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Outside Lands 2026: Saturday Highlights

Outside Lands 2026 returned to Golden Gate Park on Saturday, August 8th for another sold-out day of festivities. Read on for all the highlights and takeaways of the fest’s second day!


Music is Healing

Chances are, if you’re at a music festival, you already know how much healing power music has, especially in a live context— but every once in a while, it’s nice to be reminded!

I started my jam-packed day of music at Haute & Freddy’s set, which kicked off at 1:25PM at the Lands End stage. The duo of Michelle Buzz and Lance Shipp drew a large crowd even at the early set time with their circus-chic costumes and theatrical performance, but a highlight of their show was the performance of their single “Dance The Pain Away,” which did in fact, have the crowd dancing away their troubles. Aside from that song, Buzz and Shipp kept the crowd captivated with fun moments like an interlude of circus show tunes while Shipp juggled onstage, or a dramatic speech about the queen and the opera from Buzz. “We’re very inspired by musicals. This is for anyone who needs to feel a little bit more like a queen today,” she later told the audience. Haute & Freddy’s performance felt more like a musical than just your average concert, and left us all feeling like royalty at the Opera house.

Photo by Alive Coverage

Along that same vein of being rejuvenated by music, Yard Act played a few hours later over on the Sutro stage, bringing to life many of their new songs from their third album entitled You’re Gonna Need A Little Music—which just came out on July 17th. The album’s title and its title track are a friendly reminder that music really is a necessity, and Yard Act’s stellar performance at Outside Lands provided a mid-afternoon invigoration to the festival-goers. Lead vocalist James Smith commanded the crowd with his dynamic vocal abilities that at times included a powerful howl and rapid, rhythmic delivery that rivals rappers. The crowd also seemed particularly tickled when the band played the aforementioned “You’re Gonna Need A Little Music” and Smith delivered the line “Headed from the Isle of Balamory to the San Francisco Bay.” If you enjoyed Yard Act’s set at the fest, stay tuned for an interview with them coming soon!

Sibling Support > Sibling Rivalry

Siblings Audrey Hobert and Malcolm Todd both performed at Outside Lands on Saturday, with Hobert taking the Lands End stage at 2:40PM and Todd playing at Twin Peaks at 4:45PM.

Audrey Hobert kicked things off by drawing a large crowd to one of the main stages again, especially for so early in the day. As she danced and twirled across the stage, fans joined her in grooving on the field, loudly singing along to her quirky yet relatable narratives. Between songs, Hobert told the crowd she didn’t need their cheers or screams, but they were very nice to have. She was granted many screams when she started her hit song “Sue Me”— which she actually performed twice so that the audience could soak in the moment sans phones for one of the performances but still get their recordings the first time if they wanted.

Audrey Hobert fans got another opportunity to double dib on one of their favorite songs if they caught her brother Malcolm Todd’s performance as well; Todd invited Hobert onstage in the middle of his show to perform her song “Phoebe” together for a sweet family crossover. We love to see siblings supporting each other!

Photo by Alive Coverage

2/3 of Boygenius

On day 1 of Outside Lands, Julien Baker and Lucy Dacus made a small but mighty cameo on the stage screens for Turnstile’s set during their song “DULL.” I had a feeling that meant we might get an appearance from Baker during Dacus’ Saturday afternoon set. My hunch ended up being right when Baker joined Dacus to perform her song “Bullseye” from her 2025 album Forever is a Feeling. The studio version includes a feature from Hozier, but the Outside Lands version had her Boygenius bandmate! The cherry on top was Dacus performing the Boygenius song “True Blue” as a follow up.

Charli(e)’s Garden at Djoutsidelands

Outside Lands became Djoutside Lands for an hour, kicking off at 6:50PM when Djo hit the Lands End stage. The musical brainchild of Joe Keery (who you may also know for his acting chops) packed the polo field again for an energetic performance. Throughout the show, Keery often zipped across the stage and at one point hopped off the stage to run through the middle barricade. I saw a post on Instagram this morning that said “Djo’s Outside Lands set but it’s just him having the zoomies” and I can’t think of a better way to describe it. He ran around onstage so much that he gradually shed two of the three layers he started the show with, quickly warming up despite the chilly San Francisco breeze.

Djo’s setlist featured a mix of his discography, including some of my favorites from his 2025 album The Crux, “Potion” and “Charlie’s Garden.” In the studio version of the latter, the song includes a clip of a voicemail that’s interjected about a minute into the track, but during his live set, Kerry has made it a tradition to have a “Charlie’s Garden” caller that’s usually relevant to the specific show (i.e. in New York, he had a video clip from Mayor Mamdani). For Outside Lands? The song was rebranded to “Charli’s Garden” because the special voicemail came from queen Charli xcx herself. In the video, she tells Keery “I had no idea that you wrote this song about me, that is like so sweet of you” before telling him to call her back after the show.

Djoutside Lands wrapped up with an extended version of his massive hit “End of Beginning,” which marked my first time hearing the song performed live outside of Chicago. While the crowd still loved it, nothing will ever top seeing that song at Lollapalooza with a bunch of fellow Chicagoans last year.

Outside Land’s Barbenheimer IRL

In July, Outside Lands posted a screenshot of a fan’s comment saying “The Strokes and Charli xcx having the same album release date is like Barbenheimer for bisexual people” in response to The Strokes releasing their new album Reality Awaits on the same day as Charli xcx’s Music, Fashion, Film. Well, to close out Saturday, festivalgoers got to experience that phenomenon IRL when The Strokes invited Charli onstage to perform their song “Take It Or Leave It” from their landmark Is This It album. The Strokes frontman Julian Casablancas gave the pop icon her flowers, saying her album blew theirs out of the water, but it was nice to see them come together as comrades rather than competition.

Aside from the guest appearance, The Strokes were the perfect way to wrap up the second day of the fest. Fans completely filled the field to see them, and it almost felt like we were in a snowglobe with The Strokes because Karl the fog returned along with very fine mist that was illuminated by the festival lights. It was the perfect Saturday sendoff after a wonderful day of music and culture.

Photo by Alive Coverage

Festival Free(dom)bies

On the second day of Outside Lands, I had a little bit more time to explore even more of the sprawling park grounds. On Friday, I completely missed checking out Hellman Hollow, which includes the Panhandle and Twin Peaks stage, along with several brand activations. Along with the brand activations comes plenty of freebies for the festival crowd!

Some highlights included La Croix passing out free cans of sparkling water, Monster Energy also providing free samples, and TheraBreath’s refresh station that included sunscreen, body mists and of course their signature mouthwashes. However, the real star of the festival perks was the Chase Freedom Cashback Club. There, attendees could score freebies like fannypacks and ice cream or watch the shows on Panhandle and Twin Peaks from their special viewing platform. The real winning perk though? They had air-conditioned bathroom trailers that actually flush, so fans with a Freedom card could avoid the stinky porta-potties.

Speaking of that— I’d like to encourage festivals across the world to start offering “V I Pee” passes, which would be a fraction of the price of traditional VIP passes because the only perk it includes is clean, flushable toilets. Speaking for myself, I don’t need designated viewing platforms or free drinks, but a clean bathroom makes all the difference at a festival. Outside Lands 2027, want to take me up on this idea?!


Stay tuned for the Day 3 highlights, and check out the takeaways from Day 1 here.

Outside Lands 2026: Friday Highlights

Outside Lands 2026 kicked off on Friday, August 7th and I was there for ANCHR’s inaugural attendance of the beloved Bay Area festival. Read on for top takeaways and highlights from day 1!


Attending the festival for the first time as a Chicagoan, I couldn’t help but compare Outside Lands to festivals back home, like Lollapalooza, Riot Fest and (RIP)Pitchfork Festival. In terms of size of the grounds and crowd size, I’d say Outside Lands falls between Riot Fest and Lollapalooza, but the Outside Lands lineup this year reigned supreme for me, even over Lolla’s lineup. However, the vibes reminded me a little bit of the old Pitchfork Festival because a majority of the crowd seemed to really care about the actual music, and many fans were trekking from stage to stage between acts rather than camping out at the main stage for the headliner.

San Francisco’s Natural AC

A big discrepancy between Outside Lands and essentially any outdoor concert/festival in Chicago during the summer is the weather. Not only is it significantly cooler in the summer in the Bay Area, but there was a consistent breeze throughout the day and lots of cloud coverage. The San Francisco cool weather felt like nature’s own air conditioning, and even though it got actually cold in the evening (with feels-like temps of low 50s), it was nice to not be sweating all day during the shows. Additionally, with the venue being set at Golden Gate Park, you could smell refreshing eucalyptus from the trees in many parts of the grounds which felt like Nature’s air freshener that also melted away any of the stress from being in a large crowd.

Another highlight of the sprawling park as the venue was the plethora of food, drink, and vendor options throughout the space. I felt like I rarely had to wait in long lines to check out a brand activation or grab something to eat even during peak dinner time because there were so many options for food, spread out between the main stages.

Now onto some of the musical highlights!

Photo by Alive Coverage

Wet Leg, Arms Pumped!

I flew in Friday morning from Chicago, so regrettably missed some of the earlier afternoon acts, but fortunately made it to the grounds just in time for the highly anticipated show from Wet Leg. Friday afternoon’s performance was Wet Leg’s first time back to Outside Lands since their debut in 2022, where they played the Sutro stage. This time, Rhian Teasdale entered the Lands End stage with arms flexed upwards as the band launched into their single “Catch These Fists” from their sophomore album Moisturizer. The 2026 set featured several of the newer songs from their second album, but still included some of the debut favorites like “Chaise Longue,” “Wet Dreams,” and of course “Ur Mom”— the latter of which featured a cathartic scream. During the performance, Teasdale asked the crowd to join her in their longest and loudest scream, and it went on for an impressive 30 seconds. Here’s to group scream therapy!

Photo by Alive Coverage

The Sutro Stage had Geese and a (Modest) Mouse

After Wet Leg’s set, I took some time to walk the grounds to people-watch and get my bearings on the site before making my way to the other main stage, The Sutro Stage. The last three bands to perform on that side were Geese, Turnstile (more on them shortly), and Modest Mouse—who was up against Charli xcx’s co-headlining slot.

As I meandered up towards the stage area, walking along the right side of the grassy hill of Lindley Meadow, I was pleasantly surprised to see stands of bleachers with open seating for GA attendees. In speaking with another fest attendee, I heard that this is the first year the stage had this seating option, and I have to say I’m a big fan. The raised spot on the hill and stadium style seating allowed for a bird’s eye view of the stage and gave me a chance to take in the massive crowd showing up for the Brooklyn-based band. Also, in total happenstance, I sat next to two other festival-goers who happened to live in Wisconsin, just over the Illinois border. Us Midwesterners have to stick together!

I first saw Geese at Lincoln Hall in 2022 (and they were also featured as an artist of the week that same year), so it was incredible to see them completely pack a festival main stage in the early evening on day 1 of Outside Lands. The band had mosh pits sprawling throughout the entire length of the meadow—not just in the front of the crowd; however, in the front of the crowd, fans could be seen bouncing around inflatable Geese to add to the fun.

Photo by Alive Coverage

Turnstile’s Phone Calls and Mosh Pits

There was a 30-minute gap at The Sutro stage between Geese and Baltimore’s Turnstile, and while the crowd thinned out significantly with fans bopping around to other sets during that time, the meadow filled right back up by 7:20 when Turnstile was slated to start. The band began a few minutes late, but made an explosive entrance to their most recent album’s title track “Never Enough.” Immediately, frontman Brendan Yates exerted his high-energy stage presence, doing jumping jacks, leaping around the stage, and joining the audience along the barricade to sing amongst them. The crowd returned the energy back to the band, filling the meadow with giant mosh pits.

During the 5th song of the set— “DULL”—when Yates sang the lyrics “I'm waiting for the call,” fans were greeted by a surprise cameo of 2/3 of Boygenius picking up a prop telephone on the screen. Julien Baker and Lucy Dacus, who is performing at Outside Lands on Saturday, were watching Turnstile’s show from the side of the stage and joined in by making the call. Here’s hoping this was a foreshadowing of a guest appearance during Dacus’ set.

Another one of my favorite observations during Turnstile’s incredible performance was a couple in the crowd in front of me wearing BRAT shirts join in on the mega mosh pit. We love to see fans going hard for different genres!

Karl was Charli XCX’s Natural Fog Machine

Speaking of Brat, Charli xcx closed out the Lands End stage next, and fans flocked to join Club Charli on the other side of the park.

As nighttime fell over Golden Gate Park, San Francisco’s infamous fog, Karl, rolled into the grounds and acted as the world’s biggest natural fog machine to set the tone for Charli’s vibey performance. Of course, Charli’s production also included tons of strobing lights and choreographed dancers to enhance the show and really make it feel like a party (4 u).

Charli xcx’s Outside Lands set opened with some of her latest material from her album Music, Fashion, Film—which was just released at the end of July, but she also sprinkled in hits like “360” from 2024’s BRAT and “House” from the Wuthering Heights album. Fittingly, her set wrapped up with her song “No One Lasts Forever” to close out day 1 of the festival.


Stay tuned for highlights from day 2 and 3 of the festival, and make sure you have your schedule planned out now.

Outside Lands Music Festival 2026

Outside Lands Music Festival returns to Golden Gate Park in San Francisco from August 7th-9th. ANCHR will be onsite at the fest, so stay tuned for our thoughts on the must-see sets and key takeaways from the festival weekend. Tickets are sold out but you can sign up for the wait list on the site also check out their night shows after the festival.

Live Recap: 80/35 Festival

Back after a two-year pandemic-induced hiatus, Greater Des Moines Music Coalition’s annual 80/35 Festival (named for interstates I-80 and I-35) returned to Western Gateway Park in “downtown-ish” (as one festival tee-shirt put it) Des Moines for two days on Friday, July 8th and Saturday July 9th. The festival, which includes numerous free stages for local and smaller acts sponsored as well as a larger ticketed headliner stage sponsored by Hy-Vee, is a non-profit festival which is 100% volunteer run committed to strengthening the live music scene in greater Des Moines.

The diverse line-up began on Friday afternoon with Guided by Voices taking the Hy-Vee stage first and getting the sun-drenched crowd roaring to life which powered through the hour set. The stage, with a viewing area split down the middle between general and VIP admission sections, filled up as GBV presented “21 of their over 1,600” songs, as Robert Pollard pointed out between numbers. Next up was Japanese Breakfast, who thundered onto the stage with a gong which prominently features on their Jubilee track “Paprika.” The tempo continued with the energetic “Be Sweet” and the summer dreamy and breezy “Kokomo, IN” rounding out the first three tracks on the LP before bringing in earlier favorites from the discography all performed while bathed in the hues of a gorgeous Iowa golden hour.

As evening turned to night, Father John Misty took the stage with his band for one of their first North American tour dates in support of the new album, Chloe and the Next 20th Century. Several songs from the new “obsolete Jazz” album (Tillman’s own words) were played along with favorites across the catalogue by Tillman’s 12-member band which sprawled out comfortably across the stage. Tillman and company seemed confident with the new material and in wonderful spirits with a buoyant energy that never eased up across the 19 tracks presented, closing out the night with a spectacular rendition of “I Love You, Honeybear,” which saw Josh Tillman maneuvering his way into and throughout the crowd.

Saturday, which started earlier (and hotter) than Friday, featured a full schedule of local and touring bands stretched across several city blocks that surrounded the main grounds. Among the street vendors, beer tents and food trucks that scattered the avenues, the sounds from the un-ticketed acts served as breadcrumbs to festival gems with not only the sounds of their music but also that of audience reactions. These tempting echoes, cascading down streets, between buildings and around blocks, worked to pull in and reward those that decided to venture away from the main stage and ticketed grounds. There, discoveries abounded, such as the post-punk Brooklyn-based quintet Geese and the Sydney and Melbourne-based dance pop group, Haiku Hands, which both commanded the attention of those present at the Kum & Go stage. Several blocks away, at the Local 5 Emerging Artist stage, Kelsie James (singer songwriter from Des Moines) pulled in an amble crowd of admirers with her tender and sturdy songwriting under the late-afternoon sun.

Back on the Hy-Vee Main Stage, 80/35 favorites Envy Corps fired up the afternoon crowd for the Chicago-based Jamila Woods who laid down several tracks from 2017’s HEAVN and 2019’s LEGACY! LEGACY!—including some unreleased music that set perfectly against the sunny, crisp summer afternoon. Following Woods came the bombastic and unstoppable Future Islands which saw Samuel Herring thundering across and on top of the stage in his usual exuberant, characteristic way, as they performed songs from latest LP As Long As You Are which is accepted gladly by a firecracker audience whose feet were often grass as often as their hands were in the air. Topping off the night and entire festival was headliner Charli XCX, bringing 21 songs from across the discography to an excited and buzzing main stage with every demographic of festival goer represented, including plenty of wide-eyed children starstruck watching from their parents’ shoulders, concluding a weekend that they will likely long remember and the greater Des Moines area’s return to live summer festivals.

Pitchfork 2019 Recap: Sunday, July 21st

Pitchfork Festival’s final day rolled around on Sunday, featuring a lineup packed to the brim with some of my favorite artists to close out the fest. Throughout the weekend, the weather forecast for Sunday had gone back and forth— varying from raining all day to showing clear skies and temperatures in the 70s. When the morning rolled around, it looked like we might have gotten stuck with cooler temperatures and rain—especially when gates were postponed nearly an hour with rain and threats of lightning. However, after the morning and brief early afternoon storm, the gates opened and the rest of the day went smoothly and according to plan.

Sunday’s theme definitely revolved around the camaraderie in the Chicago music scene, with incredible sets from some local artists that featured multiple guest appearances. In addition to the Chicago music community, here are the rest of the day’s highlights.

Morgan Simpson of Black Midi

Morgan Simpson of Black Midi

London’s Black Midi played the Green Stage in the early afternoon, getting the energy ramped up for the day with their experimental hard rock. The festival site by the main stage had flooded with the early morning rain, but despite the puddles, fans watching Black Midi didn’t let some mud get in the way of their fun. The band’s high energy was matched by the crowd, who started a muddy mosh pit early on in the set.


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Next up, Chicago’s Tasha made her much-deserved Pitchfork Festival debut over on the Blue Stage. Tasha’s 2018 album Alone at Last showcases her smooth and soulful indie pop, and her set at Pitchfork provided a tranquil escape for festival attendees. I’ve seen Tasha perform captivating solo sets several times throughout the last year, but her festival set was one of the first times I’ve seen her with a backing band. The addition of the band gave her intimate songs a layered and more full sound. Tasha also treated fans to some brand new, unreleased songs, which she performed solo.





JPEGMAFIA on one of his many trips into the crowd

JPEGMAFIA on one of his many trips into the crowd

One of the best things about music festivals is that you can go in with expectations of what bands you’re seeing and what time, but you’re always given the chance to see a band you’ve never seen perform, or even listened to before. On Sunday of Pitchfork, rapper JPEGMAFIA was that artist for me. I wandered over to JPEGMAFIA’s set with no expectations, having never seen him before, and his stage presence was one that immediately drew me (and everyone else) in. After making his way onstage, it didn’t take long for the performer to become very close with the audience; He began his set giving photographers and people in the crowd hugs ,and shortly after, crowd surfed. Throughout his set, he probably spent more time in the crowd than onstage between all of his surfing and standing on the barricade to dance with the audience. JPEGMAFIA is a performer who demands your attention and puts all their energy into keeping your attention for the duration of the show, and he put on one of the best sets of Pitchfork Weekend.




Lisa-Kaindé and Naomi Diaz of Ibeyi

Lisa-Kaindé and Naomi Diaz of Ibeyi

Ibeyi is a duo of French twin sisters Lisa-Kaindé and Naomi Diaz, and while I’ve listened to them for years, I unfortunately never had the chance to see them perform before their set at Pitchfork. Ibeyi’s performance at the fest was well worth the wait and reinforced how much of a fan I am of their music. They started their set and immediately brought positive vibes and good spirits with their kind energy and smiles, but it was their sisterly harmonies and strong vocals that gave me goosebumps. My favorite part of their set was when they used their music to share their political beliefs, performing their song “No Man Is Big Enough For My Arms,” which samples part of a speech by Michelle Obama.


Laura Lee, Mark Speer, and Donald Ray "DJ" Johnson of Khruangbin

Laura Lee, Mark Speer, and Donald Ray "DJ" Johnson of Khruangbin

Texas trio Khruangbin has also been a favorite of mine to see live, and their set at Pitchfork Festival was no exception. While they’re a band of few words and play a lot of instrumental jams, they were able to capture a large crowd with their entrancing blend of funk, soul, and psychedelic tunes. Khruangbin has an effortlessly cool stage presence, making them the perfect Sunday afternoon act.


Julien Ehrlich of Whitney

Julien Ehrlich of Whitney

Hometown heroes Whitney made their return to Pitchfork Festival, following up their 2016 performance at the fest with a kickoff to their new era. Earlier this summer, the band announced their highly anticipated sophomore album Forever Turned Around would be released August 30th, so naturally their first hometown show in almost a year featured some never before played songs. In addition to the new material, what really made Whitney’s set special was the sense of community—both onstage and offstage. When the band performed their popular tune “Golden Days” from their debut album, they got a little help from their friends, including Pitchfork acts Ric Wilson, Tasha, Chai, Snail Mail, Soccer Mommy, and Lala Lala. The audience also sang and swayed along to all of their old favorites from Light Upon the Lake.





Charli XCX

Charli XCX

Charli XCX was definitely one of the more mainstream artists to play Pitchfork Festival this year. As a pop artist, Charli XCX is an artist whose songs are everywhere— songs that you’ll know 99% of the words to because they’re so catchy they stick with you after only a couple of listens. Despite the larger than life pop anthems that she’s known for, Charli’s stage set up was actually pretty minimal. Two massive yellow cubes acted as a backdrop, and the singer made her entrance onto stage by herself, sans a backing band. Though her setup was simple, her fanbase proved to be mighty; Fans camped out at the Red Stage all day to get a prime spot, they wore pink cowboy hats and held up signs with references to her songs. The dedicated fans helped make the set so powerful— as they danced and sang along, the positive energy radiated throughout the crowd.


Robyn closing out the festival

Robyn closing out the festival

Robyn closed out the whole festival with one of the most fun and cathartic shows I’ve ever seen. Robyn’s set up featured a delicately draped backdrop and backup singers, but at the center of her incredible performance stood her legendary electro-pop songs. Getting to experience the live performance of songs like “Call Your Girlfriend” and “Dancing On My Own” in a huge crowd of both friends and strangers all singing and dancing along was the best way to close out the festival weekend.




Photos of Flasher, Black Midi, Tasha, JPEGMAFIA, Ibeyi, Clairo, Khruangbin, Whitney, Chari XCX, Snail Mail, and Robyn