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PHOTOS: Tomberlin and Hand Habits at Hideout 04.04.19
On Thursday night, Tomberlin and Hand Habits shared the stage at Chicago’s The Hideout for the first of two sold out shows there with Hand Habits. Both musicians put on a mesmerizing performance that had the crowd enchanted and attentively listening the entire time.
See photos from the show below, and see the rest of Hand Habits’ upcoming tour dates here.
PHOTOS: Ten Fé Make Their Chicago Debut to a Sold Out Schubas Tavern
London’s Ten Fé finally played their first show in Chicago over the weekend at Schubas Tavern, and unsurprisingly, the show was completely sold out. The evening’s setlist featured a good mix of songs from Ten Fé’s 2017 debut album Hit The Light and their brand new record Future Perfect, Present Tense.
Stay tuned for an interview with the band coming to ANCHR soon, but in the meantime check out photos from their Chicago debut!
Live Recap: Stella Donnelly's Sold Out Soiree at Schubas Tavern
“I just took a Malört shot to the eye!” Stella Donnelly exclaimed to the sold out crowd at Schubas Tavern on Friday night, March 29th. *Record Scratch, Freeze-Frame* You’re probably wondering how we got here…so let’s start at the beginning, when Faye Webster opened up the show at 9PM.
The music room had filled in, with fans eager for the evening’s performances, when Webster took the stage accompanied by only one bandmate; Pistol, who played a pedal steel guitar. Webster’s gentle vocals made for the perfect way to ease everyone into the concert, with Pistol’s pedal steel providing a dreamy, surfy vibe to the songs to put everyone in the room in a groovy trance. Webster threw in some surprises during her set too; first with a creative cover of “Cheap Thrills” by Atlanta rapper Father and second, when she pulled out a yo-yo to show off some tricks she’d recently learned. The best surprise came when Webster invited an audience member by the name of Xion onstage to perform some serious yo-yo tricks, which were greeted with thundering applause and cheers from the crowd.
After the exhilarating yo-yo tricks at the end of Webster’s set, the room was buzzing with nothing but good vibes when Stella Donnelly took the stage shortly after. The last time I had seen Donnelly, she had played a solo set opening up for Natalie Prass at Lincoln Hall, and her debut album Beware of the Dogs had not yet been announced. At the Lincoln Hall show, Donnelly had completely commanded the room with just her voice, her guitar, and her witty banter. And at the Schubas show on Friday, Donnelly once again showed off her chops as a solo performer by opening her set playing a handful of songs sans her touring bandmates. For most of this first portion of the show, Donnelly had an infectious positive attitude about her, and she kept the mood light with some cheeky humor. When it came time for Donnelly to perform “Boys Will Be Boys,” a weighted song that tackles the subject of sexual assault, she gave a content warning about the subject matter before sharing that the song was inspired by an incident that happened to a close friend. Donnelly’s candid and fearless approach to her songwriting comes across on many of her songs, but particularly in this track, which acts as a timely reminder for everyone to believe and support survivors.
When it came time for Donnelly’s full live band to join the mix, the infectious energy that she had exuded on her own only multiplied, and you could feel the joy bouncing between bandmates as they looked to be having the time of their lives playing together. They all had such an easy-going manner and their chemistry as bandmates came across as natural, like they were all just old friends jamming out. Between the laid-back nature of the bandmates and Donnelly’s flawless vocal execution and charm, you couldn’t help but be hooked on this performance. The feel-good mood came to a high when Donnelly invited Faye Webster and Xion (and their yo-yos) back up on stage for the ironically upbeat tune “Die.” The bandmates, Webster, and Xion ended the song in a coordinated dance, which was obviously met with deafening cheers by the audience.
Now, the moment you’ve all been waiting for...the Malört shots. Earlier in the set, Donnelly had mentioned between songs that one of her bandmates had yet to try the infamous Chicago liquor, which is a rite of passage for anyone visiting our city. Luckily for Donnelly’s band members, Malcom Brown (of Whitney) was in the crowd that night, and he saved the day by bringing up a tray full of Malört just as the final full-band song of the night, “Tricks,” was coming to a close. Cue: Donnelly taking her shot and getting some of it in her eye. Like a champ, Donnelly went on with the show and wrapped up her first sold out headline show in Chicago with a solo rendition of “Mechanical Bull,” throwing in some improvised lyrics; “There’s Malört in my throat” in place of “You've been at my throat.”
Between the impeccable musicianship, cheery stage presence, and moments of humor, I couldn’t have imagined a more perfect start to the weekend than Stella Donnelly’s show. Easily one of the best shows I’d seen in a while, Stella Donnelly is not to be missed if she’s performing in a city near you. Check out her upcoming tour dates here, and relive the fun of Friday’s gig with the photo gallery below.
PHOTOS: Roman Lewis, Jungle Green and Matt Maltese at Beat Kitchen 3.27.19
This past Wednesday night, London singer-songwriter Roman Lewis celebrated his 18th birthday by playing his first show in Chicago at Beat Kitchen. Lewis played alongside Matt Maltese and Chicago’s Jungle Green— check out photos of the evening below.
For more on Roman Lewis, revisit our interview with him here.
Better Oblivion Community Center Takes Over Lincoln Hall for Two Sold Out "Meetings"
This past weekend, the collaborative project of singer songwriters Phoebe Bridgers and Conor Oberst took over Lincoln Hall for two very sold out shows, marking their debut performances in Chicago. Deemed Better Oblivion Community Center, the duo just recently announced their musical partnership with a self-titled ten track album, released January 24th via Dead Oceans, and their current tour has treated fans to live versions of every track on the record.
In addition to playing the entire record, Bridgers and Oberst also performed another brand new single they had written together as Better Oblivion Community Center, which was available for fans to purchase as a 7” at the merch table. Throughout the setlist, Bridgers and Oberst both took on the challenge of singing lead vocals on one another’s songs; with Bridgers singing Bright Eyes’ “Lime Tree” and Oberst enchanting the crowd with “Scott Street” and a sped up version of Bridgers’ melancholic “Funeral.” During the entire show, there was a spirit of camaraderie—both between the bandmates on stage and between the audience members soaking in the experience—that filled the entire room, making the evening truly feel more like a community gathering than a spectacle.
See where you can attend the next Better Oblivion Community Center meeting here, and check out photos from March 24th’s show below.
The Setlist for 3/24/19
Didn’t Know What I Was in For
Dylan Thomas
Service Road
Big Black Heart
Sleepwalkin’
Lime Tree
Exception
Forest Lawn
Little Trouble
Chesapeake
Can’t Hardly Wait
Bad Blood
My City
Scott Street
Funeral
Dominos
SXSW 2019: The Complete Photo Gallery
Check out our photo gallery from the annual SXSW Music Festival in Austin, Texas— and stay tuned for interviews and more recaps coming next week.
March 12th featuring Husky Loops, Fatherson, and ShitKid
March 13th featuring The Dunts, Thyla, Easy Life, Dehd, Molly Burch, Slow Pulp, Shy Boys, Fontaines D.C.
March 14th: ANCHR Showcase featuring Faux Furrs, Seasaw, The Golden Fleece, Deeper, Pool Holograph, Uma Bloo, Half Gringa, Rookie, Thompson Springs, The Evening Attraction, Blue Dream
March 15th featuring Pottery, Parrot Dream, Black Belt Eagle Scout, HÆLOS, Tasha, Sir Babygirl
March 16th featuring WAND, Fontaines D.C., Gnarcissists, Stuyedeyed, High Waisted, Pinky Pinky, The Dunts, Native Sun, Miya Folick, Kirin J Callinan
Portraits featuring Stuyedeyed, Nardwuar with Public Practice, Pinky Pinky, Native Sun, Ric Wilson and The Dunts
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SXSW 2019 Highlights: The Best New Acts We Saw in Austin
As with most music festivals, I went into the week at SXSW having a list of artists I had seen before and wanted to see again, but the true beauty of any festival is stumbling across some gems that you’ve either never seen before, or never even heard of. With hundreds of showcases and more than a thousand artists, SXSW offers the best opportunities for music fans to discover their new favorite bands, and this year I definitely found a few new personal favorites. Read up on the nine best new bands I caught at SXSW 2019 below!
Fatherson
I caught a great set from Scottish rock band Fatherson on my first night in Austin, on March 12th at Seven Grand. The Kilmarnock-based trio fronted by Ross Leighton have actually been around since 2010 and toured with the likes of Biffy Clyro, Frightened Rabbit, Panic! at the Disco, and Enter Shikari, but this year marked their return to SXSW for the first time since 2015, and I finally got the chance to see them perform this time around. Throughout their set at Seven Grand, the bandmates seemed to have this sense of ease and chemistry between one another, which perfectly complimented Leighton’s powerful, yet silky vocals.
Listen to Fatherson’s 2018 album Sum of All Your Parts here and see where they’re playing next here.
For Fans Of: Foals, Twin Atlantic, Frightened Rabbit
ShitKid
Swedish musician Åsa Söderqvist— AKA ShitKid— took the stage at the wee hour of 1AM on March 12th at Cheer Up Charlie’s indoor venue, and while she and the audience theoretically should have been exhausted from a full day of music at that point, no one let on and the room buzzed with an electric energy during the entire set, proving you shouldn’t ever judge a band by their name. Söderqvist and her bandmate kept the crowd entertained throughout their set with different antics; whether it was dismantling the drum set on stage, climbing ledges around the room, or lifting their instruments above their heads, there was never a dull moment during the show. Unsurprisingly, the crowd begged for an encore song from ShitKid, but unfortunately the venue curfew didn’t allow for their demands to be granted.
Keep up with ShitKid’s upcoming tour dates here.
For Fans Of: Cherry Glazerr, Chastity Belt, Charly Bliss
Fontaines D.C.
Easily one of the most buzzed about bands at this year’s festival, the Dublin-based Fontaines D.C. put on a show well worth the hype. I had the pleasure of seeing them perform twice, for the first time on March 13th at Swan Dive, which drew a huge crowd and a line out the door. The band’s collective stage presence had this juxtapositional sense about it, with lead singer Grian Chatten coming across visibly anxious as he paced the stage on his tip toes and bit his fingernails, while his bandmates would thrash around the stage or climb up on the amps during the show. The dynamic worked really well and had everyone hooked, and towards the end of the set, a large mosh pit started going for the Irish punk band.
Fontaines D.C. returns to The States later this year for a tour with Idles— dates here, and you can listen to their latest single here.
For Fans Of: Idles, Iceage, Protomartyr
The Dunts
Another great export from across the pond at this year’s SXSW: Glasgow’s The Dunts. The four-piece formed in late 2016, but have already garnered plenty of buzz around their sound and live performances, which has earned them past slots at Reeding and Leeds festival and upcoming slots at UK Festivals this summer. Their guitar-driven tracks and rowdy stage presence blends perfectly with their catchy choruses and guaranteed-to-get-stuck-in-your-head melodies. Although this was their first ever SXSW, both of their performances that I caught (on 3/13 at The British Embassy and 3/16 at 720 Club) drew in very large crowds of enthusiastic fans.
Stay tuned for an interview with The Dunts coming soon, right here on ANCHR!
For Fans Of: The Vaccines, Shame, White Reaper
Black Belt Eagle Scout
I was lucky enough to catch Black Belt Eagle Scout, the project of singer, songwriter, and multi-instrumentalist Katherine Paul, on Friday, 3/15, when I arrived to a venue early for HÆLOS’ final set of the festival. While I had never had a chance to listen to Black Belt Eagle Scout’s music, Paul and her bandmates instantly won me over with their live show, which kept the audience on their toes with a dynamic performance. The set had more delicate, softer moments that lured the audience members in, but Paul and her bassist also didn’t pass up the opportunity to shred.
Black Belt Eagle Scout will tour with Julia Jacklin in April and May, including an already sold out show at Schubas Tavern on May 8th. Full dates here.
For Fans Of: Julia Jacklin, Miya Folick, The Beths
Pottery
Montreal’s Pottery hasn’t been around long at all, but they had large crowds at both of their sets that I attended. Blending together elements of different genres—from surf rock to post-punk to krautrock— there’s a special element to their sound that you just can’t put your finger on, but it made the perfect soundtrack for Friday afternoon when I first saw them at a Cheer Up Charlie’s day party. So far Pottery has only released two singles, but based on their live shows, their future releases will be worth the wait.
See where you can catch the new band on tour next— upcoming dates here.
For Fans Of: The Districts, Omni, Ty Segall
Sir Babygirl
For the Father/Daughter Records showcase on Friday night, Sir Babygirl (the moniker for musician Kelsie Hogue) went all out with her stage presence; face paint, a full getup featuring a tutu-esque cape, and back up dancers. While that performance was completely captivating and demanded the audience’s attention for obvious reasons, I also had the chance to catch a solo, acoustic set from Sir Babygirl on Sunday afternoon, and Hogue’s stripped-back performance commanded the room just the same as the first time I saw her perform. As a songwriter and performer, Sir Babygirl exudes her message so clearly and so powerfully that you can’t help but listen and appreciate.
Keep up with Sir Babygirl updates here.
For Fans Of: Hand Habits, Caroline Rose, illuminati hotties
Native Sun
SXSW-goers packed in Cheer Up Charlie’s indoor room for a rambunctious show from New York’s Native Sun on Saturday night, 3/16. While the four-piece was another one of buzziest bands this year, my first time seeing them only exceeded my expectations. Between the crowd surfing that occurred in the low-ceiling venue and lead singer Danny Gomez jumping off stage while the rest of the band let loose onstage, I think it’s safe to say everyone in the room had their adrenaline pumping at the end of the set.
Keep up with Native Sun here and stay tuned for our interview with them.
For Fans Of: Acid Dad, Naked Giants, Twin Peaks
Gnarcissists
I got the chance to finally see one of Gnarcissists’ many SXSW sets on Saturday, 3/16, at Spider House, and besides being one of the best new bands I saw, their set was one of my all-time favorites at SXSW. Although this set was near the end of the long week, the band members cranked up the volume and still poured all of their energy into this performance. Refusing to remain confined to the stage set up outdoors at Spider House, the band jumped offstage to play amongst the crowd that had gathered to watch the care-free gig.
Keep up with Gnarcissists’ upcoming shows and announcements here.
For Fans Of: Cage The Elephant, Frankie and the Witch Fingers, Stuyedeyed
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PHOTOS: Grizfolk, Flor and Andrew McMahon in the Wilderness 03.02.19
This past Saturday night in Chicago, Grizfolk, Flor and Andrew McMahon in the Wilderness rocked the packed house at The Riviera Theatre. Check out our photo recap of the evening below!
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PHOTOS: SHAED and JP Saxe at Subterranean 02.24.19
See where you can catch SHAED next in a city near you here, and listen to their latest EP Melt in full below.
More on SHAED
