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Live Recap: James Blake at The Salt Shed; Great Times at the Trying Times Tour

James Blake returned to Chicago on Monday, June 8th, bringing his Trying Times Tour to the Salt Shed stage.

Backed by a live band, Blake took the stage just before 9PM— fittingly kicking off his show with the first song from Trying Times, entitled “Walk Out Music.”

The setlist featured a mix of the newer material from the aforementioned album and fan favorites from deeper in Blake’s discography, but no matter what he and the band played, his incredible vocals remained a consistent force throughout the night. Blake alternated between being stationed at his keyboard in the middle of the stage, wandering the stage instrument-free and occasionally playing guitar. “Don’t get too excited. I’ve got four chords,” Blake told the audience when he picked up the guitar to play “Make Something Up” from the new record. During the quieter and raw moments when it was just him and the piano, Blake’s vocals had a spotlight on them, but they never once wavered. It’s incredible to witness how Blake covers iconic songs like “Godspeed” by Frank Ocean and “A Case Of You” by Joni Mitchell and completely makes them his own. During the live performances of both of these tracks, the room remained so transfixed on the singer’s performance that you could hear a pin drop.

Of course, there were also crescendoing moments that contrasted with the softer songs. Take “Limit To Your Love”— another cover (this one by Feist)— or “Doesn’t Just Happen” for example. The bass was so visceral during those songs that you could physically feel it in your chest, even standing in the balcony of The Salt Shed. Blake also encouraged the crowd to sing along early on in the show. Before playing “I Had a Dream She Took My Hand,” Blake told the crowd “I don’t know who spread the rumor about me, but I actually love it when people sing along at my shows”— alluding to the rumor that he doesn’t like audience sing alongs.

Blake also took a few moments to get vulnerable with his fans during a few different moments in the set. Before playing the title track of his newest record, he told the crowd about how special the album was to him. “Every artist says that about every album they put out so that doesn’t really mean anything. But it was a rough time, it was trying times. This is the song that really cemented it, it’s called ‘Trying Times.’” He also opened up about his venture into being an independent artist, before he played his first song he released independently, “Thrown Around.”

One other aspect of the show that I appreciated as a fan was that James Blake didn’t have any elaborate production rigs for his show. This allowed us as the fans to really connect with his pure talent and focus on the music rather than any shiny distraction tactics. Blake also addressed that decision, telling the crowd, “I don’t normally play venues this big. I hope it’s alright there’s not a screen behind me showing my face at all times. It’s a vanity decision, and a cost one as well.” He further drove the point of connecting directly with the fans following that up by saying, “I’m gonna play a song now that means a lot to me, and I hope you’ll sing along”—and everyone obliged to sing along to “I’ll Come Too.”

The show wrapped up with a 3-song encore, including the beloved single “Retrograde” and the aforementioned Joni Mitchell cover, before ultimately wrapping up with “Say What You Will.”

Check out photos of the Chicago show below, and see where you can catch James Blake on tour next here.

Live Recap: James Blake at The Aragon Ballroom

James Blake returned to Chicago to play a headlining show to a packed Aragon Ballroom, returning to the city for the first time since his festival set at Re:SET in June.

Blake took his place at his station onstage, surrounded by a keyboard and synthesizer, and joined by two other live bandmates—one of who goes by the alias Airhead and had opened up the show.

To kick off the show, Blake and his band performed “Asking To Break” and “I Want You To Know” from his latest album Playing Robots Into Heaven. Before playing the third song of the evening, Blake told the audience they were a sight for sore eyes, and joked “We’ll play a little bit of everything, but we’ve only got six hours.” With the third song of the setlist, we pivoted back to one of the singer’s tried and true songs that he performs; a cover of “The Limit To Your Love” by Feist. Blake makes the cover his own with a signature bass drop after the first chorus, and in a live setting, the bass was so intense and visceral that it shook both the floor and my body.

From there, Blake continued to weave between the newer material and some of the hits from his earlier discography, like “Life Round Here” and “Retrograde,” which were both clear fan favorites. Blake also took some time to express his gratitude to the audience for being receptive to his newer music, which he described as being “bouncier”—and some of the new songs definitely gave off more a club vibe than a concert ballroom vibe. The most impressive part of the show had to be that Blake and his band created all of the sounds live, rather than playing from a track. “I always wanted to play electronic music, but I wanted to play it in a band,” he told the crowd.

Near the end of the set, we got some stripped back moments of Blake solo at the piano for a cover of “Godspeed” by Frank Ocean and his 2021 single “Say What You Will.”

If you get the chance to catch the Playing Robots Into Heaven tour, you’re guaranteed to be awed by James Blakes live interpretation of his electronic-leaning tracks, intertwined with some simpler piano-driven moments. See where you can catch the tour next here, and check out photos of the evening below.