ANCHR Magazine

Holding you down with the best new music

Filtering by Category: Reviews

Bonnaroo 2018 Saturday Highlights

Saturday at Bonnaroo featured tons of incredible shows from artists of every genre. In fact, the schedule was so jam-packed that it left a lot of fans wishing they could be two places at once due to conflicting shows. Here are some highlights you may have missed from the third day of Roo if you were busy hopping from show to show. 


POND Crowd Surfed During Their Second Song

POND took the stage bright and early on Saturday afternoon, breaking in the This Tent with their psych rock jams and laid back attitudes. The band let the crowd know that their Bonnaroo performance was the very last show of their recent US tour before they return home to Australia, and they definitely went out with a bang. Frontman Nick Allbrook began the set on the right foot, immediately jumping into the audience to crowd surf during the second song. From there on, the energy remained high, with Allbrook sauntering around the entire stage, jumping down at certain points to go up to the fans at the barricade. The crowd’s energy remained right up there with the band’s, with everyone dancing and singing along despite the extreme heat. 

POND Frontman Nick Allbrook

POND Frontman Nick Allbrook

Chance The Rapper Crashed Knox Fortune's Set

Chicago Producer and singer songwriter Knox Fortune has garnered buzz for his work with rapper Joey Purp, but more notably for singing the hook on Chance The Rapper’s song “All Night.” Naturally, when rumors surfaced on Friday that Chance The Rapper had been spotted around the Bonnaroo campgrounds, some clever fans began to speculate whether or not Chance might join Knox Fortune’s set to bring their collaboration to life. Sure enough, towards the end of Knox’s afternoon set at the That Tent, some lucky fans were able to witness a rare special performance of the track when Chance came onstage to perform his verses. Chance hasn’t made any other pop up appearances onstage this weekend, so this may have been the only chance to catch him (pun intended). 

Knox Fortune at The That Tent

Knox Fortune at The That Tent

Rag'N'Bone Man Apologized For His Dancing

British singer songwriter Rory Graham, aka Rag’N’Bone Man, combines his raw, bluesy vocals with soulful pop melodies to craft addictively catchy songs that made for a great sing along during his set. The success of his single “Human” from his debut album also of the same name attracted hoards of fans to the This Tent for his evening set. During his set, Graham displayed his humble nature, often thanking the crowd for turning up and making self-deprecating jokes. He told the crowd that playing festivals in the states can be quite daunting since he always thinks no one “knows who the fuck I am,” and he seemed genuinely touched at how many people turned up to watch him. All of the fans who showed up were treated to stripped down introductions and intricate arrangements of Graham’s songs, as well as some laughs when he chatted between tunes. “I apologize for my dancing,” Graham said, recalling a time someone wrote a review of his show saying he was good, but his dancing is awful. We’re all for his dancing here though since Bonnaroo is about radiating positivity. 

Rag'n'Bone Man at the This Tent

Rag'n'Bone Man at the This Tent

A Blow Up Doll Crowd Surfed During Post Animal

Our pals in Post Animal made their Bonnaroo debut last night to an overflowing and hyped up crowd at the Who Stage. Although their set time clashed with some other major shows, including Bon Iver’s first set, fans still flocked to see their second ever festival performance, following last month’s debut at Shaky Knees in Atlanta. Throughout the past couple of years, the group has beefed up their live show, honing in on their song transitions and arrangements to make for a special experience of their songs that you can only get at their live shows. Their efforts to put on a smooth and engaging show didn’t go unnoticed by their enthusiastic crowd, who immediately opened up a mosh pit and crowd surfed throughout the 45 minute set. One audience member brought a blow up doll with them, which surfed above the crowd and even ended up on stage at one point. Post Animal has never been known to put on a tame show, but last night was definitely one of the wildest. You can catch their next major festival performance later in the summer, when they take the Lollapalooza stage for the first time. 

Justin Vernon Brought The Eaux Claires Spirit to the Second Bon Iver Set

When Bon Iver’s first set of Saturday night consisted mostly of songs from the album 22, A Million, fans began to speculate that the later set would include some of the classics from the earlier days. However, Justin Vernon took a completely different approach by turning the set into a collaborative performance piece. The collaborative vision closely tied into the mission of Vernon’s hometown festival in Eau Claires, Wisconsin, which frequently features surprise sets and crossover between bands and artists during their shows. Not only did the Bon Iver show last night have special guest appearances, but dancers also accompanied the music for certain songs. Coupled with the intricate lighting design, the dancers tied together the show’s production level. As for the musical guests, Vernon first invited Francis and the Lights early on in the set, before welcoming him back to perform their hit “Friends”…with both Vernon and Francis joining in on the dancing. Other guests included Moses Sumney and Sylvan Esso, with the latter coming out on stage to perform “Flume” with the band, as well as their own song “Coffee.” Vernon even invited Parkland survivor Aalayah Eastmond out to speak about gun control, adding some activism into the set. Overall, the show was completely unique to most Bon Iver shows you’d catch, which made for the perfect ending to Bonnaroo’s third day. 

Don't forget to also check out our Thursday and Friday highlights, and stay tuned for coverage of the final day today!

Bonnaroo 2018 Friday Highlights

Bonnaroo continued on Friday with even more memorable moments than the first day. Read up on what you may have missed around Centeroo on Friday, and as always keep an eye on our social media for live updates throughout the weekend. 


An Encouraging Crowd Waited For Japanese Breakfast

Tons of Bonnarooians flocked to Centeroo early on Friday to catch Japanese Breakfast's set that was scheduled for 2:15 PM. Although the set got off to a late start, actually starting around 2:30, fans waited patiently, cheering and clapping through the last minute sound check. Front woman Michelle Zauner started off the set stationary with her guitar, but a couple of songs in, she roamed the stage sans guitar to get closer to the audience and work the entire crowd. As Zauner sang through songs on her 2017 album Soft Sounds From Another Planet, the crowd sang along loudly, getting Bonnaroo Day 2 off to a great start. 

Michelle Zauner of Japanese Breakfast

Michelle Zauner of Japanese Breakfast

Sheryl Crow Teased an Unannounced Performer

"This [song] is older than most of y'all. You guys are younger than this song, and you know it. That's weird," Sheryl Crow addressed the overflowing audience at her early evening set at the What Stage, who had been singing along all the words. Although the hits Crow played during her Friday set may have been from years ago, that didn't stop the diverse audience from knowing them all, and she started strong with epic sing alongs like "If It Makes You Happy" and "Every Day Is A Winding Road." Crow's stage banter remained strong throughout her entire set, with her teasing both her participation in the Super Jam and a surprise guest appearance. After pointing out a Tom Petty sign one of the audience members was holding up, Crow asked for the fan to pass it to her, and she held it up, reminding everyone to come see the Super Jam tribute to Tom Petty later that night. "Y'all have a big weekend ahead of you," Crow said. "I just met someone who is gonna be on the stage later, but it's not announced. I would leak it, but I haven't had anything to drink yet." Maybe tonight we'll find out who the unannounced performer is, but Crow never did end up leaking it during her set. 

Paramore Finally Played Bonnaroo

Paramore hit the What Stage after Sheryl Crow, taking the stage to eager audience members, who were all excited to finally see the Nashville band on the Roo stage. "Right in our backyard and we never came to see you," lead singer Hayley Williams said to the Friday evening crowd, addressing the band's absence from the festival thus far. Although Paramore fans might have been waiting years to see the band on the farm, Williams and the band more than made up for it with a mix of songs from throughout their discography, Williams' powerhouse vocals that stayed strong despite her constant dancing and jumping, and the performance of a Halfnoise song (drummer Zac Farro's other project). The band also took the time to use their platform to promote positivity between their songs, Williams addressing the death of Anthony Bourdain, as the news had broken earlier that day. "I see a lot of smiles, and that's really nice to see in 2018," Williams said, continuing on to say that the news these days is usually pretty awful, but dancing and music has the ability to bring people together and add something positive to all of the negative news of the world. Paramore's set definitely acted as the perfect mood booster and distraction on a day that had begun with some heavy news for the entertainment industry. 

Okey Dokey Brought Out All Their Friends

Like Paramore, Nashville duo Okey Dokey also played their first Bonnaroo as this project, but lead singer Aaron Martin told the audience that this was his fifth time at Bonnaroo. In celebration of Okey Dokey making it to Roo, the pair invited a bunch of their musical friends to join them on The Who Stage. Liz Cooper of Liz Cooper & The Stampede joined the band on stage for the entire set, playing different percussion instruments (including a banana shaker), but towards the end of the set, she sang a duet with Martin. Rayland Baxter, who would later be joining in on the Tom Petty Super Jam, also joined this sort of mini Super Jam, singing the song he had written with the group. Brad Shultz and Nick Bockrath of Cage The Elephant even hopped on stage to play guitar for a couple of songs. 

Okey Dokey Featuring Liz Cooper

Okey Dokey Featuring Liz Cooper

Super Jam Featured an All Star Line Up Playing Tom Petty Hits

Every year, Bonnaroo puts on a Super Jam featuring a line up of musical guests performing at the festival throughout the weekend. This year, the Super Jam paid tribute to Tom Petty, which meant the entire crowd screamed along the entire time as the band played through hit after hit. The core band that played the entire two hour set included Patrick Hallahan, Tom Blankenship, Pat Sansone, Craig Pfunder, Daniel Creamer, and The Watson Twins, and the special guests ranged from artists just starting out to veteran rockstars. Bonnaroo first timers FRENSHIP and Durand Jones and the Indications joined early on in the set to play "Refugee" and "You Wreck Me," with legend Sheryl Crow following shortly after to sing "American Girl." The massive crowd that had flocked to the This Tent for the jam had dwindled slightly towards the end of the set, but the tent remained packed until past 3AM, with special guests like Matt Shultz (Cage The Elephant), Vanessa Carlton, Justin Vernon (Bon Iver), and Sameer Gadhia (Young The Giant) anchoring out the set with songs like "Breakdown," "Learning to Fly," and "Free Fallin'." The artists that contributed all sounded incredible together, paying a beautiful homage to Mr. Tom Petty. 

Super Jam closing out the This Tent on Friday 

Super Jam closing out the This Tent on Friday 

Bonnaroo 2018 Thursday Highlights

20180607-IMG_3688.jpg

Bonnaroo 2018 kicked off yesterday, delivering the usual friendly and fun atmosphere full of random acts of kindness, pop up experiences, and 24/7 entertainment throughout the stages and campgrounds. As you get ready for Roo day 2, read up on the music highlights of Thursday below!


Jade Bird Made Her US Festival Debut

British singer songwriter Jade Bird hit the ground running during her first US festival appearance by not only playing a late night set at The Who Stage, but by playing a stripped down set at Coleman's The Campout experience out by plaza four. Jade's raw vocal power and fiery spirit shone through just as much at the early afternoon set as it did during her main performance. The enthusiastic Thursday night crowd welcomed Bird with open arms as she played through songs on her debut EP like "Good Woman" and "Cathedral," as well as a couple covers of songs by The Pixies and Kate Bush. Bird's performance of her popular single "Lottery" acted as the highlight of the set, the crowd all singing along to the belter of a chorus. "I've been Jade Bird and you guys have been the best audience I've ever had," Bird said at the end of her show. 

Jade Bird at the Coleman Camp Out experience 

Jade Bird at the Coleman Camp Out experience 

Ron Gallo Said Sorry a Bunch

Self-proclaimed really nice guy Ron Gallo and his band packed the tent for their energetic early evening set at the That Tent. Gallo displayed his usual quirky antics during the show, incorporating a trumpet into their songs, introducing his band and himself in a monotone voice as he read off a piece of paper, and saying "sorry" a bunch of times mid-song. Although the live band is usually a trio with Joe Bisirri on bass and Dylan Sevey on drums, the group was joined by the band's tour manager on keys yesterday and during the last song, the band added an impromptu new member. Gallo invited an audience member onstage to play his guitar, ending the set on a high note. 

Ron Gallo and his newest band member

Ron Gallo and his newest band member

FRENSHIP Took Their Pants Off

Los Angeles duo James Sunderland and Brett Hite, better known as FRENSHIP, played their first Bonnaroo last night to an eager crowd at the This Tent, and they were shocked at the Thursday turn out. "Nobody comes on a Thursday," Sunderland said in awe of the overflowing tent, which was full of fans singing the lyrics back to them. In addition to playing their popular tracks like "Carpet" and "Capsize" from their first EP, Hite and Sunderland treated the crowd to some of their newer singles like "LOVE Somebody" and "MI Amore." The duo also made sure to dress their best for their Bonnaroo debut by wearing matching pants. "We're wearing the same damn pants. We wore the same pants for you, Bonnaroo," they admitted. The audience was so enthusiastic that they started a "take them off!" chant about the pants, and Sunderland made a promise that they would take them off by the end of the set if the audience promised to stay with them through their entire career. True to their words, during the final song "1000 Nights," Sunderland took his pants off, ending their set with another memorable moment.

James Sunderland finishing FRENSHIP's set sans pants

James Sunderland finishing FRENSHIP's set sans pants

Durand Jones & The Indications Brought Soul to The Farm

Soul outfit Durand Jones and The Indications delivered the smoothest set of Thursday, bringing their full, rich big band sound to the That Tent. The band displayed incredible chemistry and musicianship as they played through their hour long set, horns and woodwinds complementing the sheer power Durand Jones' vocals. Their groovy, R&B songs have a retro quality to them, but their tight sound and Jones' showmanship put a refreshing spin on a vintage sound. Drummer Aaron Frazer also displayed his incredible multi-tasking skills when he lent his vocals to a few of the songs during the set. The group will take part in the "Into The Great Wide Open" Superjam tonight, so if you missed them on Thursday, make sure you catch them during this all-star packed set tonight. 

Durand Jones and The Indications Bringing Soul to The Farm

Durand Jones and The Indications Bringing Soul to The Farm

Cage The Elephant Played a Surprise Set

If you're camping at 'Roo, you might have noticed the permanent party set up in Plaza 9, which has been curated by none other than Cage The Elephant's Matt Shultz. The set up in Plaza 9 includes birthday decorations to celebrate Roo Day, as well as pop up experiences with some of the performing artists; like karaoke with Okey Dokey, watercolor painting with Lissie, DJ sets, and yoga. Thursday at Plaza 9 ended with a huge bang when Cage The Elephant played a surprise full show, which they had teased with a now deleted Instagram post. If you weren't in the know for the secret show, you can also catch Shultz and his bandmate Nick Bockrath partaking in the "Into The Great Wide Open" Superjam tonight.

Stay tuned for our daily updates throughout the weekend, and follow us on social media for live updates throughout the day. 

 

 

Live Recap: The Kooks and The Academic at The Vic Theatre 5.30.18

This past Wednesday, The Kooks returned to Chicago for a sold out show at The Vic Theatre, returning for the first time since 2015 when they played the same stage. The show had originally been slated for October 2017, but the band pushed the gig back to May in order to work on completing their fifth studio album Let’s Go Sunshine, which will be this August. 

Following a short but sweet set from The Academic that warmed up the crowd, The Kooks made their highly anticipated return to the Vic's stage, opening their set with "Eddie's Gun" from their 2006 debut album Inside In/Inside Out. The band made the wait for their comeback worth it by not only playing fan favorites like "Ooh La" and "Bad Habit" from their expansive discography, but by sprinkling in brand new songs throughout the set in order to showcase what they had been hidden away working on the past few years. Frontman Luke Pritchard expressed the band's gratitude for their fans, calling out all the different The Kooks t-shirts from the past years in the audience. When he wasn't expressing gratitude to the crowd, Pritchard often chatted between songs, providing backstories about the lyrics. During the songs, Pritchard pranced around the stage, making sure that he connected with the entire room by working his way across the whole stage. 

While the set remained high energy, the mood remained dynamic with the band occasionally switching up the pace by having Pritchard perform a song at the keyboard, or by having guitarist Hugh Harris perform a song on his own. After the first part of the set, Pritchard returned on his own to sing "Seaside" as the opener of a 3-song encore, asking the crowd if they were up for a sing along before beginning. Judging by the echoes of the lyrics coming from all parts of the venue, the crowd was definitely into singing along, as they had been most of the evening. The set wrapped up on a high note with "Always Where I Need to Be" and "Naïve," the group leaving the stage to thundering applause. 

Check out our photo gallery of the evening below, and see which cities The Kooks will be hitting next on this tour here. 

Preorder Let's Go Sunshine here and keep up with The Kooks on Facebook + Twitter + Instagram 

Live Recap: Cut Worms and King Tuff at Lincoln Hall 5.25.18

Cut Worms and King Tuff kicked off Memorial Day weekend with an incredible show at Lincoln Hall.

The dynamic show began right at 9PM, with singer-songwriter and multi-instrumentalist Sasami performing solo on a dimly lit stage. As she sang through her stripped back, personal narratives, Sasami told hilarious anecdotes between songs, warming the early crowd up for the rest of the show. Sasami would return later in the night to play in King Tuff's band, but first the Brooklyn based project of Max Clarke, Cut Worms, took the stage for a homecoming of sorts, as Clarke had previously lived in Chicago for several years. After a successful debut EP, Clarke released his debut full length album Hollow Ground earlier this month, and his 45 minute set consisted of the majority of the album. Clarke and his band members had the crowd eagerly soaking up the twang soaked mix of alt-country and indie rock tunes, which pull in just a pinch of psychedelic and folk rock influences. Clarke's refreshing spin on timeless roots had the audience dancing along to his more upbeat songs like "Don't Want To Say Good-bye," but he also kept the set versatile by slowing things down to perform a song sans band towards the end of the show.

Eventually everyone had trickled into the concert hall, the stage had been set, and King Tuff and his band graced the stage for the final act of the night. The setlist started with the hypnotizing title and opening track of King Tuff's latest album, The Other, which just came out in April. With the crowd hooked after that slightly slower tempo track, the energy ramped right back up with trippier "Raindrop Blue," laden with shredding guitar riffs. King Tuff and his band added an edge of flare to their show with flashy outfits, but they kept the focus on their musicianship by not adding in any intricate stage production. The carefully plotted setlist weaved in some older favorites between songs from the new record, like "Unusual World" from the 2012 self-titled record and "Freak Me When I'm Dead" from 2008's Was Dead record. King Tuff kept the setlist completely refreshed by even throwing in a brand new track. "They're all new, but this one is even newer," King Tuff said before playing "Portrait of God." No matter what era of King Tuff discography any of the songs came from though, each tune had the crowd grooving and moving along, which nods to the versatile and universal quality of these albums and songs. 

If you missed out on the show, check out our photo gallery of the evening below.

Check out the rest of King Tuff's upcoming tour dates here, and listen to The Other in full below. 

Live Recap: House of Vans Chicago Girls Skate Jam with The Kills

Kickflips, grinds, chords and riffs! Chicago’s House of Vans played host to another Get on Board girls skate jam event Saturday evening. Some of Chicago’s finest skate boarders and up-and-comers tore the floor with ollies, kickflips and 180º’s. The event also featured a street market and the futuristic, interstellar and pizza-tastic artwork by Robin Eisenberg. 

Later in the night, the venue transformed itself into a slew of rock riffs, power chords, and hair thrashing by the British - American indie rock band The Kills. The crowd was quickly pumped into a fever of singing and screaming at the top of the set with the hit “URA Fever." The show was always at full momentum with Alison Mosshart snake-charming the crowd with spellcasting lyrics and riveting dances moves. The air-fan on stage blew through her hair making it dance to the electric rock tunes. 

Alongside Mosshart was Jamie Hince power sliding on the guitar, just making the strumming patterns look easy. Hince also accompanied the songs with cool smooth lyrics and stylish swings. The duo performed an exceptional setlist with hits from across their albums like “Black Balloon," “Baby Says," and “Doing it to Death." As the evening continued, Mosshart gave the crowd a heartfelt smile as she started singing the new tune “List of Demands." As the duo worked through their setlist, the crowd eagerly soaked up their electrifying stage presence. 

The girls of skate and rock slayed the house with tricks and guitar licks leaving us all to look forward to the next one to shred again!

Photo Credit: Daniel Boczarski

Live Recap: HINDS Returns to Lincoln Hall With New Material and the Same Old Spirit

“This is the first time we sold out Chicago,” Hinds tells the packed house at Lincoln Hall on Tuesday night. On the Madrid quartet’s current tour, sold out shows are no rare occurrence; they’ve had a recent streak of shows that have been overflowing with eager fans. Although this last show might have been Hinds’ first official sold out show here, they’ve also had no shortage of rowdy moments in the city in the last year. Last May, they played a free show at The Empty Bottle, which had fans lined up around the block to attend, and they played Lincoln Hall earlier this year as part of the annual Tomorrow Never Knows Festival.

Back in January, Hinds had recently announced the release date of their sophomore album I Don’t Run, and dropped their first single “New For You.” While they teased the new material at that show, performing the new single, their show last week was the first time many of the songs in their set had been played in Chicago. During their 75 minute set, the band performed the majority of their second album, opening up with “The Club.” Whether they were playing the new material or old favorites like “Easy” or “Garden,” the audience remained keen to have a great time; dancing, moshing, and even crowd surfing throughout the night. Despite their intense and grueling tour schedule, accompanied with a busy press schedule, the members of Hinds burst onto stage with a surge of energy, boasting infectious smiles, and the positive vibes remained present the whole show. Whether they were dancing together or telling funny anecdotes between songs, the members of Hinds always kept the mood lighthearted. 

Towards the end of the show, the momentum of the evening peaked (pun intended) when members of Twin Peaks and Goodbye Honolulu crashed the stage to give Hinds a hand in performing “Davey Crockett” from their EP The Very Best of Hinds So Far. The unruly guest appearance featured Carlotta Cosials getting on Cadien James of Twin Peaks’ shoulders, stage diving from Twin Peaks' Clay Frankel and Jack Dolan, and some champagne popping; making for an unforgettable moment in an already unforgettable show.

During the show, Carlotta had mentioned that Chicago is the closest city in America that they have to their hometown of Madrid, and another wildly successful show here proved that the city feels just as fondly about Hinds.

If you missed out on getting tickets to this show, check out photos from the evening with Bunny and Goodbye Honolulu, and see the rest of Hinds’ tour dates here.

Listen to I Don't Run in full below, and keep up with HINDS on Twitter + Facebook + Instagram

Live Recap: Unknown Mortal Orchestra at The Vic 5.3.18

This past Thursday night, Unknown Mortal Orchestra returned to Chicago for the first time since 2016, touring in support of their latest record Sex & Food, out April 6th via Jagjaguwar Records. 

The 90 minute set started off heavy with songs from Unknown Mortal Orchestra's early catalog, easing the crowd into their new material. The night kicked off with"Ffunny Ffrends," a track from the band's debut, self-titled record, which was followed by "Swim and Sleep (Like a Shark)" from their second album. As the setlist weaved through the band's diverse discography, frontman Ruban Nielson and the rest of the band maintained an incredibly tight sound throughout the entire show. While the performance remained incredibly sharp, the band also had a relaxed and infectious energy about them, often extending out their tracks with instrumental breaks that added depth to the live experience of their records.

Early on in the evening, during "From The Sun," Nielson actually jumped into the crowd with his guitar and played his way through the entire room, even making it up to the balcony. From that moment on, the crowd's eyes clung to the stage, the audience eager to soak up the showmanship and musicianship that Unknown Mortal Orchestra has expertly honed in on over their years together. While the band exuded an incredible stage presence, an intricate lighting show backed them, adding another facet to their live production. Between the production quality, the setlist selection, and the chemistry of the band members, Unknown Mortal Orchestra put on the perfect show.

If you get the chance, do not miss Unknown Mortal Orchestra on this tour--see the remaining dates here

Photos of Unknown Mortal Orchestra at The Vic, May 3rd, 2018

Lastly, listen to Sex & Food in full below, and keep up with UMO on Instagram and Facebook.

Albin Lee Meldau and Jessie Ware at The Vic 4.30.18

Swedish singer Albin Lee Meldau hit the stage at The Vic Theatre on Monday night for his first ever performance in Chicago. Meldau's soulful vocals perfectly complemented headliner Jessie Ware's blend of R&B, pop, and alternative music, quickly winning over the Chicago audience. Meldau's short but sweet set highlighted his diverse catalog and his raw, powerful voice that instantly grabs your attention. 

Check out photos from the show below, and see where you can catch Albin Lee Meldau in a city near you here

You can also pre-order Albin Lee Meldau's debut album About You here (out June 1st), and keep up with him on social media below!

Facebook // Twitter // Instagram

Live Recap: Post Animal Plays a Rowdy Record Release Show to a Packed Lincoln Hall

At almost every concert you go to, there’s a sort of unspoken bond amongst audience members; a mutual love of music and an interest in the particular band performing that can take strangers, put them into a cramped room, and turn them into friends by the end of the night. At Post Animal’s album release show on Friday night, the room buzzed with an electrifying sense of camaraderie from the second the doors to Lincoln Hall opened. For many in the audience, they had already formed friendships with one another, due to the supportive nature of the Chicago music scene, and the show that would follow would only bring that community even closer.

Like most Chicago bands that have begun to garner attention nationally, and even internationally, during the last couple of years, Post Animal got their start playing DIY shows in basements and gritty locations around the city before eventually working their way up to headlining slots at the likes of The Hideout, The Empty Bottle, and The Subterranean. Headlining a sold out show at Lincoln Hall sits towards the top of many bands’ bucket lists in the city, so when Post Animal made their way up to checking this feat off their list, they made sure to put together a special show for the 500 lucky audience members that scored tickets to the gig.

20180427-IMG_4976.jpg

First, they had some of the freshest local (and soon-to-be local) talent warm up the stage for them, with Rookie kicking off the night. Although they’re a new project and just released a debut single last week, Chicago music scene veterans Joe Bordenaro and Max Loebman act as the group’s leaders, working together on new music and revamping music from their past projects. Their experience of playing music for years in other projects gives them a commanding stage presence and sense of chemistry as bandmates that you rarely see in a new band. By the time Rookie’s set had finished, most of the room had already filled in, and anyone who had started the night unaware of Rookie had quickly been converted to a new fan after witnessing their live show.

Next up, Slow Pulp mesmerized the packed house with their dreamy mix of psychedelic, pop, and punk tones for the next 45 minutes. Hailing from Madison, Slow Pulp will soon be making a permanent move down to Chicago, and the audience response on Friday confirmed that they will be welcomed with open arms once they make the move later this year. The crowd gave the band their undivided attention as they played through songs from their self-produced and released EP2, which is actually the band’s first release since the addition of lead singer Emily Massey. The audience sang along with Massey throughout the show, especially during “Preoccupied,” which has stacked up close to 200,000 streams on Spotify.

20180427-IMG_5242.jpg

Eventually the time came for Post Animal to hit the stage, and the current of energy that had been surging through the venue was further intensified when the opening riffs of “Gelatin Mode” rang out into the room. Although they’ve been playing the song live for months, the band had only recently released the track as a single with an accompanying, must-watch music video, and it acted as the perfect kickstart to the rowdy evening that would follow. Of course, no Post Animal show would be complete without a little (or a lot of) crowd surfing and moshing, and “Gelatin Mode” set the tone for a wild night when the crowd immediately started thrashing around to the fast-paced song.

Another new single from When I Think Of You In A Castle, “Tire Eyes,” followed, only slightly slowing down the pace. The exuberance of the crowd remained intact however, never wavering as the setlist weaved between songs featuring in-your-face guitar solos, like “Special Moment” and “Victory Lap: Danger Zone,” and more mellow, winding psychedelic-tinged tracks like “Castle.” The band did a great job of strategically plotting the placement of each song in the setlist, allowing for the audience fully appreciate the diverse texture and sonic diversity of not only their newest material, but some old favorites from their first two EPs. To assist with the flow of the set, the band even worked out more elaborate and refreshed transitions between songs, adding another layer to the new songs that fans can’t experience from just listening to the record.

20180428-IMG_5610.jpg

After playing through the majority of When I Think Of You In A Castle and staples like “Alabaster” and “You Were Not There” from their earlier catalog, Post Animal closed the first part of their set with their viral track “When I Get Home,” which has always proved to be a crowd favorite with its grooving bass line and sweeping melody. At this point in the night, the room was overflowing with positive vibes, and the crowd had already been potentially the rowdiest that the Lincoln Park concert hall has ever hosted, but things only got crazier during the encore.

Cadien Lake James from Twin Peaks first took the stage with a bottle of champagne in hand to get the audience hyped for Post Animal’s return, further demonstrating the supportive nature of the city’s music scene. After the warm introduction, the band eased the audience into the final part of their set by kicking things off with “Goggles” from their 2015 EP Post Animal Perform The Most Curious Water Activities, but when they transitioned into “Dirtpicker,” it was no holds barred for the remainder of the show. The song anchors out their new album, but it has been the hype song of their live show for a while now, always riling up the crowd with its infectiously catchy riffs. The amiable spirits of the crowd peaked during this last song as everyone exerted their final ounces of energy, working to lift each other up to crowd surf or have one last go at moshing.

By the time Post Animal walked offstage on Friday night, it was clear to everyone in the crowd that they had just witnessed a very special moment (pun intended) and while this show marked a landmark achievement for the band, it’s truly only the beginning for them. You can catch Post Animal on a headlining national tour throughout the summer, with select shows featuring Slow Pulp or fellow Chicagoans Paul Cherry and Town Criers. The summer tour includes appearances at legendary festivals like Shaky Knees, Bonnaroo, and Lollapalooza (Chicago, catch them at Lolla on Friday, August 3rd). See the rest of their tour dates here, and snag a copy of When I Think Of You In A Castle  here.

More photos of Rookie, Slow Pulp, and Post Animal at Lincoln Hall on April 27th, 2018

Can't get enough Post Animal? Check out our interview with them here