ANCHR Magazine

Holding you down with the best new music

Filtering by Category: Reviews

Twin Peaks Ring in 2018 With a Three Night Run at Thalia Hall

This past weekend, Chicago's DIY rock heroes Twin Peaks proved that you can go big and go home, with an incredible three night, sold out run at Pilsen’s Thalia Hall. Taking over the historic building from Friday night through New Year's Eve, Twin Peaks not only cultivated a diverse support bill of local up and coming acts, but all three nights included an intricate stage set up and special appearances that celebrated the current Chicago music scene. One of the band's latest songs from their Sweet '17 Singles series "We Will Not Make It (Not Without You)" acted as the theme of the weekend, paying homage to the friendly and familiar dynamic of the Chicago scene; a dynamic where artists lift up fellow artists in the buzzing collective of talent that the city has to offer. 

The first night of the weekend's all local lineup began with Sun Cop music, followed by Knox Fortune as the main support. The brainchild of musician and producer Andrew Humphrey, Sun Cop's set immediately displayed the attitude of friendship and supportive nature that threaded throughout the weekend, with Twin Peak's Colin Croom joining Sun Cop's live band lineup for the night. Croom's appearance on stage proved to be another common theme, when he also joined Knox Fortune for his biggest show in the city yet. Although Knox Fortune has attracted attention over the past couple of years working with the likes of Chance The Rapper, singing the hook on the hit "All Night," he only played his first official show in November this year; a sold out headlining set at Lincoln Hall. Knox Fortune's set highlighted this city's ability to show support and collaborate across genres, and it also featured a special appearance from his frequent collaborator Joey Purp. 

Twin Peak's set on night one set the bar high for the entire weekend, but each night only got better, with them continuously delivering the high energy and rambunctious sets that their fans have come to know and love, with all sorts of surprises. Twin Peaks is already unique enough with their lineup in that they all pitch in to write the songs, and four out of the five members alternate singing lead and are multi-instrumentalists, but these shows featured an even bigger and more layered sound than what the core members can create on their own. Joined by a horns section and local duo OHMME singing backup, Twin Peaks filled the Pilsen concert hall beautifully. The production of the night also added in another facet to these special shows, with props including pine trees and an actual motorcycle suspended from the ceiling. Of course, the night also ended with a shower of confetti raining down on the audience from the balcony. 

Night two only amplified the magic of the previous night, with a whole new set of support acts and another fun spirited crowd ready to reciprocate the energy that all three bands exuded from the stage. Warming their fellow Chicagoans up on the frigid Saturday evening, trio DEHD captivated the large room with their retro garage rock tunes. The group includes NE-HI's Jason Balla and Lala Lala's Emily Kempf taking turns on vocals, and drummer Eric McGrady forgoing a full drum set to create a unique setup with floor toms. Next up, psych rockers Post Animal cranked up the volume, performing some of their most popular songs like "You Were Not There," "When I Get Home," and "Special Moment" with refreshed and fleshed out arrangements that showcased their skills as guitarists. Post Animal supported Twin Peaks for one of their Thalia Hall shows last December, and have since had one hell of a year, touring with Twin Peaks, WAVVES, White Reaper, and recently announcing their signing to Polyvinyl records. The local scene and now the national rock scene have come to love the group for their massive stage presence and ability to shred on the six string, and their set on Saturday only got even more bold when part-time band member Joe Keery made a rare appearance for the last song in the set. With Post Animal, it seems you can never have too many guitar players. 

Twin Peaks' second set of the three-night stint once again featured the same expanded lineup, as well as the confetti and custom stage setup, but the band did a great job at diversifying their setlist each night. Every night, the set heavily featured a lot of the group's latest material that has come around the past several months as part of their Sweet '17 Singles series, but they rearranged the order each night to keep the crowd guessing. One of this year's singles "Shake Your Lonely" features vocalist and friend of the band's Marisa Nakamura on the studio version, so of course they brought her out every night to sing it with them. Each night also had the Twin Peaks staples like "Making Breakfast," "Butterfly," and "Walk To The One You Love," but the band mixed in some rarities to all three sets. On Saturday, they also ended with another staple "Boomers," although they played it second on the first night and in the middle of the set the third night. 

Just like that, the final night of Twin Peaks Thalia takeover fell upon the city, and another sold out crowd quickly filled up the concert hall on Sunday night. Thanks to the Twitter humor of the NYE performers NE-HI, every concert-goer that evening had the opportunity to chow down on a complimentary Chicago dog, courtesy of Goose Island. With full bellies, the crowd watched Today's Hits kick off the show at 9PM; their set once again highlighting the friendly nature of the local music scene, as both Cadien Lake James and Colin Croom dropped in during Today's Hits short set. Today's Hits lead singer James Swanberg returned the favor later in the night, making an appearance during Twin Peaks' set. 

Hot dog heroes NE-HI took the stage next, lead singer Jason Balla taking the stage for the second time that weekend. Like most of the artists who were a part of this NYE weekend extravaganza, NE-HI have also had an incredible year, touring nationally, releasing their sophomore album, and performing at Pitchfork Music Festival. The four piece put on an unforgettable show every time, with Balla thrashing and jumping around as he sings, while other members James Weir and Mikey Wells follow suit and gain some serious air while leaping around. Their set featured a mix of songs from their self-titled debut, 2017's Sophomore record (Offers), and some new material. 

Twin Peaks' final set of 2017 began just an hour before midnight and once again had some rarities and a rearranged order in their setlist. The crowd surfing commenced during the first song and lasted throughout the night as it had the previous two nights, but everyone seemed to be giving even more of their energy back to the band since it was their last show of the year. The show paused right before midnight with a collective countdown between the band and the crowd, followed by confetti and some giant balloons entering the pit. The show continued on into 2018, wrapping up with the weekend's theme song "We Will Not Make It (Not Without You)," which bassist and vocalist Jack Dolan dedicated to everyone in the room. Even more confetti showered the room as the song wrapped up, providing the weekend's final surprise. 

Twin Peaks' weekend at Thalia Hall celebrated more than just the new year and a fresh start; it celebrated the creative community of Chicago and promoted kindness and friendship among artists and fans alike. These shows had a revitalizing energy and an unwavering spirit that you can only feel while watching live music played by a group of friends, with all your friends. 2018 holds even more promise for more nights like this in Chicago as so much of the city's music scene continues to grow. 

Relive some of the magic of the weekend by checking out our galleries of all seven bands from across the weekend. 

December 29th Gallery featuring Sun Cop, Knox Fortune, and Twin Peaks, shot by Christian Heinzel

December 30th gallery featuring DEHD, Post Animal, and Twin Peaks, shot by Rachel Zyzda

New Year's Eve featuring Today's Hits, NE-HI, and Twin Peaks, shot by Rachel Zyzda


Twin Peaks will undoubtedly be back on the road a ton in 2018, as well as producing the hits as usual. While you await more new music, re-listen to all of their 2017 singles below, and check out the band's upcoming tour dates here. 

LIVE: Mutts and Campdogzz at The Hideout 12.16

Mutts blew through the roof on Saturday night at cozy, quaint, middle of nowhere road stop – The Hideout. Opening up with fan favorite and especially relevant, “Everyone is Everyone,” the guys were not just charged up, but feeding off of a bustling crowd. Mike Maimone navigated through the night ranging old to new, in celebration of their new EP Stick Together. With songs like “I’ll Be Around,” Maimone emphatically shared the importance of being there for people when they need it most - a particularly special message for a room filled with friends and locals galore. The group stopped for breath and slowed down the pace with their spin of Gillian Welch’s “Look At Miss Ohio.” A beautifully moving and mesmerizing piece bolstered by Maimone’s conviction on the keys.

This team of three make it impossible to stand by idly watching. When Maimone lifts himself from his seat, the music doesn’t stop at just your ears. At several points throughout the night, all bets were off when Maimone took the songs to new heights and placed his foot atop the keys. The Mutts haven’t a need for restraint or courtesy, their austerity is punched through every lyric and supporting note.

Maimone continues to lead the way with a mindful attack on the keys that you can see quite literally in his positioning behind them. He likes to make it a game of tug of war, sometimes pulled softly then carried to a consistent build, and by the end of each song your heart feels the last tug to victory. Just as the trio was ready to close out the night and have a beer with the crowd, the packed house stomped for one more song, and the band obliged. Needless to say, the night was intimate, loud, and unfailing for the hometown scene.

The guys pick it up again, and are heavily booked for the beginning of the new year. You can follow them here. While you await their next hometown show, check out photos of their set, as well as a few of fellow Chicagoans an ANCHR favorites; Campdogzz. 

While you wait for the next Mutts show, listen to their latest EP in full below!

LIVE: The National and This is the Kit Wrap Up Tour With an Operatic Show at Chicago's Civic Opera House

The National and This is the Kit ended their tour at Chicago’s Civic Opera House with an operatic and dynamic show.


This is the Kit, the brainchild of Kate Stables, warmed up a full house at the Civic Opera House on Wednesday night. Their 30 minute set started with the lead track off This is the Kit’s 2017 album Moonshine Freeze, “Bullet Proof,” with Stables’ flawlessly smooth vocals ringing out into the magnificent theater. For the remainder of the set, the Sad Saxes joined the rest of the band to deliver an extra layer of dynamics to the harmonious group, and Aaron Dessner of The National even joined the lineup. Dessner had not only produced This is the Kit’s prior album Bashed Out, but lent his musical skills to their latest record. Live, the title track “Moonshine Freeze” took on a bold arrangement with a call and response effect between Stables and Rozi Plain of the group. Concluding their gentle performance that acted as the perfect way to ease the crowd into The National’s set, Stables thanked not only the crowd, but the entire crew of the tour, mentioning that the last night of tour was bittersweet.

Before The National hit the stage, Marty Lennartz of 93 XRT introduced the band as the perfect outfit to play at such a grand venue like the Lyric Opera House. Between their wide ranging sonic soundscapes and lead singer Matt Berninger’s sweeping vocal range that cuts right through you, The National filled the space perfectly and lived up to Lennartz’s introduction. Leading up to the operatic and emotional two hour show, the backdrop showed video of the band leaving their dressing room and making their way to the stage, and throughout the night the backdrop shifted to different videos and colored lights. Opening with “Nobody Else Will Be There,” the first part of the setlist payed homage to the band’s 2017 album Sleep Well Beast, which came out in September. Although the tour was in support of the latest record and the majority of those 12 tracks were scattered throughout the setlist, songs from The National’s other six studio albums and back catalog were sprinkled in between the newest songs. Among the old favorites that made their way onto the setlist of The National’s second sold out night in Chicago, “Lemonworld,” “Fake Empire,” and “Pink Rabbits” received some of the biggest reactions. The crowd stayed with the band the whole time, hooked on the way that the tone could switch from a haunting piano melody and delicate vocals in a song like “Carin at the Liquor Store” to Berninger’s growling vocals and the amplified “Squalor Victoria.”

Between the magnetic energy of Berninger's stage presence, the one-of-a-kind setlist, and the beauty of the venue, the closing night of The National’s tour proved to be another magical night for live music in Chicago. Check out photos from the special evening below, and keep up with all of The National news here.

While you wait for the next tour from The National, listen to Sleep Well Beast in full below!

PHOTOS: The Evening Attraction and Blue Dream at Schubas 12.7.17

Treehouse Records presented Blue Dream's record release show for their new 7" featuring "Freedom Eyes" and "Who Stole The Flowers." Strange Foliage and The Evening Attraction kicked off the show at Schubas this past Thursday night, getting the crowd warmed up for Blue Dream's exuberant headlining set. Check out photos of the incredible show below!

Order your own copy of Blue Dream's new single here, or listen to it in digital format below! You can also see The Evening Attraction back at Schubas January 5th...grab tickets here

Can't get enough Blue Dream? Check out our interview with them. 

LIVE: Molly Parden and David Ramirez at Schubas 12.02.17

Molly Parden felt right at home opening up for David Ramirez at Schubas Tavern Saturday night. The two complimented each other in the most unique way. Molly's presence warms you up with soft ballads, silky measures, and heartbreakingly raw lyrics. Then, David jumps on to stretch that out, do a little yelling, and turn up the volume to make you feel emotions aplenty during their one night at arguably Chicago's most charming venue.

Molly's guitar makes way as an extension of herself carrying light chords with heavy hitting lyrics to reach every person from wall to wall, talking soul search to heartbreak. The ease on stage lent to this beautiful conversation between her, her severing sound, and the crowd in front of her. Her reflective nature makes you sink into every love lost, love gained, and love you hope to have someday away. She was joined by David's keyboardist, Matthew Wright, for the back half of her set. The pair were nothing short to an explosion of intimacy and pristine melodic banter. They shared a sort of ping pong match between Molly's daring words and Matthew's striking heartbeat through the keys. 

Molly also carried a subdued humor that set an affable tone for her show while noting her break from a contemporary Christian music upbringing, finding her space in the Nashville scene, and her ongoing new discovery of 90's music. Following that up, she surprised the crowd with her impassioned take on Gin Blossom's classic, "Found Out About You." Her music spins around very pointed moments in time, spaces and traces in a lifetime. She shared her lust for Kentucky in Kentucky, her influential Georgia roots, and just how much Chicago means to her. 

Molly Parden is a powerhouse wrapped up in a soft package; Wearing white Chuck Taylors, playing an acoustic guitar, she helps hearts navigate waves of longing and loss. Her latest transparent single, "Sail On The Water", follows her fervent 2016 With Me In The Summer album release, and she admittedly adheres to a slow moving writing process. It's hard to wait, but at least that means she nurtures these seeds with such care and grace that it is worth the passing time.

Molly will be riding along with David through December. You can follow the rest of their tour here. 

For more on Molly Parden, check out our interview with her here!

LIVE: Jungle and NoMBe Bring The Moves and Grooves to Metro Chicago

Los Angeles based singer, songwriter and producer NoMBe warmed up the Metro stage for Jungle this past Monday night. He hit the stage with a surge of energy and never decelerated until he left the stage, only getting increasingly amped up as his set went on. From singing directly to fans in the front row to hopping down from the stage to dance with the crowd, NoMBe stayed connected with his audience while he performed singles like "Jump Right In" and "Can't Catch Me." 

By the time Jungle hit the stage, the crowd had been loosened up and their spirits were left high after NoMBe's infectiously positive attitude. London's Jungle made their highly anticipated and long awaited return to The States when they walked onstage that night, kicking off their North American tour right here in Chicago. The last time the soulful supergroup had performed in town had been in 2015 at Concord Music Hall, but they were quickly embraced by the sold out crowd at Metro on Monday. Their roughly hour long set included old favorites like "Drops," "Busy Earning," and "Time," but it also included a few fresh tunes that had never been played in America before. Fans at this Red Bull Sound Select got an exclusive teaser of what's to come when Jungle finally releases a follow up to their 2014 self-titled debut. While the new material definitely had a new spin on it, every song that Jungle played on Monday had the crowd moving along to their jams. The band members also remained in constant motion, feeding off one another and the audience. If you missed out on the show, relive some of the magic with our gallery below, and see the rest of Jungle's upcoming tour dates here

Keep Up With Jungle on Social Media:

Facebook // Instagram

LIVE: Hockey Dad Kicks off Rowdy Night with The Frights at Lincoln Hall

Australian duo of Zach Stephenson and Billy Fleming (AKA Hockey Dad) packed a punch with their opening set at Lincoln Hall on Saturday night. Supporting Vundabar and The Frights, the pair exuded as much energy of a band twice their size, bringing the talent and banter to reel in the crowd. The crowd didn't let Hockey Dad's infectious levels of energy go unreciprocated; by the middle of the set people were stage diving and crowd surfing, despite the set being so early. Their 30 minute set included songs from their debut album, Boronia, as well as their new single "Homely Feeling." They closed out their show with the catchy single "So Tired," which had a large portion of the crowd singing along. The crowd surfing and sing alongs continued over into Vundabar and The Frights' sets that followed.

Although Saturday's performance was a rarity, since Hockey Dad seldom make it over to the states, they were so well received that they'd be welcomed back at any time. See the rest of Hockey Dad's North American tour here, and check out photos of their set below! 

While you wait for Hockey Dad to return, check out the video for their latest single below, and follow 'em on social media.

Hockey Dad: Facebook // Twitter // Instagram

LIVE: Maybird with The Aces and Joywave at Lincoln Hall 11.21.17

The Brooklyn-via-Rochester quartet Maybird kicked off a stacked lineup at Lincoln Hall last Tuesday, warming up the stage for The Aces and fellow Rochesterians in Joywave. Their short, but sweet set brought retro-tinged, warm tones reminiscent of 1960's and 1970's psych rock. While they jammed during songs from their latest EP, called Unraveling, the band members exuded an easygoing chemistry between one another. Although Maybird has been around for a few years, they mentioned this was their first performance in Chicago...but based on the crowd's engaged response throughout the set, they should be back soon. Check out photos of the entire show from Emily Nava below. 

Keep up to date with Maybird by following them on social media, and listen to their entire Unraveling EP below!

Maybird: Twitter // Facebook // Instagram

LIVE: Overcoats and Moonrise Nation Brought Harmonies, Friendship, and Female Empowerment to Lincoln Hall

Overcoats and Moonrise Nation played to a packed Lincoln Hall last Friday night, providing a sense of friendship, unity, and empowerment of women.


After Moonrise Nation's stunning and harmony heavy opening set, a sense of anticipation built up as a large “O” light glowed at the back of Lincoln Hall’s small stage, welcoming the duo of Hana Elion and JJ Mitchell back to the Lincoln Park venue. The pair had performed on the same stage back in January, opening for Caroline Smith as part of the annual Tomorrow Never Knows festival. Since that performance, Overcoats released their debut album and toured the country--returning to Chicago to headline Schubas and play Millennium Park. Each time, the show has evolved, and Elion and Mitchell seem to impossibly improve upon their already stunning and synchronized show, which has always been full of grace, poise, and so much talent. 

The set on Friday started with the pair of best friends and their drummer (who is gaining recognition for his solo project Soft Glas) making their way onstage to a dramatic, yet ambient entrance music, which segued into "Smaller Than My Mother" from their album Young. The first half of the set included many of the popular tracks from their album, like "Hold Me Close" and "The Fog," but each song was only expanded upon and made unique in the live sense. Overcoats brilliantly mixed electronic and organic tones on their album by working with two producers (more on that here), and they manage to transfer that mix into their show. Between "The Fog" and "23," Mitchell addressed the crowd saying, "The future is intersectional feminism"; a statement greeted with cheers from the crowd. The theme of supporting women, especially women supporting other women, held up throughout the evening, with the pair introducing another song as being about "women lifting each other up." At their Schubas show earlier this year, they had mentioned a quote about empowering friends, saying just because someone else's flame is burning bright, that doesn't take away from your own flame, and that metaphor still seemed relevant at their most recent Lincoln Hall show and in everything that the pair do. After all, the band's official merch even included a sweatshirt that reads "Women Rule."

Besides the power of friendship that radiated from the stage, and the flawless execution of their songs from the album, Overcoats also brought humor and a few surprises to their show. Their cover of Hozier's "Cherry Wine" has gone viral on Spotify, and the pair performed it at the show, but not before taking requests for other covers. The cover mashup started with "Umbrella," and a fan even handed Mitchell their umbrella for added effects. In an effort to highlight their elaborate and custom merch, which included coats thrifted by Mitchell and Elion, the pair recited a skit about staying warm in Chicago, encouraging everyone to grab a coat or crew neck from them after the show.  

The pair also displayed such gratitude to everyone involved in their show, thanking the venue staff as well as their own crew, and shouting out the new album from their drummer, advising the audience to follow him on Instagram. Their set not only included the performance of "I Don't Believe in Us," which was only released two weeks prior, but a brand new, stripped down song during their encore. After the slowed down and rare performance, they ended the night with the energy ramped up to the max, performing "Leave The Light On" (complete with coordinated dance moves). 

From the dance moves to the between-song jokes and the constant presence of friendship, each Overcoats show is just full of an infectious energy that clings to the crowd as they leave the venue. In a time where bad news fills our newsfeeds daily, artists like Overcoats help provide a shield and a light with their art and their performances...almost like they're giving us a coat (wink, wink) of armor. 

If you missed out on the stellar show from Overcoats, relive some of the magic with our gallery by Emily Nava. 

Overcoats will be back with Tennis in January. Grab tickets here, and listen to Young in full below!

LIVE: Red Bull Sound Select's 30 Days in Chicago Celebrates the Halfway Mark with Parquet Courts and Built to Spill

Red Bull Sound Select celebrated the halfway mark of their 30 Days in Chicago this past Wednesday night with co-headlining sets by Parquet Courts and Built To Spill. Goodwill Smith and Meatwave opened the night.


As Chicago concert goers filed into the legendary dive in Ukrainian Village to see Built to Spill and Parquet Courts, the first 50 attendees were handed a token to receive a free copy of The Empty Bottle Chicago: 21+ Years of Music / Friendly / Dancing, just one of the perks of these Red Bull sponsored shows happening across the city this month. Upon entering, everyone also had the option to pick up some Red Bull Sound Select swag, including ear plugs.

The stage was set following Goodwills Smith's set, the clock struck 9PM, and Chicago’s own Meat Wave took the humble stage. Immediately the trio cranked up the volume to 100 percent, projecting out their energy with maximum noise, making those who took the earplugs grateful for their decision. At the beginning of Meat Wave's set, the venue hadn’t reached full capacity, but from the get-go, the crowd vibed with the fast-paced punk music, nodding their head in time and getting engulfed in the music. The three piece also vibed off of one another onstage, reciprocating the energy radiating through the crowd. The setlist included a fair mix of Meat Wave’s 2017 album The Incessant, like the title track and “Run You Out,” as well as the 2015 album Delusion Moon. By the end of the exuberant set, the crowd had completely packed into the intimate venue to watch the remaining two sets.

Built to Spill hit the stage next, immediately captivating the crowd with their intricately layered indie rock tunes that span multiple decades. Frontman Doug Martsch and his bandmates remained in sync with one another throughout their entire show, displaying such noticeable chemistry from their years of experience making music. During their hour long set, fans' eyes remained glued to the stage, watching as Martsch would manipulate and bend the tone and mood of their songs through the dials and pedals he had set up next to him on stage. This factor of Built to Spill's live show made us feel like we got a glimpse of the art in the making, like seeing a sculptor work in front of you or getting a look at the inside of a clock to see all the moving parts working together. Live, Built to Spill only builds upon their own songs, creating cinematic and sweeping jams that hypnotize the entire room. The fact that the group were a last minute addition to the original line up for Day 15 made the show so much more special. 

Next up, Parquet Courts took the stage to close out the special evening, performing a mix of songs from their handful of albums, but the set started strong with tracks taken from 2016's Human Performance. Crowd favorites stood out as the aforementioned album's title track and "Dust," which both topped the setlist, instantly reeling in the audience. Besides playing a solid and diverse set list, the four piece from New York also mixed humor into their headlining set, quipping at each other or telling funny anecdotes between songs. Early on in the night, A. Savage pointed out the negative side effects of Red Bull, thanking them for sponsoring the show, but encouraging the audience not to drink it. The group also recalled that their first ever show in Chicago had been at The Empty Bottle about five years prior, which added a bit of nostalgia into the evening. Every show booked in celebration of Empty Bottle's 25th anniversary has had a special piece of history embedded into it, and this show was no exception. 

As Parquet Courts set began to wind down, Red Bull also provided the crowd with complimentary pizza slices, supplying the concert goers with a perfect midnight snack. To experience the eclectic mix of music that Red Bull Sound Select has to offer for the remainder of the month, head here. You can also check out Empty Bottle's upcoming performances here. 

Gallery of Meat Wave, Built to Spill, and Parquet Courts, 11.15.17