ANCHR Magazine

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PHOTOS: LPX Closes Out Tour With RAC at Metro Chicago

We recently caught LPX's Chicago debut at The Riviera Theatre with HAIM and we were so blown away by her energetic whirlwind of a performance we had to catch her closing night of tour with RAC. Check out photos from that show below.


Keep your eye out for more new music from LPX!

PHOTOS: Melkbelly Album Release Show at Hideout

Chicago's own Melkbelly celebrated their new album in style last Friday with a release show at The Hideout. Check out our photo gallery of the evening below. 

See the rest of Melkbelly's upcoming tour dates here, and listen to their new album in full below. 

PHOTOS: The Lone Bellow at Thalia Hall

The Lone Bellow took over Thalia Hall for two nights last week. Check out our photo gallery of their October 11th show below.


See all of The Lone Bellow's upcoming tour dates here, and listen to their new record Walk into a Storm in full below!

LIVE: Billie Eilish Makes Her Chicago Debut at Schubas Tavern

This past Thursday night, some lucky music fans piled into Schubas Tavern in Lakeview to witness the rising pop singer Billie Eilish make her Chicago debut. With the flood of emerging artists popping up on Soundcloud and other social media platforms nowadays, it can be difficult for listeners to weave through it all to find their new favorite artists. In some cases, though, just the right amount of luck mixes with a new talent that deserves to be heard, and a song will spread like wildfire. As is the case with Billie Eilish and her viral track "Ocean Eyes," which was only officially released by Interscope Records in November 2016. The track showcases Eilish's witty writing skills and her dreamy, yet sweeping vocal abilities. With a flawlessly strong falsetto and metaphorical writing style, Eilish's music emulates the style of alternative pop legends Lorde and Lana Del Rey. In the short time following her debut single release, Eilish has put out the 8 song dont smile at me EP, which was drip fed to her listeners each week leading up to the official release date of August 11, 2017.

Cut to Thursday night, Eilish stopped in Chicago on her first ever cross country sold out tour to perform songs from her EP, with a few surprises mixed in. Fans who had patiently been waiting all day for Eilish lost their minds right away, screaming as she ran onstage and reciting the words of the opening song "COPYCAT" along with their new favorite singer. Although Eilish is only 15 years old (let that sink in) and this was her first show in Chicago, she possessed a fierce sense of confidence and comfort for being onstage that many seasoned musicians don't even have yet. Throughout the set, Eilish and her brother made up the entire band. While her brother mostly stuck to guitar and running any backing tracks, Eilish often moved around the stage showing off her insane vocal ability, but she also picked up a ukulele for a couple of songs and performed a solo song on the piano.  While she had her ukulele out, Eilish had teased her track "party favor" with a cover of Drakes "Hotline Bling," which flowed seamlessly into the latter. Her piano performance of an unreleased song called "Listen" left the crowd completely hushed in awe of her songwriting and singing abilities. At one point in the set, Eilish mentioned she had completely lost her voice the previous day, which made her stellar performance even that much more impressive. Another set highlight included Eilish giving her brother a chance to take the spotlight, with him hopping up to center stage to sing a song on his own while playing the guitar.

The short but sweet set that lasted just under an hour still managed to ebb and flow, each song having its own sonic groove and standing out from the rest. Eilish wrapped up her set with "bellyache," which builds up with an explosive chorus and blends electronic tones with an addictive guitar melody and Eilish's ethereal vocals. With such a magnetic stage presence and her ability to write captivating and thoughtful pop music, it will only be a matter of time before Billie Eilish is selling out arenas. 

If you weren't able to witness history in the making in person, check out our gallery of her performance below.



Check out the rest of Billie Eilish's upcoming tour dates here, and listen to dont smile at me in full below!

LIVE: Yoke Lore and Aquilo Bring Joy to a Gloomy Night in Chicago with Their Show at Lincoln Hall

Yoke Lore and Aquilo brought positive vibes and chill tunes to Lincoln Hall on a rainy Tuesday evening in Chicago


Yoke Lore, the moniker of singer songwriter/artist/performer Adrian Galvin, graced the Lincoln Hall stage right around 7PM to kick off an early night of live music. A few songs into the 40 minute set, Galvin addressed the Chicago crowd saying, “It’s like the real Gotham here, and I get to pretend I’m Batman.” After getting the crowd to chuckle, Galvin shifted the conversation to an inspirational note to introduce his song “Only You.” Mentioning the Eleanor Roosevelt quote “No one can make you feel inferior without your consent,” he says that only we have the power to turn things around if “you’re in a shitty place in life.” Before each of his following songs, Galvin recited anecdotes that gave the audience some further insight into his thoughtful tales and intricate storytelling skills that shine through in his music.

One particular highlight was an introduction that escalated the good vibes in the room before the song “Good Pain.” Galvin prefaced the performance of his latest EP’s title track by talking about the importance of realizing that everyone has to struggle sometimes to get to the “good shit.” Yoke Lore’s set wrapped up just before 8PM, with Galvin informing the crowd that the Tom Robbins book Still Life With Woodpecker influenced his lyrics in his last song, also called "Tom Robbins." As Galvin left the stage to a sweeping round of applause and cheers, a sense of newfound inspiration hung in the air, and it was clear Yoke Lore had gained new fans after that performance.

When duo Ben Fletcher and Tom Higham (AKA Aquilo) glided onto stage with their band about 30 minutes later, that sense of inspiration had mixed in with the crowd’s anticipation and excitement. The British musicians have acquired a steady fanbase over the years with their mellow music that blends heartfelt harmonies with electronic tones and indie vibes, and this show marked their first headline gig in Chicago. The show also acted as their return after nearly a year, following a support slot for Lapsley on Election Day last year. This time around, none of the Election Day tension filled the air and the crowd was able to get completely lost in the music. From songs like “You There” and “Sorry” performed early on in the set, the chilled out crowd’s eyes remained glued to the stage like magnets.

Just before the set reached the halfway point, Fletcher and Higham treated Chicago to a setlist unicorn, doing a rare live performance of the track “Losing You” from their 2015 EP. Aquilo also put a unique spin on most of the songs performed this tour, fleshing out the arrangements, building out the layers, and feeding on the energy of the crowd to put a more cinematic and sweeping touch on tracks like “Low Light” and “Almost Over.” For the performance of their song “Waiting,” the pair’s live band left the stage, leaving Fletcher and Higham alone to perform a stripped back beauty, full of harmonies and Higham’s flawless falsetto-driven vocals. The hour long set winded down with the group’s newest single, “Thin” followed by couple of songs from the debut album, Silhouettes. After leaving the stage very briefly following an older track, “Almost Over,” the entire band returned for an encore. The opening notes of Aquilo’s debut album’s title track trickled out into the concert hall, and the crowd released their loudest cheers of the evening. Like many of the songs, “Silhouette” also brought on an extended bridge and an extensive build up for the live version. While most of Aquilo's songs confront deeply personal subjects like past relationships and hardships that they or their friends have struggled through, the humbled and happy look on Higham’s face at the end of their set let the crowd see exactly how cathartic performing these songs is for him.

Aquilo and Yoke Lore took Chicago on an emotional roller coaster on a gloomy Tuesday night, but by the end of it, everyone left the venue feeling a little lighter than they did when they had arrived. They wrap up their tour this week, so head here to see the rest of the dates. 


If you won't get a chance to see the show, join in on the magic with our photo gallery, featuring behind the scenes moments and live shots of Yoke Lore and Aquilo!


While we await for both Yoke Lore and Aquilo's returns, listen to the Goodpain EP and Silhouettes in full below. 


Can't get enough of Yoke Lore and Aquilo? Check out our interviews with both by clicking their names!

PHOTOS: Tom Walker with The Script at The Riviera Theatre

Tom Walker and The Script took over Chicago's Riviera Theatre on Friday night for a captivating performance. Check out our gallery of the show below!

See the rest of The Script's upcoming tour dates here, and keep up with both acts on social media below!

Tom Walker: Facebook // Twitter // Instagram

The Script: Facebook // Twitter // Instagram

LIVE: together PANGEA Bring Their Bulls and Roosters Tour to Bottom Lounge

together PANGEA brought a rowdy show and a stacked line up to Chicago’s Bottom Lounge as part of their Bulls and Roosters tour this past Friday night.


Chicago’s own Lala Lala warmed up the early arrivers of the evening, kicking things off at 7PM sharp. The three piece, fronted by Lillie West, performed songs from their 2016 debut album Sleepyhead, as well as their own rendition of together PANGEA’s “Night of the Living Dummy.” As their thirty minute set came to an end, more and more people had trickled into the venue.

By the time Nashville’s Daddy Issues strolled onto stage, the room had mostly filled out. The grunge-pop trio performed songs from their 2017 album Deep Dream, telling funny anecdotes between songs, often giving a little backstory about the lyrics in each forthcoming song. Lead singer Jenna Moynihan introduced many of the tracks about being single or ending a relationship, but she also gave a shout out to Chicago’s Treehouse Records, mentioning that the band had recorded one of their songs there. As the set progressed, more and more of the audience danced and sang along to Daddy Issues’ relatable narratives, and the group left the stage to rambunctious applause.

The Argentinian rocker Tall Juan hopped up onstage next to deliver the most theatrical performance of the night. Starting the set off solo, Juan performed his first song on an acoustic guitar, but added some flavor by thrashing his hips around and kissing his microphone stand to a backdrop of a flickering spotlight. Following the opening number, Tall Juan invited an audience member to play drums on the abandoned drum set propped up next to him. The spontaneous band addition added a unique and unpredictable quality to Tall Juan’s performance. The crowd showed their appreciation for the off-the-cuff performance by beginning the evening’s crowd surfing and moshing during his set.

The same boisterous spirit transferred over to the headliner together PANGEA’s set about 15 minutes later. As soon as band hit the stage and the opening riff of their song "Alive" rang out, a surge of energy flowed through the jammed and sweaty moshpit, as the young crowd jumped around, screaming the lyrics back to the band. It only took a song or two before crowd surfers started popping up, and the energy only amplified from there. The well plotted setlist contained a solid mix of older and newer songs from the Bulls and Roosters, like “Kennmore Ave.” and “Money on It.” The wild tone of the night lulled just past 10PM, when the band completed the first part of their set and walked offstage to demands for an encore. The band obliged and came back to deliver a few more tunes. The energy quickly swept back to full force as the band performed “Night of the Living Dummy,” which lead singer William Keegan introduced as the song that Lala Lala had performed earlier in the night. Coming full circle, the ladies of Lala LaLa ran out onstage to crowdsurf during the song. The evening ended with the crowd cheering their appreciation for a show that provided the perfect weekend kickoff. 


Photos of Lala Lala, Daddy Issues, Tall Juan, and together PANGEA


See the rest of together PANGEA's upcoming tour dates here, and listen to Bulls and Roosters in full below.

LIVE: Fleet Foxes and Nap Eyes at Chicago Theatre

This past Tuesday night, lingering Summer vibes clung to the air as concertgoers stepped into the Chicago Theatre to be transported to a different place, where they would spend the evening with beautiful souls and people willing to open up their hearts to music and art. Who better to facilitate the journey but the Seattle based Fleet Foxes and Nap Eyes, who set the mood with indie rock vibes all the way from Nova Scotia.

After the tone had been set, Fleet Foxes graced the stage for the first of two sold out nights at The Chicago Theatre, as part of their Crack-UP Tour. They surrounded us with those soothing folk jams, and their signature, powerful falsettos that juxtapose beautifully with a rich, full sound. To complement that all, their stage setup engulfed us in a beautiful watercolor setting with the most satisfying color pairings.

Fleet Foxes treated the crowd to half of their latest album, while also carefully taking us back to their beginnings. Frontman Robin Pecknold also indulged audience requests like "Textbook Love," a song from their self-titled EP, and even Phish snippets when someone yelled “Play more Phish songs!"

The evening felt very intimate, despite being in a spacious venue. During the encore, Pecknold performed solo, addressing the madness of the previous day: the Vegas massacre and Tom Petty’s passing. As a protest, he delivered a very touching cover of Petty's "Don’t Come Around Here No More."

Photos of Nap Eyes and Fleet Foxes

See all of Fleet Foxes' upcoming tour dates here, and listen to Crack-Up in full below. 

PHOTOS: Wand at Lincoln Hall

WAND stopped by Lincoln Hall this weekend in support of their new album Plum, and their set included a few surprises. If you missed the show, check out the photo gallery of it below!


Snag your own copy of Plum here, and get to know more about WAND by checking out our interview with them here. 

LIVE: Broken Social Scene with Frightened Rabbit and The Belle Game

Openers The Belle Game and Frightened Rabbit set the tone for a magical performance from Broken Social Scene at the Aragon Ballroom on September 29th.


With a band like Broken Social Scene you never really know what you're going to get from their show.  There are constant surprises throughout their show, due to an always changing line up of artists on their touring roster. Accompanied by a wide array of instruments such as a horn section and even a Mohan Veena,  Broken Social Scene possesses a powerful and unique sound during their live show.

On Friday night, the supergroup opened with their song “KC Accidental” off their 2003 album You Forgot It in People. What followed was a flowing and diverse set. Ariel Engle and the girls from The Belle Game filled in for female vocals on songs such as “7/4 (Shoreline)." Following that, they played a couple songs off their 2017 album Hug of Thunder, such as “Halfway Home” and “Protest song." Before their song “Texico Bitches," frontman Kevin Drew talked about how Chicago was very influential in their career and that he had wrote this song while here. He then hopped off the stage and performed the song along the barrier next to the crowd.

They continued playing songs off many of their albums and eventually the set seemed to be coming to a close. However, they were not done with surprises! After doing a cover of The Archies “Sugar Sugar” with original Archies band member Andy Kim, they also played “Sister OK” off Kim’s 2015 record It’s Decided.  Closing out their set was a couple more hits like “Anthems For a Seventeen Year Old Girl” and “Meet Me in the Basement."

Broken Social Scene really prove that they are still a powerhouse of putting out great music and performing it live after so many years. With changes to their set lists and line up of band members they are sure to put on a great show no matter where they are. For more information about their upcoming shows click here.


While you wait for the next tour, listen to Broken Social Scene's latest album Hug of Thunder in full below!