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LIVE: HINDS Closed Out TNK Fest 2018 at Lincoln Hall

Madrid quartet HINDS was number one on our most anticipated acts of TNK Fest 2018, and they definitely did not disappoint during their show this past Sunday! They closed out the annual winter, multi-day and multi-venue festival at Lincoln Hall, following rowdy performances from openers Peel and Sløtface.

Bursting onto the stage to the sounds of “You Sexy Thing” by Hot Chocolate on the house speakers, the four piece immediately let the audience know that they were in for a light hearted and energetic performance filled with good vibes. The last time HINDS had played one of their endearing and energetic shows in Chicago was back in May of last year, where they packed The Empty Bottle for a free Red Bull sponsored show. The Lincoln Hall audience welcomed HINDS back to town with open arms; eagerly soaking up their irresistible and lively lo-fi rock tunes.

The band kicked off the evening with one of their most popular tracks, “Garden,” from the 2016 album Leave Me Alone, and the set that followed kept the audience engaged and enthralled from start to finish. Between playing even more crowd favorites from the same album, like “Castigadas En El Granero” and “Chili Town,” Carlotta Cosials talked about how Chicago almost felt like a second home to them, even though they came a long way from Madrid to play a small run of North American tour dates. In addition to the handful of shows HINDS have played in town, they also played an entire tour with Chicago’s Twin Peaks, and of course, Twin Peaks showed up to support their former tour mates and now friends for their show at Lincoln Hall.

The band also talked about some exciting news they had just shared earlier in the week; a new album and another expansive tour in the Spring. Accompanying the news of the album, I Don’t Run, HINDS released lead single “New For You,” which they played amongst their other setlist staples. After delivering nearly an hour of their catchy tunes at a non-stop pace, HINDS left the stage briefly, only to return for an encore that kicked off with a surprise. Twin Peaks members Clay Frankel and Colin Croom took the stage to give HINDS a hand with a cover of “Sweet Thing” from Twin Peaks’ Wild Onion LP, giving HINDS’ show in Chicago a special hometown touch.

If you missed out on this performance at Lincoln Hall, don’t sweat too much...HINDS will be back at the same venue during their upcoming tour! Grab tickets to their May 15th show here, and check out the rest of their tour dates right here.  

Photo gallery of Sløtface, Peel, and HINDS by Catalina Florea

While you wait for HINDS to come play in a city near you, listen to "New For You" below, and pre-order I Don't Run here

LIVE: Yoko and the Oh No's, Ron Gallo, and Diane Coffee at TNK Fest 2018

Diane Coffee’s live performances have a magical and magnetic quality to them that are nuanced to the point of almost transcending description. Their performances are immersive in the sense that the richness of it all makes it impossible for audiences to think about or focus on anything else aside from what is taking place onstage. By all means, that is a skill and a power. Such a beguiling spell was cast over the audience at Lincoln Hall last Friday, who gathered at the beloved local venue to see the band perform during the Tomorrow Never Knows Festival- an annual concert series that takes place at Lincoln Hall and its sister venue, Schubas.


Chicago's own Yoko and the Oh No’s warmed up the crowd at 9PM sharp with their lively rock tunes, unfortunately playing their last ever show to the already packed house. The announcement of the final show had been made only the day prior, and friends and fans of the group had flocked to see the final performance. The four piece, fronted by the exuberant Max Goldstein, brought every last ounce of energy they could to the Lincoln Park venue that evening. Goldstein and his bandmates remained in sync the whole time, delivering a stellar show that had the audience hooked and hoping for an eventual reunion of the band in the future. 

Nashvilles' Ron Gallo kept the high spirits going when he took the stage shortly after; kicking off his set with a trumpet, he monotonously read an introduction to his band and thanked the festival while a single spotlight shone down on him. Consisting of humor and good old fashioned rock and roll, Gallo's set had the crowd entertained from start to finish. The set contained some crowd favorites from his debut album Heavy Meta, like "Put The Kids to Bed" and "Young Lady, You're Scaring Me," but it also included brand new tunes from Gallo's Really Nice Guys EP, which had just dropped that morning. The audience reciprocated the energy that Gallo and his bandmates poured out onstage; moshing and dancing along to the music. Towards the end of the rowdy and fun-spirited set, Gallo even hopped off stage to join the crowd. If given the chance to see Ron Gallo, do not miss out on his engaging and energetic performance. 


After the impressive opening sets, Diane Coffee earnestly launched into “Mayflower” - a brassy, energy-charged track with lyrics that serve as a delightfully tongue-in-cheek commentary on consumerism. The savvy selection of “Mayflower” as an opener allowed its palpable energy to serve as blueprints for the remainder of the set; blueprints through which Diane Coffee crafted an incredibly memorable and engaging performance.

Diane Coffee finds their identity in their exploratory nature, both in sound and performance. Therefore, the band is able to perform a sonically diverse setlist with a clear sense of cohesion numerous styles, tones, and influences - thus giving their music a universal appeal and multi-elemental appeal. A physical testimony to this was the fact that the audience at Lincoln Hall was noticeably diverse in age. Diane Coffee’s work contains just enough classic elements to make it timeless, and the perfect amount of innovation to make it fresh and new all at once. Elements of grit, lightness, realism, fun, and innovation have a continuous presence that entirely harnessed the attention of the crowd. These creative juxtapositions are something that does not necessarily make sense, but Diane Coffee is able to seamlessly merge these elements in a manner that results in an engaging listening experience and a dynamic live set. For the entire time Diane Coffee was onstage at Lincoln Hall, nothing existed outside of the venue doors. They possess the ability to make the audience feel as if the rest of the world is melting away, and that’s a definitive nod to their talents as musicians and as a live entity.


One cannot discuss Diane Coffee without mention of enigmatic frontman Shaun Fleming. Dauntless and charismatic, Fleming embodies all it means to be an artist and an entertainer in every sense of both words. With a habit of performing in outfits just as exciting as the music he creates, Fleming excels in mastering all aspects of live performance: he engages the crowd in a manner that surpasses the traditional “How are you guys doing out there?”, performs his work with evident skill and care, and has an ability to turn each venue he performs in into something of a warm community. His performance at Lincoln Hall was certainly no exception to this magic. If Diane Coffee has proven one thing through their performance this weekend, it is that they are a group of artists who knows how to consistently deliver. That in itself is a noted key to success, and Diane Coffee has taken that key and swiftly unlocked the door.

Relive the magic of the evening by checking out our photo gallery of all three bands, shot by Rachel Zyzda. 

Keep up with all the Ron Gallo and Diane Coffee updates by following them on Social Media! 

Ron Gallo: Facebook // Twitter // Instagram

Diane Coffee: Facebook // Twitter // Instagram


Yoko and The Oh No's and Ron Gallo review written by Rachel Zyzda

 

LIVE: The Wombats with Courtship and Nation of Language at Brooklyn Steel 1.10.18

The Wombats stopped at Brooklyn Steel during their highly anticipated return to the U.S, in celebration of their upcoming album Beautiful People Will Ruin Your Life. Nation of Language and Courtship got the crowd warmed up.


At 8PM sharp, the lights in Brooklyn Steel dimmed, and the Brooklyn-based trio Nation of Language hit the stage with a burst of energy. As their synth-driven mix of post punk and new wave filled the venue, it felt like we had all been transported into a John Hughes film. The three piece had actually been added to the tour last minute, to fill in for UK band Blaenavon, who had unfortunately had to cancel their U.S tour due to medical reasons. However, the crowd instantly warmed to Nation of Language’s refreshingly nostalgic vibes and lead singer Ian Devaney’s vocals that pull elements from the likes of Talking Heads’ David Byrne and The Cure’s Robert Smith. Their 30 minute set included their tracks “I’ve Thought About Chicago” and “On Division St,” which the band mentioned had just premiered that day via Stereogum.

Courtship (stylized “courtship.”) took the stage next, donning matching yellow jumpsuits and immediately displaying their excitement and gratitude to be at the New York venue. As the LA based duo of Eli Hirsch and Micah Gordon and their band enthusiastically played their infectious indie pop tunes like “Sail Away,” “Perfect People,” and the unreleased “Bad Fun,”  their happiness and energy filled their entire venue. During their short but sweet set, they never stopped showing their appreciation to be on the stage and on tour with The Wombats; at one point Hirsch addressed the crowd saying, “Literally in eighth grade my number one band on earth was The Wombats,” adding that he once hid in the basement of one of their 21+ shows just to hear them perform. Hirsch also mentioned that he and Gordon had only written their first song together just about a year ago in their bedrooms, making the opportunity to play at a packed venue in NYC that much more special to them. Seeing a performer that happy and excited to be where they are makes the performance that much more special to watch, and the crowd was extremely responsive to courtship.’s energy.

The Wombats burst onto the stage following a 30 minute changeover, kicking it all off with new song “Cheetah Tongue,” from their upcoming album. The three piece consisting of Matthew Murphy, Dan Haggis, and Tord Øverland Knudsen have been making music together since 2003, and their album Beautiful People Will Ruin Your Life will be their fourth studio album, following up 2015’s Glitterbug. With about 15 years of playing music together under their belt, the trio exuded an incredible chemistry on stage last Wednesday night; whether they were playing one of their oldies or another new song, they were perfectly in sync with one another. The band also crafted a diverse and dynamic setlist that pulled songs from all parts of their discography, like “1996” and “Jump Into The Fog” from This Modern Glitch, “Kill The Director” and “Moving to New York” from A Guide to Love, Loss & Desperation, “Give Me a Try” and “Greek Tragedy” from Glitterbug and last but not least, new singles like “Turn” and “Lemon to a Knife Fight.” Every song by The Wombat’s features clever and thoughtful songwriting, full of lead singer Matthew Murphy’s impeccably descriptive and witty writing, but they’re also known for their upbeat and catchy melodies. At their Brooklyn Steel show, they maintained an incredible level of energy, with Murphy working the entire stage, often wandering out onto the speakers at the front of the stage while he played guitar, and bassist Tord Øverland Knudsen thrashing around the stage and jumping along to the beat. The audience did a great job of keeping up the pace, but as the set wound down, Murphy encouraged them to get even rowdier, saying, “The paramedics are outside for a reason, so please go as wild as you can possibly can for this next one,” before the band launched into “Techno Fan.” Their classic and crowd-favorite songs in their live set often featured fleshed out introductions and arrangements; for example, the aforementioned “Moving To New York” (which Murphy said has and always will be dedicated to NYC) contained a built up and suspenseful introduction that led up to its recognizable guitar riff that kicks off the studio version. The night closed out with “Greek Tragedy,” which was the band’s lead single from Glitterbug, and everyone filed out of the venue with a grin on their face.


Check out photos from the high energy evening, and see the rest of The Wombats’ tour dates here.


Chicago! The Wombats are playing a WKQX free show on February 2nd. Get the details here, and pre-order your copy of Beautiful People Will Ruin Your Life here!

Twin Peaks Ring in 2018 With a Three Night Run at Thalia Hall

This past weekend, Chicago's DIY rock heroes Twin Peaks proved that you can go big and go home, with an incredible three night, sold out run at Pilsen’s Thalia Hall. Taking over the historic building from Friday night through New Year's Eve, Twin Peaks not only cultivated a diverse support bill of local up and coming acts, but all three nights included an intricate stage set up and special appearances that celebrated the current Chicago music scene. One of the band's latest songs from their Sweet '17 Singles series "We Will Not Make It (Not Without You)" acted as the theme of the weekend, paying homage to the friendly and familiar dynamic of the Chicago scene; a dynamic where artists lift up fellow artists in the buzzing collective of talent that the city has to offer. 

The first night of the weekend's all local lineup began with Sun Cop music, followed by Knox Fortune as the main support. The brainchild of musician and producer Andrew Humphrey, Sun Cop's set immediately displayed the attitude of friendship and supportive nature that threaded throughout the weekend, with Twin Peak's Colin Croom joining Sun Cop's live band lineup for the night. Croom's appearance on stage proved to be another common theme, when he also joined Knox Fortune for his biggest show in the city yet. Although Knox Fortune has attracted attention over the past couple of years working with the likes of Chance The Rapper, singing the hook on the hit "All Night," he only played his first official show in November this year; a sold out headlining set at Lincoln Hall. Knox Fortune's set highlighted this city's ability to show support and collaborate across genres, and it also featured a special appearance from his frequent collaborator Joey Purp. 

Twin Peak's set on night one set the bar high for the entire weekend, but each night only got better, with them continuously delivering the high energy and rambunctious sets that their fans have come to know and love, with all sorts of surprises. Twin Peaks is already unique enough with their lineup in that they all pitch in to write the songs, and four out of the five members alternate singing lead and are multi-instrumentalists, but these shows featured an even bigger and more layered sound than what the core members can create on their own. Joined by a horns section and local duo OHMME singing backup, Twin Peaks filled the Pilsen concert hall beautifully. The production of the night also added in another facet to these special shows, with props including pine trees and an actual motorcycle suspended from the ceiling. Of course, the night also ended with a shower of confetti raining down on the audience from the balcony. 

Night two only amplified the magic of the previous night, with a whole new set of support acts and another fun spirited crowd ready to reciprocate the energy that all three bands exuded from the stage. Warming their fellow Chicagoans up on the frigid Saturday evening, trio DEHD captivated the large room with their retro garage rock tunes. The group includes NE-HI's Jason Balla and Lala Lala's Emily Kempf taking turns on vocals, and drummer Eric McGrady forgoing a full drum set to create a unique setup with floor toms. Next up, psych rockers Post Animal cranked up the volume, performing some of their most popular songs like "You Were Not There," "When I Get Home," and "Special Moment" with refreshed and fleshed out arrangements that showcased their skills as guitarists. Post Animal supported Twin Peaks for one of their Thalia Hall shows last December, and have since had one hell of a year, touring with Twin Peaks, WAVVES, White Reaper, and recently announcing their signing to Polyvinyl records. The local scene and now the national rock scene have come to love the group for their massive stage presence and ability to shred on the six string, and their set on Saturday only got even more bold when part-time band member Joe Keery made a rare appearance for the last song in the set. With Post Animal, it seems you can never have too many guitar players. 

Twin Peaks' second set of the three-night stint once again featured the same expanded lineup, as well as the confetti and custom stage setup, but the band did a great job at diversifying their setlist each night. Every night, the set heavily featured a lot of the group's latest material that has come around the past several months as part of their Sweet '17 Singles series, but they rearranged the order each night to keep the crowd guessing. One of this year's singles "Shake Your Lonely" features vocalist and friend of the band's Marisa Nakamura on the studio version, so of course they brought her out every night to sing it with them. Each night also had the Twin Peaks staples like "Making Breakfast," "Butterfly," and "Walk To The One You Love," but the band mixed in some rarities to all three sets. On Saturday, they also ended with another staple "Boomers," although they played it second on the first night and in the middle of the set the third night. 

Just like that, the final night of Twin Peaks Thalia takeover fell upon the city, and another sold out crowd quickly filled up the concert hall on Sunday night. Thanks to the Twitter humor of the NYE performers NE-HI, every concert-goer that evening had the opportunity to chow down on a complimentary Chicago dog, courtesy of Goose Island. With full bellies, the crowd watched Today's Hits kick off the show at 9PM; their set once again highlighting the friendly nature of the local music scene, as both Cadien Lake James and Colin Croom dropped in during Today's Hits short set. Today's Hits lead singer James Swanberg returned the favor later in the night, making an appearance during Twin Peaks' set. 

Hot dog heroes NE-HI took the stage next, lead singer Jason Balla taking the stage for the second time that weekend. Like most of the artists who were a part of this NYE weekend extravaganza, NE-HI have also had an incredible year, touring nationally, releasing their sophomore album, and performing at Pitchfork Music Festival. The four piece put on an unforgettable show every time, with Balla thrashing and jumping around as he sings, while other members James Weir and Mikey Wells follow suit and gain some serious air while leaping around. Their set featured a mix of songs from their self-titled debut, 2017's Sophomore record (Offers), and some new material. 

Twin Peaks' final set of 2017 began just an hour before midnight and once again had some rarities and a rearranged order in their setlist. The crowd surfing commenced during the first song and lasted throughout the night as it had the previous two nights, but everyone seemed to be giving even more of their energy back to the band since it was their last show of the year. The show paused right before midnight with a collective countdown between the band and the crowd, followed by confetti and some giant balloons entering the pit. The show continued on into 2018, wrapping up with the weekend's theme song "We Will Not Make It (Not Without You)," which bassist and vocalist Jack Dolan dedicated to everyone in the room. Even more confetti showered the room as the song wrapped up, providing the weekend's final surprise. 

Twin Peaks' weekend at Thalia Hall celebrated more than just the new year and a fresh start; it celebrated the creative community of Chicago and promoted kindness and friendship among artists and fans alike. These shows had a revitalizing energy and an unwavering spirit that you can only feel while watching live music played by a group of friends, with all your friends. 2018 holds even more promise for more nights like this in Chicago as so much of the city's music scene continues to grow. 

Relive some of the magic of the weekend by checking out our galleries of all seven bands from across the weekend. 

December 29th Gallery featuring Sun Cop, Knox Fortune, and Twin Peaks, shot by Christian Heinzel

December 30th gallery featuring DEHD, Post Animal, and Twin Peaks, shot by Rachel Zyzda

New Year's Eve featuring Today's Hits, NE-HI, and Twin Peaks, shot by Rachel Zyzda


Twin Peaks will undoubtedly be back on the road a ton in 2018, as well as producing the hits as usual. While you await more new music, re-listen to all of their 2017 singles below, and check out the band's upcoming tour dates here. 

LIVE: Mutts and Campdogzz at The Hideout 12.16

Mutts blew through the roof on Saturday night at cozy, quaint, middle of nowhere road stop – The Hideout. Opening up with fan favorite and especially relevant, “Everyone is Everyone,” the guys were not just charged up, but feeding off of a bustling crowd. Mike Maimone navigated through the night ranging old to new, in celebration of their new EP Stick Together. With songs like “I’ll Be Around,” Maimone emphatically shared the importance of being there for people when they need it most - a particularly special message for a room filled with friends and locals galore. The group stopped for breath and slowed down the pace with their spin of Gillian Welch’s “Look At Miss Ohio.” A beautifully moving and mesmerizing piece bolstered by Maimone’s conviction on the keys.

This team of three make it impossible to stand by idly watching. When Maimone lifts himself from his seat, the music doesn’t stop at just your ears. At several points throughout the night, all bets were off when Maimone took the songs to new heights and placed his foot atop the keys. The Mutts haven’t a need for restraint or courtesy, their austerity is punched through every lyric and supporting note.

Maimone continues to lead the way with a mindful attack on the keys that you can see quite literally in his positioning behind them. He likes to make it a game of tug of war, sometimes pulled softly then carried to a consistent build, and by the end of each song your heart feels the last tug to victory. Just as the trio was ready to close out the night and have a beer with the crowd, the packed house stomped for one more song, and the band obliged. Needless to say, the night was intimate, loud, and unfailing for the hometown scene.

The guys pick it up again, and are heavily booked for the beginning of the new year. You can follow them here. While you await their next hometown show, check out photos of their set, as well as a few of fellow Chicagoans an ANCHR favorites; Campdogzz. 

While you wait for the next Mutts show, listen to their latest EP in full below!

LIVE: The National and This is the Kit Wrap Up Tour With an Operatic Show at Chicago's Civic Opera House

The National and This is the Kit ended their tour at Chicago’s Civic Opera House with an operatic and dynamic show.


This is the Kit, the brainchild of Kate Stables, warmed up a full house at the Civic Opera House on Wednesday night. Their 30 minute set started with the lead track off This is the Kit’s 2017 album Moonshine Freeze, “Bullet Proof,” with Stables’ flawlessly smooth vocals ringing out into the magnificent theater. For the remainder of the set, the Sad Saxes joined the rest of the band to deliver an extra layer of dynamics to the harmonious group, and Aaron Dessner of The National even joined the lineup. Dessner had not only produced This is the Kit’s prior album Bashed Out, but lent his musical skills to their latest record. Live, the title track “Moonshine Freeze” took on a bold arrangement with a call and response effect between Stables and Rozi Plain of the group. Concluding their gentle performance that acted as the perfect way to ease the crowd into The National’s set, Stables thanked not only the crowd, but the entire crew of the tour, mentioning that the last night of tour was bittersweet.

Before The National hit the stage, Marty Lennartz of 93 XRT introduced the band as the perfect outfit to play at such a grand venue like the Lyric Opera House. Between their wide ranging sonic soundscapes and lead singer Matt Berninger’s sweeping vocal range that cuts right through you, The National filled the space perfectly and lived up to Lennartz’s introduction. Leading up to the operatic and emotional two hour show, the backdrop showed video of the band leaving their dressing room and making their way to the stage, and throughout the night the backdrop shifted to different videos and colored lights. Opening with “Nobody Else Will Be There,” the first part of the setlist payed homage to the band’s 2017 album Sleep Well Beast, which came out in September. Although the tour was in support of the latest record and the majority of those 12 tracks were scattered throughout the setlist, songs from The National’s other six studio albums and back catalog were sprinkled in between the newest songs. Among the old favorites that made their way onto the setlist of The National’s second sold out night in Chicago, “Lemonworld,” “Fake Empire,” and “Pink Rabbits” received some of the biggest reactions. The crowd stayed with the band the whole time, hooked on the way that the tone could switch from a haunting piano melody and delicate vocals in a song like “Carin at the Liquor Store” to Berninger’s growling vocals and the amplified “Squalor Victoria.”

Between the magnetic energy of Berninger's stage presence, the one-of-a-kind setlist, and the beauty of the venue, the closing night of The National’s tour proved to be another magical night for live music in Chicago. Check out photos from the special evening below, and keep up with all of The National news here.

While you wait for the next tour from The National, listen to Sleep Well Beast in full below!

PHOTOS: The Evening Attraction and Blue Dream at Schubas 12.7.17

Treehouse Records presented Blue Dream's record release show for their new 7" featuring "Freedom Eyes" and "Who Stole The Flowers." Strange Foliage and The Evening Attraction kicked off the show at Schubas this past Thursday night, getting the crowd warmed up for Blue Dream's exuberant headlining set. Check out photos of the incredible show below!

Order your own copy of Blue Dream's new single here, or listen to it in digital format below! You can also see The Evening Attraction back at Schubas January 5th...grab tickets here

Can't get enough Blue Dream? Check out our interview with them. 

LIVE: Molly Parden and David Ramirez at Schubas 12.02.17

Molly Parden felt right at home opening up for David Ramirez at Schubas Tavern Saturday night. The two complimented each other in the most unique way. Molly's presence warms you up with soft ballads, silky measures, and heartbreakingly raw lyrics. Then, David jumps on to stretch that out, do a little yelling, and turn up the volume to make you feel emotions aplenty during their one night at arguably Chicago's most charming venue.

Molly's guitar makes way as an extension of herself carrying light chords with heavy hitting lyrics to reach every person from wall to wall, talking soul search to heartbreak. The ease on stage lent to this beautiful conversation between her, her severing sound, and the crowd in front of her. Her reflective nature makes you sink into every love lost, love gained, and love you hope to have someday away. She was joined by David's keyboardist, Matthew Wright, for the back half of her set. The pair were nothing short to an explosion of intimacy and pristine melodic banter. They shared a sort of ping pong match between Molly's daring words and Matthew's striking heartbeat through the keys. 

Molly also carried a subdued humor that set an affable tone for her show while noting her break from a contemporary Christian music upbringing, finding her space in the Nashville scene, and her ongoing new discovery of 90's music. Following that up, she surprised the crowd with her impassioned take on Gin Blossom's classic, "Found Out About You." Her music spins around very pointed moments in time, spaces and traces in a lifetime. She shared her lust for Kentucky in Kentucky, her influential Georgia roots, and just how much Chicago means to her. 

Molly Parden is a powerhouse wrapped up in a soft package; Wearing white Chuck Taylors, playing an acoustic guitar, she helps hearts navigate waves of longing and loss. Her latest transparent single, "Sail On The Water", follows her fervent 2016 With Me In The Summer album release, and she admittedly adheres to a slow moving writing process. It's hard to wait, but at least that means she nurtures these seeds with such care and grace that it is worth the passing time.

Molly will be riding along with David through December. You can follow the rest of their tour here. 

For more on Molly Parden, check out our interview with her here!

LIVE: Jungle and NoMBe Bring The Moves and Grooves to Metro Chicago

Los Angeles based singer, songwriter and producer NoMBe warmed up the Metro stage for Jungle this past Monday night. He hit the stage with a surge of energy and never decelerated until he left the stage, only getting increasingly amped up as his set went on. From singing directly to fans in the front row to hopping down from the stage to dance with the crowd, NoMBe stayed connected with his audience while he performed singles like "Jump Right In" and "Can't Catch Me." 

By the time Jungle hit the stage, the crowd had been loosened up and their spirits were left high after NoMBe's infectiously positive attitude. London's Jungle made their highly anticipated and long awaited return to The States when they walked onstage that night, kicking off their North American tour right here in Chicago. The last time the soulful supergroup had performed in town had been in 2015 at Concord Music Hall, but they were quickly embraced by the sold out crowd at Metro on Monday. Their roughly hour long set included old favorites like "Drops," "Busy Earning," and "Time," but it also included a few fresh tunes that had never been played in America before. Fans at this Red Bull Sound Select got an exclusive teaser of what's to come when Jungle finally releases a follow up to their 2014 self-titled debut. While the new material definitely had a new spin on it, every song that Jungle played on Monday had the crowd moving along to their jams. The band members also remained in constant motion, feeding off one another and the audience. If you missed out on the show, relive some of the magic with our gallery below, and see the rest of Jungle's upcoming tour dates here

Keep Up With Jungle on Social Media:

Facebook // Instagram

LIVE: Hockey Dad Kicks off Rowdy Night with The Frights at Lincoln Hall

Australian duo of Zach Stephenson and Billy Fleming (AKA Hockey Dad) packed a punch with their opening set at Lincoln Hall on Saturday night. Supporting Vundabar and The Frights, the pair exuded as much energy of a band twice their size, bringing the talent and banter to reel in the crowd. The crowd didn't let Hockey Dad's infectious levels of energy go unreciprocated; by the middle of the set people were stage diving and crowd surfing, despite the set being so early. Their 30 minute set included songs from their debut album, Boronia, as well as their new single "Homely Feeling." They closed out their show with the catchy single "So Tired," which had a large portion of the crowd singing along. The crowd surfing and sing alongs continued over into Vundabar and The Frights' sets that followed.

Although Saturday's performance was a rarity, since Hockey Dad seldom make it over to the states, they were so well received that they'd be welcomed back at any time. See the rest of Hockey Dad's North American tour here, and check out photos of their set below! 

While you wait for Hockey Dad to return, check out the video for their latest single below, and follow 'em on social media.

Hockey Dad: Facebook // Twitter // Instagram