ANCHR Magazine

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Filtering by Category: Albums

Running Away With Jungle Green

Runaway With Jungle Green whirs into existence with the fizzy “Our Love Isn’t Far Away” which leads with rolling drums, swaying along to singer/songwriter Andrew Smith’s gentle vocals. The album sounds like it should be emanating through a jukebox or backing a romantic coming-of-age indie film. The way each track bursts from the beginning makes it sound as if it doesn’t belong in our ground-down dystopian present. But the album was recorded only two years ago by Jonathan Rado (of Foxygen fame). After an intense nine-day studio session in LA, the band emerged with a uniquely charming album. Though it was recorded stationary, the band now plays round robin with no member assigned a specific moving part, the decision of which I’m told over a Saturday night FaceTime with the band is “arbitrary.” This only enhances Jungle Green’s playful nature, whoever plays that instrument? That’s what they’re feeling strongly about and that feeling is to be abided by. They combine a seemingly emotional rule with an incredibly tactful studio production. Runaway is a product of trusted intuition, the whole band having an extraordinary assurance in each other and their abilities. Though a foundational rhythm guides each track the band lends themselves to experimentation with vast layering. They move in a new direction sonically but explore a familiar feeling: love. 

Photos by Mitch Mitchell  Jungle Green is: Andrew Smith - he/him (songwriter/singer/drums), Alex Heaney - he/him, Emma Collins -she/her, Adam Miller - he/him, Vivian McCall - she/her, Adam Obermeier - he/him

Photos by Mitch Mitchell

Jungle Green is: Andrew Smith - he/him (songwriter/singer/drums), Alex Heaney - he/him, Emma Collins -she/her, Adam Miller - he/him, Vivian McCall - she/her, Adam Obermeier - he/him

The concept of love is somewhat omnipotent on the album and when asked about it Smith answers “I’ve always written about it. I think we all want it and we all need it. I think people are meant to be with one another and that it’s a pretty timeless topic.” There’s no naivety to his response, just an authentic ideology. He then jokes “but these days I’m trying to write less about love and more about never making it.” There’s no one catalyst to the creation of Runaway With Jungle Green; it’s an organic exploration. But the feel-good is intentional, “I’m ready to be happy” says Smith. The simplicity may give Runaway a retro feel, but Jungle Green understands that reaching for unfounded nostalgia is a barren pursuit. They don’t fetishize the past like pop-leaning Greta Van Fleet—Jungle Green is just so earnest that it doesn’t assimilate to our current soundscape. There’s no ego on Runaway With Jungle Green, no algorithmic clamor. It’s part of what separates them from so many DIY bands. It’s an impossibly genuine album.

“Now That I’m With You” swings around the room with ease, lucky to be guided by the sturdy bass line. “I Need You” is shamelessly wanting, shifting between an old school simplistic love song and a boogying needing bop. The band’s humor comes through mid song with someone ad libbing “get me my pinot noir” and a brief laugh heard over the bridge. Though the most melancholy track on Runaway, “Cryin” is perhaps the best description of Jungle Green as a whole. The music video features the band from the perspective of a VHS tape as they appear decked out in assorted Village Discount ‘fits as the static of the “tape” flits in and out. In various states of emotional disarray they play seated on the floor and in front of a generous green screen, blurring together in transitional overlays and reconvening with their friends/extras, all as Alex Heaney bangs away at a large box that reads “piano.” This sums up the band’s dynamic pretty succinctly. Bassist Viv McCall tells me that for the nine days they were in the studio, there was barely an argument (let me remind you that there are six people in this band). At this point another band member lovingly chimes in that they observe the Purge. The group’s collaborative curiosity and varietal nature is audible.

Though Smith is the sole songwriter, there is never a song that serves only his purpose, each member is interwoven to serve the song; Whatever the song needs, Jungle Green offers. They allow for the lyrics to breathe. But the dynamic of so many bodies and instruments is heard, never tugging at each other but falling comfortably into place, happy to be there. In many ways the album is a version of Smith explored by other people. Each member elevates the other’s talent, but they’re exploring the same topic. “Please Run Away With Me” is a rollicking track with the jazzier vocals of Emma Collins that plea for the subject to leave their troubles behind and bask in the light of being in love. A testament to Jungle Green’s ability to make the present seem eternal. They suspend you in a temporary alleviation from inevitable environmental disaster and impending election. “All My Life” is the defacto funkiest track of the album with a grooving bass line and syncopated synths. Smith chimes “don’t you worry little mamma, I can make you feel alright,” sneaking in something a little more indulgent to his otherwise meeker songwriting. Though Smith’s voice is often hushed, he’s not tentative. Jungle Green modulates their intensities into something more enchanting than demanding. The final track, “Happiness” could be described as anti-capitalist if I thought there was a political motive. Here Smith sings “working 9-5, trying to stay alive, they deserve happiness as far as I can tell” in reference to grumpy cashiers. It’s a clear and buoyant end.

Runaway seems to understand that songs can be as simple as they appear, that we don’t have to mine ourselves or our environments for emotional exploitation. Sometimes we can just speak plainly, sometimes we can just focus on the heart. This is part of what makes the album so irresistible. A tender streak runs through Runaway With Jungle Green, the record churns sweetly at its core, unclenching the jaw most of us are used to muscling into place. 



Diving Into Goodnight Gorillas

A review of Goodnight Gorillas’ new album Splash!

Photo by Sam Bramble   Goodnight Gorillas is:  Joe Graves (he/him/his) - Guitar and vocals  Jake Braun (he/him/his) - Guitar  Shun Matsuhashi (he/him/his) - Bass  Connor Peck (he/him/his) - Drums

Photo by Sam Bramble

Goodnight Gorillas is:

Joe Graves (he/him/his) - Guitar and vocals

Jake Braun (he/him/his) - Guitar

Shun Matsuhashi (he/him/his) - Bass

Connor Peck (he/him/his) - Drums

Splash! ricochets off Goodnight Gorillas’ last five albums, providing their most cohesive sound yet. The band is at their best with a clear production and tenacious tracks. Even though this album maintains Goodnight Gorillas’ DIY sensibilities, it’s bright and engaging. The nine tracks are incapable of sitting still, leaping up at unexpected times for choruses to arrive abruptly, all with a healthy amount of “doo doo doos” left to edge their way into the band’s more alternative style. The titular track is dynamic, peppy in sound and ill in lyrics, with vocalist and lead guitarist Joe Graves singing “the chemicals enter my skin and find where my depression lives.” “Splash” then suddenly rolls into the bashing drums of Connor Peck before its immediate end.

Splash! is lyrically boundless, shifting around doused in Millennial ennui. On “Jobs, Jobs, Jobs,” Graves mocks the older generation of down-turned noses singing “you’re awfully young to be selling your soul.” Unlike the alt rock bands before them, there’s more of a happy-go-lucky sense of humor to Splash! than there is a sense of debauchery. Goodnight Gorillas is rolling their eyes at themselves, whether it be the poor decision of getting a liberal arts degree or the fear of being sold a Hulu package. They leave listeners in a constant state of bemusement. The harmonies on tracks like “Make Out” (a bop for non-committal introverts) were designed for an audience sing-along as Graves finds time to do everything except perhaps the person interested in him. Even the most melancholic of listeners would be unable to keep their heads from nodding along to Splash! That isn’t to say that the album lacks introspection, it has a crisp 20/20 hindsight and reflects on many a missed (romantic) communication.

The recently released music video for “Three Words” depicts Graves beating a wifi router to the ground with a baseball bat after a seemingly innocuous argument with In Lieu’s Nikii Post about glitching (internet) connection. The song hinges around an unstable couple with shit internet, Graves defending the choice not to call Comcast with “I haven’t talked to a stranger in years.” Which is possibly more about anxiety than it is about being an easy sell. Though Splash! doesn’t come to an exact emotional conclusion it speaks plainly, giving you the idea that Goodnight Gorillas understands their pitfalls. On the plucky “Doctor” they regretfully croon “I should’ve realized the things I put you through/I should’ve realized what we were gonna do” before repeating “don’t get serious.” “Phase One” hits with gargantuan hooks as The Breakup Anthem of the album with Graves crying “I swear I’ll learn to bark like a good dog.” Here Splash! takes an emo-esque turn with Graves’ voice twisting into a squeak with a tense sincerity. Goodnight Gorillas throw their arms wide open to anyone with a convulsing heart. The band uses extreme volume and addictive riffs to distract from the nerves of living in uncomfortable skin. There is a tenderness that hovers right below the album as they mix dejected songwriting with polished melodies. Maybe it’s irresponsible for Goodnight Gorillas to make their heartbreak sound so damn catchy, maybe it’s just a Midwest nicety. Splash! is a testament to the band’s ability to make the bleak blinding. The album is constantly in motion, the sound both perfectionistic and distressed. It’s not uncommon for the labor pains of one album to be felt on their next, and Splash! is certainly proof of that as an album that feels especially worthy of the effort. After years of treading water Goodnight Gorillas finally jumped off the deep end. And they emerged with a fresh pulse. 

Splash! is out everywhere tomorrow, August 6th.


 Keep Up With Goodnight Gorillas:

Twitter + Facebook + Instagram

Catch their album release show at Icehouse on August 16th

tickets here



Feature: The Vulnerable and Vibrant Debut Album from Minneapolis' Sass

Sass is Stephanie Jo Murck, Willem Vander Ark, Joey Hays, and Alex Mcormick // Photo by Cleo Pupillo

Sass is Stephanie Jo Murck, Willem Vander Ark, Joey Hays, and Alex Mcormick // Photo by Cleo Pupillo

I remember seeing Sass for the first time, lead vocalist and guitarist Stephanie Jo Murck bounding up the stage strapped with a sparkling guitar and donning rose-colored sunglasses. It was a set with a powerful sort of vibrancy that doesn’t really allow you to forget it. And Sass’s first full length record, Chew Toy, is much of the same…Vivid and relentless. Chew Toy comes in reckonings, with the titular song being the gritted teeth finally opening into a gaping maw. “He was my favorite guy/ I liked him all the time/ He was my favorite boy/ I was his chew toy” Murck sings, reconciling the form of love you may still carry for someone who violated you. Chew Toy has a resounding resilience to it; Murck delving into her own experience with sexual assault as a child, creating a catharsis in listening. The buoyancy of Chew Toy isn’t so much surprising as it is heartening. Sass maintains a subversively cheery sound, reflected in track titles like “See Saw” and “Nice Things.” Though its title sounds positive, “Role Model” captures that moment of realizing that other people expect adulthood out of you when, in reality, getting stick ‘n pokes is your greatest coping mechanism. It’s one of the many peaks on Chew Toy in which we feel literal growing pains. Murck listlessly singing “filling myself with empty calories, what even is an empty calorie?” as Joey Hays’ manic drumming punctuates her sentences. The song reaches a combustive peak before devolving into chaos with Murck’s voice rolling into a squeak. The worry that, if people really knew who you were, they wouldn’t love you underscores this album. On “Gut Feeling,” Murck admits “I still feel ashamed, yeah who knows how to heal. The ways I taught myself to hide instead of deal” before the frenetic guitar and screeching amp give way to her wails. Chew Toy peers over that wall desperately wondering “what’s next?” It occupies that point in life in which we are ambling around without a map just trying to do the right thing. This doesn’t mean that Chew Toy is devoid of joy, there’s a playfulness to it that seeps in on songs like “Minutes” where Murcks bouncily taunts “When you’re desperate and horny come on and whore me” and the band chants “horny” in harmony before the track’s sudden end. On “Freshwater Pearls” Murck spreads her Pisces energy and claims water as her greatest healer (a common theme throughout the album). There’s a sweetness hovering right above the debut that keeps it all from collapsing in on itself. Chew Toy is steered by the steady bass line of Alex Mcormick, not to be tipped by the staggering, wayward guitar of Willem Vander Ark. It’s all wonderfully lopsided, with Murck’s elastic voice expanding and shrinking like the musical equivalent of a rubber band snapped against the wrist. Her malleability is part of what makes Chew Toy such an addictive listen. Murck can be stretched thin, clenched tight, or totally snap— and it’s that volatility that propels this defiant debut. At times the guitars of Murck and Vander Ark become indistinguishable from Hay’s drumming, all merging into a fever break. From the moment Murck screams “I want to do everything” on the opening track, you can feel the frustration to the vivacious energy. The vulnerability displayed on Chew Toy isn’t so much spilling your guts as it is flipping your stomach inside out. This debut is tremendous and tender and ragged, it’s a mouth holding you gently on its tongue until you’re decidedly let loose. Chew Toy is not so easily discarded as the title suggests.

Chew Toy is out this Friday, May 31st via Heavy Meadow Records— Pre-order it here.


Keep up with Sass and Heavy Meadow Records:

Facebook + Twitter + Instagram



PREMIERE: "So Mad" by Drugs & Attics

Today we have your first listen of Drugs & Attics’ brand new single “So Mad,” from their upcoming album Clean Their Room.

Photo Courtesy of  High Dive Records

Photo Courtesy of High Dive Records

Talking about the single, the band says, “We wrote the song about getting broken out of an intergalactic prison, where we were forced to break rocks with even harder rocks until we got mad. Then we hitched a ride back to earth from Shaft who documented the ordeal along the way, and that’s how ‘So Mad’ came to life.”

The band recorded “So Mad” at Massive Sound Studio, which has one of the old mixing boards from Stax Studios in Memphis.  “We used this board to record ‘So Mad', and after the recording, the engineer shared with us that the board was used to record The Shaft theme song.  So we have that going for us,” the band adds.

Clean Their Room by Drugs & Attics is out April 19th— pre-order it here, and listen to “So Mad” below!


Keep up with Drugs & Attics on Facebook + Instagram

PREMIERE: "Crowd" by The Golden Fleece

Album Artwork by Pete Gowdy // @arcticsun_collageartist

Album Artwork by Pete Gowdy // @arcticsun_collageartist

The Golden Fleece are back with new music, and we’ve got the exclusive first listen of their new single “Crowd" below.

The track marks the debut single from the band’s upcoming album, announced today. Out April 5th, the band teased their new full length, saying, “Mind Mirror is the kind of album you listen to once, then throw on a pile of fire.”

Mind Mirror was recorded to tape at Future Apple Tree Studio and engineered by Pat Stolley, original Daytrotter engineer. You can pre-order the album here, and celebrate with the band at one of their release shows:

QC Release April 5th @ Rozz-Tox w/ Condor & Jaybird and Faintlife
Peoria Release April 6th @ Pizza Works w/ Condor & Jaybird and Faintlife

If you’re going to SXSW, you can also catch The Golden Fleece at our showcase on March 14th at Shiner’s Saloon.

Keep up with The Golden Fleece on Facebook + Instagram

Feature: Hard Times With Niiice.

Photo Courtesy of Niiice

Photo Courtesy of Niiice

Niiice. walks into our place of meeting, a 24hr vegan restaurant owned by ex-punks, grinning and scraggly. Which is not out of character for their sound: emo with a kick of power. I would be lying if I said I wasn’t hesitant of sitting down with a three piece band comprised of all white dudes, but the more we talk the more they grow on me. And obviously, I’ve already listened to their forthcoming EP Never Better, out today, March 1st on Brave Cove Records, which has given me high expectations. Never Better actually jumps off 2018 LP, Try to Stay Positive. Whereas “try to stay positive” sounds like measly advice, “never better” sounds like the sarcastic retort to “how are you?” The titles work as a musical “two steps forward, one step back”. Never Better is more concise and collaborative than previous releases, which is ironic considering that it’s hinged around instability. The catalyst being the ass-kicking summer of 2018 where singer and guitarist Roddie Gadeberg and drummer Sage Livergood shared an apartment with rats and mold. Which is probably why there’s a certain need for comfort on this EP. But as Gadeberg tells me about his love for the first two Slipknot albums, Livergood tells me he’s been listening to Lil Peep lately, and bassist Abe Anderson sits quietly, I see the full picture of Niiice. come into focus. Their lovable burnout trope is self aware, not a hint of irony on them.

Never Better opens with the more pop-influenced track, “Snowbored,” which gleefully delves into Midwestern loneliness and the season of snow that interconnects our sadness. On it, Gadeberg mutters “the weather’s fucked, life fuckin’ sucks/but what’s new with you?” Niiice. takes themselves lightly and their music seriously, leaving the emotions to fall somewhere in between, coming in waves of goofy twists on a more classic emo sound. On ‘Love Handlez’ a chipper cartoon voice chimes in “wait, let’s always be stupid. Forever!”, giving us the idea that Niiice is in on the joke: another band crammed with longing, broke, and coming up with track titles in their free time. But Niiice. is reflective, with Never Better being a product of spending a lot of time with yourself- for better or for worse. On the jangly ‘Blunt Force Marijuana’ Gadeberg bemoans “it’s like my father told me, I’ve got no direction/I hate the way I look like him when I’m staring at the mirror.” But the pitfalls of trying to be more doesn’t stop the EP from having a good time: It’s persistent with dynamic riffs. Livergood tells me “we don’t just play emo,” meaning that there’s more to Niiice. than scraping vocals and hating your hometown. The most aching part of Never Better is that the “you” that Gadeberg sings about isn’t some woman-shaped space in his life. “You” is rarely even a person. It’s nostalgia. It refers to a better state of mind, a better time and place. When things were just a bit easier. Never Better doesn’t point to past romantic relationships, but contentious family ones, typically with father figures (Gadeberg calls Emo Boy breakup songs “misogynistic” and “annoying”). Don’t conflate Niiice.’s stoner jokes with their ability to feel deeply. Niiice. is fluent in puns and memes, but isolation undercuts the melodic humor with the shiftlessness that comes from being lonely even when you’re not alone. The cover art for Never Better features a gap-toothed kid smudged with a sinking black eye, giving you a thumbs up. At one point Roddie adds that sometimes he feels like the kid on the cover. Or maybe the cover art feels like him. A kid still standing with a goofy smile after a smack. When it comes down to it, maybe Never Better can best be surmised as a trampled on thumb still pointed upwards.


Never Better is out now on Brave Cove Records. Niiice. will be touring March 8th-17th with a release show at the Garage in Burnsville, MN on March 17th.


Keep up with Niiice. on Facebook + Instagram





PREMIERE: Milk-Based Religion EP by Deep Sea Peach Tree

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Following the release of their debut album Vaguely Navy in 2017, NYC sleepy surf rockers Deep Sea Peach Tree are back with their new EP Milk-Based Religion. The 4-song release officially comes out tomorrow, but we have your first listen of the EP below.

Talking about the creative process behind these songs, lead vocalist and guitarist of the band, Kristof Denis, says, “I wanted this release to move our sound in a more vibey direction. I utilized keys more than in the past and with the help of John Colapinto's hot bass-lines, I think we achieved a new sound.” The songs were then recorded in a secret studio space provided by friends of the band, Jack Staffen and Eliza Callahan of Jack and Eliza and Purr. “This is the last release to feature original drummer Adam Wanetik and original bassist John Colapinto. They have since been replaced by new members Wiley Watson, Andrew Pesce and we've added a fourth member Andrew Dell Isola,” Denis adds.

Take a listen to the full EP now, and if you’re in New York, make sure you snag tickets to Deep Sea Peach Tree’s release show on December 2nd here.


Keep up with Deep Sea Peach Tree on Instagram + Facebook

PREMIERE: Spirit Ghost's "Skeleton Surf Rider"

Mixing elements of surf and garage rock with a hint of twang, Spirit Ghost is the moniker of Austin-based musician Alexander Whitelaw. In a few weeks, Whitelaw will release Spirt Ghost's second record on May 11th,, but for now we have your exclusive first listen! 

Photo Courtesy of Spirit Ghost

Photo Courtesy of Spirit Ghost

Along with the premiere of the album, Whitelaw gives some insight into the album's process and journey below. Hit play on the record and get the inside scoop as Whitelaw shares his reflection of Spirit Ghost's new album:

Skeleton Surf Rider is the second full length album from Spirit Ghost. The album consists of 11 reverb-driven, jangly, pop songs; that jump from crooner ballads, to surf-punk, to heartfelt lamentations over failed relationships and family woes.  The album was written over the course of ten months and recorded in a week with Joey Distasio of Petting Zoo. Fans of Spirit Ghost’s previous releases (Satan’s Hands, Kicking Gravestones, and their S/T) will have a lot to rejoice about upon hearing the new album.

Similar to Spirit Ghost’s past works, frontman Alex Whitelaw is the sole composer for Skeleton Surf Rider. It becomes clear upon first listen, however, that committing himself to this task has developed his sound and style. Whitelaw’s usual treble toned voice, is replaced by a more mature, seasoned tone. The adolescence of his choppy phrasing has been replaced with full bodied crooner melodies that carry through and finish strong. The new album was made with the intent of sounding a lot bigger than previous albums, with more lush backdrops of instrumentation and reverb. The rhythm guitar remains clean and shimmering while the lead lines cut through with a bright, reverb soaked twang. Although Skeleton Surf Rider is a departure from the naive, catchy hits of Satan’s Hand's and the garage crunch of Kicking Gravestones, it stands out for its fresh and developed sound, as a milestone in Spirit Ghost’s discography.

Follow Spirit Ghost on social media:

Instagram // Facebook // Bandcamp

 

Deeper Announces Debut Album, Plus New Music From Post Animal, The Vaccines, Frankie Cosmos and More!

Photo by Alexa Viscius

Photo by Alexa Viscius

Deeper has become a staple in the Chicago music scene over the years, and the time has come for the four-piece to finally release a full-length debut. The band released lead single "Pink Showers" on Monday and also shared the news that their self-titled record will soon be released via Fire Talk Records. Shuga Records is also offering their exclusive white colorway of the record, which you can pre-order here

While you wait for the full album, tune into "Pink Showers" via our March Spotify playlist below! We've added some other new tunes this week, like "Gelatin Mode" by Post Animal, "Sha La La" by The Technicolors, and tracks from The Vaccines, Naked Giants, and Frankie Cosmos' new albums. 

P.S- You can snag tickets to Deeper's album release show at The Empty Bottle on 5/18 here. 

Post Animal Release "Gelatin Mode" With Hilariously Weird Music Video

Today, Chicago's Post Animal finally released the studio version for their track "Gelatin Mode," which has proved to be a crowd favorite during their live shows. Along with releasing the song on all streaming platforms, the band also put out a hilariously weird video that goes hand in hand with the band's quirky personality. The video features the band members all taking on eccentric roles; Javi Reyes is a magical elf wizard dad, Jake Hirshland and Dalton Allison share a sweet fake nose boop, Matt Williams takes Dalton and his sword out with just a hat, and Wes Toledo proves that lime green really is his color. And there's more...Check out the whole surreal video below to see it all. 

Post Animal will be on tour throughout the summer following the April 20th release of their debut album When I Think Of You In A Castle, via Polyvinyl. Pre-order the album here, and see all of their tour dates here. If you're in Chicago, do not miss their show at Lincoln Hall. Grab tickets here. 

Thumbnail image by Pooneh Ghana

New Music Friday: ANCHR x March Playlist

Happy Friday, folks! There's tons of great new music out today, from new albums to new singles. We've added some new songs and some of our favorites from the new albums to a playlist for the month of March, which will be updated weekly. Tune into the first round for March below.

The playlist features a lot of these albums, but the following are all worth a full listen on their own too. Click the link to give 'em a spin!

The Evening Attraction- The End, Again

In Tall Buildings- Akinetic

Jonathan Wilson-Rare Birds

MT. Joy- Mt. Joy

Lucius-Nudes

Lucy Dacus-Historian

Soccer Mommy-Clean

Sonny Smith- Rod For Your Love

Suuns-Felt

New Music Friday 2/9/18

While it may be snowmageddon in Chicago at the moment, it's a beautiful day for new music out there! In addition to highly anticipated albums from some of our favorites, like The Wombats, Hockey Dad, Ezra Furman, and MGMT, there's tons of new singles out this week! James Bay made a long awaited comeback with news of a tour and an electrifying new song. Some other great singer-songwriters from around the world like Ten Tonnes, Isador, and Barns Courtney also put out new songs. COIN and The Aces, who will be on tour together this month, also blessed us with new tracks. Lastly, some new favorite artists like Sleep State, Jesse Saint John and Henry Green released new material. Sit back and get ready to spend your weekend surrounded by some great music by tuning into all of that and more below!

COIN-"Growing Pains"

Ten Tonnes-"Lay It On Me"

Prinze George-"Dividends"

Frankie Cosmos-"Being Alive"

James Bay-"Wild Love"

Coasts- "You Could Have Been The One"

Barns Courtney-"Sinners"

The Aces-"Volcanic Love"

Albin Lee Meldau-"The Weight Is Gone"

Sleep State-"Awkward"

Freedom Baby- "When We Go"

Swerve- "Lose Control"

Jesse Saint John - "MOVE"

Mallrat - "UFO" 

Isador- "Jungle"

Henry Green-"Shift"// "Without You"

Shakey Graves- The Sleep EP

Ezra Furman- Transangelic Exodus

The Wombats- Beautiful People Will Ruin Your Life

Franz Ferdinand-Always Ascending

Hockey Dad-Blend Inn

MGMT- Little Dark Age

Palm- Rock Island

You can also check out most of these songs on our February Faves playlist- click here!

New Music Friday 2/2

New Music Friday this week has some really exciting singles and projects...including new material from some of our favorite Chicago bands! Our buds Town Criers have their debut EP out, and L Martin (formerly of The Walters) has released a double single. Another ANCHR favorite, Middle Kids, released the lead single of their upcoming full length debut, while former Chicagoan Cut Worms also unleashed the lead single of his upcoming debut album. On the album front, we have new records from Tenderfoot, Anna Burch, and Rae Morris. Stay tuned for a track by track by Tenderfoot, coming to the site soon...but for now, get your weekend started with all that and more below!


Cut Worms-"Till Tomorrow Goes Away"

Frenship- “LOVE Somebody"

Frank Turner- "1933"

Ultimate Painting- "Not Gonna Burn Myself Anymore"

Vance Joy- "Saturday Sun"  

L. Martin- "Skipping Rocks" // "Flowers"

Girlpool- "Picturesong"

Mad Hawkes  "Fantasy"

Middle Kids- "Mistake"

Everett Bird- "Bucket of Dark Meat"

Town Criers- Self Titled EP

Rae Morris- Someone Out There

Anna Burch- Quit The Curse

Tenderfoot- Break Apart

New Music Friday 1/26

New Music Friday is here, with new tunes from all all over the place! Chicago's In Tall Buildings released the lead single from his upcoming album, Akinetic. We also have new singles from The Dig, Tenderfoot, The Aces and More! On the album front, the Aussie duo LEYYA return with their sophomore album, while Handsome Ghost has dropped their debut LP. Get your weekend started off right by tuning into all that and more below!

In Tall Buildings-"Beginning to Fade"

The Dig- "Moonlight Baby"

 

The Aces- "Fake Nice"

Lord Huron- "Ancient Names" (Part 1 and 2)

Joseph-"Trust"

Tenderfoot-"Palms"

Mien-"Black Habit"

Allman Brown -"Bury My Heart"

Khruangbin- Con Todo El Mundo

Handsome Ghost- Welcome Back

 

LEYYA - Sauna

 

 

New Music Friday 1/19

Lots of new albums out today from some of our favorites, as well as some great singles released this week! First Aid Kit followed up their 2014 album with Ruins today, and Tune-Yards also made a long awaited return with their fourth studio album. HINDS and George Ezra both announced albums and tours along with their new singles today. Rainbow Kitten Surprise put out their first single out since their 2015 album, The Wombats teased another single from their upcoming fourth album, and Lucius returned with the lead single off of their upcoming EP. Speaking of EPs, Ron Gallo also blessed us with a whole EP full of new music, coming only a few weeks after the release of his last single. Tune into all that and more now!


Rainbow Kitten Surprise- "Fever Pitch"

Hockey Dad- "I Wanna Be Everybody"

HINDS-"New For You"

Lucius- "Neighbors"

George Ezra- "Paradise"

The Wombats- "Cheetah Tongue"

Ron Gallo- Really Nice Guys EP

Bahamas- Earthtone

First Aid Kit- Ruins

tUnE-yArDs- I can feel you creep into my private life

Lake Jons- Lake Jons

Porches- The House

New Music Friday 1/12

It's been a minute since we've had a new music Friday post, with the lull during the year end, but now music releases are back in full swing! On the album front, one of our favorites from across the pond, To Kill a King, has finally followed up their 2015 self-titled album with the incredible The Spiritual Dark Age. Similarly, BØRNS has followed up his 2015 album with his sophomore release, Blue Madonna. So many of our favorites are back this week with singles, too; The Hunna, and Lake Jons releasing another single off of upcoming albums. Ezra Furman and Acid Dad also announced this week that new albums are on the way, and celebrated with new singles. POND put out a new bonus track from their 2017 album The Weather, and a new discovery of ours, Nation of Language, also put out a new track. Listen to all that and even more new songs below to get your weekend started off right!

The Hunna- "Flickin' Your Hair"

POND- "Fire in the Water"

Acid Dad- "2Ci"

Ezra Furman-"Suck the Blood from My Wound"

Jade Bird- "Lottery"

First Aid Kit- "Ruins"

Franz Ferdinand- "Feel The Love Go"

Car Seat Headrest- "Nervous Young Inhumans"

Lake Jons- "Lake Family"

Nation of Language- "On Division St"

Charlie Barnes- "All I Have"

Public Access T.V- "Lost in the Game"

To Kill A King- The Spiritual Dark Age

BØRNS- Blue Madonna

ANCHR's Picks: 37 Favorite Albums and 17 Best Songs of 2017

Our top picks for albums and songs in 2017

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New Music Friday 11/10

New Music Friday this week brings a few comebacks and collaboration between Chicagoans. The Wombats returned with brand new single, which came backed with the news of a 2018 tour and new album called Beautiful People Will Ruin Your Life, out in February. Bastille also released their new single and video for "World Gone Mad" from an upcoming Netflix movie, and TEN FÉ are also back with their first single release since their debut album, which came out earlier this year. Another ANCHR favorite, Two Feet, teased news of a new EP coming early next year, releasing his first single from the EP today. As for the Chicago collaboration, NE-HI and Jamila Woods brought their own distinct styles to their new single ""The Times I'm Not There." On the album front, Tennis and Jagara have new EPS, while Spinning Coin, Sleigh Bells and TEST put out full lengths. Get listening to all that and more below, and stay tuned for an interview with TEST coming next week!


Paul Cherry- "Like Yesterday"

TEN FE- "Single, No Return"

LPX- "Slide"

The Wombats- "Lemon To a Knife Fight"

NE-HI and Jamila Woods- "The Times I'm Not There"

Two Feet- "I Feel Like I'm Drowning"

Sigrid-"Strangers"

Bastille-"World Gone Mad"

Tennis- We Can Die Happy EP

Jagara- Twice EP

Spinning Coin- Permo

Sleigh Bells- Kid Kruschev

TEST- Brain in / Brain Out

Track by Track: "No Kidding!" by The Fluids

Brooklyn trio The Fluids and their Talking Heads-esque debut single "Creatures" turned lots of heads (pun intended) after the tune's release in September. Since then, the band drip fed their fans songs from their debut album No Kidding!, which was just released October 27th via Axis Mundi Records. The post punk sound that the band has honed in on so perfectly has also gotten comparisons to the likes of Bowie and Echo & The Bunnymen. One listen to the album and you'll pick up on those nostalgic nods in lead singer Mike Tony's vocals and their punchy guitar melodies. In celebration of the album being released last month, Mike and lead guitarist Cooper Formant put together a track by track of the record. Check it out below!

Photo by Jordan Kuyper  The Fluids is Cooper Formant, Mike Tony, and Nick DeMolina

Photo by Jordan Kuyper

The Fluids is Cooper Formant, Mike Tony, and Nick DeMolina


"Lines"

Mike: Maybe our most dynamic song,  and one of my faves to play live. 

Cooper: This is one of the ones where Mike sounds like a kid performing a rock opera for his sister and her friends in the basement as a teen...in a good way. This riff is pretty bluesy.

"Sign N Drive"

Mike: Catchy little song that really came together once Cooper introduced his guitar line. 

Cooper: This is the Miller Lite of the songs on No Kidding! The first few seconds are like cracking a cold light beer. It's hard for me not to picture Mike's aunt dancing in the front row at our shows when I hear this one. 

"New Land Sale"

A statement of intent. An anthem to kneel to.

"Midnight"

I needed a slow song for our live sets and I wanted a chance to shred a solo over some airy synths.

"Creatures"

A party song. But not a party I particularly want to go to.

"Heavy Door"

A big Bruce-esque power jam that culminates with an apropro sax solo

"Favorite Gun"

Mike: A last minute addition to the album - a reckless, unhinged sprint. 

Cooper: I imagine we are riding through the desert night in a convertible with Mike's dad and Adrian Grenier on our way to Vegas. 

"Turnt"

A straight up blitz. Cooper’s guitar gives me goosebumps.

"Just Like Me"

A cathartic track, in terms of content and placement on the album.

"On Ice"

It’s like eating a McFlurry after a Big Mac meal. 

Listen to No Kidding! in full below, and keep up with The Fluids on social media: Facebook // Twitter // Instagram 

New Music Friday 11/3

New Music Friday this week has new tracks from some of the best! In the pop realm, VERITE and Allie X teamed up for pulsating dance track, while best friend duo Overcoats released brand new single "I Don't Believe In Us." Other new singles include Pinegrove's first single since their 2016 album, and Twin Peaks November dose of the Sweet '17 Singles. On the albums front, LA rockers Holy Wars and UK singer Banners have EPs out, while Shamir has put out sophomore release Revelations. Our pals Sedegwick also put out their debut album (which you can read more about here). Tune in to all that and more below!

Motion Cntrl- "In The Dream"

Verite and Allie X- "Casanova"

Overcoats- "I Don't Believe In Us"

Pinegrove- "Intrepid"

Ron Gallo and Naked Giants- "Sorry Not Everybody is You" and "The Age Of Information"

NE-HI- "Long Time"

Twins Peaks- "With You" and "Just Because"

Hookworms- "Negative Space"

JONES- "Something About Our Love"

BANNERS- Empires on Fire EP

Holy Wars- Mother Father EP

Sedgewick- Collapse

Shamir- Revelations

AUTOBAHN-The Moral Crossing