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Filtering by Tag: NYC Bands

Get To Know: Acid Dad

NYC's Acid Dad has made waves in the rock scene for the last couple of years with their catchy blend of psych and punk rock. In addition to releasing their debut EP Let's Plan a Robbery in 2016, they've toured across the country, sharing the stage with bands like White Reaper, Diarrhea Planet, and Meatbodies. After shredding it at Tomorrow Never Knows Festival in January, Acid Dad returned to Chicago to play another rock festival in town...Warble Daze. Now on the brink of releasing their debut album, the band has dropped a brand new 7" single this week via Greenway Records

Back in October, before their Warble Daze set at Logan Square Auditorium, we got the chance to chat with them about everything from the new single to their start in music. Check out the five things we learned while chatting with Acid Dad, and get to know them now! 

Image Courtesy of Acid Dad


They Started Playing Music From Ages 3-18

When it comes to the current day lineup of Acid Dad, they all have very different starting points in music. If you ask guitarist Sean Fahey, he's been playing since his toddler days. "I got a guitar when I was like three. I like ran around the house with it, and apparently I wrote my first song with it when I was like 4. It was called “The Swan Song.” No relation to Led Zeppelin," he says, adding that this was so long ago it wasn't even recorded, since nothing was digital then. 

Drummer Kevin Walker also started at a really young age. He tells his story, saying, "I started playing drums when I was like 8. And my older brother played guitar. Pretty much every day after school from like 3PM to dinner time we just played music and our parents didn’t mind. It was loud as fuck!" The newest addition to the band, JP Basileo, was much more of a late bloomer however. "I started playing bass when I was like 18. Late bloomer. A friend of mine had [a bass] for a while and I saw him not playing it, so I picked it up and just started playing. Then I eventually got one for myself and I never stopped playing. That’s the way it went with guitar. My dad started having a mid life crisis and instead of buying a car, he bought a really nice Fender telecaster thinking he was gonna learn. He didn’t learn shit and I picked it up. But I’m left handed and I play it righty, so my skills on guitar are a little more limited," JP says. 

Guitarist and singer Vaughn Hunt falls in the middle of that spectrum, picking up piano at age 13 before eventually making his way to guitar only about 4 years ago. Vaughn also tells the story of the band forming, saying, "Kevin and I had a band before this and we would play every day. So you get really good if you practice every day. Playing with a drummer is the best way to get really good really quick. Kevin’s brother is really good, I started playing with him..." Kevin picks up the story adding, "Vaughn replaced my brother. We went to college and we were in a dorm and I didn’t play drums for like a year. Then we joined a really shitty band, but we met each other and started Acid Dad. We left that project and it’s been 3 and a half years. We started jamming in August 2014."

They've Gone Through Lots of Bass Players

Speaking of replacing people in the band, Acid Dad as it stands has had many different bass players come through the rotation. Vaughn says, "We found Sean two years ago. JP is number 10 in bass players, Sean was bass player number 6? 7?" DIIV's current bass player had actually been number 9 before JP came along, Sean says. While it's definitely been a high turnover in the bass department over the last few years, the entire band said they feel confident in the current day line up, and they won't allow JP to quit anytime soon. They even made a pact with cigarette burns, so, next time you see Acid Dad this lineup should hopefully be in good condition. 

They'd Consider Moving To Chicago

The last time Acid Dad played in Chicago, prior to Warble Daze, they'd played at Schubas with Honduras, and JP actually hadn't been in the band yet. Surprisingly, JP's first ever visit to Chicago occurred during Warble Daze, but the band all say they love Chicago. "We’re thinking about moving to Chicago. We’ve talked about it," Vaughn added. Both Sean and Vaughn recall coming to Chicago as kids, but they also recollect Kevin being banned from a bar here (no one remembers which one). On a more positive note, Vaughn says he loves The California Clipper, and they all like Chicago pizza. Finally, based on the positive and warm reception of Acid Dad' set at Warble Daze, they'd definitely be welcomed into the scene here with open arms.

Kevin Once Got Mugged On Halloween 

After talking through some of their best and worst Chicago moments, the band recalled their best and worst Halloween moments. "I got mugged when I was a kid. By the older high school kids. It was sketchy... not a good part of town. They took my wallet and my phone. I was in 6th grade probably," Kevin said, adding that they also took his candy. 

It turns out that most of the band actually met on Halloween, though. "The first time I met Kevin and Vaughn was on Halloween. It was their first show. I don’t know what you guys dressed up as, but I was supposed to be a werewolf and I got the whole kit. I was playing with my other band and my drummer saw me come out of the bathroom and was like no you can’t do that because I essentially just had blackface. So I went to the Deli and bought a bunch of toilet paper to wrap myself with as a mummy," Sean recalled. 

Since JP wasn't in the band at that time, he also chimed in with his take on the spooky holiday. "I have my good Halloween memories, but for the most part I hate it. Everyone is like 'let’s be wild and crazy and put on lipstick and dress up', but that’s like a normal Tuesday for me. I’m wild and crazy all the time," he says. 

Also, if Acid Dad were to do an all band costume and cover one artist, they narrowed it down to The Replacements, The Stone Roses, and Pavement. 

Acid Dad at Warble Daze

They Have a Lot of New Music on the Way

Acid Dad have yet to put out a full length record, but they assured us that it's well on the way...and soon. "It’s pretty much done. A 7 inch is coming out in November, on Greenway. Greenway Records," Vaughn says. 

Sean says their connection to Greenway came from knowing the right people, who put them in touch with the record label's owner, Harry Portnof.  "Our now friend Harry was friends with my roommate Devon, Devon hooked it up. Hi Devon! Harry’s a really sick dude and runs the label by himself. He has this vinyl manufacturing plant in Jersey nailed down, and pretty much has it to himself," he says. "It’s a faster turn around than any other label I’ve seen," Kevin chimed in, also adding " Dan Curran also kind of-- he had done a bunch of poster work and what do you call it? Woodblock screen printing! And he ended up doing our EP release poster artwork. He does most of Greenway’s artwork. He did the logo. So it was kind of like, meet my friend who runs this label. So he’s been wanting to do a record with us. A year and a half he’s been bugging us." 

While the 7 inch is finally released, they've taken their time with the album since you only put out a debut once. "We’ve redone it a few times. We’re redoing it right now," Kevin says. "I'm trying to get on it," JP joked, since he had joined the band after they did the original recordings last year. The band also say that the album should be about 11 tracks long, and their Warble Daze set consisted of mostly new material which will be on the record. 


Finally, make sure you pre-order your psychical copy of "Die Hard"/"Bodies" here because it's a rarity.  "One funny thing is on the 7 inch, the single on the A side, is called 'Die Hard.' It’s also gonna be on the album. But the album one is the re-recorded one, so they’re the same song but version 1 and 2. Then the B Side is not gonna be on the album at all. And there’s only a few hundred of those that we’re making," Kevin says. 

In the meantime, listen to both "Die Hard" and "Bodies" in digital format below, and keep up with Acid Dad on Social Media:

Facebook // Twitter // Instagram

Psst- NYC, Acid Dad are having a release show on 12/5 for the single. Grab tickets here!

 

 

A Chat With: Upright Man

Blending elements of 1960's rock and roll and more modern alternative music, NYC rockers and college buddies Upright Man name everyone from Pink Floyd to Radiohead as influences. Listening to both the first and the newest singles "Upright Man" and "Animals," you can pinpoint snapshots of these influences threaded throughout their songs. Prior to the release of their self-titled debut album, the New York City trio chatted with us about the inspiration behind their creativity, their new music, and the best spots to catch music in NYC. The 10 track album is expected to arrive mid-August, and you can get ready by pre-ordering it and getting to know the upright men Aidan Dolan (guitar/vocals), Nick Katz (bass/vocals) and Max Yassky (percussion/background vocals) now!

Photo Credit: SLOANE MORRISON

Photo Credit: SLOANE MORRISON

ANCHR Magazine: You three actually met while studying classical composition at New York University. How do you feel that your background in classical music has shaped you as a songwriter and musician?

Max Yassky: It mostly helps us know what not to do. Not all classical music does this, but a lot of it focuses on expanding and developing ideas until they couldn’t possibly hold any more water. But in a songwriting context that kind of soundscape can sound cluttered. So we use what we learned to avoid landmines like over-development and brain-masturbation.

Aidan Dolan: I think the biggest influence that studying classical music has had on my and our writing styles is the use of mixed time signatures. I called up Nick and Max my senior year of college to play in my modern classical prog rock fusion trio, which was a result of the studies with my composition teacher at NYU, Ezequiel Vinao. The rhythmic difficulty of the pieces I was writing made us all feel like we could count anything and 7/8 became the new 4/4.

Nick Katz: I’ve been playing in rock bands since I was 11 - the classical thing was more of a formalization of what I’d been doing my whole life. I feel like people have this impression that we came to rock from classical music. That’s not really what happened, we all play rock and jazz and whatever else and have played that music, then we went to classical music as a bit of extra study and, yeah, it affected us as musicians, but it’s not our sole foundation.

ANCHR: Before meeting, what first got you into studying music in general? Was it a certain band or a family member/friend that inspired you?

MY: I wanted to go to Boca Raton to be a private investigator / high value transporter but my mother said she’d break my legs if I got shot in Florida so I went to music school instead.

AD: Music was always a hobby for my dad when I was a kid, so there were guitars lying around and a basic home studio to mess around in. My brother ended forming a band called TAUK with his three friends that is still around and doing well today. I always wanted to try playing, but when I finally heard The Beatles at age 11, I became obsessed. After taking an educational journey from The Beatles and classic rock to blues and jazz, I ended up at NYU for classical composition and sort of came full circle back to my roots with Upright Man.

NK: My father is a professional bassist with a list of credits longer and more prestigious than I could ever hope to come remotely close to. I’ve been studying music since I was four. It’s my life.


ANCHR: What can you tell us about Upright Man’s debut album due out August 18th? How did the writing and recording process for the record go?

MY: Well we didn’t have to threaten each other with Sarin gas so I’d say it went alright.

AD: We just kept on playing, writing and recording over 2 years until we felt like we had the right songs. Our most recent recording sessions leading up to the album release were a lot more focused and we felt a stronger sense of identity in our sound as a band.

NK: I don’t have much to add there, Aidan really hit the nail on the head with that one.


ANCHR: Which songs are you most looking forward to transcribing into the live setting?

MY: “Animals" is a lot of fun to play live; I’ve just got to work on my impression of a cockatoo.

AD: “Upright" Man”, the song, is probably the most fun song to play. We always play it at the end of our set and it can make you want to smash things.

NK: "Say What You Mean" is a real challenge. I like a good challenge.

ANCHR: Who are some artists that you’d love to share the stage with once you hit the road?

MY:  Robert Randolph and The Family Band and NRBQ were awesome stage-mates. It was a blast playing with them. In a perfect world I’d love to open for a late 90’s Beck at Sessions At West 54th.

AD: Though it could be a stretch to put us on the same bill, I’d love to share the stage with TAUK. My brother is the bassist and I’ve known those dudes a long time, so it’s somewhat of a guilty desire to share some road time with those dudes.

NK: I would do terrible things to get an opening slot with Dr. Dog.


ANCHR: Are there any up and coming NYC bands that we should all know about?

MY: I heard this dink band Upright Man is pretty alright. Not too Berny but not too savage either.

AD: Nick plays in another band called Dirty Bird that has some great songs and vocal harmonies.

NK: JIL, Uni, The World All Around - all great friends and great musicians. Well worth a listen.


ANCHR: Where are some of your favorite spots in NYC to see live music?

MY: You can’t go wrong with Rockwood. Goldsounds in Brooklyn is also rad.

AD: Irving Plaza was awesome last time I went. I’ve enjoyed a lot of shows at Rockwood Music Hall. There are so many great venues in the city.

NK: I really like Rough Trade in Brooklyn. Also Mercury Lounge is a really great room.


ANCHR: What else is Upright Man looking forward to in 2017?

AD: I’m really looking forward to releasing the music video for our unreleased song, “Ecstasy”. All I can say is we built a giant spaceship set in an old barn and Nick and Max were inhaling a whole lot of silver face paint and hairspray fumes.

NK: Yeah, I definitely lost some brain cells on that one. Art necessitates sacrifice.


See all of Upright Man's upcoming tour dates below, and keep up with them on Facebook here. 

7/22 Boston, MA @Cabot Theatre (w/ The Fabulous Thunderbirds)

7/23 Long Island, NY @Amityville Music (w/ Bad Rabbits)

8/17 Ocean City, MD @Fager’s Island

8/23 New York, NY @Bowery Electric

8/24 Sellersville, PA @Sellersville Theater (w/ The Fabulous Thunderbirds)

A Chat With: Public Access T.V

Talking TV drama, studio-hopping, and festival lineups with New York City’s Public Access T.V.  

New York rockers Public Access T.V mix old-school punk vibes with a youthful and refreshing energy that makes them stand out in the crowd. After playing music with other bands, lead singer John Eatherly branched off on his own to form PATV with bandmates Xan Aird, Max Pebbles, and Peter Sustarsic in 2014.  The post punk four piece released their debut album Never Enough on September 30th, 2016. Since then,the album has been steadily gaining traction, proving that kids still do like rock’n’roll, despite the opening lyrics to the band's track “End of an Era.”  In support of the debut album, Public Access T.V will embark on their first US headline tour this month.  Prior to their show at Schubas Tavern in Chicago, John chatted with us about the recording process for the album, life on the road, and what’s in the works for 2017.  

Official video for "End of an Era"

ANCHR Magazine: So first let’s talk about the debut album you released at the end of September.  How did it feel to get that work out there, and what has the response been?

John Eatherly: Well it feels like a great detachment from a lot of accumulated work over many years of songs and writing.  So if anything it just feels good putting your precious babies out there in the world and seeing what happens. We’re about to go on tour in a week, so we’ll see more reactions.  The record was a crazy experience, finally making it to the finish line of it being mixed and done.  It took a lot to get there, so it feels like I’m not so attached to it anymore because it’s out there already.  Like there’s no more old ideas to pick from as far as writing songs.  It’s like a clean slate.

AM: So you mentioned some of these songs have been around for years, and I know you played with other bands and artists before you formed Public Access T.V, so how long have some of the songs been around for, and have any of them evolved and taken on a new meaning since you wrote them?

JE: Maybe some of the songs like “In Love and Alone” and “Careful” I probably made a demo of when I was like 20, in 2010, and then kind of...I don’t know, I wasn’t really making it for any reason other than just to have fun and for myself. I wasn’t ever trying to introduce it to anyone I was playing with or anything like that, I just kind of kept it to myself. Some of them took on a new feeling because some of those songs that were older we ended up playing live as a band when we recorded the record.  So some of the songs that are older definitely have a different energy and drive behind them, just from being a unit playing it all together.  But as far as the span of time, it’s crazy, cause maybe I had a demo that I made five years ago.  Then some of the songs on the record I was recording last minute, while mixing the record. So some of it’s like really, really, really new and some of it is older.  So it’s really like this accumulation of kind of years of trying to figure it out.  That’s why it feels like such a relief.

AM: For sure. So can you talk a little bit about the actual recording process?  I know you mentioned you recorded some songs when you were already mixing, but did you pretty much do the album all in one go? Did you record in one studio?

JE: It was pretty crazy actually.  Our record credits are like movie credits, it’s really long.  So part of it’s recorded in New York, part of it’s recorded in Jersey, one song was recorded in Nashville.  Then like six songs are recorded at two different studios in London.  The reason it was so all over the place is because we were never, we never had uh, the luxury, I guess, knowing that we had two weeks at a studio and going in with that time to complete it.  It was always like two days here and maybe three days here, and then go and bang out as many songs as we could.  And then I’d like two of them, you know?

AM: Yeah, and that’s kind of cool then because the songs take on a different meaning, you know, you’ll associate it like “oh we recorded this in London,” so it’s got that aspect.

JE: Yeah, the stuff that we recorded in London was tracked as a band. Because we had been playing the songs live for quite a few tours.  So some of those ones, like “In Love and Alone,” that version that’s on the record is just like the first take that we did.  It was just a live take, there was no multi-tracking.

AM: Wow so it was just one take as a live band?

JE: Yeah, so some of it’s like that, and then some of it is like the opposite. Like really tracked and-

AM: broken out?

JE: Yeah!

Public Access T.V is John Eatherly Xan Aird, Max Pebbles, and Peter Sustarsic

Public Access T.V is John Eatherly Xan Aird, Max Pebbles, and Peter Sustarsic

AM: So talking more about your tour, is there anything you’re planning as a new aspect to the show now that you’re headlining? 

JE: I don’t know...maybe how we think about the setlist might be a little bit different.  I tend to not want to play any slower songs as an opening band.  So it might be a little more dynamic.  But this tour is gonna be real fun because we’re going on tour with our friends, this band called Splashh, and we’re all sharing a van together. It’s gonna be like 12 people crammed into one van. I’ve never been in a van with that many people before, so it’s gonna be real crazy.

AM: Yeah, definitely document that!

JE: Yeah we have a friend coming to film the ridiculousness of it.  

AM: Oh cool! So what cities and venues are you looking forward to playing?

JE: Certainly Chicago.  I’m originally from Tennessee before I moved to New York in like 2008, so we haven’t really played any shows in Nashville- we played one.  We’re gonna go there, so that will be a cool vibe, and maybe some family going to the show. Then, I’m excited to play Bowery Ballroom in New York, and we’re playing Schubas in Chicago...that’ll be really cool.  The bigger cities I guess.

AM: Have you planned anything outside of the gigs, like touristy things at all?

JE: Not really, I think we’ll just kind of see what we get into.  It’s gonna be so many of us together in a confined space, so I’m sure everyone will be really antsy to run around and do things.  We just kind of roam around, probably like in the neighborhood that the venue’s in, and just kind of see what we can find.

AM: You recently were announced to play Shaky Knees Festival.  Are there any other festivals that are on your bucket list to play?

JE: A big one that I always wanted to play was Bonnaroo.  We did that last summer, and that was like a checklist for me because I’d always have friends as a teenager going to Bonnaroo. So that was like a cool way to go. Coachella? I’ve never been.  Festivals are just like insane. Like, I’m not dying to go to any festivals as a festival-goer, but I would certainly love to go and play them.

AM: For sure! If you could pick any 3-5 bands to headline a festival, dead or alive, who would you want?

JE: David Bowie, Leonard Cohen, Bob Dylan, John Lennon...and Public Access!

AM: Sounds like a great festival! Do you have any other goals or resolutions for this year?

JE: Just hopefully staying busy and recording more.  Just trying to stay as busy as we can working on being a band and being friends.

AM: Are there any other bands that you’re really into at the moment?

JE: I’ve been listening a lot to the band Sparks from LA.  I don’t know...I’m always kind of like- I don’t really know what I’m listening to.  I’m in a phase where I’m not really listening to too much of anything, other than like background music.I’m not feeling particularly in tune.

AM: Yeah, I’m sure it’s hard when you’re invested in your own music to get into other stuff.  Last question- not related to your music at all, but since you’re called Public Access T.V, what’s your favorite TV show at the moment?

JE: Well I don’t have a TV or cable, but my favorite TV that I recently have been watching, is a very dramatic show called Nashville.  It’s kind of like a soap opera.  It’s jam packed with all the drama you could ever need in your life.

 

Public Access TV will be at Schubas on Thursday, January 26th.  Grab your tickets here, and listen to Never Enough here!