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Black Lips Rocked Their Tour Kick Off in Carrboro, NC

On May 2nd, The Black Lips took the stage to kick off their tour at Cat’s Cradle in the same manner in which a speeding locomotive charges down the tracks....with an insatiable amount of gusto and power. Electricity permeated the venue as the band played to a crowd of moshing fans, adding zest to what was otherwise an ordinary Tuesday evening in Carrboro, North Carolina. The Black Lips matched the degree energetic nature found in their songs in stage presence, erupting with vitality from the first note played to the last.

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Played early in the setlist was “Drive By Buddy,” a track that exudes groove from start to finish. With a slight sonic emulation of The Monkees, it succeeds in capsulating audience attention through its addictively rhythmic guitar riffs and sing-along inducing chorus (which instantaneously ensued). “Family Tree,” a track that is jam packed with dynamic variance and sonic juxtaposition followed shortly thereafter. The track kicks off with a swell of sound, complimented by a saxophone part that provides the song with an added level of distinctiveness. The song’s verses serve as a foil to its chorus, undertaking a cavernous tone before building into an exuberant and ebullient blast of sound.

The crowd at Cat’s Cradle broke into sheer pandemonium as soon as the signature resonant bass line of “O Katrina,” a notoriously upbeat track from the 2007 album Good Bad Not Evil was played. Not one stationary body was in sight as the song’s identifying crunchy, distorted guitar riffs and thunderous drum fills were played.

At the end of the night, the crowd left Cat’s Cradle sweaty, bruised, covered in a stranger’s beer, or any combination thereof. A band that does not perform with such an insatiable amount of sustained intensity simply cannot invoke that degree of reaction among audiences. However, The Black Lips did.

Live, the band is the equivalent of a blazing meteor: they’re bright, riddled with an infectious energetic power, and are so alluring and unique that they cannot be ignored. The amount of vigor they put into their live performances is so wonderfully contagious that inciting an all-encompassing electric reaction among crowd members is seemingly inevitable. That skill is not only the hallmark of a great musician, but a great artist.


Chicago, The Black Lips will be in town this weekend for not one, but two nights at The Empty Bottle. Night one is sold out, but grab your tickets to night two here. The rest of The Black Lips' tour dates can also be found here. 

You can also listen to the new album Satan's Graffiti or God's Art? below:

PHOTOS: The xx at Aragon Ballroom on 5.1.17

British trio The xx captivated their Chicago audience on Monday evening at The Aragon Ballroom, marking their triumphant return after playing a sold out show at the same venue back in 2013. Celebrating their third album I See You, this show was a part of the aptly named “I See You” Tour, which kicked off in April.

The dynamic and mesmerizing performance from The xx started with new track "Say Something Loving," the eager crowd cheering with recognition as the introductory sample of the Alessi Brothers used in the song rang out into the ballroom. The set list that followed featured an ample mix of tracks from their debut and sophomore album, like crowd favorites "Islands" and "Angels." The band kept the older content fresh by introducing new arrangements and mixes of the familiar tunes, especially with the upbeat version of "Shelter" they performed towards the end of the set. 

Throughout the set, a mutual love and appreciation radiated from the crowd to the stage. Other set highlights included the addition of "Loud Places" from Jamie xx's solo album into the set, a solo and stripped back performance of "Performance" by Romy Croft, and Oliver Sim's dedication to single people before "Dangerous."  

The electrifying evening wrapped up with a very humble and heartfelt thanks from each member of The xx, with Romy mentioning the energy of each and every fan in the venue. 


The Set List

  1. Say Something Loving

  2. Crystalised

  3. Islands

  4. I Dare You

  5. Lips

  6. Sunset

  7. Basic Space

  8. Performance

  9. Infinity

  10. VCR

  11. Dangerous

  12. Fiction

  13. Shelter

  14. Loud Places 

  15. On Hold 

  16. Intro

  17. Angels

 

Photo Gallery

Chicago! The xx will be back in August for Lollapalooza. Check out all of their tour dates here, and listen to I See You below.

Bastille Bring Their Massive Wild, Wild World Tour to "Shrek's Paradise" (AKA Aragon Ballroom)

Word and Photos by Rachel Zyzda

At most gigs, the show actually begins when the first note of the opening song rings out into the venue….but not at Bastille’s Wild, Wild World Tour. On Monday, April 3rd, the show started from the moment fans entered the majestic Aragon Ballroom with a full scale, interactive production that kicked off while fans patiently awaited support act Mondo Cozmo, and kept rolling even in between acts. In addition to audiovisual bits of lead singer Dan Smith’s project with Ralph Pelleymounter (of To Kill a King) called Annie Oakley Hanging, the show included short film clips featuring the news anchor from the band’s “Fake It” music video (rumor has it he’s called Billy) and the band decked out in WWCOMMS jumpsuits, performing various activities.

Directly following a clip of “Billy” eating a banana, the five members of Bastille burst onto the stage around 8:45PM with their brassy and bass-boosting single “Send Them Off!,” Smith donning his uniform black t-shirt with the logo for WWCOMMS; a mysterious, omniscient entity constructed alongside the campaign for Bastille’s sophomore album Wild World. The 90 minute set that followed contained a fair mix of new songs from that album, as well as the songs we all know and love from Bastille’s debut album Bad Blood. The third song of the set, “Warmth,” contains the new album's name in its chorus. After the band delivered a powerful and polished performance of the album’s namesake track, Smith took some time to talk about the theme of Wild World and how it comments on the crazy events of the world, introducing “Snakes” as a song about him getting drunk with his mates to take his mind off of the negative events.

Next up, the band sticks to traditions with one of their most popular tracks, “Flaws,” in which Smith always goes into the crowd to dance and sing with audience members. Of course, in addition to this maneuver during “Flaws,” a Bastille gig is never complete without Smith’s endearingly awkward dance moves and his mention of their “horribly depressing songs.”  During this set, “Oblivion” and “Four Walls (The Ballad of Perry Smith)” stood out as highlights, despite their very depressing nature. During “Oblivion” the entire Aragon Ballroom lit up with cell phone lights, the audience swaying their lights along with the slow-tempo tearjerker. During “Four Walls,” bassist-turned-guitarist Will Farquarson delivered an incredible minute-long guitar solo. The guitar solo put a fresh spin and new arrangement on the studio version of the track, which is based on Truman Capote’s In Cold Blood.

The show also featured plenty of dancing and crowd participation during the more upbeat songs of the night. Although, as Smith would say, most of the songs are still incredibly depressing-- they just do a good job at masking the depressing content with happy-sounding music. For example, newer song “Lethargy” is ironically upbeat and great to dance to, much like their debut single from Wild World, “Good Grief.” Despite being a song about losing someone and the grieving process that accompanies the loss, it’s hard to resist busting out your spirit fingers during the song’s catchy chorus. As far as crowd participation, “The Draw,” a track from the extended version of Bad Blood (called All This Bad Blood), had everyone moving their hands along to the beat during its chorus, in the shape of triangles. The biggest form of crowd participation, hands down, occurs during Bastille’s mashup cover song “Of The Night,” taken from their mixtape Other People’s Heartache. During the mix of Corona’s “Rhythm of the Night” and Snap!’s “Rhythm is a Dancer,” Smith asks that everyone stoops down right before the explosive chorus, and then jumps up and down with him on his command. A highlight at any of their shows, but especially in a venue the size of The Aragon, it’s such a spectacle to see a crowd of thousands jumping in unity.

In addition to the new arrangements of old favorites and the extensive video production that accompanied each song performed, which is exclusive to this Wild, Wild World Tour, the band also kept things fresh on this tour by conducting a daily Twitter poll for fans to vote on a coveted slot on the setlist.  The song that won for Chicago was “The Anchor” (our personal favorite…no idea why), which closes out the 19-track version of Wild World.  Another incredible addition to this tour was the ASL signer that the band had stationed in the sound booth, for audience members who are hard of hearing. The only other time I’ve seen this wonderful service provided at a gig was actually during Bastille’s Lollapalooza performance last year.

Lastly, Bastille’s three-song encore really packed a punch, closing out the magical evening in a massive way. Kicking off with Smith and Farquarson in one of the Aragon’s balcony alcoves, the pair performed the Tarantino-esque track "Two Evils" while Smith balanced on the balcony ledge. After that adrenaline-boosting performance, the energy escalated with the crowd favorite “Icarus.” As the evening drew to a close, the energy remained at an all time high as Bastille invited Mondo Cozmo to join them onstage during their hit “Pompeii.” Rearranged from the studio version, the live version of “Pompeii” just hits you right in the heartstrings. When the song came to an end, lingering chants of eh-ohs mingled with cheers and claps that echoed throughout the Aragon Ballroom (or “Shrek’s Paradise,” as Smith calls it) as the band exited the stage.

What the band delivered in production quality, they brought equally, if not more, in sound quality and musicianship. Bastille is one of those bands that somehow always manages to sound even better live, and last night was no exception. The Wild, Wild World Tour will continue throughout North America through mid-May. Do not miss this captivating, interactive, and unforgettable show if you get the chance to see it! You can check out all of the tour dates here. 

Photo Gallery: Bastille's Wild Wild World Tour // Chicago // Aragon Ballroom 4.3.17

The Setlist

1. Send Them Off!

2. Laura Palmer

3. Warmth

4. Snakes

5. Flaws

6. Oblivion

7. Lethargy

8. Things We Lost in the Fire

9. The Draw

10. The Currents

11. The Anchor

12. Bad Blood

13. Four Walls

14. Blame

15. Of The Night

16. Fake It

17. Weight of Living, Pt. 11

18. Glory

19. Good Grief

20. Two Evils

21. Icarus 

22. Pompeii


Wild World by Bastille

Two Feet Delivers a Dynamic Debut Performance in Chicago

Wicker Park’s Subterranean is packed with a sold out, Saturday night crowd as Bill Dess (Aka Two Feet) takes the stage with his bandmate Huff.  After kicking off his short and sweet support set around 9PM with a new song called “Love is a Bitch,” Dess introduces himself to the crowd and reveals he’s out on his first tour ever. Although he hasn’t been playing shows for very long and he only released his debut EP in July 2016, Dess delivered a very polished set, showcasing his skills as both a songwriter and producer. The second song, “Quick Musical Doodles” perfectly combines Dess’s bluesy guitar riffs with full-bodied bass.

Dess also proves to be a natural with stage banter, mentioning that his brother works in Chicago and that his dad is in the audience before playing the next song. The following two songs, “Too Long” and “Twisted” are both unreleased tracks, and will be featured on Two Feet’s upcoming EP. Dess and Huff display incredible musicianship as they flawlessly performed these new tracks live, only further proving their adaptability when they played a cover of “Ain't No Sunshine” with a refreshing take on it. Before playing the Bill Withers cover, Dess mentioned that they just arranged the cover a couple of days prior in a hotel room on tour.

The set closed out with the viral track “Go Fuck Yourself,” which has gotten a nod from Martin Garrix and racked up nearly 20 million plays on Spotify. This year has already been a whirlwind for Two Feet, playing SXSW and being added to the Bonnaroo lineup, but we’re sure to be seeing much more from Two Feet after this tour and his upcoming EP. Stay tuned for an interview with Bill for even more on the EP and what we can expect from Two Feet in 2017, but for now listen to the debut EP First Steps:


Keep up with all upcoming Two Feet tour dates here.

PHOTOS: Foxygen at The Vic 3.31.17

It’s a Friday night and the screen outside the Vic Theater flashes the cover of Foxygen’s latest single, “America." This tour follows the release of the band's acclaimed fourth album, Hang, released January 20th. Gabriella Cohen, the Australian singer, opened the performance, playing dreamy songs that got the crowd moving and ready for the energy that Foxygen was about to bring. The lights go down and an instrumental remix of Dr. Dre’s “The Next Episode” and what sounded like an Ennio Morricone song plays as the band and Johnathon Rado walks out.

As the band began the introduction to “We Are the 21st Century Ambassadors of Peace & Magic,” lead singer Sam France sashayed onto the theater’s stage. France encountered a minor problem with his microphone coming unplugged, but he finished the song with great power, making the crowd roar with delight. They move on, playing hits such as “San Francisco” and “Shuggie” with Jackie Cohen on the female backup vocals. After getting the hits out of the way, they performed Hang in entirety. The first couple songs off the album such as “Follow the Leader” and “Avalon” got the crowd dancing. For “America” the lights flashed red, white, and blue as Sam France sported a blue suit coat. Once they reached “Rise Up,” the album’s final track, Sam France and Jackie Cohen walked off stage while the rest of the band carried out the powerful ending of the album.

The band returned for their encore with “On Blue Mountain” off their 2nd album, which included Sam France playing the trumpet. They closed with their “How Can You Really” from their 2014 album …And Star Power, a groovy, Todd Rundgren-esque dance number which ended with Sam France jumping into the crowd. The show was a delight to all in attendance, marking Foxygen’s triumphant return to Chicago.

Foxygen will be touring throughout the summer-- check out all their tour dates here, and catch them in a city near you.  Listen to their album Hang here:

A Thursday Trifecta With Jude Shuma, Molly Burch, and Tim Darcy

Kicking off a night of three incredible sets, Chicago’s own Jude Shuma took The Empty Bottle stage around 9:30 on Thursday evening. His 30 minute set kicked off with his most played track “Float,” (which--shameless plug--you can hear on the CW's new show Riverdale).  After playing some older, familiar tunes, like “Subterranean Feelings,” Jude tested out some new songs from his upcoming album, Sugar Mountain. The new songs already sounded incredible live, and they went over well with the crowd.

Molly Burch captivated the crowd next, hooking them in with her 1950’s-style crooning and a refreshingly retro sound. The seven-song set started with the title track of Molly’s debut album Please Be Mine, the crowd slowly swaying along to the hauntingly beautiful chorus. The next song, “Fool,” picked up the pace, with Molly adding a powerful edge to her alluring vocals. As Molly and her band completely enchanted the crowd with more songs from the album, like “Wrong For You” and “Try,” the music translated incredibly well from the album to the live sense. The fact that Molly recorded the album in a live setting in just a couple days kept the album so authentic and added a real vulnerability to the music. That same sense of sincerity and vulnerability came across in Molly’s stage performance, as well.

Ought-frontman Tim Darcy and his extremely talented two-women band took the stage next just after 11PM, playing a set mostly comprised of songs from his debut solo album Saturday Night. Tim got the crowd moving right away with the up-tempo, building tune “Tall Glass of Water,” immediately following with “Still Waking Up.”  About half way through the set, Tim mentioned his album and thanked the audience, pointing out how wonderful Chicago crowds are all of the time. “New York is good 80% of the time,” Tim continued before moving into the instrumental track “First Final Days.”  As the night of good vibes and great jams continued, Tim also mentioned that he and his band had been on tour for 5 weeks with Molly Burch, shouting out her, his band members, and his crew. The set drew to a close with a brand new song that Tim recently wrote while on this tour. Introducing the new song, called “Sledgehammer and The Rose,” Tim says he wrote it about an experience in Toronto, when some guy spit in his face when he was already having a bad day. The set wrapped up with the mellow “What’d You Release,” before the band left and returned for an encore.


If you missed this night filled with genuine talent and incredible musicianship, make sure you stay in the loop with all three artists! Check here for any updates from Jude Shuma on his new record and upcoming shows. Molly Burch returns to Chicago as soon as April 7th, supporting Sallie Ford at Schubas, and you can grab tickets for that show here. Lastly, keep up with Tim Darcy's latest tour dates here, and listen to his album below! 

Tei Shi Enchants a Sold Out Metro

It’s 7:30 on a snowy, Monday night in Chicago (the first snow there’s been in months), yet the house is still packed as Tei Shi saunters onto a dimly lit stage at The Metro. Starting off her diverse and captivating performance with her latest single “How Far,” Tei Shi instantly won over the sold out crowd with her angelic vocals. In the opening song particularly, the heavy bass of the song created a beautiful juxtaposition with her soft falsettos. For the second song of the evening, the 2014 single “See Me,” the stage brightened up, illuminating the singer and her band. After wrapping up this slower, hypnotizing tune, Tei Shi told the crowd “I’m super excited to be supporting MØ, this is our first night with her.”

Tei Shi starts off the third song of the night on the microphone situated stage right, adding some dynamics to her performance. Based on the lyrics of this new song, which alternate between “breathe, I breathe, I breathe” and “creep, I creep, I creep,” along with other verbs that fall into that rhyming pocket, this new one is most likely called “Creep,” which is also track three on Tei Shi’s upcoming album. After playing another recent single, “Keep Running,” which was released this year, Tei Shi mentions the new album. “This is all brand new music that we just started playing. It’s all going to be on the new album. We’re gonna do another one,” she says, introducing another bass-heavy tune with a catchy dance beat. Based on the lyrics, this new one appears to be track 9 from the album Crawl Space, called “Justify.” This track, along with all of the new ones, had such a cool vibe, and the band executed each song perfectly, especially Tei Shi with her incredible vocal performance.

After playing another new song, presumably “Crawl,” which is track 12 on the new record, Tei Shi transitioned back into an older song, 2013’s “Nevermind the End,” a building, layered track full of ethereal vocals. The set winded down with Tei Shi saying, “We’ve got two more songs for you guys,” and expressing her gratitude to the crowd before playing one more new song. The new song features a fierce chorus and lyrics that say “you don’t know me, but you say you do,” which could be track 7 on Crawl Space, “Say You Do.” The stellar set ended just before 8:15 with one of the singer’s best known tracks, “Bassically,” the crowd cheering with recognition as the opening notes rang out. Tei Shi’s amazing performance closed out with her giving 1000% during this last song….she absolutely sang her heart out during this song’s powerful and piercing chorus. As she and her band left the stage to massive applause, it’s clear that Tei Shi has warmed up the crowd on this cold, Chicago evening.


If you’re out at SXSW this week, Tei Shi will also be there, and you don’t want to miss her incredible live show. She also just announced some new tour dates in May (below), but you can keep up with all of her tour dates here.

You can also preorder Crawl Space here, which is going to be an amazing album, based on the live preview of some of the tracks. In the meantime, get ready for the album by watching the video for "Keep Running." 

Goosebumps, Tears, and Laughter: An Evening With YEBBA and Rag'n'Bone Man

The crowd at The Bowery Ballroom on Thursday evening was blessed by not one, but two performances from soulful and powerful singer-songwriters.

The evening kicked off at 8:30 with the Harlem-based YEBBA, who slayed her short, but sweet mix of covers and original songs. "You probably don't know me, so I'm gonna sing some songs you do know," YEBBA said before transitioning into a stunning performance of "Killing Me Softly." The set moved on with an amazing rendition of "American Boy," featuring an accidental mic drop (or throw), which YEBBA smoothly recovered from. While the cover songs still let YEBBA's incredible vocal ability and raw talent shine through, the real magic happened when she sang her original songs. Emotions coursed through the entire crowd as YEBBA sang her first original song of the evening, which she introduced as a song about losing her mom only 5 months ago. By the end of YEBBA's emotive execution, some of the audience members were in tears.  Speaking of being brought to tears, even Ed Sheeran has said that YEBBA's next song, "My Mind," has brought tears to his eyes. Please stop reading this article and take a second to watch YEBBA perform "My Mind" at a Sofar Sounds gig:

Now that we've all been emotionally infiltrated by this song, we can get back to talking about YEBBA's last song of the evening, another original called "Light a Candle." She dedicated this one to anyone who has ever someone close to them, and the feels were real. Incredible doesn't even begin to describe the vibes in the room after YEBBA left the stage. 

YEBBA at The Bowery Ballroom 3/9/17

YEBBA at The Bowery Ballroom 3/9/17

About 30 minutes later, the two-time BRITS Award winner Rory Graham, AKA Rag'n'Bone Man, graced the Bowery Ballroom stage to play his first ever show in America, backed by his extremely talented band. Like YEBBA, Rory also started his set with a cover. Starting out solo on a guitar, he gave a breathtaking, goosebump-inducing performance of "St. James Infirmary" by Louis Armstrong.  The nearly 90 minute, 18 song set rolled right along with the title track from the 2014 8-track EP Wolves. From then on, the audience remained hooked by the dynamic and diverse set. 

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The set progressed with a trio of new songs, taken from the debut full-length Human, including "Ego," "Your Way or the Rope," and "The Fire." Before each song, Rory gives a brief introduction, making the crowd laugh as he talks about always having to wait for his girlfriend before "Your Way or The Rope." While his stage banter may be funny, Rory acknowledges the depressing nature of most of his music, saying, "I didn't come to cheer you up" before playing "Lay My Body Down," a dark, building tune that was originally released on the Wolves EP and made it onto the full length.  

Rory introduces the next song, "Perfume" as one he wrote with Ralph Pelleymounter from the band To Kill a King, and one that he hasn't played in three years. Hearing this song alone made the evening incredibly special, but the set rolled on with gem after gem, including a completely stripped back version of the next single, "Skin," featuring only Rory and his keyboard player. After such an intense, raw performance, that showcased Rory's immense vocal talent, he lightened the mood by mentioning he got high and wrote the next song "Grace." Rory continued to get personal with his song introductions, telling the crowd about his grandmother's strong matriarchal presence before playing "Life In Her Yet," and divulging about his close friend's battle with demons and addiction before playing "Odetta."  

As the night steered past the halfway point in the set, the mood lifted back up with "As You Are," which Rory also had to point out was one of his two-three happy songs that he has.  The band premiered the track "Fade To Nothing" from Human, which featured a killer drum outro, before moving onto the older tune "Guilty."  The crowd energy reached an all time high when the bass line to Rory's breakout single "Human" kicked in, the entire crowd singing along. The first part of the set concluded with another solo performance from Rory, this time singing one of his older songs "Die Easy." As Rory winded down the evening with this bluesy, powerful performance, a hush fell over the entire crowd until the last note rang out. As he walked off stage, the immediate and urgent chants for an encore followed.

The band reappeared, and appropriately, the two-song encore kicked off with "Bitter End," another new track from Human. The magical night closed out with the anthemic "Hell Yeah" from the Wolves EP, which features Vince Staples. After Rory and his band humbly and graciously thanked the audience, they left the stage for good this time to explosive cheers and applause, and it was clear that the first Rag'n'Bone Man gig in America was a glorious success. 


If you're heading down to SXSW, make sure you catch one of the following Rag'n'Bone Man showcases:

Stay up to date with all of Rag'n'Bone Man's live performances hereand listen to Human now.

 

 

 

Daytrotter Downs Day 2 Highlights

Day 2 at Daytrotter Downs was even bigger and badder than Day 1, with music kicking off at 10AM at a local record store.  Once again, a mutual love and respect for music existed between the crowd and the bands. I also discovered new music and enjoyed every set that I managed to catch (you can check our Instagram for all of them), but here are the top highlights from Day 2....


The Sires Guitarist Kept Losing His Hat Opening up Day 2

If you look really closely in the photo below, you can see the hat of one of Sires' guitarists on the stage. The entire band was so into the music and grooving along so hard that the hat just wouldn't stay on.  As with the opening slot of most festivals, the 2PM crowd for Sires was scarce, but they still gave their all and you could tell they love what they do when they get on stage.  The band is from Iowa, so if you're local make sure to check them out if you haven't already!

In Tall Buildings Played Songs From The Upcoming Album

Frontman Erik Hall and his bandmates played a beautiful set in the afternoon yesterday, which featured some new songs.  In our interview (coming soon) Erik revealed that was only the second time playing the new songs; the first being during Tomorrow Never Knows in Chicago in January. The new songs sounded incredible, so keep your eyes and ears out for new In Tall Buildings music this year. 

Bobby Hussy Lit His Guitar On Fire

In our Daytrotter Downs spotlight, I mentioned that I'd heard all about Bobby Hussy's love for pyrotechnics and his stage presence, but I didn't know how well lighting his guitar on fire would go over in the setting of Daytrotter Downs. However, at 5PM, Bobby Hussy of The Hussy lit his guitar on fire on the floor of the Redstone Room.  It just doesn't get more badass and more Rock'n'Roll than that. Check out the video on our Instagram, and make sure you go see The Hussy if you ever get the chance. 

Sarah Potenza Gave A Shout Out to Humboldt Park

During her early evening set, Sarah Potenza wooed the crowd with her powerful, soulful vocals. She also provided the laughs with some of her stories, one of which included a part about the 10 years she lived in Chicago in a Humboldt Park apartment. After her set, she also did an impromptu interview with me, so stay tuned for that. She'll be in Chicago with Gaelynn Lea tomorrow, so check them out if you can!

All Eyes Were on Gaelynn Lea

For the first time during the entire festival, I didn't have much personal space to stand during Gaelynn Lea's performance. Because everyone was watching her set. She delivered an absolutely stunning and mesmerizing hour-long set to a packed house with her haunting vocals and incredible violin playing. Gaelynn also promoted taking risks and doing what you love during her set. Before playing a new song of hers, Gaelynn mentioned she was nervous to play it, but she was doing it anyway because "it's good to do things that make you nervous."  Seriously, if you're reading this and you're based in Chicago, go see her at Schubas tomorrow night.

Adam Torres Captivated The Crowd with his Cutting Vocals

Without a doubt, Adam Torres was towards the top of my list to see during this festival, but his set exceeded my expectations. He put the entire crowd in a trance with his unique and haunting vocals, often backed by the beautiful violin playing of his bandmate Elizabeth Warren (he also made the "no not the senator" joke that most of you are probably thinking right now). He also gave the backstory to most of his songs before he played, which I always find fascinating when watching songs come to life. 

Post Animal Just Being Post Animal

Hands down, the Post Animal set topped my list of favorite performances this weekend.  As usual, they gave their performance their all and had the crowd reciprocating their massive energy levels. I mean, just check out the hair flip from Dalton in the photo below....

The house was completely packed and everyone in the front was moving the whole time. A few people even crowd surfed, making their set the rowdiest of the evening.  The guys will be out at SXSW later this month, and they're also touring nationally throughout the Spring, so go see them when they roll through your town.  

Daytrotter Downs Day 1 Highlights

Yesterday evening, Daytrotter kicked off their two-day 47-band festival in downtown Davenport. As we mentioned in our Daytrotter Downs Spotlight, there's not a bad band on the line up. While every set I caught yesterday was incredible, one of the highlights on Day 1 was just this mutual energy and respect displayed between each band and the audience. Everyone at the festival just seemed to be genuine fans of music, and as a fellow music fan, that community and mutual bond is just something really special to witness. Here are some of the additional highlights to Day 1....

Michigander Promotes Doing What You Love

Fronted by Jason Singer, the Kalamazoo based band Michigander had the task of opening up the two day festival to a scarce crowd.  Although the crowd was small, they were receptive and instantly hooked by Singer's raw and emotive vocals and the chemistry between the band members.  The three piece not only delivered a beautiful set, but Singer reminded us all of a very important message.  "Do what you love...life is short," Singer said before playing the band's last song on the set.  He had prefaced the statement by encouraging everyone to take a chance on something that they love, even if they're scared that no one will like it or they won't make any money doing it.  In a community of up and coming musicians and music fans, that message is so important. It's the best when a musician can deliver motivation and great music, and that's exactly what Michigander did during their opening slot. 

P.S...Make sure you check out Michigander at SXSW if you're going. 


Seasaw Worked Through Technical Difficulties, While Smelling Good

Meg and Eve of Seasaw won over their crowd instantly with their beautiful harmonies, their bedazzled drum kit, and their coordinated, bold outfits. What really set their performance apart was their ability to keep playing through some technical difficulties with Meg's keyboard and their quirky stage presence and sense of humor.  Towards the end of their set, Eve mentioned that the pair are sponsored by Schmidt's Deodorant, which is equally hilarious and awesome.  The duo are currently on tour, so make sure you check them out if you're looking for a night of good tunes and laughs. I also got the chance to chat with them after their set, so stay tuned for an interview. 

The Golden Jaybird filled in for Kississippi 

While I was bummed to find out that Kississippi couldn't make it to Davenport safely for their 9PM slot, due to vehicle issues, the replacement on the line up did not disappoint.  The Golden Jaybird swooped in to save the day, delivering a completely magnetic performance, which was just incredible considering they'd only been asked to play an hour before their set.  Composed of two local bands, The Golden Fleece and Condor & Jaybird, the hybrid group pulled off a last minute performance with a massive stage presence and response from the crowd.  Their psychedelic-laced jams got the crowd moving the most that they'd been all night, which continued on through the remaining sets.  Condor & Jaybird will be touring the Midwest this month, and after such a great set last night, they're definitely on my radar. 

NE-HI Rocked a Receptive Crowd

Chicago rockers NE-HI just released an album last week, and as they mentioned in their interview with us (coming soon), their week has been non-stop since the release.  Despite the long days and nights that they've had since the release of Offers, the guys didn't hold anything back during their 45 minute set last night.  The crowd, which included some of the band's family, was feeding the energy right back. Like Michigander, they'll also be at SXSW so make sure you catch one of their sets if you're heading out to Austin!

Joan Of Arc Awed the Audience

While talking to other attendees and even some of the bands, it quickly became apparent that Chicago's Joan of Arc was one of the most anticipated acts of the night, and it was easy to understand why as they completely captivated a full house during their 11 PM set.  The energy and chemistry between the four band members was so evident during their entire show. They exuded this subtle confidence as performers, which no doubt stems from their years of making music together.  They just delivered such a completely packaged performance it was just amazing to witness how enchanted to crowd became during it.  

Mountain Swallower Completely Underestimated Themselves

Hours before their midnight set that closed out Day 1, I sat down with Mountain Swallower to find out about their background as musicians and what they have planned for this year as a band. During our conversation, they came across as really good friends just having a good time making music together, with a goal of taking it one step at a time and just becoming better musicians.  While they really seemed to share a mutual love for making music, they definitely came across as humble and even critical of their own music. However, as soon as they took the stage, the crowd's energy surged to an all-time high. People were moshing, stage-diving, crowd surfing, and just having a great time throughout the hour long set (check out ANCHR's Instagram for a video of the action).  With each song, the Quad-Cities band just kept feeding the energy back, and they displayed raw talent and such incredible musicianship.  Needless to say, they definitely underestimated themselves in our interview. If you're in the Quad-cities area, you need to see this band perform.  There couldn't have been a better ending to Daytrotter Downs Day 1...

Stay tuned for our interview with Mountain Swallower

Stay tuned for our interview with Mountain Swallower

Stay tuned for more live updates on our social media accounts today, and check back tomorrow for Day 2 highlights.