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Get To Know: Capital Soirée

Indie pop-rock band Capital Soirée knows how to write a song with a sticky, stuck-in-your-head melody. Since forming in 2013, the group has released a handful of singles, including two EPs called Next Weekend and Take Me Anywhere. Founding members James Kourafas, Max "Rom" Romero, and Steven Rejdukowski have also been playing around the city for years, recently adding on a live drummer, Griffin Shaw. Last weekend, we chatted with the four-piece before they headlined the main room stage at Wicker Park's Subterranean to not only celebrate their upcoming EP, but the one year anniversary of Griffin joining the live band....and Max's birthday. In our interview, the group discusses their new music, the lessons they've learned over the summer, their evolution as a band, and more. Here are five things you need to know about Capital Soirée!

Capital Soirée is Max "Rom" Romero, James Kourafas, and Steven Rejdukowski

Capital Soirée is Max "Rom" Romero, James Kourafas, and Steven Rejdukowski

They've Changed Roles Since the Band Started

The three core members of Capital Soirée are all multi-instrumentalists and have all been able to take on multiple roles throughout the years. After initially starting to play drums at age 6, Max Romero eventually picked up the bass, which has since remained his role in the band today. Vocalist and guitarist James Kourafas describes his start in music, saying, "I was like 9 or 10. [Max and I] initially had met in third grade. We had this whole thing that we were gonna start a rock band." Steven Rejdukowski, who now plays guitars and keys in the current day lineup says, "I learned how to play drums so I could be in a band," after meeting Kourafas and Romero and finding out they needed a drummer to complete their band. He had initially picked up a guitar and learned to play at age 14. Griffin Shaw came in to play the live drums with a lot of experience already under his belt. "I've been playing [drums] 12 years now. My grandpa plays jazz drums. So he got me into the drum world pretty early," he recalled. The band's ability to be flexible and take on playing multiple instruments had led them to a seamless live show, even with the new material they debuted at the Subterranean. 

They've Recently Taken on Producing Their Own Music

The band have been working away on new music that not only features a more developed sound, but a more in-depth process behind the scenes. Talking more about their current recording process, Rejdukowski says, "We record at my house. I’ve been building a studio for the past 6 years or so. We recorded at a few places before when we were younger and we kind of hated it." Echoing that sentiment, Kourafas says, "It took us a while to come to the realization that so much of a record’s sound actually has to do with the way it was recorded and produced and mixed. At the time when you’re younger, you don’t necessarily have the words to express what you’re trying to get down so you’re kind of at the mercy of the producer who’s recording you. That’s kind of what drove us to want to do the DIY thing." As far as who takes the lead in their production work, the band says it's a democratic system, each on them getting an input. "Yeah we kinda all just sit around the computer, and one person drives, and we all make our own comments," Romero describes their process. 

The band also discuss some of their favorite producers that they admire and look to for influence. "I really like the band Hoops, their production style. It’s not so much an inspiration for our music, but I admire that sort of lo-fi production. But we also like hi-fi, like super high fidelity electronic stuff. There's all sorts of different styles that we’re trying to mesh together,Kourafas says. "If I had a big influence...Kevin Parker of Tame Impala. He was the whole reason I wanted to record and build a studio, besides that I’m tired of hearing other producers tell us what to do. He opened my eyes,Rejdukowski chimed in. 

They Spent the Summer Locked Up in the Studio...and Other Places

The band have spent a large chunk of the summer recording and producing their upcoming EP. Talking more about the direction of the songwriting style for this new material, Romero says, "It’s slowly been evolving. Back in the day, one of us would write a song on acoustic guitar, bring it to the group, and figure out parts from them. Nowadays it’s more like ok we have a song pretty much written. For the most recent recordings, we had demos that we made ourselves and we brought them all together and kind of decided which one was gonna be the best and from there we opened up the doors. So anyone could add on anything they want." The amount of collaboration varies track by track with the band's best interest in mind. "A big thing with the technique we’re using now is we’re trying to get past our own personal egos and make music that we feel is the best possible music we could make. Being in the studio... it really lends itself to coming up with different sounds," Kourafas adds. 

So while the band has been working hard, remaining locked up in Steven's studio to get this new music complete, they did also have a scheduling conflict pop up, when Romero got literally locked up for getting caught with a little bit of Colorado's finest export at Bonnaroo Festival and didn't show up to his hearing. Consequently, he got sentenced to two weeks in jail in Coffee County, Tennessee. Despite the setback, Romero gained some wisdom from the experience. "The biggest lesson I learned besides don’t take drugs across state lines, is don’t stress the shit that you can’t control. Cause you can, especially in jail, go crazy. Like, I can’t do anything about the fact that I’m gonna be in here for two weeks. You just have to sit back and let the world do it’s thing. Control what you can and don’t kill yourself over the shit you can’t control," he says. 

The Subterranean Holds a Lot of History for Them

The band has played all around the city over the years, but the SubT holds a special place in their heart. Their show last week acted as one of several times they've played that stage. So what are some of their favorite memories from the Wicker Park venue? "There was that one time you ripped my shirt off [to James]. That was one of the first times I had my shirt off at a show," Romero recalls. He also describes another time he stage dove at their last EP release show, saying, "I was over on the front by the monitors. My friend who is like 6’5, pretty large guy like grabs me and picks me up. This was during 'The Count.' I’d never stage dove before. It was kind of scary cause I was like I still have to play these parts... I didn’t want want to hit anybody with the bass!" Griffin Shaw also played his very first show with the group on the SubT stage.

This most recent performance will most likely go down on their list of Subterranean memories, seeing as Romero did take his shirt off again at the end of their set, and they played one of their unreleased tracks. The experience of playing this new song already proved to be landmark for the band, Romero pointed out. "It’s weird because before when we wrote songs, we would play them all together before we would even record them. This is the first time we’ve flipped it around. So we recorded first and now we’re playing it." Kourafas agrees, saying, "It’s kind of goofy cause we had to like learn our own songs. At the time when we recorded, we lay down what we lay down and don’t necessarily think about it too much."

Their List of Dream Collaborators is a Cross-Genre Super Group

If the band could collaborate with anybody in the world, Rejdukowski says he'd love to work with Tame Impala, since Kevin Parker has inspired him as a musician and producer. Romero throws out The Weeknd as a personal bucket list collaboration, while Kourafas says Phoenix and Shaw named Hans Zimmer. Basically, their dream collaborators sounds like an ideal super group that needs to happen at one point in the future. The group also shout out their bucket list venues and festivals,  Rejdukowski saying, "Absolute dream place--kind of cliché, but Red Rocks!" Romero mentions Shaky Knees festival, which takes place every Spring in Atlanta.

Although they'd love to one day work with more established acts and work their way up to playing bigger shows, the band also have a lot of hometown appreciation. Talking about the Chicago scene, Romero says, "Rare is it that we’ve found people who are shitty. Everyone is pretty supportive honestly. The Chicago local scene...I’ve never really been around other local scenes, but from what I’ve heard it’s pretty large." Rejdukowski agrees, adding, "Even like a lot of the bands we play with, they don’t necessarily sound like our music, but that’s the best part about it. The people who come to the shows are exposed to more genres and everyone is just vibing on it." As far as their favorite fellow Chicago musicians, the band shout out Floral Couches. "They’re great. Last time we played here we got to meet them. We all really fuck with The Walters. I like the Symposium. Post Animal’s great. [Twin] Peaks..." Romero says. 

The band says we can expect a new 7-track Capital Soirée EP and some music videos before the end of the year. While we await the new music, check out photos from the band's show at Subterranean, including some Behind the Scenes shots. 

Follow Capital Soirée on Social Media:

Facebook. Instagram. Twitter.

Listen to the latest EP "Take Me Anywhere" Below:

A Chat With: Michigander

Hailing from (you guessed it) Michigan, the outfit Michigander is fronted by lead singer and songwriter Jason Singer. Much like the literal band name and frontman’s surname, the handful of singles that have come out of the Michigander project possess a certain quality of straightforwardness. Narratives told in Singer’s soothing vocals hook listeners in; relatable stories and layered melodies keeping them enthralled. Following the streaming success of his debut single “Ninties,” Singer and his band have toured with other acclaimed Michigan acts like Flint Eastwood, and performed live sessions at studios like Daytrotter in Davenport and Audiotree in Chicago. After being introduced to them at Daytrotter Downs Festival in March, we couldn’t wait to catch up with Singer during Michigander’s show at Township on Friday, June 23rd. During our chat, Singer talked about being inspired by Coldplay, why he dislikes albums, their upcoming tour schedule, and more. Get to know Michigander now!

Credit: Adam Podboy

Credit: Adam Podboy

ANCHR Magazine: What first got you interested in making music? When did you go from being a fan of music to actually writing your own?

Jason Singer: I think 2009 I saw Coldplay play a massive show in Detroit. I think that was like, holy crap, I wanna do that. That’s what I’ve been thinking lately has sparked it. I’ve always been kind of fascinated with stages and sound systems and all that. It was always just really exciting to be around.

AM: So talking about new music from you, I saw you were recently asking your Twitter followers if you should keep releasing singles or an EP. I think EP won...are you going to end up doing that?

JS: I don’t know, the producer I’m working with wants me to do an EP. I kind of agree with him, but the singles kind of like take a life of their own. I think that is cool because you spend money making the stuff. So putting it together [in a EP], something might get looked over. I think putting singles out helps solidify each song. Gives them a life of their own. Getting a lot of plays on individual songs is cooler to me.

AM: So you mentioned you’re working with a producer now Is that who you always work with?

JS: I just started working with him, so we just did the last single “Fears” with him. I have another one that’s recorded that’ll probably be out in September. Then probably two more early next year.

AM: Nice, so how’s the recording process with him?

JS: It’s awesome. I just go there and he really knows his system. That’s the coolest part, just going and everything is set up. Everything is already mic’d and he’s like play, anything you want. Right now. So it’s just me and him. I can play everything except the drums, so we have a drummer come in. Everything else on the record I usually play.

AM: As far as playing live, you just did Audiotree today--

JS: Yeah, that was really cool! That was a total bucket list dream come true. They were great, they were super nice. Same with Daytrotter! Those sessions are what I thrive for. Since we only have a few live songs, the session helps us have stuff. Then we have the shows. Having people show up to shows is awesome for having one or two songs.

AM: Yeah, and then you’re doing Mo Pop this summer. Who else are you looking forward to seeing there?

JS: I’m a really big Alt-J fan, and Foster The People. I love both those bands. Also, the Solange record is great. I just listened to them recently for the first time. There’s a band called Middle Kids. They’re from Australia, they’re really small, but their songs are so good. I hope to connect with them.

AM: Are there any surprises or anything special you’re planning since it’s a festival performance?

JS: I wish! I don’t know if I’m allowed to bring friends. What I’d really love to do is a bring a bunch of friends. It’s cool we have the opportunity to play it... Our friend Leo, who’s in Rival Summers, he’s playing tonight. I just have all these guys from around Detroit that I’d love to bring.

AM: Any other bands from around Detroit we should check out?

JS: Flint Eastwood. We just got off tour with her. We played at Subterranean here.

AM: How was that tour, any highlights?

JS: We played her hometown Detroit show to like 1200 people. It was in like an old building lobby in Detroit, like all art deco. It was beautiful. It was the biggest show we’ve played.

AM: Then you’re touring a little bit in the fall right?

JS: Yeah! We’ll hit up Atlanta, Nashville, Lexington, Columbus, Lansing, Kalamazoo, Pittsburgh. So part of it will be solo in like listening rooms. I’m really just looking forward to--the first half is just me going alone on the road, which I’ve never done. I just want to do it. That’s the cool thing behind it. The main thing is I just wanted to see friends, and I also wanted to play shows. So that’s what we did.

AM: Do you do anything special to stay entertained on the road?

JS: I am a podcast person. They have a podcast called Song Exploder. They take the master files from the studio of like The National, and they show each individual part and the bands talk about it. Then they throw it all together. It’s so inspiring and exciting to hear.

AM: Nice! Then just in general, any other bands you’re really into? I see on Twitter you’re always recommending new music.

JS: There’s a band-- Dave Bazon. He was in a band called Pedro The Lion, and he has this new band Lo Tom. They’re amazing. They have like singles out. And The Manchester Orchestra Album. I’m excited for that.

AM: Anything else you’re looking forward to this year?

JS: I think this year is gonna be a really big building year. Everything that’s happening has just been incredible. Tomorrow we do a hometown headliner. Next month we’re playing with Bad Bad Hats and Mo Pop.

Keep up with Jason on his Twitter, and check out the gallery of Michigander's performance on Friday night at Township below. 

A Chat With Twinsmith

Omaha-based indie rock band Twinsmith return with stripped back and chilled out tunes for their third record, Stay Cool, out next month. Singles like "Matters" and "You & I" boost infectious and mellow melodies, perfect for driving around with the windows down on a summer day. Originally formed by the duo Matt Regner and Jordan Smith, the band has grown to include Bill Sharp on the bass and drummer Jake Newbold while on tour. Last Thursday, Twinsmith played Chicago as the third show of the Ultrasonic Summer Tour with Rooney and Run River North, following a hometown gig in Omaha. Before they hit the stage at Lincoln Hall, we caught up with the guys to talk about their simplified recording process, Jason Derulo, and Red Roof Inns...among other things. Get to know Twinsmith now! 

Twinsmith at Lincoln Hall on June 22nd, 2017  Left to Right: Jake Newbold, Matt Regner, Bill Sharp, and Jordan Smith.

Twinsmith at Lincoln Hall on June 22nd, 2017

Left to Right: Jake Newbold, Matt Regner, Bill Sharp, and Jordan Smith.

ANCHR Magazine: Your single “You & I” just came out this week. How does it feel to get your new music out there in advance of the new record?

Matt Regner: It’s always great. Especially in this day and age where that whole process takes forever. Especially if you’re pressing vinyl. Basically you finish the recording, you finish mastering, then you’re just hanging out with the songs by yourself for a few months.

Jordan Smith: Yeah, it definitely feels good. It feels good to play new songs. That’s what we’re most excited for. We were rehearsing these songs as a band. We’d written and recorded them before we started playing them live. So the whole process was just like a long process of being able to start playing these. We’re excited to keep releasing music and keep writing.

AM: How was the recording process for this album then, compared to your past records?

MR: It was awesome. Basically that whole album came together in our house. We recorded it in our dining room. We didn’t really need--for all of these songs we didn’t need a big studio. We didn’t spend a ton of money. We could just find some cool gear and make it happen. Having complete control over everything and not like five people running around the studio, doing this and that, you start forgetting names. It was just for the most part Jordan and I, and then Graham Ulicny who produced it, showing up at 11 a.m. and working. 

AM: So for the first two records, was it similar or you did actually record those in a studio?

MR: Yeah, in the studio you’re just rushed. So we weren’t on a time crunch with this. That’s when you start making mistakes.

AM: I think that comes across in the mood when you’re listening to the new record.

MR: There’s definitely more of a relaxed mood with this album. Maybe that goes back to the actual process, or our moods when we wrote the songs. Not having that studio rush, or worrying about the money, like the hours that you’re putting in…

AM: So I know tour just started a couple nights ago, but how have the new songs been going in the live setting so far?

MR: Great. There’s still just enough rust on them. They’re always fun to play, and we’re still making mistakes on them--

JS: But that’s good! I’d rather have that than be really bored. 

MR: The Alligator [Years] album, we played those songs 100 times over the course of a year. You get burnt out on that. I don’t know how The Rolling Stones do it.

JS: They get millions of dollars.

MR: I’d play “Start Me Up” that much for a million dollars.

AM: What have been some of your favorite new ones then?

JS: I think “Defend Yourself”--

MR: Which actually, we planned on having it as a single, but we didn’t release it. I think that’s just the most fun to play live. It’s a fun groove. We always play it towards the end of the set.

AM: So you guys just had the hometown gig in Omaha last night, but is there anywhere else you’re really looking forward to playing?

JS: I’m interested to see what Davenport is gonna be like, cause I’ve never played in Davenport. I think we’ve played everywhere else. 7th Street Entry’s always fun.

AM: So you guys made a Spotify Playlist that for "songs to crack open a cold one to”--

MR: That’s all Bill!

AM: Then there was the “Stay Cool” one, which had all songs with “Stay” or “Cool” in the title, so how do you guys decide who gets the aux cord on the road?

MR: I’m the only one with a Spotify Premium account, but I have that damn new iPhone that doesn’t have the thing, and the van doesn’t have bluetooth. We’re not there yet as a band.

JS: We were there last week, but now we had to downgrade. Last tour, we listened to a podcast that was like 8 hours long when we drove from Chicago to Omaha.

MR: We listened to the entirety of S-Town. It was mind-blowing.

JS: We wanted the drive to be longer cause there was an episode and a half we still hadn’t listened to . That was the first time ever we were like “man I wish this drive was longer!” For the first five hours today, I don’t think we played a single thing.

MR: We usually just scan for a Top 40 radio station and keep it on a low volume.

JS: Unless it’s Jason Derulo.

MR: Derulo comes up! Everything else stays low.

AM: Do you guys tend to write while you’re on the road?

JS: You were writing [to Jake]--

Jake Newbold:  It was a grocery list.

MR: He does all his grocery shopping in Chicago. 

AM: Any other new bands you’re really into at the moment? 

JS: We were talking about Kevin Morby on the way up here.

MR: He’s got a really good new album.

JS: Jake knows what’s hot!

JN: I’ve been listening to Chris Weisman.Tigerwine just put out a new record.

AM: Nice! So was there anyone you pinpointed as influences for the record?

MR: Not super specifically. Actually, yes, super specifically in the sense that there’d be one part in a song where I’d try to get behind the mindset of the guitar licks. Like “what were they thinking when they wrote that?” But there wasn’t like one band you could put an umbrella over the album. Which is definitely a good thing. You never want that to happen. I think all of us, for as long as we’ve been in the band, or been in bands period, we just all listen to stuff that isn’t anything like our music.

AM: Then you can pick up on the moods or certain emotions, or even like you said certain guitar pickings and stylize that to your own music.

MR: Yeah, totally.

AM: Cool, anything else this year you’re really looking forward to besides this tour and the album coming out? Anything planned for the fall?

JS: I think we’re looking forward to kind of just seeing what’s next. We’re just seeing what happens, and I think we’re ready for whatever.

AM: Maybe some bluetooth in the van?

JS: Yeah, get back to that! That’d be awesome.

AM: Oh and did you get a week of free rooms at Red Roof Inn that you Tweeted about? 

MR: That was all [Jordan]

JS: I tried! 

MR: We're big fans of Red Roof Inns.

JS: We stay there a lot.

AM: Any last minute words of advice?

MR: Don’t use Apple Maps to get through Chicago. We just figured that out today. It wasn’t lost, it was just using all these alternate routes. We basically got off the highway in Iowa and took side streets.

So, Red Roof Inn, if you’re reading this, help a band out! Everyone else, help yourself out and pre-order Stay Cool here, out July 14th on Saddle Creek records. You can check out  Twinsmith's upcoming tour dates here, and see the gallery from their show at Lincoln Hall below! 

Catching Up With Stonefield

It’s Saturday night at a completely packed Metro, and Australian band Stonefield are set to play their final night on tour with fellow Melbourne musicians King Gizzard and the Lizard Wizard and Orb. Prior to their last performance, the four Findlay sisters of Stonefield filled me on all the happenings on tour and what’s next for them in 2017.

Stonefield is Amy, Hannah, Sarah, and Holly Findlay.  Photo Credit: Sheva Kafai

Stonefield is Amy, Hannah, Sarah, and Holly Findlay.

Photo Credit: Sheva Kafai

Our conversation starts with the sisters telling me they’d been to Chicago before, but never as tourists. This tour so far sounds like it’s been pretty relentless, with not much time off, and on top of that, the schedule for this last day of tour is already running late for everyone. While I chat with Stonefield, King Gizzard’s crew are doing a makeshift soundcheck, since the band members themselves have skipped in order to do a signing at Shuga Records.

The conversation progresses through the haphazard soundcheck, and we shift back to how the four sisters got started as musicians. Although they’ve been playing together since 2006, the Findlay sisters are still quite young, and surprisingly, the music gene doesn’t run direct through their family. “Our parents don’t play music, but they love listening to it,” guitarist Hannah says. She continues on to say that their love of playing music stemmed from growing up around the music their parents listens to, while the eldest sister, Amy, adds, “Mum and dad have this really weird connection where both of their brothers played in a band together, so that’s how they met. So we’ve got the music on both sides, but it’s actually kind of strange that mum and dad don’t play themselves.” Elaborating on the music they grew up with, Holly chimes in, “Dad is obsessed with Frank Zappa. So that’s obviously an influence. But like all of the classics, like Fleetwood Mac, Zeppelin, Hendrix, Pink Floyd. All of that.”

Circling back to their young age and picking up instruments as kids, Holly says the bass was like a toy for her. She's the baby of the family, and started playing as young as age 7. The girls say they’ve all learned a lot since they started, but Amy reckons the biggest lesson involves staying true to themselves. “Because we were so young, when we started, and we’ve been doing it for so long, I think our experience in the music industry has been quite different because we have kind of grown up with it. I think starting young, you’re also sort of--” Amy pauses, and Hannah jumps in with “easily influenced” to finish her sister’s thought. “You’re influenced by people’s opinions and I guess, advice. I think at the end of the day the biggest thing we’ve learned is that at the end of the day, music is a really personal thing,” Amy continued. “You don’t always have to take people’s advice. Like sometimes it’s great, but sometimes it’s better to leave it. It’s all about what you think. Trusting your instincts,” Hannah added. As the sisters bounce their concurring thoughts off one another, Amy concludes this topic by saying, “Music is kind of like a selfish thing. Like at the end of the day, what works best is doing it for yourself and not worrying about anything else. Which sound super corny. But it does kind of, when you’re so young, take a while to realize that you know what’s best for you.”

The Findlays also admit that they’ve learned valuable lessons as musicians just on their current tour with Orb and King Gizzard. Discussing the differences between these shows and touring in their home country, Amy says, “You really feel the love, like it’s easier to get a response. There is a slightly different energy. It’s kind of like having a fresh slate. We’re kind of starting from the bottom, which is exciting. It’s an exciting thing to kind of wanna win people over. To get on this tour and to be able to do it to this many people….It’s been really fun,” about playing in America. One of tour highlights, besides doing a “drive-by” of Times Square and The Statue of Liberty, was their two nights at Webster Hall. All four sisters say those shows were their favorite, with Holly recalling, “At one of the New York shows we had a huge...what do they call those? Circle pits!”

Music is kind of like a selfish thing. Like at the end of the day, what works best is doing it for yourself and not worrying about anything else. Which sound super corny. But it does kind of, when you’re so young, take a while to realize that you know what’s best for you.
— Amy Findlay on staying true to yourself in the music industry

For most Australian musicians, touring really only happens on the weekend, whereas in America, all three of these Australian bands have been playing a new city every night. The Findlay sisters weigh in on this change too, Holly confessing she prefers touring over here. “Once you get into the swing of things, I reckon it’s better cause it’s cool that you can play every night and drive not too far and be in a whole new city,” she says. Amy adds that they’re fortunate at home to get gigs in country towns, but says for a lot of bands it doesn’t work out and they’ll only play shows on the weekends.

Another big difference between the American and Australian music industry? Album release cycles. Stonefield released their second studio album As Above, So Below in July 2016 back home, but they’ve only just released the first single from that record in The States. “We’re kind of in a weird spot, because we released that album in Australia last year, but it’s kind of fresh here,” Hannah says, while Amy says she hopes that they’ll get everyone on the same page for their third album. As far as new material for the next record, Hannah says they’re constantly writing. “I feel like our music progresses quite quickly, probably because we are still young, I guess. I think our new stuff is a bit... sort of spacey. [We’re] experimenting more with synthy sounds and stuff like that. But not really like 80’s synth. Like good offense to 80’s synth. It’s definitely developed. We’ve been playing a few new songs on this tour, which has been good,” Amy revealed about the new material.

Before heading off to soundcheck, the Findlay sisters also recommend some other great material coming from Oz, including their tourmates. “They’re the band that we would be like 'they’re the next best thing',” Amy gushed about Orb. The sisters also tipped me off about White Bleaches, who supported them on a recent tour, and Noire, a band from Sydney. “They have some really amazing, really beautiful songs,” Hannah says of the latter. Amy agrees, adding, “Yeah, I don’t get why they’re not bigger. They’re not big in Australia, but they’re really good. They write really good songs and she has a beautiful voice.”  

Less than two hours later, the sisters completely rocked their dynamic and energetic set in front of a backdrop of psychedelic graphics, once again getting a great response from the crowd. The setlist contained a mix of old and new songs, and Amy managed to deliver powerful lead vocals while completely smashing it on the drums. Check out photos from their epic set below!

Stonefield at Metro 4/8/2017

The Setlist

  1. Sister
  2. Dream
  3. Far From
  4. Earth
  5. Delusion
  6. Changes
  7. In the Eve
  8. Eyes

Keep up with all the Stonefield news on their Facebook page, and listen to their single "Stranger" from their sophomore album here: