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Outside Lands 2026: Saturday Highlights

Outside Lands 2026 returned to Golden Gate Park on Saturday, August 8th for another sold-out day of festivities. Read on for all the highlights and takeaways of the fest’s second day!


Music is Healing

Chances are, if you’re at a music festival, you already know how much healing power music has, especially in a live context— but every once in a while, it’s nice to be reminded!

I started my jam-packed day of music at Haute & Freddy’s set, which kicked off at 1:25PM at the Lands End stage. The duo of Michelle Buzz and Lance Shipp drew a large crowd even at the early set time with their circus-chic costumes and theatrical performance, but a highlight of their show was the performance of their single “Dance The Pain Away,” which did in fact, have the crowd dancing away their troubles. Aside from that song, Buzz and Shipp kept the crowd captivated with fun moments like an interlude of circus show tunes while Shipp juggled onstage, or a dramatic speech about the queen and the opera from Buzz. “We’re very inspired by musicals. This is for anyone who needs to feel a little bit more like a queen today,” she later told the audience. Haute & Freddy’s performance felt more like a musical than just your average concert, and left us all feeling like royalty at the Opera house.

Photo by Alive Coverage

Along that same vein of being rejuvenated by music, Yard Act played a few hours later over on the Sutro stage, bringing to life many of their new songs from their third album entitled You’re Gonna Need A Little Music—which just came out on July 17th. The album’s title and its title track are a friendly reminder that music really is a necessity, and Yard Act’s stellar performance at Outside Lands provided a mid-afternoon invigoration to the festival-goers. Lead vocalist James Smith commanded the crowd with his dynamic vocal abilities that at times included a powerful howl and rapid, rhythmic delivery that rivals rappers. The crowd also seemed particularly tickled when the band played the aforementioned “You’re Gonna Need A Little Music” and Smith delivered the line “Headed from the Isle of Balamory to the San Francisco Bay.” If you enjoyed Yard Act’s set at the fest, stay tuned for an interview with them coming soon!

Sibling Support > Sibling Rivalry

Siblings Audrey Hobert and Malcolm Todd both performed at Outside Lands on Saturday, with Hobert taking the Lands End stage at 2:40PM and Todd playing at Twin Peaks at 4:45PM.

Audrey Hobert kicked things off by drawing a large crowd to one of the main stages again, especially for so early in the day. As she danced and twirled across the stage, fans joined her in grooving on the field, loudly singing along to her quirky yet relatable narratives. Between songs, Hobert told the crowd she didn’t need their cheers or screams, but they were very nice to have. She was granted many screams when she started her hit song “Sue Me”— which she actually performed twice so that the audience could soak in the moment sans phones for one of the performances but still get their recordings the first time if they wanted.

Audrey Hobert fans got another opportunity to double dib on one of their favorite songs if they caught her brother Malcolm Todd’s performance as well; Todd invited Hobert onstage in the middle of his show to perform her song “Phoebe” together for a sweet family crossover. We love to see siblings supporting each other!

Photo by Alive Coverage

2/3 of Boygenius

On day 1 of Outside Lands, Julien Baker and Lucy Dacus made a small but mighty cameo on the stage screens for Turnstile’s set during their song “DULL.” I had a feeling that meant we might get an appearance from Baker during Dacus’ Saturday afternoon set. My hunch ended up being right when Baker joined Dacus to perform her song “Bullseye” from her 2025 album Forever is a Feeling. The studio version includes a feature from Hozier, but the Outside Lands version had her Boygenius bandmate! The cherry on top was Dacus performing the Boygenius song “True Blue” as a follow up.

Charli(e)’s Garden at Djoutsidelands

Outside Lands became Djoutside Lands for an hour, kicking off at 6:50PM when Djo hit the Lands End stage. The musical brainchild of Joe Keery (who you may also know for his acting chops) packed the polo field again for an energetic performance. Throughout the show, Keery often zipped across the stage and at one point hopped off the stage to run through the middle barricade. I saw a post on Instagram this morning that said “Djo’s Outside Lands set but it’s just him having the zoomies” and I can’t think of a better way to describe it. He ran around onstage so much that he gradually shed two of the three layers he started the show with, quickly warming up despite the chilly San Francisco breeze.

Djo’s setlist featured a mix of his discography, including some of my favorites from his 2025 album The Crux, “Potion” and “Charlie’s Garden.” In the studio version of the latter, the song includes a clip of a voicemail that’s interjected about a minute into the track, but during his live set, Kerry has made it a tradition to have a “Charlie’s Garden” caller that’s usually relevant to the specific show (i.e. in New York, he had a video clip from Mayor Mamdani). For Outside Lands? The song was rebranded to “Charli’s Garden” because the special voicemail came from queen Charli xcx herself. In the video, she tells Keery “I had no idea that you wrote this song about me, that is like so sweet of you” before telling him to call her back after the show.

Djoutside Lands wrapped up with an extended version of his massive hit “End of Beginning,” which marked my first time hearing the song performed live outside of Chicago. While the crowd still loved it, nothing will ever top seeing that song at Lollapalooza with a bunch of fellow Chicagoans last year.

Outside Land’s Barbenheimer IRL

In July, Outside Lands posted a screenshot of a fan’s comment saying “The Strokes and Charli xcx having the same album release date is like Barbenheimer for bisexual people” in response to The Strokes releasing their new album Reality Awaits on the same day as Charli xcx’s Music, Fashion, Film. Well, to close out Saturday, festivalgoers got to experience that phenomenon IRL when The Strokes invited Charli onstage to perform their song “Take It Or Leave It” from their landmark Is This It album. The Strokes frontman Julian Casablancas gave the pop icon her flowers, saying her album blew theirs out of the water, but it was nice to see them come together as comrades rather than competition.

Aside from the guest appearance, The Strokes were the perfect way to wrap up the second day of the fest. Fans completely filled the field to see them, and it almost felt like we were in a snowglobe with The Strokes because Karl the fog returned along with very fine mist that was illuminated by the festival lights. It was the perfect Saturday sendoff after a wonderful day of music and culture.

Photo by Alive Coverage

Festival Free(dom)bies

On the second day of Outside Lands, I had a little bit more time to explore even more of the sprawling park grounds. On Friday, I completely missed checking out Hellman Hollow, which includes the Panhandle and Twin Peaks stage, along with several brand activations. Along with the brand activations comes plenty of freebies for the festival crowd!

Some highlights included La Croix passing out free cans of sparkling water, Monster Energy also providing free samples, and TheraBreath’s refresh station that included sunscreen, body mists and of course their signature mouthwashes. However, the real star of the festival perks was the Chase Freedom Cashback Club. There, attendees could score freebies like fannypacks and ice cream or watch the shows on Panhandle and Twin Peaks from their special viewing platform. The real winning perk though? They had air-conditioned bathroom trailers that actually flush, so fans with a Freedom card could avoid the stinky porta-potties.

Speaking of that— I’d like to encourage festivals across the world to start offering “V I Pee” passes, which would be a fraction of the price of traditional VIP passes because the only perk it includes is clean, flushable toilets. Speaking for myself, I don’t need designated viewing platforms or free drinks, but a clean bathroom makes all the difference at a festival. Outside Lands 2027, want to take me up on this idea?!


Stay tuned for the Day 3 highlights, and check out the takeaways from Day 1 here.

Outside Lands 2026: Friday Highlights

Outside Lands 2026 kicked off on Friday, August 7th and I was there for ANCHR’s inaugural attendance of the beloved Bay Area festival. Read on for top takeaways and highlights from day 1!


Attending the festival for the first time as a Chicagoan, I couldn’t help but compare Outside Lands to festivals back home, like Lollapalooza, Riot Fest and (RIP)Pitchfork Festival. In terms of size of the grounds and crowd size, I’d say Outside Lands falls between Riot Fest and Lollapalooza, but the Outside Lands lineup this year reigned supreme for me, even over Lolla’s lineup. However, the vibes reminded me a little bit of the old Pitchfork Festival because a majority of the crowd seemed to really care about the actual music, and many fans were trekking from stage to stage between acts rather than camping out at the main stage for the headliner.

San Francisco’s Natural AC

A big discrepancy between Outside Lands and essentially any outdoor concert/festival in Chicago during the summer is the weather. Not only is it significantly cooler in the summer in the Bay Area, but there was a consistent breeze throughout the day and lots of cloud coverage. The San Francisco cool weather felt like nature’s own air conditioning, and even though it got actually cold in the evening (with feels-like temps of low 50s), it was nice to not be sweating all day during the shows. Additionally, with the venue being set at Golden Gate Park, you could smell refreshing eucalyptus from the trees in many parts of the grounds which felt like Nature’s air freshener that also melted away any of the stress from being in a large crowd.

Another highlight of the sprawling park as the venue was the plethora of food, drink, and vendor options throughout the space. I felt like I rarely had to wait in long lines to check out a brand activation or grab something to eat even during peak dinner time because there were so many options for food, spread out between the main stages.

Now onto some of the musical highlights!

Photo by Alive Coverage

Wet Leg, Arms Pumped!

I flew in Friday morning from Chicago, so regrettably missed some of the earlier afternoon acts, but fortunately made it to the grounds just in time for the highly anticipated show from Wet Leg. Friday afternoon’s performance was Wet Leg’s first time back to Outside Lands since their debut in 2022, where they played the Sutro stage. This time, Rhian Teasdale entered the Lands End stage with arms flexed upwards as the band launched into their single “Catch These Fists” from their sophomore album Moisturizer. The 2026 set featured several of the newer songs from their second album, but still included some of the debut favorites like “Chaise Longue,” “Wet Dreams,” and of course “Ur Mom”— the latter of which featured a cathartic scream. During the performance, Teasdale asked the crowd to join her in their longest and loudest scream, and it went on for an impressive 30 seconds. Here’s to group scream therapy!

Photo by Alive Coverage

The Sutro Stage had Geese and a (Modest) Mouse

After Wet Leg’s set, I took some time to walk the grounds to people-watch and get my bearings on the site before making my way to the other main stage, The Sutro Stage. The last three bands to perform on that side were Geese, Turnstile (more on them shortly), and Modest Mouse—who was up against Charli xcx’s co-headlining slot.

As I meandered up towards the stage area, walking along the right side of the grassy hill of Lindley Meadow, I was pleasantly surprised to see stands of bleachers with open seating for GA attendees. In speaking with another fest attendee, I heard that this is the first year the stage had this seating option, and I have to say I’m a big fan. The raised spot on the hill and stadium style seating allowed for a bird’s eye view of the stage and gave me a chance to take in the massive crowd showing up for the Brooklyn-based band. Also, in total happenstance, I sat next to two other festival-goers who happened to live in Wisconsin, just over the Illinois border. Us Midwesterners have to stick together!

I first saw Geese at Lincoln Hall in 2022 (and they were also featured as an artist of the week that same year), so it was incredible to see them completely pack a festival main stage in the early evening on day 1 of Outside Lands. The band had mosh pits sprawling throughout the entire length of the meadow—not just in the front of the crowd; however, in the front of the crowd, fans could be seen bouncing around inflatable Geese to add to the fun.

Photo by Alive Coverage

Turnstile’s Phone Calls and Mosh Pits

There was a 30-minute gap at The Sutro stage between Geese and Baltimore’s Turnstile, and while the crowd thinned out significantly with fans bopping around to other sets during that time, the meadow filled right back up by 7:20 when Turnstile was slated to start. The band began a few minutes late, but made an explosive entrance to their most recent album’s title track “Never Enough.” Immediately, frontman Brendan Yates exerted his high-energy stage presence, doing jumping jacks, leaping around the stage, and joining the audience along the barricade to sing amongst them. The crowd returned the energy back to the band, filling the meadow with giant mosh pits.

During the 5th song of the set— “DULL”—when Yates sang the lyrics “I'm waiting for the call,” fans were greeted by a surprise cameo of 2/3 of Boygenius picking up a prop telephone on the screen. Julien Baker and Lucy Dacus, who is performing at Outside Lands on Saturday, were watching Turnstile’s show from the side of the stage and joined in by making the call. Here’s hoping this was a foreshadowing of a guest appearance during Dacus’ set.

Another one of my favorite observations during Turnstile’s incredible performance was a couple in the crowd in front of me wearing BRAT shirts join in on the mega mosh pit. We love to see fans going hard for different genres!

Karl was Charli XCX’s Natural Fog Machine

Speaking of Brat, Charli xcx closed out the Lands End stage next, and fans flocked to join Club Charli on the other side of the park.

As nighttime fell over Golden Gate Park, San Francisco’s infamous fog, Karl, rolled into the grounds and acted as the world’s biggest natural fog machine to set the tone for Charli’s vibey performance. Of course, Charli’s production also included tons of strobing lights and choreographed dancers to enhance the show and really make it feel like a party (4 u).

Charli xcx’s Outside Lands set opened with some of her latest material from her album Music, Fashion, Film—which was just released at the end of July, but she also sprinkled in hits like “360” from 2024’s BRAT and “House” from the Wuthering Heights album. Fittingly, her set wrapped up with her song “No One Lasts Forever” to close out day 1 of the festival.


Stay tuned for highlights from day 2 and 3 of the festival, and make sure you have your schedule planned out now.

PHOTOS: The Wild Hearts Tour at Salt Shed

PHOTOS: Thao and Julien Baker at Metro

Last week, Julien Baker and Thao took over the Metro for two stunning, sold out shows, in honor of Baker’s new album Little Oblivions. Check out photos of the Wednesday evening concert below, and see where you can catch Julien Baker on tour next here.

Lastly, tune into Julien Baker’s new album here:

PHOTOS: Supergroup boygenius Brings Their Special Show to Thalia Hall for Two Nights

Last week, the supergroup of the year, boygenius, brought their unique and collaborative show to Thalia Hall for two sold out shows. Both nights featured individual sets from boygenius collaborators Lucy Dacus, Phoebe Bridgers, and Julien Baker, before all three singer songwriters joined forces and closed out each night with a magical performance as a trio. Check out photos from Tuesday night’s show below and see where else you can catch boygenius on tour here.

Listen to the boygenius EP in full below

Pitchfork Festival Recap 2018

Thousands of music fans returned to the familiar stomping grounds of Union Park for another successful Pitchfork Music Festival this past weekend. Looking at the thunderstorm-filled weather forecast during the days leading up to the festival, many of the festival goers speculated if the schedule would stay on track and if any sets would be canceled, but surprisingly the weather turned out to be close to perfect with minimal rain and lots of breeze. In addition to the ideal festival weather, P4K 2018 also featured more Chicago artists than it ever has in the past, and they also had a fair balance of female and male performers, which is something many other music festivals have failed to provide with recent line ups. If you missed out on the festival this year, dive in below to see what other standout moments happened over the weekend. 

Friday

Julie Byrne and her her harpist eased the crowd into Day 1

Friday morning and early afternoon did end up having some rain showers, but by the time singer songwriter Julie Byrne took the stage just before 3PM, the drizzle had died down, leaving a cloudy, cool breeze in the air. Bryne's mellow music and ethereal vocals perfectly complimented the gray skies, giving everyone a tranquil introduction to their festival weekend. Byrne's live band also included a rare harpist, which further hypnotized the crowd and eased them into what would inevitably be a long weekend of lots of great music. Byrne also gave a shout out to Chicago when she reminisced on her time she spent living here, before playing her song "Melting Grid" from her 2017 album Not Even Happiness

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Julien Baker Captivated a Large Crowd on her Own

Most of the time when solo artists perform live, they're joined by a live band to help them fill out the arrangements and make a more dynamic performance, but Julien Baker took the stage at Pitchfork completely alone at the beginning of her set. Armed with her guitar and her powerful vocals, Baker completely captivated the large crowd that overflowed the area around the Blue Stage, opening with "Turn Out The Lights." After performing the title track of her latest album, the chilling track "Appointments" from the same album, Baker was eventually joined by a violinist, who added a special touch to Baker's narratives. Again, it's rare to witness a solo performance as powerful as Baker's but with her vocal gusto and emotive stage presence, her shows are always something special.

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SYD Celebrated The Internet's New Album

Lead vocalist of The Internet and solo artist SYD hit one of the festival's main stages in the early evening hours, bringing her silky smooth vocals and effortlessly cool demeanor to the growing crowd. Earlier that day, The Internet had released their brand new album Hive Mind, and fans and Pitchfork were eager to see if any of the new songs would make it into SYD's solo set. After performing songs like "All About Me" and "Got Her Own" from 2017's Fin, as well as her Kaytranada collaboration "You're The One," SYD did in fact bring out some of The Internet to perform a few of their brand new tracks. The hypnotizing set finished with one of The Internet's most popular tracks, "Girl," allowing for the audience to get the full experience of SYD's discography. 

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Big Thief Made a Comeback

It seem's like the members of Brooklyn's Big Thief never take a day off; after releasing full albums in 2016 and 2017 and touring in between, Buck Meek of the group also somehow managed to release his debut solo album and tour it this year. Buck Meek has played a couple of times in Chicago as his solo project, but this performance at Pitchfork was the first time the full band had played a show in town this year, and they were welcomed back by the Chicago audience with open arms as they performed crowd favorites from both of their albums. Their show stood out among all of the performances of the weekend with lead vocalist Adrianne Lenker's emotive delivery of her narratives and the magnetic chemistry among the group.

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Courtney Barnett Had a Hype Man

Before Courtney Barnett performed as the second to last act on Friday, flocks of fans had gathered in front of the red stage, anxiously buzzing for the Australian singer to take the stage. A lone fan started a chant for their apparent favorite song off Barnett's new album Tell Me How You Really Feel: "Nameless, Faceless." Before long, the majority of the crowd was chanting the song title along with the no longer lone fan and the anticipation for the show peaked. Barnett and her band rewarded the enthusiastic audience with another stand out set of the weekend, amplifying the already high energy on the studio versions of Barnett's records. 

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Tame Impala Made it Rain

Following Courtney Barnett's set, fellow Australians in Tame Impala hit the Green stage, closing out the first night of the festival. Before they even walked onstage, trippy lighting and visuals illuminated the stage, prefacing their psychedelic rock tunes. A couple of songs in, the rain that had been looming in the forecast all day finally fell upon the massive crowd watching Tame Impala, falling just after the band had already showered the front rows with confetti. The rain couldn't put a damper on the infectiously jovial mood of the audience, and the rain even added another dynamic layer to the multicolored visuals swirling around on the stage screens. Just as soon as it hit though, the rain had passed leaving the crowd to dance around in the aftermath of the storm. 

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Saturday

Paul Cherry Played His Debut Album in Full

Chicago's own Paul Cherry checked a huge accomplishment off his bucket list when he opened up the second day of the festival. Cherry brought his dreamy psych-pop debut album to life with the help of a full band, which included Kevin Krauter from Hoops and Mat Roberts from Mild High Club. The super group performed the 2018 album Flavour in full--"even the instrumentals," as Cherry pointed out. Although the early set definitely had a thinner crowd than the later performances, plenty of festival goers made sure to get there on time and show their support to one of their own. 

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Zola Jesus Made a Theatrical Entrance

Singer songwriter Zola Jesus took the stage in the early afternoon to suspenseful introduction music, donning a layered red dress that covered her entire body and face. She began her set singing through the garment, eventually pushing the red veil back to reveal her face. The extensive catalog of Zola Jesus explores different sonic pockets, ranging from delicate piano melodies to ominous synths, but her powerful and evocative vocals always stand out on her records. During her Pitchfork performance, Zola Jesus and her band brought all those aspects of her records to life, pairing them with a simple yet theatrical production featuring her outfit and choreography. Despite the heaviness of her songs, between them, the singer made light-hearted banter with the crowd, shouting out any audience members from Wisconsin, where she had attended college. 

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Moses Sumney Walked the Catwalk

Moses Sumney's incredible vocal range and live band lineup that even included orchestral instruments would have been enough to make his set stand out as a highlight, but his showmanship and interaction with the audience is what really set his show apart from others. Sumney worked the entire stage as he played songs from his 2017 album Aromanticism and his latest single "Make Out in My Car," giving the whole audience his attention throughout the show. Towards the end of his set, Sumney got even more up close and personal with the crowd when he left the stage to walk up and down the catwalk barricade in front of the stage. 

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Girlpool Reminisced About Myspace

Cleo Tucker and Harmony Tividad, better known as Girlpool took the Blue Stage on Saturday afternoon, providing festival goers a chance to sit back and relax to their laidback indie rock tunes. Girlpool have a sound that's instantly like-able, drawing in a huge crowd of both their avid listeners as well as curious passerby looking to discover new music at a festival. Between songs, the pair made witty banter to keep the entertainment rolling; Harmony Tividad even reminisced about Myspace at one point, sipping Gatorade and recalling that she had once included the drink in her Myspace bio. The duo's natural stage presence continued to add another layer to their performance, making them a fan favorite.

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 Blood Orange Brought a Production and New Music

Dev Hynes, known by his stage name Blood Orange, returned to Pitchfork Music Festival this year, delivering a full production and new music. Hynes and his full band performed in front of revolving videos being projected on the screen behind them. In addition to the visual layer added to the performance, Hynes added choreography and dance moves as well as backup singers to fill out the layered production. While most of the set consisted of tracks from his 2016 album Freetown Sound, Hynes threw a couple of new songs in, including "Charcoal Baby" from his upcoming album Negro Swan, out August 24th. 

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Sunday

Kweku Collins Had High School Classmates in the Audience

Evanston rapper and producer has been buzzed about in Chicago for a couple of years now, but his early Sunday performance marked his Pitchfork Chicago debut. Despite his 2:30PM start time on the third of the festival and the rainy morning, Collins still drew a large crowd of enthusiastic fans. Among the throngs of festival goers echoing the lyrics back to Collins, he recognized some of the audience members as his former high school classmates. Being 21, Collins admitted that his high school days weren't that long ago, but you could tell it meant a lot to him to have some hometown support. Collins also used his performance time to put his platform to good use; during his set he addressed one of the common issues at music festivals. "Guys watch your space. Your presence is not a burden until you make that shit a burden," continuing on to add that if we all go about it the right way and be respectful, everyone can have a great time. His statement set the tone for the final day of the festival and left everyone walking away with a smile. 

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RAVYN LENAE Made the Crowd Pinky Promise

Immediately following Kweku Collins' performance, another young Chicago artist took the Red Stage across the way: Ravyn Lenae. The R&B singer certainly made an entrance when she sauntered onstage draped in a sparkling fringe dress and carrying a microphone covered in red faux fur. Lenae's impressive range and vocal chops backed up her glittery stage set up, and she quickly had the crowd wrapped around her finger. Early on in her set, Lenae asked for the audience to raise their pinkies and promise to dance and sing along to her music, and they happily obliged. 

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Japanese Breakfast Collaborated With An Old Tour-mate

Michelle Zauner, known under her moniker of Japanese Breakfast, made her Pitchfork Festival debut with her usual exuberant stage presence, projecting that positivity out into the crowd. Following her incredible set that featured songs from her two albums as well as a cover of "Dreams" by The Cranberries, Zauner returned to the Blue Stage a short time later, this time joining her former tour mate (Sandy) Alex G during his set. The two had toured together in 2017, and at Pitchfork they reunited to perform the crowd favorite "Brite Boy."

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Chicago Artists Made the City Proud

Chicago remained the name of the game on Sunday at Pitchfork; following the performances of Nnamdi Ogbonnaya, Kweku Collins, and Ravyn Lenae, the Chicago acts just kept rolling. Rapper Noname delivered a special show with her full backing band and a few guest appearances from her fellow Chicagoans Ravyn Lenae, Smino, Saba, and Joseph Chilliams. The guests during Noname's set showcased the collaborative nature in this city's music scene. 

The legendary Chaka Khan, another Chicago native, took the Red Stage next, keeping the hometown theme going. Her set consisted of nonstop hits, from her solo songs like "I'm Every Woman" to "Ain't Nobody," as well as songs from her funk band Rufus, the crowd never stopped singing along. 

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Lauryn Hill Actually Showed Up

Throughout the entire day and even the entire weekend, festival goers continued to speculate if Lauryn Hill would show up, and if she did show up, how late she would be. The legendary artist has earned herself an infamous reputation for cancelling shows last minute or showing up hours late. Needless to say, no one really had high expectations as the night began to come to a close and the headliner was scheduled to begin, but everyone got a pleasant surprise when Ms. Hill's DJ took the stage right on time. After about thirty minutes of hype brought on by the DJ and her other band members who began to trickle onstage, Lauryn Hill finally graced the Green Stage, rewarding the swarm of eager fans that spanned multiple generations. The weekend ended on a high note as the festival goers got to celebrate the 20th anniversary of The Miseducation of Lauryn Hill with the icon, who has since cancelled some of her upcoming tour dates. 

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Check out more photos of the entire weekend below

PHOTOS: Julien Baker, Half Waif, and Petal at Thalia Hall

This past Sunday night, a stacked lineup of incredible artists shared the stage at Thalia Hall. Petal opened the night, returning only a few weeks after her tour with Slow Dancer. Half Waif, the project of Nandi Rose Plunkett (who sometimes plays in Pinegrove) followed, and Julien Baker closed out the night. Baker performed crowd favorites like "Everybody Does" and "Funeral Pyre," but she also gave the crowd a teaser of her upcoming album, out this Friday on Matador Records. The spruced up set also included some of Baker's latest singles, "Appointments" and "Turn Out The Lights," which is also the sophomore album's title track. Relive the evening with our photo gallery below.

Julien Baker finishes up tour this weekend--see the rest of the dates here, and listen to her latest single below! You can also pre-order Turn Out The Lights right here