Confessional kicked off the weekend with an incredible show at Ravinia Festival in Highland Park on Friday, June 23rd.

Prior to the music kicking off with Dashboard Confessional around 7PM, music fans arrived to the Ravinia site as early as 5PM to settle in and have a pre-concert picnic on the lawn. Before Chris Carrabba and his five band members began their set, Adam Duritz of Counting Crows took the stage to tell everyone to “get off the lawn” and come join them in the pavilion for the main event. The audience continued to trickle in as Dashboard Confessional started their set with a throwback to 2006’s “Don’t Wait.” During performances of their songs, Carrabba’s fun-spirited stage presence shone through in the way he sang and carried himself, but it was during the between-song banter that his personality really came across. Before playing their third song of the night entitled “Belong,” Carrabba told the crowd that he had the opportunity to wander around the lawn earlier in the evening and meet some people, including one young girl named Emma. Carrabba pointed out Emily in the crowd, and shared that this was her first concert ever before dedicating the song to her.

Throughout the rest of the set, Carrabba weaved in anecdotes about the songs that the band was about to play, including a story about kissing a girl from Chicago under the Williamsburg Bridge before “Remember to Breathe” and telling the crowd that he’d seen the new Spider-Man movie before playing “Vindicated” since that song was used in Spider-Man 2. Most of the set was well-received by the audience, but everyone seemed particularly excited about the performance of “Stolen” and the hit “Hands Down,” the latter of which closed out the show. Dashboard Confessional’s set was a perfect and nostalgic start to the evening; I remember being in high school and listening to some of these songs and it was incredible to get the chance to form new memories with these songs at this concert.

Next up, Counting Crows took the stage to a completely packed pavilion, beginning their set with “Sullivan Street” off their debut album August and Everything After. From there, they jumped to perform “If I Could Give All My Love -or- Richard Manuel Is Dead” from their 2002 album Hard Candy before turning up the heat by playing their massive hit “Mr. Jones” as the third song of the night. Most bands wait to play their biggest hits until the end of their set, but I admired the bolder move and appreciated the electrifying energy of the audience dancing and singing along to the tune.

With so many great songs under their belt, it really felt like the entire setlist was just hit after hit, but there were definitely more mellow moments over the evening. For example, the very next song after “Mr. Jones” was the ballad “Colorblind,” which is still a favorite of mine, but features a dramatic piano-driven melody that starkly contrasts with the swingy, upbeat tempo of the previous song.

Similarly to Carrabba, Adam Duritz’s stage presence and between-song banter showed off his dynamic personality. Duritz would sometimes illustrate the lyrics of his songs with hand motions and body movements, essentially like an interpretive dance to help contextualize the words— for example he shrugged when he sang the line “I don’t know” in “Round Here” and he reached his arm out when he sang “I’m covered in skin” during “Colorblind.” There was also a frequent change up in the vocal cadence or inflictions of Duritz’s live performance, in comparison to the recorded versions of these songs, that added more texture to the live show. Then of course, Duritz’s sense of humor was on display whenever he took a moment to speak to the audience—whether it was the tale he told about “getting to crazy from crazy” when he was waiting for the muse behind “Washington Square” to write him back, or the way he mimicked a Chicago accent to describe how the audience sounded singing certain parts back to him.

To wrap up the main part of the set, Duritz performed (yet another hit) “A Long December” from the piano. The band quickly returned for an encore that began with “Hanginaround,” which featured a guest appearance from the entirety of Dashboard Confessional. The energy really soared with the epic, big band moment of having everyone onstage together. “Time and Time” again had been on the evening’s setlist, but it got unfortunately got cut and the encore ended with “Holiday in Spain,” which Duritz deemed as “our lullaby to you.”

Overall, the concert was filled with a lot of nostalgia, but all of the timeless hits made for a night of new memories you can’t forget.

Check out photos of the evening below, and see where you can catch the tour next here.

PHOTOS: Riot Fest 2019- Day 1

Riot Fest 2019 kicked off yesterday on Friday the 13th. We caught sets from Caroline Rose, Mat Kerekes, Hot Snakes, The Get Up Kids, Violent Femmes, Dashboard Confessional, Descendents, and The Flaming Lips. Check out the photos below and stay tuned for galleries for Saturday and Sunday.