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LIVE: Wolf Alice Returns to Chicago to Play Their Biggest Show Yet at Metro

This past Friday night, The Metro hosted an unforgettable show with Wolf Alice and The Big Pink


After fellow Londoners in The Big Pink warmed up the already jam-packed Wrigleyville venue, the crowd buzzed with anticipation for Wolf Alice to take the stage. Returning for the first time since July, when they played a special, one-off show at Schubas Tavern, the four piece had yet to play Chicago since the September 2017 release date of their sophomore album, Visions of a Life. For many of the fans at The Metro, this would be their first time seeing Wolf Alice in years, as their special Schubas show sold out in minutes, allowing just under 200 lucky fans to get tickets.

This time, more than 1,000 enthusiastic fans enthusiastically soaked up Wolf Alice’s remarkable live show. Very few bands are able to create something as special as Wolf Alice does, without any fancy bells and whistles or special effects; their live shows are driven by each band member leaving everything they have on the stage each and every night. Throughout the band’s entire discography, lead singer and guitarist Ellie Rowsell has demonstrated an incredible, emotive ability with her vocal range and technique, singing in a delicate falsetto in one song (or even one moment of a song), before transitioning right into a hearty growl in another. Live, Rowsell not only keeps up with her vocal ability in the studio version, she amplifies the power behind each and every lyric. Just like Rowsell throws her emotions and entire energy into her singing onstage, she and her bandmates all do the same with their instrument playing. Throughout the show, bassist Theo Ellis and guitarist Joff Oddie remained in motion the entire time, flinging around their guitars, holding their instruments up, and stepping out onto the edge of the stage to add even more passion into their already energetic playing.

The concert on Friday acted not just as a return for Wolf Alice to play new songs, but it happened to be the band’s biggest headlining concert in Chicago yet, Ellis told the crowd. Despite the size of the crowd, everyone remained hooked on the show the whole time as the band played through songs old and new. Wolf Alice kept the audience on their toes as they weaved in songs from 2015’s My Love Is Cool with 2017’s Visions of a Life, following up new songs like “Don’t Delete The Kisses” and “Planet Hunter” with “Bros” and “Lisbon” from the debut record. When the set started winding down, Wolf Alice treated the crowd to a surprise, when they brought out a fan to accompany them during their hit Moaning Lisa Smile.” Prior to the show, the band had tweeted asking for fans to send them videos of them playing the track on guitar, and guitarist Elaine Simmons from St. Louis made the cut. Simmons took over the guitar playing for Rowsell, allowing Rowsell to have the freedom to roam around on stage rather than remaining stationary by her microphone stand.

After an explosive performance of the fast-paced song “Fluffy,” the band left the stage, only to be summoned back for an encore. Juxtaposing the gritty performance of “Fluffy,” the encore started with the goosebump-inducing and stripped back track “Blush” from the band’s earliest EP. Rowsell commanded the sold out crowd’s attention with just her voice and guitar at the start of the song, and even as the song built up, the audience remained hypnotized. The spell broke and everyone went wild for the final song of the night; “Giant Peach." Rowsell ended the magical evening on a high note, stagediving and crowdsurfing at then end of the song. 

This show may have been Wolf Alice's biggest Chicago show yet, but as the sea of devoted fans filed out of the theatre with huge smiles plastered on their faces, it was clear that the band will be warmly welcomed back, only to play bigger and bigger venues.


Photos of The Big Pink and Wolf Alice at Metro 3/30/18

Wolf Alice remains on tour throughout the Summer--do not miss them in a city near you. See all of their tour dates here, and listen to Visions of a Life in full below:

LIVE: Alvvays Enchants a Sold Out Metro Last Friday Night

As soon as the doors opened at the Metro last Friday night, the Wrigleyville venue was completely packed with eager fans excited for Alvvays' sold out show. Throughout the crowd you can hear fans talking about their favorite melodramatic songs and the hopes that Alvvays would play everything they wanted to hear, heightening the anticipation of the band's appearance even more. 

Molly Rankin of Alvvays at the Metro on 3/23/17

Molly Rankin of Alvvays at the Metro on 3/23/17

Fronted by Molly Rankin, the indie pop group hit the stage and began strumming to the venue, filling it with downtempo melodies and honest, lighthearted lyrics. Not every song was low beat, though; "Your Type” and “Plimsoll Punks”, from the 2017 release album Antisocialites picked up the pace, allowing fans to stomp along to the beat and even encouraged a few crowd surfers to float around the room. “Forget About Life” casted a beautiful singalong throughout the concert hall. 

Near the end of the set, the band's hit “Archie,Marry Me” made its appearance with its catchy rhymes and anthemic chorus. As you hear those lyrics “Hey, hey marry me, Archie," you can't help but want to grab the hand of your special someone “Tonight Tonight.” To make sure you don't miss Alvvays' magical show in a city near you, see their upcoming tour dates here. 

While you wait for Alvvays to come back through Chicago, revisit their latest album Antisocialites below!

PHOTOS: Ezra Furman with Saint Pé and Anna Burch at Thalia Hall

This past Monday night, the trifecta of Anna Burch, Saint Pé, and Ezra Furman hit the stage at Thalia Hall, giving us the perfect start to the week. Anna Burch kicked off the evening with her calm demeanor, playing songs from her debut album Quit The Curse and dishing out witty quips between songs. Ian Saint Pé of Black Lips took the stage next with his new project. Saint Pé and his band quickly won the crowd over with new material and a captivating stage presence. Finally, Ezra Furman wrapped up the night with a theatrical and powerful performance, playing old favorites as well as new songs from 2018's Transangelic Exodus. Furman's set included a full band and production that completely engulfed the crowd. If you missed out on the show, get a peek at what you missed below.

You can see the rest of Ezra Furman's upcoming tour dates here, and listen to Transangelic Exodus in full below!

LIVE: Ones to Watch Presents COIN and The Aces

This past Saturday night, The Aces and COIN took over The House of Blues Chicago to put on a stunning show to the sold out venue.

After only touring for the first time with Joywave at the end of 2017, The Aces returned to Chicago in a blaze of glory, with some new songs and old favorites. The four piece's breakout single "Stuck" has racked up over five million Spotify streams, and it definitely acted as a set highlight, but the eager crowd was already singing along to The Aces' brand new single "Lovin' Is Bible," which they had only released the day prior. The Aces' music compliments certain elements of COIN's music so well, so anybody that had yet to hear of the latter was quickly won over by their carefree, catchy riffs and sticky choruses. The band and audience bounced infectious energy off one another, starting the night on the right foot. 

When the Nashville natives of COIN took the stage next, the energy of the crowd only amplified, and the crowd mimicked a surround sound speaker system, echoing the lyrics of COIN's songs back to the stage. As the setlist weaved through different sections of COIN's discography, featuring newest track "Growing Pains" and tracks like "I Don't Wanna Dance" and "Talk Too Much" from 2017's How Will You Know If You Never Try, the crowd remained relentless. They danced along with the pop-fused rock songs, causing the floor of the Downtown venue to act as a trampoline, propelling everyone to keep moving. The high spirits of the audience and the band themselves never wavered, and their intense production and lighting complimented the upbeat music. 

The night ended with a roar of appreciation, not just for COIN, but The Aces too, and an ambitious and optimistic air clung to the concert-goers as they left the venue at the end of the night, knowing that they'd just witnessed a monumental moment. If you missed out on the show, check out our photo gallery of both bands for a look at evening!

Stay tuned for an interview with The Aces, coming soon! While you wait, listen to their latest single "Lovin' Is Bible" below!

LIVE: Twin Peaks and Portugal. The Man at Aragon Ballroom 2.16.18

The evening kicked off at 7:30PM sharp, with hometown heroes Twin Peaks hitting the stage as the crowd still filed into the massive Uptown ballroom. Although they’ve dominated the DIY scene in Chicago and worked their way up to selling out Pilsen’s Thalia Hall for three nights in a row, Twin Peaks had actually never played on the Aragon stage prior to this performance. “This place is ridiculous. I feel like we’re playing in a small Italian village,” said singer and guitarist Clay Frankel as he surveyed the painted ceiling boasting a night-time sky theme and the venue’s regal balcony fixtures that resemble a castle. In addition to the witty banter that the five piece dished out between songs, the Chicago natives quickly conquered the huge venue with their buoyant stage presence and cohesive performance. As they played, the band fed off one another’s energy, keeping the crowd engaged as they moved around the stage and threw their bodies into the music. Joining the band, local outfit Ohmme provided backing vocals on some songs, and a horns section also joined in on select tunes, providing another enticing facet to the show.

Their setlist featured Twin Peaks staples like “Holding Roses” and “Boomers” from the earlier parts of their extensive catalog, but they also mixed in some of their newest singles as well. In 2017, the band decided to forgo releasing a full album and instead delivered their fans a series of double singles, which they deemed the Sweet ‘17 Singles. Just this past week, Twin Peaks released a compilation LP of all the singles, and their set featured “Tossing Tears,” “Blue Coupe,” and “In The Meadow” from the series. Each of those singles, like the majority of the Twin Peaks song pool, have a completely different sound, diving into different sonic territory. The band also keeps a unique sound by having four out of five members take turns singing lead on their tracks.

By the time Twin Peaks’ set came to an end, any pocket of space that had been there at the beginning of their set was now filled with fans eager for Portugal. The Man. The momentum had kept building throughout Twin Peaks’ show, and the room buzzed as the stage was set for the evening’s headliners. Further escalating the anticipation, Portugal. The Man made an earth shaking entrance, literally. At 8:45, the lights had dimmed and a bass-heavy, floor-shaking song filled the house speakers to tease the set’s start, which was followed up and juxtaposed by the crooning tune “Unchained Melody.” Finally, after the two-song tease, the band took the stage, backed by a massive screen with the words “APPLAUSE” projected onto it. The crowd obliged and lost their minds in excitement, buckling up for the next 90 minutes.

Following the instructions to applause, the on-stage screen then read another message; “We are not very good at stage banter, so tonight’s performance will feature slogans written by our management. Thank you for your continued understanding.” True to their word, the set that followed featured very little talking or banter between songs, but it never lacked in energy or failed to engage the crowd. Once the message on the screen faded, trippy visuals and colorful lights took their place, visually stimulating the crowd and adding another dynamic layer to the show’s production. While the lighting and images definitely enhanced the show, Portugal. The Man could have easily kept the crowd just as entertained with their stellar musicianship and magnificent execution of their records.

The setlist contained a fair amount of Portugal. The Man’s 2017 record Woodstock sprinkled in throughout some of their other most popular tracks. Easily Woodstock’s most successful track “Feel It Still,” which has been played on Top 40 radio across the country, received a warm welcome from the crowd. The band teased the song with a reworked live arrangement, extending the song’s introduction to build up suspense. The intricate arrangements and unique live versions remained a common theme of the night; with most songs blending into one another with flawlessly smooth transitions. Portugal. The Man also kept their audience on their toes by dipping into different sonic flavors; some songs, like “Sea of Air” maintained a light, sing-songy mood, while other songs would have the band cranking up the volume and going off on full jam sessions. There was never a dull moment during their show because the band managed to carefully craft a set that highlighted their best songs, like the crowd favorites of “Modern Jesus” and “Purple Yellow Red and Blue.” The night ended with a rumble of cheers and appreciative applause after the band played “Holy Roller [Hallelujah].”


With the fully immersive production and the way that the band brings their music to life on the stage, this tour is one that can’t be missed. Check out the rest of Portugal. The Man’s upcoming tour dates

Gallery of Twin Peaks and Portugal. The Man

LIVE: Whitney's Three Night Valentine's Day Run at Thalia Hall

Chicago sweethearts Whitney took over Thalia Hall last week for not one, but three incredibly special shows in honor of Valentine’s Day. The three night stint featured a mix of different support acts, with music from all different pockets of genres and styles. Night one featured local buzzy hip hop artist Kweku Collins warming up the stage, while night two had duo Ohmme and the band Deeper, both also from Chicago. Closing out the run of three shows, Thursday night featured Baby Blue and Kevin Krauter taking the stage before Whitney.

Whitney’s setlist all three nights featured some special gems and rarities all around, and each night had its own special touch. For the first two nights, the band decided to split up their show into two parts. The first part featured some Whitney staples like “Polly” and “Dave’s Song” from their album Light Upon The Lake, as well as some covers like “Gonna Hurry (As Slow As I Can)” by Dolly Parton and “On the Way Home” by Neil Young. When the band left the stage and came back for part two, they were joined by a string section. The strings layering with Whitney’s usual horn section rounded out the sound, adding even more warmth to Whitney’s already rich live show.

Part two of the set featured the gentle “Light Upon the Lake” and a new, unnamed song in addition to a few covers. The beautiful set came to a peak each night, with an epic ending thanks to special guest and friend of the band, Aaron (known as finally_aaron on Instagram).  Aaron took the stage following the crowd favorite “No Woman” each night, giving the band a hand with their rendition of the classic “My Girl,” which was perfectly apt for the occasion. The Pilsen concert hall gave a standing ovation each night to Aaron and the band, who complimented each other perfectly. The energy only amplified when Aaron stayed to contribute his powerful and soulful vocals to Whitney’s final song, “Golden Days.”

Whitney has been one of Chicago’s most beloved bands for a while now, but these three magical nights just further solidified how much this city loves Whitney. If you missed out on all of sold out shows, relive some of the magic by checking out photos from the Valentine’s day extravaganza below!


Keep up with Whitney on social media and listen to the demo versions of Light Upon The Lake in full below!

Facebook // Twitter // Instagram

LIVE: Sir Sly and K.Flay // The Every Where Is Some Where Tour

Sir Sly and K.Flay performed to a sold out Concord Music Hall at the tail end of their Every Where Is Some Where run this past Friday night


LA-based trio Sir Sly warmed up the Friday night crowd for K.Flay, kicking off their energetic set with “Astronaut” from their sophomore album, Don’t You Worry Honey. The band’s latest record focuses on frontman and lead vocalist Landon Jacobs’ deeply personal struggles over the past few years, including his divorce and his mother passing away from brain cancer. As Jacobs and his bandmates Hayden Coplen and Jason Suwito performed their set, a massive light up brain backed them onstage, paying homage to Jacobs’ mother. While their lighting added another layer to Sir Sly’s live performance, the way that the three band members fed off one another, delivering a dynamic set to the Chicago crowd, made for the perfect show all in itself. On top of reworking the live arrangements for tracks like “Change” and “&Run” to build them up and flesh them out, Jacobs threw all of his energy into their 45 minute set. From his dancing around the stage to climbing up to the balcony and scaling the railing along the venue, Jacobs performed with an intense sense of conviction, never allowing a dull moment to creep into their set. Sir Sly will be performing at festivals around the country this year, from Coachella to Governors Ball, so if you get a chance to catch one of their animated performances, don’t miss it.

Kristine Meredith Flaherty, better known as K.Flay, hit the stage next with the same vivacious spirit that Sir Sly exhibited during their set. Opening with “Make Me Fade,” the LA-based, Wilmette, IL native immediately had the crowd mesmerized by her exuberant stage presence, the packed house loudly singing back her candid narratives. After the opening track from her debut album Life as a Dog, K.Flay followed up with a three song streak of tunes from her sophomore album and the namesake of the tour, Every Where is Some Where. K.Flay’s music connects so deeply with her audience based off her ability to pour herself and her experiences into her lyrics, and as the crowd got lost in the moment, you could tell that this concert was not only a cathartic moment for them, but for K.Flay as well.

Between songs, K.Flay exuded a relaxed and approachable onstage demeanor that carried the same candor of every song of hers.  Before playing “Wishing It Was You” from her first record, K.Flay dedicated the song to anyone who’s ever been in unrequited love, saying “This song goes out to anybody who’s been in love with somebody who didn’t love them back.” Very few artists conduct themselves with the same level of authenticity, but K.Flay managed to break down the artist-to-fan barrier and give the feeling of an intimate performance, even in the extremely packed music hall. By the end of the night, after the last notes of the electrifying track “Blood in the Cut” rang out into the venue and K.Flay and her band left the stage, the audience pleaded for an encore performance. Their cheers flooded the Logan Square concert venue with an overwhelming demand for more of K.Flay's heartfelt music, and she obliged, closing out the explosive show with “Slow March.” Artists like K.Flay and Sir Sly amplify the music they've written and recorded during their live shows, giving their audience an absolutely stellar show and a one-of-a-kind feeling that you can't get from simply listening to their records. To get in on that magic, check out K.Flay as she continues her headlining tour in March; see tour dates here. 

Relive the intense show with our photo gallery of Sir Sly and K.Flay

Keep up with both bands on social media below for upcoming tour dates and other news!

Sir Sly: Facebook // Twitter // Instagram

K.Flay: Facebook // Twitter // Instagram

LIVE: HINDS Closed Out TNK Fest 2018 at Lincoln Hall

Madrid quartet HINDS was number one on our most anticipated acts of TNK Fest 2018, and they definitely did not disappoint during their show this past Sunday! They closed out the annual winter, multi-day and multi-venue festival at Lincoln Hall, following rowdy performances from openers Peel and Sløtface.

Bursting onto the stage to the sounds of “You Sexy Thing” by Hot Chocolate on the house speakers, the four piece immediately let the audience know that they were in for a light hearted and energetic performance filled with good vibes. The last time HINDS had played one of their endearing and energetic shows in Chicago was back in May of last year, where they packed The Empty Bottle for a free Red Bull sponsored show. The Lincoln Hall audience welcomed HINDS back to town with open arms; eagerly soaking up their irresistible and lively lo-fi rock tunes.

The band kicked off the evening with one of their most popular tracks, “Garden,” from the 2016 album Leave Me Alone, and the set that followed kept the audience engaged and enthralled from start to finish. Between playing even more crowd favorites from the same album, like “Castigadas En El Granero” and “Chili Town,” Carlotta Cosials talked about how Chicago almost felt like a second home to them, even though they came a long way from Madrid to play a small run of North American tour dates. In addition to the handful of shows HINDS have played in town, they also played an entire tour with Chicago’s Twin Peaks, and of course, Twin Peaks showed up to support their former tour mates and now friends for their show at Lincoln Hall.

The band also talked about some exciting news they had just shared earlier in the week; a new album and another expansive tour in the Spring. Accompanying the news of the album, I Don’t Run, HINDS released lead single “New For You,” which they played amongst their other setlist staples. After delivering nearly an hour of their catchy tunes at a non-stop pace, HINDS left the stage briefly, only to return for an encore that kicked off with a surprise. Twin Peaks members Clay Frankel and Colin Croom took the stage to give HINDS a hand with a cover of “Sweet Thing” from Twin Peaks’ Wild Onion LP, giving HINDS’ show in Chicago a special hometown touch.

If you missed out on this performance at Lincoln Hall, don’t sweat too much...HINDS will be back at the same venue during their upcoming tour! Grab tickets to their May 15th show here, and check out the rest of their tour dates right here.  

Photo gallery of Sløtface, Peel, and HINDS by Catalina Florea

While you wait for HINDS to come play in a city near you, listen to "New For You" below, and pre-order I Don't Run here

LIVE: Yoko and the Oh No's, Ron Gallo, and Diane Coffee at TNK Fest 2018

Diane Coffee’s live performances have a magical and magnetic quality to them that are nuanced to the point of almost transcending description. Their performances are immersive in the sense that the richness of it all makes it impossible for audiences to think about or focus on anything else aside from what is taking place onstage. By all means, that is a skill and a power. Such a beguiling spell was cast over the audience at Lincoln Hall last Friday, who gathered at the beloved local venue to see the band perform during the Tomorrow Never Knows Festival- an annual concert series that takes place at Lincoln Hall and its sister venue, Schubas.


Chicago's own Yoko and the Oh No’s warmed up the crowd at 9PM sharp with their lively rock tunes, unfortunately playing their last ever show to the already packed house. The announcement of the final show had been made only the day prior, and friends and fans of the group had flocked to see the final performance. The four piece, fronted by the exuberant Max Goldstein, brought every last ounce of energy they could to the Lincoln Park venue that evening. Goldstein and his bandmates remained in sync the whole time, delivering a stellar show that had the audience hooked and hoping for an eventual reunion of the band in the future. 

Nashvilles' Ron Gallo kept the high spirits going when he took the stage shortly after; kicking off his set with a trumpet, he monotonously read an introduction to his band and thanked the festival while a single spotlight shone down on him. Consisting of humor and good old fashioned rock and roll, Gallo's set had the crowd entertained from start to finish. The set contained some crowd favorites from his debut album Heavy Meta, like "Put The Kids to Bed" and "Young Lady, You're Scaring Me," but it also included brand new tunes from Gallo's Really Nice Guys EP, which had just dropped that morning. The audience reciprocated the energy that Gallo and his bandmates poured out onstage; moshing and dancing along to the music. Towards the end of the rowdy and fun-spirited set, Gallo even hopped off stage to join the crowd. If given the chance to see Ron Gallo, do not miss out on his engaging and energetic performance. 


After the impressive opening sets, Diane Coffee earnestly launched into “Mayflower” - a brassy, energy-charged track with lyrics that serve as a delightfully tongue-in-cheek commentary on consumerism. The savvy selection of “Mayflower” as an opener allowed its palpable energy to serve as blueprints for the remainder of the set; blueprints through which Diane Coffee crafted an incredibly memorable and engaging performance.

Diane Coffee finds their identity in their exploratory nature, both in sound and performance. Therefore, the band is able to perform a sonically diverse setlist with a clear sense of cohesion numerous styles, tones, and influences - thus giving their music a universal appeal and multi-elemental appeal. A physical testimony to this was the fact that the audience at Lincoln Hall was noticeably diverse in age. Diane Coffee’s work contains just enough classic elements to make it timeless, and the perfect amount of innovation to make it fresh and new all at once. Elements of grit, lightness, realism, fun, and innovation have a continuous presence that entirely harnessed the attention of the crowd. These creative juxtapositions are something that does not necessarily make sense, but Diane Coffee is able to seamlessly merge these elements in a manner that results in an engaging listening experience and a dynamic live set. For the entire time Diane Coffee was onstage at Lincoln Hall, nothing existed outside of the venue doors. They possess the ability to make the audience feel as if the rest of the world is melting away, and that’s a definitive nod to their talents as musicians and as a live entity.


One cannot discuss Diane Coffee without mention of enigmatic frontman Shaun Fleming. Dauntless and charismatic, Fleming embodies all it means to be an artist and an entertainer in every sense of both words. With a habit of performing in outfits just as exciting as the music he creates, Fleming excels in mastering all aspects of live performance: he engages the crowd in a manner that surpasses the traditional “How are you guys doing out there?”, performs his work with evident skill and care, and has an ability to turn each venue he performs in into something of a warm community. His performance at Lincoln Hall was certainly no exception to this magic. If Diane Coffee has proven one thing through their performance this weekend, it is that they are a group of artists who knows how to consistently deliver. That in itself is a noted key to success, and Diane Coffee has taken that key and swiftly unlocked the door.

Relive the magic of the evening by checking out our photo gallery of all three bands, shot by Rachel Zyzda. 

Keep up with all the Ron Gallo and Diane Coffee updates by following them on Social Media! 

Ron Gallo: Facebook // Twitter // Instagram

Diane Coffee: Facebook // Twitter // Instagram


Yoko and The Oh No's and Ron Gallo review written by Rachel Zyzda

 

LIVE: The Wombats with Courtship and Nation of Language at Brooklyn Steel 1.10.18

The Wombats stopped at Brooklyn Steel during their highly anticipated return to the U.S, in celebration of their upcoming album Beautiful People Will Ruin Your Life. Nation of Language and Courtship got the crowd warmed up.


At 8PM sharp, the lights in Brooklyn Steel dimmed, and the Brooklyn-based trio Nation of Language hit the stage with a burst of energy. As their synth-driven mix of post punk and new wave filled the venue, it felt like we had all been transported into a John Hughes film. The three piece had actually been added to the tour last minute, to fill in for UK band Blaenavon, who had unfortunately had to cancel their U.S tour due to medical reasons. However, the crowd instantly warmed to Nation of Language’s refreshingly nostalgic vibes and lead singer Ian Devaney’s vocals that pull elements from the likes of Talking Heads’ David Byrne and The Cure’s Robert Smith. Their 30 minute set included their tracks “I’ve Thought About Chicago” and “On Division St,” which the band mentioned had just premiered that day via Stereogum.

Courtship (stylized “courtship.”) took the stage next, donning matching yellow jumpsuits and immediately displaying their excitement and gratitude to be at the New York venue. As the LA based duo of Eli Hirsch and Micah Gordon and their band enthusiastically played their infectious indie pop tunes like “Sail Away,” “Perfect People,” and the unreleased “Bad Fun,”  their happiness and energy filled their entire venue. During their short but sweet set, they never stopped showing their appreciation to be on the stage and on tour with The Wombats; at one point Hirsch addressed the crowd saying, “Literally in eighth grade my number one band on earth was The Wombats,” adding that he once hid in the basement of one of their 21+ shows just to hear them perform. Hirsch also mentioned that he and Gordon had only written their first song together just about a year ago in their bedrooms, making the opportunity to play at a packed venue in NYC that much more special to them. Seeing a performer that happy and excited to be where they are makes the performance that much more special to watch, and the crowd was extremely responsive to courtship.’s energy.

The Wombats burst onto the stage following a 30 minute changeover, kicking it all off with new song “Cheetah Tongue,” from their upcoming album. The three piece consisting of Matthew Murphy, Dan Haggis, and Tord Øverland Knudsen have been making music together since 2003, and their album Beautiful People Will Ruin Your Life will be their fourth studio album, following up 2015’s Glitterbug. With about 15 years of playing music together under their belt, the trio exuded an incredible chemistry on stage last Wednesday night; whether they were playing one of their oldies or another new song, they were perfectly in sync with one another. The band also crafted a diverse and dynamic setlist that pulled songs from all parts of their discography, like “1996” and “Jump Into The Fog” from This Modern Glitch, “Kill The Director” and “Moving to New York” from A Guide to Love, Loss & Desperation, “Give Me a Try” and “Greek Tragedy” from Glitterbug and last but not least, new singles like “Turn” and “Lemon to a Knife Fight.” Every song by The Wombat’s features clever and thoughtful songwriting, full of lead singer Matthew Murphy’s impeccably descriptive and witty writing, but they’re also known for their upbeat and catchy melodies. At their Brooklyn Steel show, they maintained an incredible level of energy, with Murphy working the entire stage, often wandering out onto the speakers at the front of the stage while he played guitar, and bassist Tord Øverland Knudsen thrashing around the stage and jumping along to the beat. The audience did a great job of keeping up the pace, but as the set wound down, Murphy encouraged them to get even rowdier, saying, “The paramedics are outside for a reason, so please go as wild as you can possibly can for this next one,” before the band launched into “Techno Fan.” Their classic and crowd-favorite songs in their live set often featured fleshed out introductions and arrangements; for example, the aforementioned “Moving To New York” (which Murphy said has and always will be dedicated to NYC) contained a built up and suspenseful introduction that led up to its recognizable guitar riff that kicks off the studio version. The night closed out with “Greek Tragedy,” which was the band’s lead single from Glitterbug, and everyone filed out of the venue with a grin on their face.


Check out photos from the high energy evening, and see the rest of The Wombats’ tour dates here.


Chicago! The Wombats are playing a WKQX free show on February 2nd. Get the details here, and pre-order your copy of Beautiful People Will Ruin Your Life here!