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Live Recap: BANKS Makes Her Chicago Comeback on the Eve of Third Album Release

The House of Vans Summer House Parties concert series always presents a wide array of different artists— from pop to hip hop and rock, the Summer House Parties give music fans in Chicago an opportunity to see some of their favorite artists or discover new ones.

This past Thursday night, the venue hosted an evening curated by one of my personal favorite artists: BANKS, who brought her raw and vulnerable R&B infused pop tunes to the stage in Chicago for the first time since 2017. The evening not only marked BANKS’ comeback to Chicago, but in general; With her third album being released at midnight the night of the show, this performance celebrated the beginning of a new era. Fans that had lined up around the block to attend this House of Vans performance were undoubtedly excited to hear some of the newer material performed in front of them for the first time ever, but they were also eager to revisit some of their old favorites from BANKS’ first two albums: Goddess and The Altar. When BANKS appeared on the dimly lit stage to an enthusiastic welcome, she delivered several throwbacks in the first section of the set; After opening with 2013’s “Waiting Game,” she followed up with “Fuck With Myself” and “Gemini Feed.” These songs, with their personable sentiment and their gut-wrenching sense of honesty, allow for fans to truly feel and connect with the music. In the live sense, that connection only intensified thanks to BANKS’ emotive and earnest vocals, which swirled together with moody lighting and theatrical dancing to create an immersive experience.

The production element of Thursday night’s show and BANKS’ stage presence in general seemed more developed since her last performance here— the singer appeared more at ease in front of an audience, even as she bared her soul through her lyrics. Just like her stage persona, BANKS’ new songs like “Gimme,” “Contaminated,” and “Look What You’re Doing To Me” from the new album all seem to have more intricate layers to them, signifying the growth that the songwriter has experienced in the last couple of years. As the night continued on and BANKS poured her energy into performing her songs from the past and present, the concert felt like a cathartic therapy session for both her and everyone in the crowd. When it came time for the show to end, the mood in the room was bittersweet, but BANKS’ return had been well worth the wait. After Thursday’s show, it’s clear that BANKS is back in full swing, and if you loved the show as much as I did, you don’t have to wait long for her return— BANKS will be performing at The Riviera Theatre in September with Kevin Garrett.

Photos of the BANKS House of Vans show-featuring special guest Anna Lunoe

Keep up with BANKS on Twitter // Facebook // Instagram

Live Recap: The Wombats Bring New Music, The Hits, and Infectious Energy to Their Lollapalooza Aftershow

This past Thursday night, The Wombats closed out the first day of Lollapalooza 2018 with a sold out aftershow at Lincoln Hall

As the clock struck midnight, hoards of music fans had piled into Lincoln Hall to celebrate the end of the first day of Lollapalooza with The Wombats. Although they had just performed out in Tinley Park with The Pixies last month and at Lollapalooza earlier that day, the last time The Wombats had performed as a headliner in Chicago was more that two years ago, when they played The Metro in support of their album Glitterbug. Despite the late start time of the aftershow, old and new fans of the band buzzed with anticipation during the moments leading up The Wombats’ entrance to the small stage, everyone anxious to hear some of their old favorites as well as the freshest material from this year’s Beautiful People Will Ruin Your Life.

The set began with the new; The group opened with “Cheetah Tongue,” the first track off their fourth studio album, but from there on, the setlist took twists and turns through The Wombats’ extensive catalog of material. Following “Give Me a Try” from Glitterbug, the band threw it back to 2011 and 2007 with “1996” and “Kill The Director.” While The Wombats did a great job at compiling a setlist of songs that highlighted each of their album eras, one of the best experiences of the show was looking around and seeing fans scream the lyrics along with lead singer Matthew Murphy and dance throughout the night with unwavering gusto, during every single song. Murphy and bandmates Dan Haggis and Tord Øverland have continuously mastered creating music that blends clever and sharp narratives with danceable melodies and grooving bass lines, allowing for fans to connect with the lyrics while dancing it out.

Live, the trio translates their records to life with a keen stage presence and unmatched chemistry, which stems from their years and years of playing music together. Despite their grueling tour and travel schedule as of late and the fact that they had played Lollapalooza earlier that afternoon, The Wombats never skimped on the energy during their show at Lincoln Hall; Øverland still delivered his signature kicks and jumps as he played bass and Murphy often paraded around the stage with his guitar. The entire room was already beaming from ear to ear as the set came to a close, but the band still had one more surprise up their sleeves. During iconic tune “Let’s Dance To Joy Division,” three people dressed up head-to-toe in wombat suits rushed the crowd and stage to close out the night, and everyone (even the wombats) clapped along to the athemic bridge of the song.

Following the humorous guest appearance, The Wombats (the band) returned for an encore, bringing along the costumed wombats again. The three song encore consisted of one of their recent singles, “Turn,” “Tokyo-Vampires & Wolves” from their earlier days, and “Greek Tragedy” from their third album, once again equally representing all of their eras. No matter what year your favorite song from The Wombats comes from though, there’s no denying their music and their live show has a timeless quality to it; it will always be a challenge to find anyone having a bad time at a Wombats show.

Check out photos from the show below, and see where you can catch The Wombats next here. 

Listen to Beautiful People Will Ruin Your Life in full below.

Bonnaroo 2018 Saturday Highlights

Saturday at Bonnaroo featured tons of incredible shows from artists of every genre. In fact, the schedule was so jam-packed that it left a lot of fans wishing they could be two places at once due to conflicting shows. Here are some highlights you may have missed from the third day of Roo if you were busy hopping from show to show. 

POND Crowd Surfed During Their Second Song

POND took the stage bright and early on Saturday afternoon, breaking in the This Tent with their psych rock jams and laid back attitudes. The band let the crowd know that their Bonnaroo performance was the very last show of their recent US tour before they return home to Australia, and they definitely went out with a bang. Frontman Nick Allbrook began the set on the right foot, immediately jumping into the audience to crowd surf during the second song. From there on, the energy remained high, with Allbrook sauntering around the entire stage, jumping down at certain points to go up to the fans at the barricade. The crowd’s energy remained right up there with the band’s, with everyone dancing and singing along despite the extreme heat. 

POND Frontman Nick Allbrook

POND Frontman Nick Allbrook

Chance The Rapper Crashed Knox Fortune's Set

Chicago Producer and singer songwriter Knox Fortune has garnered buzz for his work with rapper Joey Purp, but more notably for singing the hook on Chance The Rapper’s song “All Night.” Naturally, when rumors surfaced on Friday that Chance The Rapper had been spotted around the Bonnaroo campgrounds, some clever fans began to speculate whether or not Chance might join Knox Fortune’s set to bring their collaboration to life. Sure enough, towards the end of Knox’s afternoon set at the That Tent, some lucky fans were able to witness a rare special performance of the track when Chance came onstage to perform his verses. Chance hasn’t made any other pop up appearances onstage this weekend, so this may have been the only chance to catch him (pun intended). 

Knox Fortune at The That Tent

Knox Fortune at The That Tent

Rag'N'Bone Man Apologized For His Dancing

British singer songwriter Rory Graham, aka Rag’N’Bone Man, combines his raw, bluesy vocals with soulful pop melodies to craft addictively catchy songs that made for a great sing along during his set. The success of his single “Human” from his debut album also of the same name attracted hoards of fans to the This Tent for his evening set. During his set, Graham displayed his humble nature, often thanking the crowd for turning up and making self-deprecating jokes. He told the crowd that playing festivals in the states can be quite daunting since he always thinks no one “knows who the fuck I am,” and he seemed genuinely touched at how many people turned up to watch him. All of the fans who showed up were treated to stripped down introductions and intricate arrangements of Graham’s songs, as well as some laughs when he chatted between tunes. “I apologize for my dancing,” Graham said, recalling a time someone wrote a review of his show saying he was good, but his dancing is awful. We’re all for his dancing here though since Bonnaroo is about radiating positivity. 

Rag'n'Bone Man at the This Tent

Rag'n'Bone Man at the This Tent

A Blow Up Doll Crowd Surfed During Post Animal

Our pals in Post Animal made their Bonnaroo debut last night to an overflowing and hyped up crowd at the Who Stage. Although their set time clashed with some other major shows, including Bon Iver’s first set, fans still flocked to see their second ever festival performance, following last month’s debut at Shaky Knees in Atlanta. Throughout the past couple of years, the group has beefed up their live show, honing in on their song transitions and arrangements to make for a special experience of their songs that you can only get at their live shows. Their efforts to put on a smooth and engaging show didn’t go unnoticed by their enthusiastic crowd, who immediately opened up a mosh pit and crowd surfed throughout the 45 minute set. One audience member brought a blow up doll with them, which surfed above the crowd and even ended up on stage at one point. Post Animal has never been known to put on a tame show, but last night was definitely one of the wildest. You can catch their next major festival performance later in the summer, when they take the Lollapalooza stage for the first time. 

Justin Vernon Brought The Eaux Claires Spirit to the Second Bon Iver Set

When Bon Iver’s first set of Saturday night consisted mostly of songs from the album 22, A Million, fans began to speculate that the later set would include some of the classics from the earlier days. However, Justin Vernon took a completely different approach by turning the set into a collaborative performance piece. The collaborative vision closely tied into the mission of Vernon’s hometown festival in Eau Claires, Wisconsin, which frequently features surprise sets and crossover between bands and artists during their shows. Not only did the Bon Iver show last night have special guest appearances, but dancers also accompanied the music for certain songs. Coupled with the intricate lighting design, the dancers tied together the show’s production level. As for the musical guests, Vernon first invited Francis and the Lights early on in the set, before welcoming him back to perform their hit “Friends”…with both Vernon and Francis joining in on the dancing. Other guests included Moses Sumney and Sylvan Esso, with the latter coming out on stage to perform “Flume” with the band, as well as their own song “Coffee.” Vernon even invited Parkland survivor Aalayah Eastmond out to speak about gun control, adding some activism into the set. Overall, the show was completely unique to most Bon Iver shows you’d catch, which made for the perfect ending to Bonnaroo’s third day. 

Don't forget to also check out our Thursday and Friday highlights, and stay tuned for coverage of the final day today!

LIVE: Wolf Alice Returns to Chicago to Play Their Biggest Show Yet at Metro

This past Friday night, The Metro hosted an unforgettable show with Wolf Alice and The Big Pink

After fellow Londoners in The Big Pink warmed up the already jam-packed Wrigleyville venue, the crowd buzzed with anticipation for Wolf Alice to take the stage. Returning for the first time since July, when they played a special, one-off show at Schubas Tavern, the four piece had yet to play Chicago since the September 2017 release date of their sophomore album, Visions of a Life. For many of the fans at The Metro, this would be their first time seeing Wolf Alice in years, as their special Schubas show sold out in minutes, allowing just under 200 lucky fans to get tickets.

This time, more than 1,000 enthusiastic fans enthusiastically soaked up Wolf Alice’s remarkable live show. Very few bands are able to create something as special as Wolf Alice does, without any fancy bells and whistles or special effects; their live shows are driven by each band member leaving everything they have on the stage each and every night. Throughout the band’s entire discography, lead singer and guitarist Ellie Rowsell has demonstrated an incredible, emotive ability with her vocal range and technique, singing in a delicate falsetto in one song (or even one moment of a song), before transitioning right into a hearty growl in another. Live, Rowsell not only keeps up with her vocal ability in the studio version, she amplifies the power behind each and every lyric. Just like Rowsell throws her emotions and entire energy into her singing onstage, she and her bandmates all do the same with their instrument playing. Throughout the show, bassist Theo Ellis and guitarist Joff Oddie remained in motion the entire time, flinging around their guitars, holding their instruments up, and stepping out onto the edge of the stage to add even more passion into their already energetic playing.

The concert on Friday acted not just as a return for Wolf Alice to play new songs, but it happened to be the band’s biggest headlining concert in Chicago yet, Ellis told the crowd. Despite the size of the crowd, everyone remained hooked on the show the whole time as the band played through songs old and new. Wolf Alice kept the audience on their toes as they weaved in songs from 2015’s My Love Is Cool with 2017’s Visions of a Life, following up new songs like “Don’t Delete The Kisses” and “Planet Hunter” with “Bros” and “Lisbon” from the debut record. When the set started winding down, Wolf Alice treated the crowd to a surprise, when they brought out a fan to accompany them during their hit Moaning Lisa Smile.” Prior to the show, the band had tweeted asking for fans to send them videos of them playing the track on guitar, and guitarist Elaine Simmons from St. Louis made the cut. Simmons took over the guitar playing for Rowsell, allowing Rowsell to have the freedom to roam around on stage rather than remaining stationary by her microphone stand.

After an explosive performance of the fast-paced song “Fluffy,” the band left the stage, only to be summoned back for an encore. Juxtaposing the gritty performance of “Fluffy,” the encore started with the goosebump-inducing and stripped back track “Blush” from the band’s earliest EP. Rowsell commanded the sold out crowd’s attention with just her voice and guitar at the start of the song, and even as the song built up, the audience remained hypnotized. The spell broke and everyone went wild for the final song of the night; “Giant Peach." Rowsell ended the magical evening on a high note, stagediving and crowdsurfing at then end of the song. 

This show may have been Wolf Alice's biggest Chicago show yet, but as the sea of devoted fans filed out of the theatre with huge smiles plastered on their faces, it was clear that the band will be warmly welcomed back, only to play bigger and bigger venues.

Photos of The Big Pink and Wolf Alice at Metro 3/30/18

Wolf Alice remains on tour throughout the Summer--do not miss them in a city near you. See all of their tour dates here, and listen to Visions of a Life in full below:

LIVE: Alvvays Enchants a Sold Out Metro Last Friday Night

As soon as the doors opened at the Metro last Friday night, the Wrigleyville venue was completely packed with eager fans excited for Alvvays' sold out show. Throughout the crowd you can hear fans talking about their favorite melodramatic songs and the hopes that Alvvays would play everything they wanted to hear, heightening the anticipation of the band's appearance even more. 

Molly Rankin of Alvvays at the Metro on 3/23/17

Molly Rankin of Alvvays at the Metro on 3/23/17

Fronted by Molly Rankin, the indie pop group hit the stage and began strumming to the venue, filling it with downtempo melodies and honest, lighthearted lyrics. Not every song was low beat, though; "Your Type” and “Plimsoll Punks”, from the 2017 release album Antisocialites picked up the pace, allowing fans to stomp along to the beat and even encouraged a few crowd surfers to float around the room. “Forget About Life” casted a beautiful singalong throughout the concert hall. 

Near the end of the set, the band's hit “Archie,Marry Me” made its appearance with its catchy rhymes and anthemic chorus. As you hear those lyrics “Hey, hey marry me, Archie," you can't help but want to grab the hand of your special someone “Tonight Tonight.” To make sure you don't miss Alvvays' magical show in a city near you, see their upcoming tour dates here. 

While you wait for Alvvays to come back through Chicago, revisit their latest album Antisocialites below!

LIVE: Middle Kids Bring Witty Banter and Sincere Songs to Lincoln Hall

This past Wednesday night, Aussie indie rockers Middle Kids brought both their sincere songs and witty stage banter to Lincoln Hall’s stage as part of WKQX’s Queued Up Artist Showcase. After Chicago’s own Glyders rocked the Lincoln Park concert venue, Middle Kids kicked off their roughly hour-long set with a new track from their upcoming debut album, called “On My Knees,” before moving into “Your Love” from the band’s debut EP. The latter, like most of Middle Kids’ EP, showcases lead singer Hannah Joy’s incredible vocal range and emotive tone that adds another layer to her intricate narratives.  

Live, the band adds even more depth to their thoughtful and personal stories told in the songs, with Joy moving around on stage and jamming with bandmates Tim Fitz, Harry Day, and touring member Pete Covington. The energy built up during “Fire In Your Eyes,” which Joy told the crowd was the first song she and Fitz ever wrote, and “Old River,” which had Joy working the whole crowd and the band playing an extended jam during the bridge. The mood came to a hypnotizing lull for the next song, a piano ballad on the EP named “Doing It Right” that Joy reconstructed as a guitar ballad, performed as a solo on her part. The stripped back solo placed a weight of vulnerability on Joy, but she wrapped the crowd around her finger with the flawlessly fragile performance. The spell broke when the full band returned and Fitz delivered some banter about spit bubbles before diving into their viral track “Edge of Town,” which has been hyped by everyone...including Elton John. Joy prefaced another new song called “Don’t Be Hiding” by telling the crowd that their shows act as a little survey to test out the new ones. One final new tune trailed after “Never Start,” acting as an encore. The new song may have been the last, but instead of displaying any signs of exhaust for the prior performance, Joy’s voice remained resilient, weaving in and out of falsettos and powerful harmonies with her bandmates, while possessing a strong sense of conviction.

The Sydney trio had only made their Chicago debut earlier this year, but with the stellar show they put on at Lincoln Hall, there’s no doubt we’ll be seeing lots more of Middle Kids soon.

Check out photos of Glyders and Middle Kids at Lincoln Hall, and catch them in a city near you soon! All tour dates can be found here.

Can't get enough Middle Kids? Listen to their debut EP below, and check out our interview with Hannah Joy here. 

LIVE: Tigertown and VÉRITÉ Kick The Week Off With a Bang at Lincoln Hall

Tigertown and VÉRITÉ gave a Friday night feeling to Lincoln Hall this past Monday night with their high energy and engaging performances.

Sydney-based Tigertown got the ball rolling right at 8PM, with their infectious and upbeat indie pop tunes and the style to match. Their roughly thirty minute set packed in songs from their first two EPs, called Lonely Cities and Papernote, as well as a few newer tracks. Tigertown’s most-played track “Lonely Cities” and their newest single “Warriors” were definitely crowd favorites, but the audience remained engaged even during the band’s unreleased material. In between songs, lead singer Charlie Collins radiated gratitude as she introduced each song. Although they were a long way from home, Tigertown put on a polished and humbled performance to get the crowd warmed up for VÉRITÉ. For fans of MS MR, CHVRCHES, and Bleachers, Tigertown is a band you need to have on your radar.

As the stage changed over to gear up for Kelsey Byrne (AKA VÉRITÉ)’s headlining slot, the room buzzed with the anticipation of fans itching to see the singer songwriter. The anxious energy bubbled over when the opening notes of “When You’re Gone” rang out just past 9PM, and Byrne glided onto a dimly lit stage. Although she’s been back in town twice this year to support Betty Who and Marian Hill, the last time Byrne headlined a show in Chicago, she played a sold-out Monday night show at Lincoln Hall’s sister venue, Schubas Tavern. During that show, Byrne expressed her appreciation for the room of dedicated fans, her voice wavering with awe of the support they’d shown an unsigned artist. This past Monday night, Byrne’s eyes glimmered with that same gratitude as she played an amplified and extended set for an even larger crowd in Chicago.

The dynamic set featured older favorites, as well as tracks from VÉRITÉ’s debut album Somewhere in Between, released June 23rd. While some of the songs sit towards the back of the VÉRITÉ catalog and may be well-versed, that didn’t stop Byrne from delivering 110% in her vocal performance and stage presence during every single song. With a minimal production aspect of the show that used only lights, rather than any screens or visuals, Byrne remained the sole focus of the crowd for the entire show. In the middle of her own songs, Byrne performed a cover of The 1975’s “Somebody Else” with the crowd echoing the words back. At that point in the set, the energy of the crowd peaked and remained in high gear, both the crowd and Byrne jumping up and down to the next song, “Solutions.” During that song, Byrne went so hard during that she cut her lip on her microphone, but she rallied through and delivered flawless vocals for the remainder of the set. The crowd danced and sang loudly along to songs like “Weekend” from her 2014 Echo EP and the recent single “Saint,” which is featured on the album. In between songs, Byrne never stopped expressing her appreciation for the audience, telling them she no longer has to wait tables on the side, thanks to their support. Although she’s performed in Chicago many times in the past, this last show marked VÉRITÉ’s strongest performance here yet.

By blending her powerful vocals and catchy melodies with her personal lyrics and honest, vulnerable stage presence, VÉRITÉ is gearing up to become the most relatable pop singer out there. Grab tickets here for all of the upcoming shows on this tour. 

Photo Gallery of Tigertown and VÉRITÉ 8.28.17

Keep up with VÉRITÉ by liking her Facebook page, and listening to Somewhere in Between below.

LIVE: Temples and Declan McKenna 8.2.2017

The British invaded Lincoln Hall on Wednesday, August 2nd for an evening of pure talent, charisma, and rock'n'roll. Kicking off the Wednesday night "after" show, which actually took place before this year's 4-day Lollapalooza, Declan McKenna and his band played in celebration of both his first Lolla performance and the release of his debut album What Do You Think About the Car? As McKenna played through crowd favorites like his debut single "Paracetamol" and his latest, "Humongous," he and his band jammed cohesively, feeding off one another's energy. His 45 minute set concluded with the high energy single "Brazil," with its impossible-to-get-out-of-your-head chorus. 

After a quick stage changeover, fellow Brits Temples took the stage to deliver a smooth and polished performance for the next 90 minutes. Combining a solid variety of songs from their debut LP Sun Structures and 2017's Volcano, the set flowed from start to finish with extensive jams and additions to songs that added layers to the live performance. The band's frontman James Edward Bagshaw sauntered around the small stage at the Lincoln Park venue, energy surging through not only Bagshaw and his bandmates, but the crowd and the band as well. A magnetic presence filled the concert hall as the crisp and perfected sound soared through the room during songs like "Certainty" and "Shelter Song." A lighting rig composted of chameleon, color-changing diamonds added another depth to the already enthralling performance from Temples. It's a rare feat when a band can develop such an engaging and evolved live show while still managing to sound flawless and in sync, but Temples made it look easy with their Wednesday night show. 

If you missed both Temples' shows at Lincoln Hall and Lollapalooza, check out their remaining tour dates here. 

LIVE: White Reaper at Mo Pop Festival

Not only is the music of White Reaper the ultimate nexus of charm and pure rock ‘n’ roll, but it is uniquely adrenalized as well. This is a trait that leaps from the record to the stage, as the band delivered an invigorating performance at this year’s Mo Pop Festival in Detroit, Michigan.

One of the most memorable aspects of White Reaper’s set was their banter between songs. They evaded the trap of appearing as musical robots who went through song after song without acknowledging the crowd by a wide margin, and instead revealed an innate ability to make the audience burst with laughter. Guitarist Hunter Thompson jokingly asked the audience if they were enjoying their sabbath, as the performance took place on a Sunday, and bassist Sam Wilkerson gave a shout out to his twin brother and White Reaper drummer Nick - who then promptly removed his shirt and pants before continuing with the rest of the set. White Reaper is effortlessly charismatic - something that will contribute to the band’s inevitable longevity just as much as their musical skill.

White Reaper at Mo Pop 2017

White Reaper at Mo Pop 2017

Perhaps one of the most enjoyable aspects of White Reaper’s live performances is simply watching keyboardist Ryan Hater. Taking full advantage of the fact that he does not have an instrument strapped to him, Hater jumps and thrashes - even making the occasional venture to the microphone to interact with the crowd. One of the most enjoyable aspects of watching live music is being able to witness the palpable cycle of energy that exists between a group of musicians creating art that they love, and a group of people who love their art. For White Reaper, Hater is a major catalyst for the radiation of this powerful electricity.

After reaching the conclusion of their set with the track “Judy French,” a single from their most recent album that drips with a delectable combination of goodness and grit, the previously quiet audience was in an uproar of applause and cheers. The audience had fallen White Reaper’s spell - an easy feat for a band that’s a refreshing combination of skill and stage presence.

White Reaper is hitting Chicago this week! They'll be at Lollapalooza Thursday, August 3rd at 12:45 on the Grant Park Stage. They'll also be opening a sold out show with Royal Blood at Lincoln Hall on Friday, August 4th!

Can't get White Reaper? Revisit our interview with them here

PHOTOS: Public at Schubas 7.25.17

Public is one of the most personable bands out there right now. If you come to their show, they want to know your story...what brought you to their music. They also want you to leave with something new; a takeaway from their live performance that you can't find anywhere else. And during their hour long set on Tuesday night at Schubas Tavern, the trio delivered exactly what they set out to at the start of tour; a unique experience that put each member of the audience in a better mood and higher spirits than when they entered the concert hall. By the end of the night, even the most tame members of the crowd had found themselves out of their chairs and dancing in the crowd.

Although the dancing reached its peak during the final song of the night "4Her," songs like "Pretty Face" and "Make You Mine" also had the crowd moving. In our interview before the show, frontman John Vaughn described his vision of their developed live show this tour, and their set went above and beyond what he explained. Before the trio played "Make You Mine," towards the end of the set, Vaughn gave the crowd some insight to his inspiration behind the song. These introductions occurred before most of the songs, acting as another way to keep the crowd engaged. The majority of the songs also featured special arrangements or extended jams between the band members that you can't hear on the EPs Sweet Lemonade or Let's Remake It. Mixing things up even more, the set also featured a very well-received cover of "Toxic" by Britney Spears. 

If you're looking for a truly unique concert experience, make sure you go see Public on the remaining dates of their Sweet Lemonade Tour. You can see all of the tour dates here, and check out a photo gallery of their show below. 

While you wait patiently for our interview with Public, in which they reveal their most recent Google searches, each others' pet peeves, the secrets behind their show and more...listen to the Sweet Lemonade EP in full below!