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Acts To Get There Early For: Pitchfork Festival 2022

July 01, 2022 / Rachel Zyzda

Pitchfork Festival returns to its usual slot at Union Park this July, after taking place in September last year. The annual music fest will feature some of our favorite acts as headliners, like The National, Mitski, and The Roots—among other performers like Japanese Breakfast, Toro y Moi, Parquet Courts and Lucy Dacus. As always though, the P4k line up is packed with tons of hidden gems that will put on incredible sets. Tune in below to hear some of the acts of the festival that ANCHR will be showing up early to Union Park to catch.

Friday

Ethel Cain

Singer songwriter Ethel Cain writes about some harrowing and dark themes, but she has mastered the craft of depicting sadness in her music through such a refined and beautiful lens. Cain delivers these stories with reverberated, ethereal vocals and captivating melodies that make it hard not to become instantly enchanted by the songs “A House in Nebraska,” “Hard Times,” and “Crush”—just to name a few.

Cain grew up in a Southern Baptist family in Florida and sang in the choir, but ultimately left the churn as a teen when she came out to her family as gay. On her twentieth birthday, Cain came out publicly as a transgender woman. Cain nods to her religious upbringing with the title of her debut record Preacher’s Daughter, which was just released in May of 2022. The debut album follows up the EPs Golden Age and Inbred, which Cain released in 2019 and 2021 respectively.

If you’re looking for a festival set that will get you feeling all your feelings, while also sounding absolutely stunning, do not miss Ethel Cain at Pitchfork on Friday.

Start With: “American Teenager,” “Gibson Girl” and “Crush”

For Fans Of: Hatchie, MUNA, Zola Jesus

Where to catch her: 1:45-2:25 pm, Red Stage

SPIRIT OF THE BEEHIVE

Here at ANCHR, we love a good experimental rock band, so naturally, we’re fans of SPIRIT OF THE BEEHIVE. The Philadelphia-based band has had a history of rotating members, but currently the group is composed of Zack Schwartz, Rivka Ravede, and Corey Wichlin— who all wear multiple hats for the band, contributing everything from vocals, keys, guitar, bass and drums. The shuffling around of band duties likely contributes to the diverse and expansive genre-sphere that the group has created.

The band’s name comes from a 1973 Spanish film with the same title, which is fitting because their sound has a cinematic quality to it. The band describes their song “THERE'S NOTHING YOU CAN'T DO” from their 4th album ENTERTAINMENT, DEATH as being one showcases the growth they’ve undergone from their inception to current day. "This song draws on some of the sonic aesthetic of SPIRIT OF THE BEEHIVE's old records and aligns those sounds with the electronic instrumentation we've been exploring," Wichlin says.

SPIRIT OF THE BEEHIVE will certainly keep us on our toes during their performance, which makes them a perfect way to kick off the festival on Friday afternoon.

Start With: “There’s Nothing You Can’t Do,” “fell asleep with a vision"" and “Natural Devotion”

For Fans Of: Squid, Dry Cleaning, black midi

Where to catch them: 2:30-3:15 pm, Green Stage

Saturday

Jeff Parker & the New Breed

At ANCHR, we also love a versatile artist, and with Jeff Parker, there’s not much he hasn’t dabbled in. Parker was born in Bridgeport, CT and has been making music since 1991, pushing boundaries with his guitar playing and composing via an array of collaborations. Parker is a member of the band Tortoise, and has also worked with the likes of Andrew Bird, Yo La Tengo, and George Lewis—just to name a few.

There’s a effortlessly breezy tone to Parker’s style, which incorporates everything from jazz to folk to rock to pop. The bio on Parker’s website says his works “explore and exploit the contrary relationships between tradition and technology, improvisation and composition, and the familiar and the abstract” and that truly comes across as you listen through his catalog of music.

Parker also has local ties to Chicago as a founding member of the groups Isotope 217˚ and Chicago Underground. If you’re looking for a festival set that will be equal parts fascinating and soothing, make sure you catch Jeff Parker & the New Breed. We think it will be the perfect way to kick off the second day of the festival.

Start With: “Suffolk,” “Cliche” and “Soul Love”

For Fans Of: Anderson .Paak, Tortoise, Ben LaMar Gay

Where to catch them 1:00-1:40pm, Green Stage

Chubby and the Gang

While Charlie, aka "Chubby,” Manning-Walker of Chubby and the Gang has been involved with different bands in the British scene since 2004, he only formed this variation of an ensemble in 2019. The West London-based group consists of Ethan Stahl, Tom "Razor" Hardwick, Maegan Brooks Mills and Joe McMahon alongside Manning-Walker. The lineup is composed of different members of hardcore punk bands Arms Race, Vile Spirit and Gutter Knife.

Similarly to the bands they came from, Chubby and the Gang’s songs have a classic punk feel to them, full of bright drumbeats and cheeky lyrics—but they also mix in other genres and influences. In the short few years since the group formed, Chubby and the Gang has already released two full-length albums, including their sophomore release The Mutt’s Nuts, which was produced by Jonah Falco of Fucked Up and put out via Partisan Records. Most recently, Chubby and the Gang added an EP to their discography, entitled Labour of Love, and aptly released on Valentine’s Day this year.

I have yet to see the band perform, but I just know they’re going to be great at getting the crowd amped up and ready to take on the second day of Pitchfork Festival.

Start With: “Coming Up Tough,” I Hate The Radio” and “All Along The Uxbridge Road”

For Fans Of: Turnstile, PUP, Fontaines D.C.

Where to catch them: 2:30-3:15pm:, Green Stage

Sunday

L’Rain

ANCHR’s Sunday picks are all about the vibes and escapism. L’Rain is a Brooklyn-based singer and musician who composes experimental and mesmerizing songs— imagine losing yourself in a soundbath in the rain, and that’s kind of what L’Rain’s “Heavy (But Not In Wait)” feels like to me.

L’Rain is the moniker for Taja Cheek, who grew up around family with a music business background— her dad worked in music marketing and promotion and her grandfather owned a jazz club. Cheek’s moniker is also a tribute to her mother, Lorraine C. Porter, who unfortunately passed away before Cheek released her debut album.

L’Rain’s music has such a glossy fluidity to it, and that’s probably in part due to the ballet and dance that Cheek studied while growing up. In addition to dance, Cheek learned to play a multitude of different instruments— including bass, piano and cello. As if that’s not all, Cheek even studied music and American Studies while attending Yale, no big deal.

To date, L’Rain has put out two albums; 2017’s self-titled debut and 2021’s Fatigue. Be sure to attend her set on Sunday and drift away to a mix of L’Rain’s unique musical stylings.

Start With: “Find It,” “Two Face” and “Heavy (But Not In Wait)”

For Fans Of: Circuit des Yeux, Cassandra Jenkins, Animal Collective

Where to catch them 1:45-2:25pm, Red Stage

KAINA

Like I said, the Sunday acts are all about the escapism vibes, and Chicago’s own KAINA has the silky smooth vocals and dreamy tunes to help you drift into your personal oasis at Pitchfork.

KAINA is a first-generation Latina and was born and raised in Chicago, and she does an incredible job of composing her songs so that they fuse together Latin-inspired sounds with Chicago soul and blues. You can hear her influences shine through, yet her sound is something completely unique.

In addition to the Chicago influences that we’ll hear in KAINA’s set, there’s a strong chance we’ll see some other hometown artists joining her onstage at the fest— she’s collaborated with Sen Morimoto, Saba, and Nnamdi just to name a few. I’m also looking forward to hearing songs from KAINA’s sophomore album It Was a Home, which was released this year as a follow up to 2019’s debut Next to The Sun.

There’s a lot going wrong in the world right now, but I have no doubt we can all temporarily sway away our problems while watching KAINA.

Start With: “Golden Mirror,” “Could Be a Curse” and “Apple”

For Fans Of: Jamila Woods, Cuco, Wet
Where to catch her: 2:30-3:15pm, Green Stage

See the full Pitchfork Festival schedule here, and get ready by listening to the playlist below.

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categories / Festival, Gigs, Music
tags / Ethel Cain, L'Rain, Jeff Parker, Chubby and the Gang, Spirit of the Beehive, KAINA, Pitchfork Music Festival, Pitchfork, P4K, Music Festival, Preview, Chicago

Live Recap: Just Like Heaven Music Festival

May 27, 2022 / Sarah Wilson

Last weekend, ANCHR hit the Just Like Heaven music fest in Los Angeles. Tune in below to hear all about our experience there!

First of all, on the bill was a great and diverse mix of music, from DJ Them Jeans playing the crowd in until Interpol ended the night, the music never took a break! Back to back to back, stage to stage, the music remained uninterrupted over the course of the day.

The fest itself was laid out over Brookside at the Hollywood Bowl; the terrain is smooth and mostly level, with lots grass and easy to get around. Parking was ample and for VIPs it was provided. The main stage, The Orion, had its own dedicated VIP and Clubhouse viewing sections but the stage was high enough if you wanted to be in the GA melee the view was still good, even if it was crowded. The secondary stage, Stardust, was lower but still located with a great sightline no matter where you were, VIP, Clubhouse or GA. The stages were far enough apart that the lights could be seen but the music from the other was just a soft din between sets.

In addition, both stages boasted some of the best video screens and sound I’ve experienced at a festival; like ever. Not a moment or word spoken on either stage was lost to the din of the crowd and the video screens were crisp, clear and tracked the stage action perfectly.

So pretty much no matter where you were, you could see and hear at least one of the stages. And if you weren’t listening you could have been eating—anything. From vegan fare to burgers, everything you could think of were represented in the food tents that flanked most of one side of the set-up. Tables, with sunshades and without, were ample or you could just pick a spot in the grass in the shade. Separate drinks tents were there for the boozy or the bland and the number of locations made it so the lines were never ridiculously long.

Merch tents with festival branded and band branded merch moved like clockwork with at least a couple dozen attendants working the tables. My friend tried to pick up several different T-shirts but sadly they had sold out pretty quick.

Overall, JLH is held in a well laid out, well apportioned space built for the vast crowds to make it feel like it wasn’t vastly crowded.

The Music

The biggest downside to the fest overall was that the stages were run on a tight, efficient schedule that made catching all the acts you wanted to a little tough if they were on opposing stages. For once a delay to start would have been appreciated. If you were at Orion, you would have to cut short one to make it to the next at Stardust in time. Sometimes lag time between acts is actually a good thing, but there was none at JLH. Down to the rotating stage for Orion that meant sometimes as few as five minutes between sets!

Gates opened and as the crowds made their way in there was music from DJs Them Jeans on Orion and Cosmic Kids on Stardust. As the lawns filled up, the first bands of the day took to Orion, where I spent the bulk of my time.

First up were The Cribs, with a short and sweet setlist that included a nod to the 15 year anniversary of “Men’s Needs.” They were a fun and energetic start to the day on the big stage.

Followed up by The Raveonettes, who’s set was a bit more subdued but sounded fantastic. Unfortunately because of the time sets and distances staying at Orion meant missing Geographer and Islands who were loaded up on the Stardust stage— too far away and the band times too close together to make it.

But back at Orion something was brewing and that was The Teaches of Peaches played in full by Peaches in honor of its 22 anniversary. And Peaches outdid even herself on this one! The dancers, the old lady stage persona she was dressed as, and the term is being used loosely, were fabulous. She made multiple costume changes include her black “Thank God for Abortion” one-piece. The crowd loved her and for good reason!

After her set I ducked over to the Stardust stage to catch !!!. Fun, high energy and a great time was had, then it was time to run back to Orion because The Hives were coming up next and well…The Hives tore the place down. So much loud, fun with Howlin' Pelle keeping photogs and security on their toes as he jumped off the stage and made for the barricade or turned and ran down the aisle to the center of GA without missing a beat or a lyric. The crowd was having fun, but so were The Hives.

And just when you think you can’t top something, Franz Ferdinand proved that they, in fact, were up to following someone as impressive as The Hives. They were amazing, including the refreshed line up with new drummer Audrey Tait stepping smoothly into the big shoes behind the kit. Honestly, having seen Franz play multiple times, this show was right on point. They looked, sounded, and felt so alive and fun— the entire crowd was dancing along.

Bloc Party was next on the Orion and probably suffered slightly coming after two of the (IMO) best bands of the day. They sounded good but frankly almost everything after the spin-along energy of Franz and the Hives feels slower, less frantic. I made my way back over to the Stardust to catch Chromeo, who was fun and dancey with a crowd chanting for them as they took the stage.

After Chromeo, it was time to grab some food and take a few minutes out of the sun before heading back to the big stage to catch the end of The Shins who sounded great and the crowd really seemed to love.

Then Modest Mouse took the stage to play a great set including their newest as well as, of course, the crowd favorite “Float On.” Even though the sets from both The Shins and Modest Mouse were not terribly dynamic after some of the acts, the music was solid and entertaining. I was questioning my logic of skipping M.I.A. for Modest Mouse in the end though.

Finally, headliners Interpol took to the stage bathed in a dark array of moody lighting in front of a crowd that had been waiting faithfully for the band. Their sound was great even though they seemed a somewhat dark end to an otherwise bright and amazing day. 14 songs and two encores later, they brought JLH to its inevitable close.

Overall, Just Like Heaven was a well planned and well coordinated festival with ample amenities and a great mix of music.

If you missed the festival, check out the photo gallery below featuring Chromeo, Franz Ferdinand, Peaches, The Hives and more!

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categories / Music, Photos, Reviews, Festival
tags / Just Like Heaven, Music Festival, LA, Modest Mouse, Franz Ferdinand, Chromeo, Peaches, The Shins, The Hives, Interpol, Live Recap, Live Review, Photo Set, Concert Photography, Live Show

Pitchfork Festival 2021: Sunday Recap and Photos

September 17, 2021 / Rachel Zyzda

Pitchfork Festival 2021 came to a close on Sunday September, 12th with more wonderful music. Read up on Day 1 and Day 2 highlights, and see what we loved on the final day below.

Tomberlin

Singer-songwriter Tomberlin filled in for the opening slot on the Green stage somewhat last minute, when Cassandra Jenkins had to cancel her current tour. Armed with solely a guitar and her voice, Tomberlin was able to captivate the building, early afternoon crowd. The stripped down performance gave everyone a chance to fully soak in and appreciate the thoughtful lyrics.

Between her indie folk songs, Tomberlin delivered funny quips and banter to the audience. As she played, the sky remained clear with a breeze passing through Union Park, and it felt like the perfect way to ease into the final day of the festival.

Special Interest

Special Interest followed Tomberlin on the Red Stage next, completely shaking up the mood and cranking up the volume. Combining moody electronic beats, punk riffs and an intense stage persona, the band from New Orleans put on a show that falls within my top three of the entire weekend.

Fronted by vocalist Alli Logout, Special Interest’s show never lacked in exuberance or action. Logout swung the microphone stand around, made outlandish facial expressions and paced across the entire stage, making the full audience feel connected to the performance. The stark contrast between Special Interest and Tomberlin highlighted the incredible range of artists we’re lucky enough to see at Pitchfork every year. If you get a chance to catch a Special Interest show, don’t miss it.

Caroline Polachek

Caroline Polachek took over the Green Stage later in the afternoon, providing a mesmerizing set filled with eloquent dance moves and a charming presence.

As Polachek sauntered and swayed across the stage, she also showcased a phenomenal vocal range alongside her stage presence. Earlier in the afternoon, Polachek gave an interview to Pitchfork stating that she pulled influence from Celine Dion in her new material, and that inspiration definitely translated to a lot of her vocal inflection during her Pitchfork set.

Polachek’s show delivered it all: production value, a fun and confident attitude, and electric energy from the crowd. The audience seemed especially into the performance of “Bunny is a Rider,” which Polachek released earlier this Summer, and we also got a sneak peek of an unreleased track during her show. Stay tuned for more new music from Caroline Polachek soon.

The Weather Station

The Weather Station performed to an absolutely packed Blue Stage on Sunday afternoon, and if there was an award for best style coordination among band members, they’d differently win it. Led by singer-songwriter Tamara Lindeman, The Weather Station took the stage all donning coordinated outfits in golden earth tones.

Besides being visual stunning, Lindeman also enchanted the audience with her serene vocals. The set opened with the single “I Tried to Wear the World,” a collaboration with Jennifer Castle, before pivoting to many songs from the 2021 album Ignorance, including “Parking Lot” and “Tried to Tell You.” The full band lineup onstage (including a clarinet player) gave a richness and layered texture to the live sound of these songs.

Thundercat

Thundercat gave us another genre-defying set over at the Red Stage later on Sunday evening. The brainchild of musician and songwriter Stephen Lee Bruner, Thundercat has become known for his fun-spirited mix of funk, jazz, r&b and electronic musical stylings.

Thundercat’s performance had a sprightly energy to it, which was reciprocated by the crowd dancing along. We got to experience lots of extended jams and jazzy bass riffs to kick off the set, especially with songs like “Interstellar Love” and “I Love Louis Cole.” The set wrapped up with the hit “Funny Thing” which even had audience members all the way at the back grinning from ear to ear and grooving along. Thundercat’s set was the perfect transition into. the evening of the final day at Pitchfork.

Check out more photos from the last day of Pitchfork below, including Tomberlin, Special Interest, The Weather Station, Caroline Polachek, Oso Oso, Thundercat, Andy Shauf, and Erykah Badu below.

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categories / Festival, Gigs, Photos, Reviews
tags / Tomberlin, Special Interest, The Weather Station, Caroline Polachek, Oso Oso, Thundercat, Andy Shauf, Erykah Badu, Pitchfork Music Festival, Pitchfork, Concert Photography, Concerts, Music Festival, Chicago Festivals

Pitchfork Festival 2021: Saturday Recap and Photos

September 14, 2021 / Rachel Zyzda

Saturday afternoon at Pitchfork Festival 2021 began with more incredible performances and beautiful weather. Read up on our highlights from the festival’s second day below, and revisit our favorite moments from the first day here.

Bartees Strange

Bartees Strange is an artist I (very) regretfully had been sleeping on until catching his powerful performance at Pitchfork Festival this year. After playing in other projects, Bartees Strange began as a new solo endeavor for musician Bartees Leon Cox Jr. in 2017. Strange’s music refuses to be pigeonholed into one genre, and instead pulls in slices of rock, jazz, and hip hop. In 2020, he released a diverse debut album called Live Forever, as well as an EP of covers of songs by The National. The festival set included his take on the popular The National song “Lemonworld.”

Bartees Strange played his set with such a sense of conviction, pouring his entire heart and soul into his vocal performance and overall stage presence. I had the chance to see him play a festival after-show on Monday night to a packed crowd at the Empty Bottle, and it felt like we were all witnessing his dreams come true in front our eyes. Strange put on such a polished, yet raw and humble show that it was impossible not to become an instant fan.

Divino Niño

If you read our recommendations on must-see acts at the festival, you’ll know that Divino Niño was already at the top of the list for this weekend. Even though I had high expectations and I’ve seen them many times before, Divino Niño’s Pitchfork set exceeded those expectations by a landslide.

Thanks to the strong chemistry between band members Camilo Medina, Javier Forero, Guillermo Rodriguez-Torres, Pierce Codina, and Justin Vitorri, the group had an unwavering air of confidence and ease surrounding their festival performance on Saturday afternoon. Divino Niño is a project founded on happenstance, as Medina and Forero met as children in Columbia and reconnected in Miami as teenagers, before ultimately beginning to make music together in Chicago during college. From the poise and commanding stage presence that Medina, Forero and their bandmates demonstrated during this show, it truly felt like everything was as it should be during those moments.

With so much turmoil happening in the outside world, Divino Niño’s set provided a much needed escape and a chance to dance away our worries to the sound of their dreamy, psychedelic pop tunes.

Waxahatchee

The soothing escapism continued later on Saturday evening with a stunning set from Waxahatchee, the project of singer-songwriter Katie Crutchfield.

Crutchfield and her bandmates took their places on a stage decked out in roses, in front of a dreamy, cloud-filled backdrop that donned the name of Waxahatchee’s newest album, Saint Cloud.

Waxahatchee is one of those tried and true artists who consistently delivers incredible performances, and their Pitchfork set was no different. Like many artists at the fest, Waxahatchee was performing new songs from their 2020 album to this audience for the first time, so the set relied heavily on Saint Cloud songs, like “Fire” and “Lilacs.” Crutchfield and her band also sprinkled in some older gems from 2017’s Out in the Storm, like the crowd favorite “Recite Remorse.” The show wrapped up with a cover of “Light of a Clear Blue Morning” by the great Dolly Parton.

Ty Segall & Freedom Band

Before Ty Segall and his bandmates began officially playing, they had to wrap up some last minute soundchecks. Even with the minimal and quick riffs they ran through during this final soundcheck, the anticipation and eagerness already palpitated throughout the crowd.

When Segall and the band began shredding through their psychedelic, garage rock songs for the full show, the energy from the crowd became even more electrifying and added to the overall experience. Segall’s extensive catalog of records are great to listen to at home or in the car, but nothing compares to the magnitude of the live show. Throughout the set, we got to hear some newer tunes from the 2021 album Harmonizer amongst other classics like “Squealer” and “Finger” from earlier albums.

Angel Olsen

One of the best aspects of concerts and festivals is the sense of community behind them. While most of those community vibes happen among festival attendees, there’s also the collaborative element between the artists that you can only fully experience in a live setting.

Angel Olsen’s set that took place just after sunset had one of those moments, when Sharon Van Etten made a surprise appearance to join Olsen in performing their 2021 duet “Like I Used To” and close out the set. Prior to the special closing moment, Olsen kept the large crowd hooked with her ethereal vocals and witty stage banter. Before playing her hit “Shut Up Kiss Me,” Olsen joked with the audience that she was going to be trying out a brand new song she and the band had never played before-- which only piled on the excitement from the crowd when they recognized the opening lyrics of the tune.

St Vincent

Saturday night at Pitchfork closed out with a full-blown theatrical production from St. Vincent. The headlining set began with backup dancers and singers gracing the stage in 1970’s disco style garb, with Annie Clark (AKA St. Vincent) making her grand entrance shortly afterwards.

The entire stage setup and groovy costumes of Clark and her band truly felt like a trip back in time, continuing the theme of escapism during the festival’s second day. St. Vincent’s beautiful and charismatic performance of course included songs from the 2021 album Daddy’s Home, but the earlier half of the set called back to a lot of earlier material like “Birth in Reverse” and “New York.”

View more photos of the festival’s second day, including Horsegirl, Bartees Strange, Divino Niño, Amaarae, Waxahatchee, Ty Segall, Kim Gordon, Angel Olsen, Jamila Woods, and St. Vincent below, and stay tuned for Day 3 coverage.

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categories / Reviews, Photos, Gigs, Festival
tags / Pitchfork Music Festival, Pitchfork, Photo Gallery, Photo Set, Concert Photography, Music Festival, Chicago Festivals, St Vincent, Angel Olsen, Jamila Woods, Divino Nino, Amaarae, Waxahatchee, Ty Segall, Kim Gordon

Pitchfork Festival 2021: Friday Recap and Photos

September 11, 2021 / Rachel Zyzda

Pitchfork Festival has come to be one of those weekends that I look forward to all year. It’s a place I can reunite with friends from all over the city, and see live music from artists I’ve come to know and love over the years, as well as discover new favorite artists. Needless to say, the anticipation for Pitchfork Festival 2021 was at an all-time high after the pandemic-caused gap year and the push to September this year, but the wait was well worth it. Music-goers at Union Park over the weekend were graced with a weekend of clear skies and warm (but manageable) temperatures while they soaked in the sounds of more than forty different acts. Read up on the highlights of Friday below, and keep an eye out for further festival coverage coming soon.

Dehd

ANCHR started off our Pitchfork Fest experience this year by catching a homecoming show from trio Dehd, which also acted as the band’s first official performance since their 2020 album Flower of Devotion was released. Throughout the evening, I heard many festival attendees state that Dehd was their favorite set of the day, and for good reason.

Veering away from a traditional band lineup, Dehd delivers an unwavering and boisterous blend of surf rock with post-punk with just three members; Eric McGrady keeps a steady beat on a standing drum set as guitarist Jason Balla and bassist Emily Kempf share a dual vocal duty. The band’s song “Lucky”—which they opened their Pitchfork set with— really showcases the dynamic of Balla and Kempf’s vocal partnership as they belt out the sing-along worthy “sha la la la las” of the song’s chorus together. Dehd’s records have such a fun and freeing attribute to them, but seeing them performed live only amplifies that mood. The set on Friday also included a new tune, so be sure to keep an ear out from new material from Dehd.

Black Midi

If you want a truly unique live music experience, you can always count on the experimental vibes of England’s Black Midi to shake things up. Fronted by vocalist Geordie Greep, the band mixes everything from frantic bass lines, thrashing guitar riffs, avant-garde keyboard melodies and saxophone to create a sound that’s entirely their own.

The band added to their musical performance by carrying out a bright green sofa to the stage, which remained in place throughout their set. Potted plants and rolling wardrobe rack accompanied the couch onstage, lending a theatrical element to their show. The extra effort that Black Midi went through to make their set an experience didn’t go unnoticed or unappreciated by the audience, who returned the energy with a raucous mosh pit.

Kelly Lee Owens

At every music festival, there’s got to be at least one artist you’re discovering for the first time, and Kelly Lee Owens was that act for me on Friday. With a silky swirl of atmospheric, hypnotic electronic melodies and ethereal vocals, Owens’ music provided an entrancing oasis after the chaos of Black Midi’s performance.

Hailing from Wales, and currently based in London, Owens used to write poetry as a child, which now translates into a fluid, poetic nature in her stage presence. While performing tracks from her two full-length records, including 2020’s Inner Song, Owens commanded the entire crowd solely on her own and minimal equipment, accompanying her sound with striking dance moves.

Animal Collective

Animal Collective continued with the quirky and experimental vibes, bringing the Pitchfork Festival goers another opportunity to mirror the high amount of energy bouncing off the stage.

Animal Collective has played Pitchfork Festival in the past, but their expansive catalog of music dating back to the early aughts allows them to curate a unique setlist for their listeners. The creative energy of Avery Tare keeps Animal Collective fans on their toes, especially in a live setting. While the group finished up their late evening set on Friday, Tare threw down some wild and jarring howls at the end of their song “The Purple Bottle,” leaving the stage on a literal high note.

Phoebe Bridgers

The crowd’s energy peaked on Friday night when singer-songwriter Phoebe Bridgers and her bandmates appeared on the Green stage, all donning the headliner’s signature Skeleton onesies.

Bridgers has attracted the attention of many music fans with her vulnerable and witty storytelling abilities that are present across her discography. Phoebe’s become an expert at mixing in humor and honesty with some of her most personal moments, making her lyrics both oddly specific and relatable. Take the lyrics in her hit “Motion Sickness” from her debut album— most fans can relate to the annoyance sparked by an ex-partner that Bridgers describes in the song, but the line “And why do you sing with an English accent?" signifies a very specific call-out of a certain someone(if you know, you know). Bridgers opened the set at Pitchfork with this song, and the crowd singing along almost drowned out her own vocals (pun intended).

From that catapulting start, the remainder of the set leaned heavily towards songs from the 2020 album Punisher, allowing fans to hear most of the songs live for the first time since the record’s release. Bridgers also sprinkled in a performance of the boygenius tune “Me & My Dog” and a cover of Bo Burnham’s “That Funny Feeling” from the acclaimed Inside comedy special. From the laughter to all of the feels, Phoebe Bridgers’ set started the festival off on a great note.

See more photos of the first day below, including Dehd, Hop Along, Black Midi, The Fiery Furnaces, Animal Collective, Kelly Lee Owens, Big Thief, Yaeji, and Phoebe Bridgers.

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categories / Gigs, Festival, Music, Photos, Reviews
tags / Pitchfork Music Festival, Pitchfork, Chicago Festivals, Live Music, Live Recap, Photos, Dehd, Hop Along, Black Midi, The Fiery Furnaces, Animal Collective, Kelly Lee Owens, Big Thief, Yaeji, Phoebe Bridgers

PHOTOS: JD McPherson and Drive-By Truckers at Out of Space

September 08, 2021 / Rachel Zyzda

This past weekend, Out of Space returned to Temperance Beer Co for four nights of music and good times. Check out photos from Friday night’s show with JD McPherson and Drive-By Truckers below, and see what other shows are coming up at SPACE here.

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categories / Photos, Gigs, Festival
tags / Out of Space, Space, JD McPherson, Drive By Truckers, Live Music, Concert Photography, Photo recap, Photo Gallery

7 Pitchfork Fest 2021 Acts To Get There Early For

September 03, 2021 / Rachel Zyzda

After a Summer of no music festivals in 2020, we’re thrilled that we’re getting to experience Pitchfork Festival in 2021. While the fest usually takes place in July, we might actually get a break from the usual sweltering humidity with its move to September this year. Pitchfork is giving us some incredible headliners for 2021—including Phoebe Bridgers, St. Vincent and Erykah Badu— but make sure you don’t snooze on the rest of the line up. To help you out, we’ve compiled our recommendations of must-see acts who are worth getting to Union Park early for next weekend. Grab your tickets here if you haven’t yet, and keep reading on for ANCHR’s top picks below.

Dehd

We’ve got to start this list off with some hometown heroes; Dehd. Composed of Jason Balla on guitar and vocals, Emily Kempf on bass and vocals, and Eric McGrady on drums, the Chicago trio crafts tunes that are a boisterous blend of post-punk and surf rock. By utilizing both Kempf and Balla’s vocals, Dehd lends a playful and dynamic nature to their music. That dynamic spans across three albums, including 2020’s Flower of Devotion. Dehd’s extensive catalog of songs are sure to have you grooving along to their Pitchfork set.

If you don’t want to take our word on it, The FADER, Pitchfork, Paste, NPR Music, UPROXX, and Vice were all among publications to showcase Flower of Devotion on their best of 2020 lists. Dehd recently announced the 2020 album will be getting a reboot in September, when they’ll be releasing an album full of remixes to the original songs, including Pitchfork Fest alum Lala Lala’s remix of “Desire.”

For Fans Of: Mac DeMarco, Omni, Priests

Start With: “Flood” and “Loner”

Where to catch them: Friday 9/10, at the Green Stage from 2:30 PM – 3:15 PM.

Pitchfork Aftershow on Saturday, 9/11, at The Empty Bottle

Divino Niño

The list continues on with another Chicago classic. Divino Niño is a five piece rock band based in Chicago composed of Camilo Medina, Javier Forero, Guillermo Rodriguez-Torres, Pierce Codina, and Justin Vitorri. Forero and Medina formed the band in Chicago when they moved here for college, after initially having met in Bogota, Columbia as children and reconnecting later in life in Miami.

Blending together dreamy psych and funk vibes with bilingual lyrics, there are fewer bands better suited for an outdoor music festival than Divino Niño. Their 2019 album Foam flows from bop to bop, so be sure to bring your dancing shoes to their set.

For Fans Of: Post Animal, The Marías, Mild High Club

Start With: “Foam” and “Coca Cola”

Where to catch them: Saturday, 9/11 at the Green Stage from 2:30 PM – 3:15 PM

Pitchfork Aftershow on Friday, 9/10, at The Empty Bottle

Dogleg

If you’re looking to start your Pitchfork weekend off on the right foot, look no further than Detroit, Michigan’s Dogleg. Originating as a solo bedroom project from guitarist and songwriter Alex Stoitsiadis as a way to concretize his mantra of “Play fast,” Dogleg has since expanded to include Chase Macinski on bass, Parker Grissom on guitar, and Jacob Hanlon on drums. Since the initial inception and release of the debut self-titled EP in 2016, Dogleg released a handful of follow up singles leading up to their critically acclaimed 2020 debut album Melee.

The band’s intense punk riffs blend with a touch of nostalgia-drenched emo to create a fast-paced ferocity that will get the Pitchfork crowd amped and ready for the rest of the weekend.

For Fans Of: PUP, The Frights, Jeff Rosenstock

Start With: “Kawasaki Backflip” and “Fox”

Where to catch them: Friday 9/10, at the Red Stage from 1:45 PM – 2:25 PM

Pitchfork Aftershow on Saturday, 9/11 at Subterranean

Horsegirl

Another Chicago act you can’t miss if you want to support local? Horesegirl. Composed of Penelope Lowenstein (she/her), Nora Cheng (she/her), and Gigi Reece (they/them), Horsegirl formed about two years ago after the group had performed together as a Sonic Youth cover band. Lowenstein and Cheng had originally met when their similar taste in music bonded them as attendees of a local music program. Lowenstein and Cheng often create a dual vocal effect, joined by Reece’s backbone of drum beats, to create music that makes a statement.

While they only have three singles released so far, I’m excited to see them live for the first time at Pitchfork and discover what else their set has in store.

For Fans Of: Porridge Radio, Lala Lala, Snail Mail

Start With: “Ballroom Dance Scene” and “Sea Life Sandwich Boy”

Where to catch them: Saturday, 9/11 at the Green Stage from 1:00 PM – 1:40 PM

Oso Oso

The brainchild of musician and songwriter Jade Lilitri, Oso Oso began in 2014 as a side project from Lilitri’s former band State Lines. Following the initial release, Lilitri has now released three albums under the Oso Oso project, the most recent being 2019’s basking in the glow.

Most of Oso Oso’s catalog is full of lyrics that can rouse reflective pondering from listeners, while simultaneously delivering upbeat melodies you can get lost in. In similar fashion, the third album showcases Lilitri’s introspective musings fused with a pop punk soundtrack. If you’re looking for a set at Pitchfork where you can belt along to some heartfelt lyrics while dancing around, make sure you’re there to hear Oso Oso play “basking in the glow.”

For Fans Of: The Front Bottoms, The Hotelier, Remo Drive

Start With: “gb/ol h/nf” and “Track 1, Side A”

Where to catch them: Sunday, 9/12 at the Blue Stage from 2:45 PM – 3:30 PM

Pitchfork Aftershow on Saturday, 9/11 at Subterranean

Tomberlin

While Cassandra Jenkins unfortunately had to cancel her upcoming tour (including her slot at Pitchfork Fest), we now have Tomberlin filling in for her. I first had the pleasure of seeing Tomberlin perform at The Hideout in Chicago alongside Hand Habits back in 2019, where she completely mesmerized the audience and kept us all hooked on her every word. Sarah Beth Tomberlin (better known solely by her last name) is a singer-songwriter currently based out of Los Angeles with roots in Louisville, Kentucky. She followed up her stunning debut record At Weddings with an EP entitled Projections in October 2020, and I’m excited for the chance to hear some of the newer songs performed live.

The combination of Tomberlin’s ethereal vocals and delicate melodies gives me the sensation of wrapping myself in a cocoon of blankets. The sense of comfort and coziness that songs like “Hours” and “You Are Here” evoke makes Tomberlin the perfect soundtrack to transition from Summer into Fall. It will also make for a great laid-back way to start the final day of the festival.

For Fans Of: Hand Habits, Phoebe Bridgers, Julien Baker

Start With: “Hours” and “Wasted”

Where to catch her: Sunday, 9/12 at the Green Stage from 1:00 PM – 1:40 PM

Special Interest

I haven’t yet had the honor of seeing Special Interest perform live, but I just know they’re going to be one of the best sets at the fest. If you’re looking for a completely unique experience, you can’t miss this group from New Orleans, Louisiana.

It’s difficult to assign a genre to Special Interest, but their song “Street Pulse Beat” swirls together moody synths with a pulsing drum machine and a punk bass line. Throughout their three albums, they tackle reimagining dark electronic and punk music, creating an eccentric vibe that’s entirely their own. Interestingly enough, the group began in 2015 as a duo who only planned to play one show. When they started out, Alli Logout and Maria Elena played guitars and power tools over the beat of a 70’s Univox drum machine— before ultimately being joined by Ruth Mascelli on electronics and Nathan Cassiani on bass. They’ve since garnered a reputation for the intensity of their live shows, so don’t miss out on their festival set or after show.

For Fans Of: Idles, Boy Harsher, Squid

Start With: “Street Pulse Beat” and “Disco II”

Where to catch them: Sunday, 9/12 at the Red Stage from 1:45 PM – 2:25 PM

Pitchfork Aftershow on Saturday, 9/11 at Smart Bar

Keep an eye out for more Pitchfork Fest coverage all next weekend, and take a trip down memory lane below.

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categories / Music, Gigs, Festival
tags / Dehd, Divino Nino, Dogleg, Oso Oso, Tomberlin, Horsegirl, Special Interest, Music Festival, Pitchfork, Pitchfork Music Festival

PHOTOS: Noga Erez and Brittany Howard at Thalia Hall

August 06, 2021 / Rachel Zyzda

This past Saturday night, Lollapalooza artists Noga Erez and Brittany Howard commanded the stage for their sold out Thalia Hall aftershow. Check out the full gallery of the captivating show below and take a look at all upcoming Thalia Hall shows here.

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categories / Gigs, Festival, Photos
tags / Noga Erez, Brittany Howard, Thalia Hall, Photo Gallery, Concert Photography, Lollapalooza

PHOTOS: Taylor Janzen and Orville Peck at Thalia Hall

August 04, 2021 / Rachel Zyzda

This past Wednesday night, Lollapalooza weekend kicked off early with a show from the festival’s performers Taylor Janzen and Orville Peck at Thalia Hall. Check out photos from the sold out show below, and take a look at more upcoming shows at Thalia Hall here.

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categories / Gigs, Festival, Photos
tags / Orville Peck, Taylor Janzen, Photo Gallery, Photo Set, Concert Photography, Thalia Hall, Lollapalooza, Lolla

Chicago Festivals Are Back!

June 13, 2021 / Rachel Zyzda

As of Friday, June 11th, the city of Chicago has officially opened back up into Phase 5 (AKA we are fully open). That means that concerts and festivals that make help make the city the wonderful place that is will will be happening this year. See below for some details about what festival events will be taking place and when.

Wicker Park Fest

When: July 23-25th, 2021

Where: Wicker Park

Lollapalooza

When: July 29-August 1st, 2021

Where: Grant Park

Out of Space

When: August 5-8th // September 2-5th, 2021

Where: Canal Shores Golf Course // Temperance Beer Co

Pitchfork Music Festival

When: September 10-12th, 2021

Where: Union Park

Riot Fest

When: September 17-19th, 2021

Where: Douglas Park

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categories / Gigs, Festival
tags / Chicago Festivals, Chicago Events, Music Festival, Live Music, Wicker Park Festival, Lollapalooza, Pitchfork Music Festival, Riot Fest, Out of Space