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Outside Lands 2026: Saturday Highlights

Outside Lands 2026 returned to Golden Gate Park on Saturday, August 8th for another sold-out day of festivities. Read on for all the highlights and takeaways of the fest’s second day!


Music is Healing

Chances are, if you’re at a music festival, you already know how much healing power music has, especially in a live context— but every once in a while, it’s nice to be reminded!

I started my jam-packed day of music at Haute & Freddy’s set, which kicked off at 1:25PM at the Lands End stage. The duo of Michelle Buzz and Lance Shipp drew a large crowd even at the early set time with their circus-chic costumes and theatrical performance, but a highlight of their show was the performance of their single “Dance The Pain Away,” which did in fact, have the crowd dancing away their troubles. Aside from that song, Buzz and Shipp kept the crowd captivated with fun moments like an interlude of circus show tunes while Shipp juggled onstage, or a dramatic speech about the queen and the opera from Buzz. “We’re very inspired by musicals. This is for anyone who needs to feel a little bit more like a queen today,” she later told the audience. Haute & Freddy’s performance felt more like a musical than just your average concert, and left us all feeling like royalty at the Opera house.

Photo by Alive Coverage

Along that same vein of being rejuvenated by music, Yard Act played a few hours later over on the Sutro stage, bringing to life many of their new songs from their third album entitled You’re Gonna Need A Little Music—which just came out on July 17th. The album’s title and its title track are a friendly reminder that music really is a necessity, and Yard Act’s stellar performance at Outside Lands provided a mid-afternoon invigoration to the festival-goers. Lead vocalist James Smith commanded the crowd with his dynamic vocal abilities that at times included a powerful howl and rapid, rhythmic delivery that rivals rappers. The crowd also seemed particularly tickled when the band played the aforementioned “You’re Gonna Need A Little Music” and Smith delivered the line “Headed from the Isle of Balamory to the San Francisco Bay.” If you enjoyed Yard Act’s set at the fest, stay tuned for an interview with them coming soon!

Sibling Support > Sibling Rivalry

Siblings Audrey Hobert and Malcolm Todd both performed at Outside Lands on Saturday, with Hobert taking the Lands End stage at 2:40PM and Todd playing at Twin Peaks at 4:45PM.

Audrey Hobert kicked things off by drawing a large crowd to one of the main stages again, especially for so early in the day. As she danced and twirled across the stage, fans joined her in grooving on the field, loudly singing along to her quirky yet relatable narratives. Between songs, Hobert told the crowd she didn’t need their cheers or screams, but they were very nice to have. She was granted many screams when she started her hit song “Sue Me”— which she actually performed twice so that the audience could soak in the moment sans phones for one of the performances but still get their recordings the first time if they wanted.

Audrey Hobert fans got another opportunity to double dib on one of their favorite songs if they caught her brother Malcolm Todd’s performance as well; Todd invited Hobert onstage in the middle of his show to perform her song “Phoebe” together for a sweet family crossover. We love to see siblings supporting each other!

Photo by Alive Coverage

2/3 of Boygenius

On day 1 of Outside Lands, Julien Baker and Lucy Dacus made a small but mighty cameo on the stage screens for Turnstile’s set during their song “DULL.” I had a feeling that meant we might get an appearance from Baker during Dacus’ Saturday afternoon set. My hunch ended up being right when Baker joined Dacus to perform her song “Bullseye” from her 2025 album Forever is a Feeling. The studio version includes a feature from Hozier, but the Outside Lands version had her Boygenius bandmate! The cherry on top was Dacus performing the Boygenius song “True Blue” as a follow up.

Charli(e)’s Garden at Djoutsidelands

Outside Lands became Djoutside Lands for an hour, kicking off at 6:50PM when Djo hit the Lands End stage. The musical brainchild of Joe Keery (who you may also know for his acting chops) packed the polo field again for an energetic performance. Throughout the show, Keery often zipped across the stage and at one point hopped off the stage to run through the middle barricade. I saw a post on Instagram this morning that said “Djo’s Outside Lands set but it’s just him having the zoomies” and I can’t think of a better way to describe it. He ran around onstage so much that he gradually shed two of the three layers he started the show with, quickly warming up despite the chilly San Francisco breeze.

Djo’s setlist featured a mix of his discography, including some of my favorites from his 2025 album The Crux, “Potion” and “Charlie’s Garden.” In the studio version of the latter, the song includes a clip of a voicemail that’s interjected about a minute into the track, but during his live set, Kerry has made it a tradition to have a “Charlie’s Garden” caller that’s usually relevant to the specific show (i.e. in New York, he had a video clip from Mayor Mamdani). For Outside Lands? The song was rebranded to “Charli’s Garden” because the special voicemail came from queen Charli xcx herself. In the video, she tells Keery “I had no idea that you wrote this song about me, that is like so sweet of you” before telling him to call her back after the show.

Djoutside Lands wrapped up with an extended version of his massive hit “End of Beginning,” which marked my first time hearing the song performed live outside of Chicago. While the crowd still loved it, nothing will ever top seeing that song at Lollapalooza with a bunch of fellow Chicagoans last year.

Outside Land’s Barbenheimer IRL

In July, Outside Lands posted a screenshot of a fan’s comment saying “The Strokes and Charli xcx having the same album release date is like Barbenheimer for bisexual people” in response to The Strokes releasing their new album Reality Awaits on the same day as Charli xcx’s Music, Fashion, Film. Well, to close out Saturday, festivalgoers got to experience that phenomenon IRL when The Strokes invited Charli onstage to perform their song “Take It Or Leave It” from their landmark Is This It album. The Strokes frontman Julian Casablancas gave the pop icon her flowers, saying her album blew theirs out of the water, but it was nice to see them come together as comrades rather than competition.

Aside from the guest appearance, The Strokes were the perfect way to wrap up the second day of the fest. Fans completely filled the field to see them, and it almost felt like we were in a snowglobe with The Strokes because Karl the fog returned along with very fine mist that was illuminated by the festival lights. It was the perfect Saturday sendoff after a wonderful day of music and culture.

Photo by Alive Coverage

Festival Free(dom)bies

On the second day of Outside Lands, I had a little bit more time to explore even more of the sprawling park grounds. On Friday, I completely missed checking out Hellman Hollow, which includes the Panhandle and Twin Peaks stage, along with several brand activations. Along with the brand activations comes plenty of freebies for the festival crowd!

Some highlights included La Croix passing out free cans of sparkling water, Monster Energy also providing free samples, and TheraBreath’s refresh station that included sunscreen, body mists and of course their signature mouthwashes. However, the real star of the festival perks was the Chase Freedom Cashback Club. There, attendees could score freebies like fannypacks and ice cream or watch the shows on Panhandle and Twin Peaks from their special viewing platform. The real winning perk though? They had air-conditioned bathroom trailers that actually flush, so fans with a Freedom card could avoid the stinky porta-potties.

Speaking of that— I’d like to encourage festivals across the world to start offering “V I Pee” passes, which would be a fraction of the price of traditional VIP passes because the only perk it includes is clean, flushable toilets. Speaking for myself, I don’t need designated viewing platforms or free drinks, but a clean bathroom makes all the difference at a festival. Outside Lands 2027, want to take me up on this idea?!


Stay tuned for the Day 3 highlights, and check out the takeaways from Day 1 here.

Outside Lands 2026: Friday Highlights

Outside Lands 2026 kicked off on Friday, August 7th and I was there for ANCHR’s inaugural attendance of the beloved Bay Area festival. Read on for top takeaways and highlights from day 1!


Attending the festival for the first time as a Chicagoan, I couldn’t help but compare Outside Lands to festivals back home, like Lollapalooza, Riot Fest and (RIP)Pitchfork Festival. In terms of size of the grounds and crowd size, I’d say Outside Lands falls between Riot Fest and Lollapalooza, but the Outside Lands lineup this year reigned supreme for me, even over Lolla’s lineup. However, the vibes reminded me a little bit of the old Pitchfork Festival because a majority of the crowd seemed to really care about the actual music, and many fans were trekking from stage to stage between acts rather than camping out at the main stage for the headliner.

San Francisco’s Natural AC

A big discrepancy between Outside Lands and essentially any outdoor concert/festival in Chicago during the summer is the weather. Not only is it significantly cooler in the summer in the Bay Area, but there was a consistent breeze throughout the day and lots of cloud coverage. The San Francisco cool weather felt like nature’s own air conditioning, and even though it got actually cold in the evening (with feels-like temps of low 50s), it was nice to not be sweating all day during the shows. Additionally, with the venue being set at Golden Gate Park, you could smell refreshing eucalyptus from the trees in many parts of the grounds which felt like Nature’s air freshener that also melted away any of the stress from being in a large crowd.

Another highlight of the sprawling park as the venue was the plethora of food, drink, and vendor options throughout the space. I felt like I rarely had to wait in long lines to check out a brand activation or grab something to eat even during peak dinner time because there were so many options for food, spread out between the main stages.

Now onto some of the musical highlights!

Photo by Alive Coverage

Wet Leg, Arms Pumped!

I flew in Friday morning from Chicago, so regrettably missed some of the earlier afternoon acts, but fortunately made it to the grounds just in time for the highly anticipated show from Wet Leg. Friday afternoon’s performance was Wet Leg’s first time back to Outside Lands since their debut in 2022, where they played the Sutro stage. This time, Rhian Teasdale entered the Lands End stage with arms flexed upwards as the band launched into their single “Catch These Fists” from their sophomore album Moisturizer. The 2026 set featured several of the newer songs from their second album, but still included some of the debut favorites like “Chaise Longue,” “Wet Dreams,” and of course “Ur Mom”— the latter of which featured a cathartic scream. During the performance, Teasdale asked the crowd to join her in their longest and loudest scream, and it went on for an impressive 30 seconds. Here’s to group scream therapy!

Photo by Alive Coverage

The Sutro Stage had Geese and a (Modest) Mouse

After Wet Leg’s set, I took some time to walk the grounds to people-watch and get my bearings on the site before making my way to the other main stage, The Sutro Stage. The last three bands to perform on that side were Geese, Turnstile (more on them shortly), and Modest Mouse—who was up against Charli xcx’s co-headlining slot.

As I meandered up towards the stage area, walking along the right side of the grassy hill of Lindley Meadow, I was pleasantly surprised to see stands of bleachers with open seating for GA attendees. In speaking with another fest attendee, I heard that this is the first year the stage had this seating option, and I have to say I’m a big fan. The raised spot on the hill and stadium style seating allowed for a bird’s eye view of the stage and gave me a chance to take in the massive crowd showing up for the Brooklyn-based band. Also, in total happenstance, I sat next to two other festival-goers who happened to live in Wisconsin, just over the Illinois border. Us Midwesterners have to stick together!

I first saw Geese at Lincoln Hall in 2022 (and they were also featured as an artist of the week that same year), so it was incredible to see them completely pack a festival main stage in the early evening on day 1 of Outside Lands. The band had mosh pits sprawling throughout the entire length of the meadow—not just in the front of the crowd; however, in the front of the crowd, fans could be seen bouncing around inflatable Geese to add to the fun.

Photo by Alive Coverage

Turnstile’s Phone Calls and Mosh Pits

There was a 30-minute gap at The Sutro stage between Geese and Baltimore’s Turnstile, and while the crowd thinned out significantly with fans bopping around to other sets during that time, the meadow filled right back up by 7:20 when Turnstile was slated to start. The band began a few minutes late, but made an explosive entrance to their most recent album’s title track “Never Enough.” Immediately, frontman Brendan Yates exerted his high-energy stage presence, doing jumping jacks, leaping around the stage, and joining the audience along the barricade to sing amongst them. The crowd returned the energy back to the band, filling the meadow with giant mosh pits.

During the 5th song of the set— “DULL”—when Yates sang the lyrics “I'm waiting for the call,” fans were greeted by a surprise cameo of 2/3 of Boygenius picking up a prop telephone on the screen. Julien Baker and Lucy Dacus, who is performing at Outside Lands on Saturday, were watching Turnstile’s show from the side of the stage and joined in by making the call. Here’s hoping this was a foreshadowing of a guest appearance during Dacus’ set.

Another one of my favorite observations during Turnstile’s incredible performance was a couple in the crowd in front of me wearing BRAT shirts join in on the mega mosh pit. We love to see fans going hard for different genres!

Karl was Charli XCX’s Natural Fog Machine

Speaking of Brat, Charli xcx closed out the Lands End stage next, and fans flocked to join Club Charli on the other side of the park.

As nighttime fell over Golden Gate Park, San Francisco’s infamous fog, Karl, rolled into the grounds and acted as the world’s biggest natural fog machine to set the tone for Charli’s vibey performance. Of course, Charli’s production also included tons of strobing lights and choreographed dancers to enhance the show and really make it feel like a party (4 u).

Charli xcx’s Outside Lands set opened with some of her latest material from her album Music, Fashion, Film—which was just released at the end of July, but she also sprinkled in hits like “360” from 2024’s BRAT and “House” from the Wuthering Heights album. Fittingly, her set wrapped up with her song “No One Lasts Forever” to close out day 1 of the festival.


Stay tuned for highlights from day 2 and 3 of the festival, and make sure you have your schedule planned out now.

Outside Lands Music Festival 2026

Outside Lands Music Festival returns to Golden Gate Park in San Francisco from August 7th-9th. ANCHR will be onsite at the fest, so stay tuned for our thoughts on the must-see sets and key takeaways from the festival weekend. Tickets are sold out but you can sign up for the wait list on the site also check out their night shows after the festival.

Live Recap: Katie Gavin with Lucy Dacus at The Chicago Theatre

Singer-songwriter and 1/3 of the band MUNA Katie Gavin warmed up the stage for two sold-out nights with Lucy Dacus at the iconic Chicago Theatre on May 1st and 2nd—and I was lucky enough to attend for the second show on Friday night.

Gavin debuted her side-project last year, releasing the acoustic-driven solo album entitled What A Relief in October 2024. The record leans alt-country at times, particularly on tracks like “Inconsolable” and “The Baton” that feature Gavin on violin and pulls out a slight twang on her vocals. This collection of songs on the debut album showcases a tonal shift from MUNA’s usual vibe, but Gavin has said in an interview that shift was driven from the origin of these songs; throughout the years she’s written some material that the band ultimately decided wasn’t a fit with MUNA’s vision.

During the show on Friday night, Gavin told the crowd “This is the last tour that I’m gonna do for this solo record.” When her statement was met with audible disappointment from the audience, Katie added, “No, but you’re not upset because that means I’m going back into MUNA!” The upset immediately turned into excited cheers at the tease of MUNA’s return, but it felt special to get to catch one of the last shows for What A Relief . Another special moment of Gavin’s set included an appearance from her younger sister, who joined the band to play some cowbell for the duration of “Sanitized.” In addition to the cowbell, Gavin brought these stories to the stage playing the keyboard, guitar, and live violin on the aforementioned tracks “Inconsolable” and “The Baton,” the latter of which also featured a full crowd clap-along to the beat.

Towards the end of her set, Gavin slowed things down with the mellowed-out “Sketches,” which she introduced by sharing the song’s inspiration. “This song is a little bit of an exploration of that thing that maybe is love but maybe is addiction and kind of noticing that there’s certain relationships in your life that you can really grow and bloom with, and sometimes your life gets smaller. This song is about one of those times,” Katie said.

Katie Gavin’s performance wrapped up with her single “Aftertaste” and her wishing Lucy Dacus a very happy birthday. Check out photos of the show below, and catch the last few tour dates for Katie’s solo project here.

Live Recap: Pitchfork Festival 2022 Day 2

The second day of this year’s Pitchfork Festival kicked off on Saturday, July 16th. The rainy weather had cleared up, leaving behind a muddy Union Park for the fest’s second day.

When I arrived to the park on Saturday, I immediately noticed that larger crowds had come out for the fest that day—everything from the size of the crowd to the merch lines were larger.

I began my day catching a set from The Linda Lindas on the Green Stage, which was the original slot for Chubby and The Gang before they had to cancel their appearance here. I was sad to miss Chubby, but if anyone was going to fill in, I’d want it to be The Linda Lindas. The group composed of Bela Salazar, Eloise Wong, Lucia de la Garza, and Mila de la Garza has been garnering a huge fan base for their refreshing reboot of Riot Grrrl influences. While playing their set, the band members would often dance over to each other, demonstrating an incredible sense of chemistry and stage presence to go along with their great sound. Their setlist included songs from their album Growing Up, in addition to the track “Monica” from their self-titled EP—which Salazar dedicated to her cat named Monica. The group ended their set with a cover of Bikini Kill’s “Rebel Girl.”

Next up, The Armed began over on the Blue Stage, and this was absolutely the most bonkers, rowdiest show I think I’ve ever seen at Pitchfork. I absolutely loved it. The band is mysterious in the way that they’re a collective hardcore group with rotating, anonymous members, and their performance at Pitchfork included some of the members wearing costumes or face paint. With so many members in the rotation, they all took turns leading the vocals on the microphone, and they often joined fans out in the mosh pit. I’m looking forward to hopefully seeing The Armed back at Pitchfork another year on a bigger stage so they can expand upon their wild spectacle.

Hyd, the stage name of singer and performer Hayden Dunham, took the Red Stage next for a show that was a 180 from The Armed, but spectacular in its own way. Hyd entered the stage on her own, in a dramatic fashion, using movement to accentuate her music. “I have a few songs for you,” she told the audience before performing her single “The Look On Your Face.” If you’re a fan of Caroline Polachek, you should listen to Hyd not only because the two have collaborated together, but because they produce a similar style of music and stage presence. Hyd had a flowery, hazy vibe about her and she glided across the stage through choreographed movement.

Saturday was all about the theatrical choreography because next up, Yeule brought similar vibes back on the Blue Stage. Yeule is the alias for vocalist, songwriter and producer Nat Ćmiel from Singapore. Fans flocked to see Yeule perform, and she did not disappoint and she fluidly moved along to her glitch-pop tracks. As she performed songs from her 2022 album Glitch Princess, Yeule’s stage persona was amplified by her costume and dramatic make up that balanced the delicacy of her ethereal vocals.

Next up, Dry Cleaning brought their effortlessly cool vibes to the Green Stage, performing their mix of experimental rock, spoken word and post punk. For their second song, they brought out a guest saxophone player, and the sax guest seemed to be the theme of the weekend as it kept popping up in different sets. Dry Cleaning mostly performed songs from their 2021 album New Long Leg, but they also included their new single “Don’t Press Me.”

The duo of Mica Tenenbaum and Matthew Lewin, aka Magdalena Bay, brought their synth pop over to the Red Stage. The pair came onstage in coordinated outfits, with Tenenbaum sporting a microphone headset similar to those that Britney Spears and other 90s pop divas wore. I saw Magdalena Bay perform at Lincoln Hall earlier this year and was struck by how intense their fanbase was, and that same energy was present amongst the crowd at their Pitchfork performance. Tenenbaum danced and swirled across the stage during their entire set, as she and the band performed songs from their album Mercurial World.

The night wrapped up with a trio of Indie Darlings, the first being Lucy Dacus over on the Green Stage. Dacus took the stage wearing a brightly-colored outfit featuring rainbow and cloud details, and her fans were some of the most vocal of the entire festival. I could hardly hear Dacus over the sounds of fans shouting along the lyrics to songs like Hot & Heavy” and “Night Shift.” The last time I had seen Lucy Dacus, she had performed at Thalia Hall, laying on a couch the entire time because of herniated discs, so it was wonderful to see her return to performing in full form. Towards the end of her set, Dacus even treated the festival audience to a cover of the iconic “Believe” by Cher, which was the first time she’s performed this cover live.

Japanese Breakfast closed out the Red Stage for Saturday night, a level up from the last time the band had performed at Pitchfork over on the Blue Stage. Michelle Zauner brought along a stage full of musicians in addition to her regular bandmates, adding depth to her songs with string musicians and a saxophone. The set opened with Zauner banging a gong during “Parprika,” while the rest of the set had her rotating between playing guitar or dancing around the span of the stage. Towards the end of the show, Jeff Tweedy joined Japanese Breakfast as a guest vocalist, singing “Kokomo, IN” from the album Jubilee. The band and Tweedy also performed a cover of Wilco’s “Jesus, Etc…” and Zauner thanked Tweedy by saying “Jeff tweedy is my favorite songwriter of all time.”

The second day of the festival concluded with Mitski, who was welcomed onstage with overwhelming applause. Mitski sauntered onstage to moody lighting framing her graceful movement. Mitski put out her sixth album Laurel Hell earlier this year, and her set featured some of those songs like “Working for the Knife” and “The Only Heartbreaker,” but she also sprinkled in tunes from earlier albums like 2018’s Be the Cowboy and Puberty 2. Mitski’s stage presence was the perfect way to end the theatrical tone of the second day at Pitchfork.

See the full photo recap below, and stay tuned for coverage of the third day of the festival.









































PHOTOS: Indigo De Souza and Lucy Dacus at Thalia Hall

This past Tuesday night, fans gathered at Thalia Hall for a sold out show from Indigo De Souza and Lucy Dacus. Despite having herniated discs in her back, Lucy still managed to put on an incredible performance—all from a couch that was placed on the stage before her set. The stage set up gave out cozy vibes that almost made it feel like we were watching the show from our own living rooms.

If you missed out on the gig, check out our photo recap below, and see where you can catch Lucy next here.

PHOTOS: Sharon Van Etten and Lucy Dacus at Thalia Hall 2.15.19

This past Friday night, Sharon Van Etten headlined the Thalia Hall stage for night two of her back-to-back sold out shows in honor of Valentine’s Day. If you missed out on tickets to the second sold out show, also featuring special guest Lucy Dacus, check out our photo gallery of the night below.

Listen to Sharon Van Etten’s latest album in full below

PHOTOS: Supergroup boygenius Brings Their Special Show to Thalia Hall for Two Nights

Last week, the supergroup of the year, boygenius, brought their unique and collaborative show to Thalia Hall for two sold out shows. Both nights featured individual sets from boygenius collaborators Lucy Dacus, Phoebe Bridgers, and Julien Baker, before all three singer songwriters joined forces and closed out each night with a magical performance as a trio. Check out photos from Tuesday night’s show below and see where else you can catch boygenius on tour here.

Listen to the boygenius EP in full below

PHOTOS: SXSW 2018

It's been just over a week since SXSW ended, and just like you, we're still missing the sun, the tunes, and the tacos. Luckily, we have some photos from the packed week of shows to hold us over until next year. Check out our photos from SXSW 2018 below, and stay tuned for interviews with some of our favorite South By artists!


Photos by Rachel Zyzda, featuring Shame, Sunflower Bean, White Reaper, Liza Anne, Blue Dream, HINDS, Acid Dad, Soccer Mommy, Post Animal, Anna Burch, High Waisted, Girl Ray, Caroline Rose, Ron Gallo, The Nude Party, OHMME, Rookie, The Evening Attraction, and Lucille Furs

Photos by Erica Tello, featuring Hembree, Jade Bird, and Mt Joy

Photos by Justin Kibbel of Superchunk, Wye Oak, Bully, Shamir, Lucy Dacus