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Live Recap: The Wombats Bring New Music, The Hits, and Infectious Energy to Their Lollapalooza Aftershow

This past Thursday night, The Wombats closed out the first day of Lollapalooza 2018 with a sold out aftershow at Lincoln Hall


As the clock struck midnight, hoards of music fans had piled into Lincoln Hall to celebrate the end of the first day of Lollapalooza with The Wombats. Although they had just performed out in Tinley Park with The Pixies last month and at Lollapalooza earlier that day, the last time The Wombats had performed as a headliner in Chicago was more that two years ago, when they played The Metro in support of their album Glitterbug. Despite the late start time of the aftershow, old and new fans of the band buzzed with anticipation during the moments leading up The Wombats’ entrance to the small stage, everyone anxious to hear some of their old favorites as well as the freshest material from this year’s Beautiful People Will Ruin Your Life.

The set began with the new; The group opened with “Cheetah Tongue,” the first track off their fourth studio album, but from there on, the setlist took twists and turns through The Wombats’ extensive catalog of material. Following “Give Me a Try” from Glitterbug, the band threw it back to 2011 and 2007 with “1996” and “Kill The Director.” While The Wombats did a great job at compiling a setlist of songs that highlighted each of their album eras, one of the best experiences of the show was looking around and seeing fans scream the lyrics along with lead singer Matthew Murphy and dance throughout the night with unwavering gusto, during every single song. Murphy and bandmates Dan Haggis and Tord Øverland have continuously mastered creating music that blends clever and sharp narratives with danceable melodies and grooving bass lines, allowing for fans to connect with the lyrics while dancing it out.

Live, the trio translates their records to life with a keen stage presence and unmatched chemistry, which stems from their years and years of playing music together. Despite their grueling tour and travel schedule as of late and the fact that they had played Lollapalooza earlier that afternoon, The Wombats never skimped on the energy during their show at Lincoln Hall; Øverland still delivered his signature kicks and jumps as he played bass and Murphy often paraded around the stage with his guitar. The entire room was already beaming from ear to ear as the set came to a close, but the band still had one more surprise up their sleeves. During iconic tune “Let’s Dance To Joy Division,” three people dressed up head-to-toe in wombat suits rushed the crowd and stage to close out the night, and everyone (even the wombats) clapped along to the athemic bridge of the song.

Following the humorous guest appearance, The Wombats (the band) returned for an encore, bringing along the costumed wombats again. The three song encore consisted of one of their recent singles, “Turn,” “Tokyo-Vampires & Wolves” from their earlier days, and “Greek Tragedy” from their third album, once again equally representing all of their eras. No matter what year your favorite song from The Wombats comes from though, there’s no denying their music and their live show has a timeless quality to it; it will always be a challenge to find anyone having a bad time at a Wombats show.

Check out photos from the show below, and see where you can catch The Wombats next here. 

Listen to Beautiful People Will Ruin Your Life in full below.

Pitchfork Festival Recap 2018

Thousands of music fans returned to the familiar stomping grounds of Union Park for another successful Pitchfork Music Festival this past weekend. Looking at the thunderstorm-filled weather forecast during the days leading up to the festival, many of the festival goers speculated if the schedule would stay on track and if any sets would be canceled, but surprisingly the weather turned out to be close to perfect with minimal rain and lots of breeze. In addition to the ideal festival weather, P4K 2018 also featured more Chicago artists than it ever has in the past, and they also had a fair balance of female and male performers, which is something many other music festivals have failed to provide with recent line ups. If you missed out on the festival this year, dive in below to see what other standout moments happened over the weekend. 

Friday

Julie Byrne and her her harpist eased the crowd into Day 1

Friday morning and early afternoon did end up having some rain showers, but by the time singer songwriter Julie Byrne took the stage just before 3PM, the drizzle had died down, leaving a cloudy, cool breeze in the air. Bryne's mellow music and ethereal vocals perfectly complimented the gray skies, giving everyone a tranquil introduction to their festival weekend. Byrne's live band also included a rare harpist, which further hypnotized the crowd and eased them into what would inevitably be a long weekend of lots of great music. Byrne also gave a shout out to Chicago when she reminisced on her time she spent living here, before playing her song "Melting Grid" from her 2017 album Not Even Happiness

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Julien Baker Captivated a Large Crowd on her Own

Most of the time when solo artists perform live, they're joined by a live band to help them fill out the arrangements and make a more dynamic performance, but Julien Baker took the stage at Pitchfork completely alone at the beginning of her set. Armed with her guitar and her powerful vocals, Baker completely captivated the large crowd that overflowed the area around the Blue Stage, opening with "Turn Out The Lights." After performing the title track of her latest album, the chilling track "Appointments" from the same album, Baker was eventually joined by a violinist, who added a special touch to Baker's narratives. Again, it's rare to witness a solo performance as powerful as Baker's but with her vocal gusto and emotive stage presence, her shows are always something special.

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SYD Celebrated The Internet's New Album

Lead vocalist of The Internet and solo artist SYD hit one of the festival's main stages in the early evening hours, bringing her silky smooth vocals and effortlessly cool demeanor to the growing crowd. Earlier that day, The Internet had released their brand new album Hive Mind, and fans and Pitchfork were eager to see if any of the new songs would make it into SYD's solo set. After performing songs like "All About Me" and "Got Her Own" from 2017's Fin, as well as her Kaytranada collaboration "You're The One," SYD did in fact bring out some of The Internet to perform a few of their brand new tracks. The hypnotizing set finished with one of The Internet's most popular tracks, "Girl," allowing for the audience to get the full experience of SYD's discography. 

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Big Thief Made a Comeback

It seem's like the members of Brooklyn's Big Thief never take a day off; after releasing full albums in 2016 and 2017 and touring in between, Buck Meek of the group also somehow managed to release his debut solo album and tour it this year. Buck Meek has played a couple of times in Chicago as his solo project, but this performance at Pitchfork was the first time the full band had played a show in town this year, and they were welcomed back by the Chicago audience with open arms as they performed crowd favorites from both of their albums. Their show stood out among all of the performances of the weekend with lead vocalist Adrianne Lenker's emotive delivery of her narratives and the magnetic chemistry among the group.

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Courtney Barnett Had a Hype Man

Before Courtney Barnett performed as the second to last act on Friday, flocks of fans had gathered in front of the red stage, anxiously buzzing for the Australian singer to take the stage. A lone fan started a chant for their apparent favorite song off Barnett's new album Tell Me How You Really Feel: "Nameless, Faceless." Before long, the majority of the crowd was chanting the song title along with the no longer lone fan and the anticipation for the show peaked. Barnett and her band rewarded the enthusiastic audience with another stand out set of the weekend, amplifying the already high energy on the studio versions of Barnett's records. 

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Tame Impala Made it Rain

Following Courtney Barnett's set, fellow Australians in Tame Impala hit the Green stage, closing out the first night of the festival. Before they even walked onstage, trippy lighting and visuals illuminated the stage, prefacing their psychedelic rock tunes. A couple of songs in, the rain that had been looming in the forecast all day finally fell upon the massive crowd watching Tame Impala, falling just after the band had already showered the front rows with confetti. The rain couldn't put a damper on the infectiously jovial mood of the audience, and the rain even added another dynamic layer to the multicolored visuals swirling around on the stage screens. Just as soon as it hit though, the rain had passed leaving the crowd to dance around in the aftermath of the storm. 

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Saturday

Paul Cherry Played His Debut Album in Full

Chicago's own Paul Cherry checked a huge accomplishment off his bucket list when he opened up the second day of the festival. Cherry brought his dreamy psych-pop debut album to life with the help of a full band, which included Kevin Krauter from Hoops and Mat Roberts from Mild High Club. The super group performed the 2018 album Flavour in full--"even the instrumentals," as Cherry pointed out. Although the early set definitely had a thinner crowd than the later performances, plenty of festival goers made sure to get there on time and show their support to one of their own. 

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Zola Jesus Made a Theatrical Entrance

Singer songwriter Zola Jesus took the stage in the early afternoon to suspenseful introduction music, donning a layered red dress that covered her entire body and face. She began her set singing through the garment, eventually pushing the red veil back to reveal her face. The extensive catalog of Zola Jesus explores different sonic pockets, ranging from delicate piano melodies to ominous synths, but her powerful and evocative vocals always stand out on her records. During her Pitchfork performance, Zola Jesus and her band brought all those aspects of her records to life, pairing them with a simple yet theatrical production featuring her outfit and choreography. Despite the heaviness of her songs, between them, the singer made light-hearted banter with the crowd, shouting out any audience members from Wisconsin, where she had attended college. 

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Moses Sumney Walked the Catwalk

Moses Sumney's incredible vocal range and live band lineup that even included orchestral instruments would have been enough to make his set stand out as a highlight, but his showmanship and interaction with the audience is what really set his show apart from others. Sumney worked the entire stage as he played songs from his 2017 album Aromanticism and his latest single "Make Out in My Car," giving the whole audience his attention throughout the show. Towards the end of his set, Sumney got even more up close and personal with the crowd when he left the stage to walk up and down the catwalk barricade in front of the stage. 

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Girlpool Reminisced About Myspace

Cleo Tucker and Harmony Tividad, better known as Girlpool took the Blue Stage on Saturday afternoon, providing festival goers a chance to sit back and relax to their laidback indie rock tunes. Girlpool have a sound that's instantly like-able, drawing in a huge crowd of both their avid listeners as well as curious passerby looking to discover new music at a festival. Between songs, the pair made witty banter to keep the entertainment rolling; Harmony Tividad even reminisced about Myspace at one point, sipping Gatorade and recalling that she had once included the drink in her Myspace bio. The duo's natural stage presence continued to add another layer to their performance, making them a fan favorite.

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 Blood Orange Brought a Production and New Music

Dev Hynes, known by his stage name Blood Orange, returned to Pitchfork Music Festival this year, delivering a full production and new music. Hynes and his full band performed in front of revolving videos being projected on the screen behind them. In addition to the visual layer added to the performance, Hynes added choreography and dance moves as well as backup singers to fill out the layered production. While most of the set consisted of tracks from his 2016 album Freetown Sound, Hynes threw a couple of new songs in, including "Charcoal Baby" from his upcoming album Negro Swan, out August 24th. 

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Sunday

Kweku Collins Had High School Classmates in the Audience

Evanston rapper and producer has been buzzed about in Chicago for a couple of years now, but his early Sunday performance marked his Pitchfork Chicago debut. Despite his 2:30PM start time on the third of the festival and the rainy morning, Collins still drew a large crowd of enthusiastic fans. Among the throngs of festival goers echoing the lyrics back to Collins, he recognized some of the audience members as his former high school classmates. Being 21, Collins admitted that his high school days weren't that long ago, but you could tell it meant a lot to him to have some hometown support. Collins also used his performance time to put his platform to good use; during his set he addressed one of the common issues at music festivals. "Guys watch your space. Your presence is not a burden until you make that shit a burden," continuing on to add that if we all go about it the right way and be respectful, everyone can have a great time. His statement set the tone for the final day of the festival and left everyone walking away with a smile. 

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RAVYN LENAE Made the Crowd Pinky Promise

Immediately following Kweku Collins' performance, another young Chicago artist took the Red Stage across the way: Ravyn Lenae. The R&B singer certainly made an entrance when she sauntered onstage draped in a sparkling fringe dress and carrying a microphone covered in red faux fur. Lenae's impressive range and vocal chops backed up her glittery stage set up, and she quickly had the crowd wrapped around her finger. Early on in her set, Lenae asked for the audience to raise their pinkies and promise to dance and sing along to her music, and they happily obliged. 

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Japanese Breakfast Collaborated With An Old Tour-mate

Michelle Zauner, known under her moniker of Japanese Breakfast, made her Pitchfork Festival debut with her usual exuberant stage presence, projecting that positivity out into the crowd. Following her incredible set that featured songs from her two albums as well as a cover of "Dreams" by The Cranberries, Zauner returned to the Blue Stage a short time later, this time joining her former tour mate (Sandy) Alex G during his set. The two had toured together in 2017, and at Pitchfork they reunited to perform the crowd favorite "Brite Boy."

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Chicago Artists Made the City Proud

Chicago remained the name of the game on Sunday at Pitchfork; following the performances of Nnamdi Ogbonnaya, Kweku Collins, and Ravyn Lenae, the Chicago acts just kept rolling. Rapper Noname delivered a special show with her full backing band and a few guest appearances from her fellow Chicagoans Ravyn Lenae, Smino, Saba, and Joseph Chilliams. The guests during Noname's set showcased the collaborative nature in this city's music scene. 

The legendary Chaka Khan, another Chicago native, took the Red Stage next, keeping the hometown theme going. Her set consisted of nonstop hits, from her solo songs like "I'm Every Woman" to "Ain't Nobody," as well as songs from her funk band Rufus, the crowd never stopped singing along. 

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Lauryn Hill Actually Showed Up

Throughout the entire day and even the entire weekend, festival goers continued to speculate if Lauryn Hill would show up, and if she did show up, how late she would be. The legendary artist has earned herself an infamous reputation for cancelling shows last minute or showing up hours late. Needless to say, no one really had high expectations as the night began to come to a close and the headliner was scheduled to begin, but everyone got a pleasant surprise when Ms. Hill's DJ took the stage right on time. After about thirty minutes of hype brought on by the DJ and her other band members who began to trickle onstage, Lauryn Hill finally graced the Green Stage, rewarding the swarm of eager fans that spanned multiple generations. The weekend ended on a high note as the festival goers got to celebrate the 20th anniversary of The Miseducation of Lauryn Hill with the icon, who has since cancelled some of her upcoming tour dates. 

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Check out more photos of the entire weekend below

5 Hometown Acts to Show Up Early For at Pitchfork Festival 2018

Pitchfork Music Festival returns to Chicago's Union Park this year, once again bringing a diverse lineup featuring both up and coming and established artists of different genres. For the past few years, the lineup has continued to feature some of the best talent in the city; In 2016, Whitney, Mick Jenkins and Twin Peaks performed, and last year's lineup included Joey Purp, Jamila Woods, and NE-HI. This year, the stacked lineup features even more local artists, including well-versed names like Saba and Noname, but there's several other Chicagoans playing throughout the weekend. Check out our five must-see hometown acts that are worthy of an early arrival to Pitchfork Festival.

Paul Cherry

Who: Singer, songwriter, musician and producer extraordinaire Paul Cherry has become a staple in the Chicago rock scene with his dreamy bedroom psych-pop tunes. While rejuvenated psych rock has been done by many over the last few years, Cherry stands out with his signature reverb vocals and quirky textures used on his debut album Flavour, released March 31st by Feeltrip Records. Following the album release, Cherry spent weeks on the road promoting it, joining Post Animal for a leg of their last national tour. With his recent announcement of a European tour, it doesn't look like Paul Cherry's tour schedule will be slowing down any time soon, so make sure you catch him in town this weekend. After his Saturday set at the festival, you can catch an official Pitchfork aftershow at Schubas on Sunday, July 22nd featuring Paul Cherry, Bunny, and Slow Pulp--get tickets here. 

Fun fact: Paul Cherry produced Anna Burch's album and sometimes plays in her touring band. 

When: Saturday, 1PM on the Green Stage

For Fans Of: Mild High Club, Post Animal, levitation room

Start With: "Hey Girl," "Like Yesterday," and "So Easy"

Kweku Collins

Who: 21-year-old rapper, producer, songwriter, and Evanston-native Kweku Collins makes his Chicago Pitchfork Festival debut this weekend (he played the annual Pitchfork Paris fest in 2016), and it certainly seems like it's been a long time coming. Despite his young age, Collins' discography holds a certain depth to it, which makes sense when you consider he grew up in a musical family and has been playing music for essentially his whole life. Collins' air of experience mixed with his refreshing take on hip hop has earned him endless praise for his debut Nat Love (2016) and the more recent grey EP released in 2017. The traction he's gained has taken him on to tour the country and play major festivals like our own Lollapalooza, so do not miss him this Sunday. If you're not going to the festival, you can also catch Collins at Schubas on July 21st--grab tickets here. 

When: Sunday, 2:30PM on the Green Stage

For Fans Of: Vic Mensa, Kid Cudi, Frank Ocean

Start With: "Lonely Lullabies" "Stupid Rose," "Vanilla Skies" 

The Curls

Who: Self-proclaimed art rockers The Curls have created a stand-out sound in a scene that can sometimes seem oversaturated. With multiple vocalists and the incorporation of different instrumentalists, the group has a chameleon-like quality, pulling together aspects of genres like psych, pop, and jazz to craft something of their own. Their last record, 2017's Super Unit, boasts ten tracks that sound nothing alike, in the best possible way. Their flexible and varying sound will be sure to keep audience members on their toes during their Pitchfork set, so make sure you don't miss it. Just in case you might get stuck at work and miss the very first set of the entire festival, you can also catch The Curls at The Hideout on Friday night with Deeper--get tickets here. 

When: Friday, 1PM on the Green Stage

For Fans Of: OHMME, Lala Lala, Palm

Start With: "Prickly Feelings," "I Can't Tell U," "Do It Right"

Melkbelly

Who: Noise-rock group Melkbelly has continuously garnered buzz among the masses in Chicago's DIY scene since 2014, when friends of artistic and musical backgrounds came together to create this new project. After releasing their debut full length Nothing Valley last October via Wax Nine Records, the outfit has performed all across the city; From Thalia Hall to the Empty Bottle and Schubas to The Hideout, you'd be hard pressed to find a venue Melkbelly hasn't played. This weekend, the band can tick one more landmark achievement off their bucket list when they play Pitchfork Fest. If you've hit your Friday afternoon slump, this band will be sure to crank up the volume and get your blood flowing during their early Friday afternoon set. You can also check out Melkbelly with fellow Pitchfork performer Nnamdi Ogbonnaya at their official aftershow on Saturday, July 21st at SubT--grab tickets here. 

When: Friday, 1:45 PM on the Red Stage

For Fans Of: NE-HI, Flasher, Wolf Alice

Start With: "Kid Kreative," "Off the Lot," "Greedy Gull"

Nnamdi Ogbonnaya

Who: Songwriter, rapper, and multi-instrumentalist Nnamdi Ogbonnaya has become a seasoned musician playing in bands like Monobody and Ittō, but when he's not behind the drumkit, he's working on his own solo project. As a solo artist, Ogbonnaya doesn't shy away from the strange, creating completely unique eclectic hip hop tunes, like those on his 2017 album DROOL. His exuberance and busy beats will be sure to get you moving early on the final day of the festival. Like all of these artists, you have a second chance to catch Ogbonnaya if you find yourself running on empty on Sunday morning; he'll be playing with Melkbelly on Saturday at the SubT. Grab tickets here.

When: Sunday, 1PM on the Green Stage

For Fans Of: Shamir, Knox Fortune, Danny Brown

Start With: "hOp Off," "let gO Of my EgO," "nO drOOl"


If you've been snoozin', you can still purchase your 3-day passes or single day tickets to this year's Pitchfork. Single day tickets run from $75, or you can snag a 3 day pass for a discounted rate of $175. If you're feeling fancy, you can even upgrade to Pitchfork PLUS, which runs for $375. All ticket information can be found here

PHOTOS: The Dead Milkmen at House of Vans 7.12.18

This past Thursday night, House of Vans hosted another summer Vans house party, this time curated by the evening's headliner The Dead Milkmen. In addition to their set closing out the night, San Andreas Fault, Caustic, and Youth Code all warmed up the stage. A Wax Trax! Records pop up shop also kept the concert attendees entertained between sets. Check out photos of the evening below. 

RSVP to the next Vans House Party on July 27th, curated by Unknown Mortal Orchestra.

Eaux Claires 2018 Highlights

This weekend, my favorite festival Eaux Claires returned to the forest for round four.

Since year one, Eaux Claires curators Justin Vernon and Aaron Dessner have worked with musicians and artists to cultivate a completely unique festival experience, with common themes of community, improvisation, and collaboration remaining present each year. At conventional festivals, the line up usually gets announced before tickets go on sale, the schedule is released weeks or months in advance... and that's that. At Eaux Claires, it's always been about the music and the bonds created by the artistic process, with secret appearances, pop up shows, and "artists in residence" who will play multiple times with different people throughout the weekend. This year, the festival one-upped themselves with their surprises and decided not to announce the lineup until the gates opened on Friday, which is certainly not for the faint of heart, but didn't stop the diehard music fans from making the annual trip. If you didn't take the gamble and make the trip to Eau Claire, check out the highlights of EXC 2018 below.

The Lineup Wasn't Announced Until 1PM on Friday

As I just mentioned, this year Eaux Claires organizers took the level of surprise and mystery surrounding the lineup one step further and didn't announce any artists until Friday afternoon, which acted as both a highlight and a downfall of this year's fest. Despite the air of mystery, regular Eaux Claires attendees had hunches as to who some of the performers would be, solely based on past festival line ups. Especially with the "Artists in Residence" aspect of the festival, there has been a network of certain musicians who have continuously come back to collaborate, play their own sets, or guest star with other artists (i.e Francis and the Lights, Sylvan Esso, Phil Cook, and of course Justin Vernon and Aaron Dessner). With those traditions already set in, there were certain "usuals" that frequent EXC goers expected, and even the festival merchandise hinted at the usual players by making shirts that read "The Fourth Annual Family Reunion" and "It's Thanksgiving in the Summer." The curators still manage to keep the festival refreshing and unique despite that sense of familiarity by always bringing in a few of the year's best new artists and creating new collaborations and super group performances among artists. For example, one of the final performances on Friday night featured Vernon and Dessner's project Bid Red Machine playing in the round on the Flambeaux stage with a variety of guests like Julien Baker, Gordi, Chastity Brown, Bryce Dessner, and more joining them. So sure, you may have seen Big Red Machine at Eaux Claires the previous year, but you didn't experience it in the same way. All in all, the surprise lineup lead to many highlights throughout the weekend because it allowed for music fans to go with the flow and follow the music. There may have been a larger amount of criticism for the lack of new names or big names, but the fest certainly stayed true to its values of one-off unique experiences, regardless of the fear of backlash. 

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Francis Played Two Very Different Sets

This year, the festival also stepped up the art installation game by incorporating a few installations that actually had performances too. Early on Friday afternoon, Francis Starlite played The Jannette; which was essentially a triangular house with mirrors and a piano set in the middle of the woods. Fans of the singer songwriter, dancer, and frequent collaborator of Justin Vernon crowded around the small makeshift stage to experience a rare, stripped back performance of his songs. Later on, more fans got the chance to experience Francis in full capacity, along with some friends during the time slot on the schedule that was simply titled "Friends." (Again, there's that element of surprise...) Most people were savvy enough to figure out who would be playing during that time slot and again crowded around the round Flambeaux stage, where Francis climbed, crowd surfed, and danced with the audience to his own hits like "See Her Out" and "May I Have This Dance," as well as Kanye's song "Lift Yourself." While some of the second performance featured Francis performing solo again, he was joined by Justin Vernon and S. Carey for a few, including "Just For Us" and "Friends." 

Julien Baker Was Joined by Hanif Abdurraqib 

Singer songwriter Julien Baker played on just about every stage throughout the weekend, making guest appearances with the likes of The National and Big Red Machine, but her main performance on the Lake Eaux Lune stage acted as a stand out moment of all of Friday's performances. Baker began her set standing on the stage by herself, mesmerizing the large audience with her delicate guitar strumming and heartfelt narratives, before being joined by a violinist. Later, Baker was also joined by poet Hanif Abdurraqib, who read his poetry over the sounds of Baker's strums. Introducing Abdurraqib, Julien said, "This is a special festival with a special protocol, so I'm gonna bring out my friend Hanif." Once again, Eaux Claires presented a completely unique collaboration of artists-- not just musicians, but creators of completely different mediums and genres were able to produce something special.

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Hand Habits Played a House Show at at Festival

Similar to the installation that Francis performed at earlier in the day, musician Meagan Duffy's brainchild Hand Habits performed later that evening at another art installation deemed the Music Box Village. The installation looked like a cross between a house and a playground structure, allowing for festival goers to walk through it when a show wasn't happening, but it also acted as a completely unique stage. "It's cool to play a house show at a festival," Duffy remarked about the installation, perfectly describing the rare set up. The Music Box Village hosted other artists like Phil Cook, Gordi, and Julien Baker throughout the weekend, providing the perfect little nook to watch bands in a relaxed and stripped down setting. This space still allowed for fans to have a good vantage point, unlike some of the smaller stages in the woods, which often got too cramped to allow most fans to enjoy the performances. 

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Phil Cook Said It's Okay to Talk to Strangers

Eaux Claires regular Phil Cook's Friday evening set easily tied with The National's show for my favorite show of the weekend. Growing up in Chippewa Falls, Cook has been a part of the Eaux Claires process since its beginning due to his ties to the community, but this year he had a brand new album called People Are My Drug to perform to the EXC family. Cook's band for this performance, which happened to also be the band he made his latest record with, included Chastity Brown and Amelia Meath from Sylvan Esso, among others. "Everyone that was on the record is playing this show. This is the only time this is gonna happen," he told the audience. Cook also gifted the crowd with an inspiring speech, calling attention to the support of his tight-knit community, but also encouraging everyone in the audience to share their stories and absorb the stories of others. "Talk to strangers," he said, mentioning that his dad's record collection gave him access to the outside world via stories in the songs he heard, but he has gained so much from talking to strangers. In addition to his new music and motivational speech, Cook also had Nick Sanborn of Sylvan Esso come onstage to perform their song "PARAD(w/m)E" in honor of his son's birthday, and the set closed with an infectious, mood-boosting cover of "(Your Love Keeps Lifting Me) Higher And Higher."

Francis Led a Dance Lesson....Again

Last year, early arrivers of the festival got a notification shortly after the gates opened that Francis Starlite would be teaching dance in 30 minutes, and those with the festival app or those that wandered by were treated with a last minute surprise that acted as a highlight of the entire weekend. The impromptu dance lesson was so successful that this year it was actually penciled in on the schedule that rolled out on Friday afternoon, and the Saturday dance lessons ended up drawing more people for a 2PM time slot than most early performers at major festivals. This time around, Francis amped up his dance lessons, jumping into the crowd a few times to dance with the groups of people hoarded around the stage, as well as cartwheeling and doing the splits in front of the crowd. The dance class set the tone for day two and left everyone walking away from the stage exuding positive energy. 

Phoebe Bridgers Started a Cult

Saturday marked Phoebe Bridgers first time at Eaux Claires, but she certainly made the most of her time by playing her own set before singing as a guest with The National and the People Mixtape performance. During her own early evening set at the Flambeaux stage, Bridgers attracted a large audience at the round stage, all eager to hear her witty and honest lyrical tales. Despite the serious and sometimes somber tone of her narratives, Bridgers and her band lightened up the mood with funny banter between songs. For example, Bridgers invited her friend and singer songwriter Christian Lee Hutson up and joked that they were going to start a cult together-- "a fun, woods cult" she said. "Not a kill yourself cult. A die-of-natural causes cult," Hutson added. The beautiful harmonies between Bridgers and Hutson were certainly mesmerizing enough to make me want to join their cult, and I'm sure most of the crowd agree, since everyone walked away from the show raving about how incredible it had been. The pair kept the lighthearted jokes going when Bridgers gave the spotlight to Hutson to sing a song he had written after playing in her band for only a week. 

Moses Sumney Got the Crowd to Assist With a New Song

Moses Sumney returned for his second Eaux Claires, having performed back in 2016. With his incredible vocal range and captivating live show, it's no wonder Sumney got asked to return again, and he came back with some new music to share with fans. For one of his new songs, he sang out a low note and asked everyone to sing it back to him and keep it going like they were "trying to make the stage fall down." The audience obliged and Sumney and his band built up the rest of the song's beat as the crowd held out the note. Sumney mentioned that during his live show, he doesn't use any backing tracks or prerecorded sound thanks to help of his band, and little moments like a festival crowd holding out a note add to the organic and unique nature of live music and the community surrounding it. Sumney's entire set felt inclusive and stayed true to the core values of Eaux Claires festival.

Noname Taught The Crowd to Rap

Chicago rapper and poet Noname made her first appearance at Eaux Claires, drawing a massive crowd to the House of Vans stage, where she also encouraged crowd participation. She and her band kept the mood light and relaxed, laughing and having fun throughout the set, which kept the crowd smiling and entertained during the sunny afternoon set. Noname would preface most of her songs with a backstory about the lyrics, and sometimes the introduction included instructions on how to rap the hooks and choruses with her. The crowd eagerly echoed the words back to Noname, giving her a warm introduction to the festival. 

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Pussy Riot Educated the Crowd

Moscow collective Pussy Riot kept the crowd intrigued for the duration of their evening set at the Lake Eaux Lune stage, beginning their show with an informational video containing several political facts, which often had the crowd cheering in reaction. When the group members eventually took the stage, they wore matching lime green ski masks to promote a united front. Their songs also contained powerful political messages which reiterated what they had communicated in their introduction video and acted as a call to action for all of those watching their performance. Their set definitely stood out as different from anything else that weekend, which kept the festival goers on their toes and acted as an inspiration for people to use their voices and platforms. 

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The National Incorporated Satellite Stages and a Lot of Guests

Co-curator of Eaux Claires Aaron Dessner and his bandmates filled the final spot of the Flambeaux stage for the weekend, utilizing it to the fullest to put on a magical, one-of-a-kind performance. By the time the group hit the stage, the sun had already set, so a simple, yet stunning lighting show illuminated the stage for this performance under the stars. The National's 90 minute set that night stood out for more reasons than the breathtaking architecture of the stage; In classic Eaux Claires fashion, the band invited several of the artists in residence and other performers to join them and they premiered a couple of new songs. While Phoebe Bridgers, Chastity Brown, Sharon Van Etten, and Gordi all joined The National on the main stage to lend their vocals to certain songs, their guest list also included Julien Baker, who performed from a makeshift satellite stage off to the side. An identical pop up stage situated on the other side of the Flambeaux hosted varying percussionists throughout the show, but Baker's shining moment included her on the other side performing her song "Appointments," which immediately transitioned into The National's "Fake Empire." The final vocal assistance during this set came from none other than the crowd themselves during "Vanderlyle Crybaby Geeks," which was performed unplugged and with the entire crowd singing together. The National's shows are usually amazing in any setting, but there was something extraordinary about witnessing them perform with so many other talented musicians on a customized stage under a clear, star-speckled sky. 

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After The National's show, most fans stuck around for People mixtape on the main stage, which acted as one more giant collaboration between Justin Vernon and other performers on the lineup, as well as a dance group and Iron Boy. The festival may not have ended on the same note as it did two years ago, when Francis and the Lights debuted a new album in full before being joined by Vernon and Chance the Rapper, or last year when Paul Simon and Wilco closed out the weekend, but if nothing else, the final performances of 2018 showcased the Eaux Claires traditions that have been built up over the past few years.  

 

 

 

Live Recap: A Night of Nostalgia and New Memories at Paramore's After Laughter Tour 5

"It's cool what music does when you share it with people. It helps," Paramore's Hayley Williams addressed the completely full Huntington Bank Pavilion on Chicago's Northerly Island, which boasts views of the city's skyline as well as lake views. Despite the venue's stunning backdrop of city sights, prior to Williams' proclamation (and after it), the diverse crowd remained completely enamored by Paramore's positive and vibrant performance. With over a decade of experience playing live music and five studio albums under their belt, Williams and bandmates Zac Farro and Taylor York have come a long way since the early days. The personal growth that Williams has gone through over the years shines through in her songwriting, and she's not shy about addressing it when introducing certain songs, especially those on the latest album After Laughter. "There's a lot of pain on this album," Williams said before playing "26" from the 2017 record. That sort of vulnerability, especially in front of the massive crowds that Paramore always plays to nowadays, just further amplifies the raw authenticity that Paramore has always displayed. 

Throughout the night, a strong sense of chemistry also radiated between the band members, along with Williams' effervescent and fiery energy onstage that never wavered as she danced through most of the set; Even her vocals stayed in tip top shape despite the constant movement. Perhaps one of the most magical aspects of the evening though was the overwhelming sense of unity you could feel amongst the crowd; a bond that brought strangers of all different backgrounds and ages together, turning them into a huge extended family, even if just for the duration of the show. For a lot of people, Monday's show had been their first ever Paramore show, while some people had just seen them at last year's Riot Fest...and others had been there from day one in 2005. Williams reminisced on Paramore's early days, giving Chicago props for always showing up and selling out their show at the Beat Kitchen on their first ever tour. As the set began to wind down, following a mix of Paramore's discography of a decade plus, Williams kept the nostalgia and reminiscing going by teasing their hit "Misery Business" with a string of toasts ("This is to 2007"..."This is to every bad decision we ever made that got us here. But mostly this is to misery.") Although the popular track is more than ten years old, the group found a way to keep the performance of the song enticing, while also giving a lucky fan the night of their life. On this tour, an audience member is selected each night to give Williams a hand on a prolonged version of "Misery Business," coming up on stage to take over during the bridge of the explosive track. The addition of that special moment not only gives the selected fan a memory that'll last forever, but I think everyone collectively got goosebumps watching someone live out their dream like that. 

After such a soaring moment, the show continued on a high note, with the band closing with "Ain't It Fun" before returning for an encore. The show ultimately wrapped up with "Hard Times," but not before the audience got treated to one last surprise; a performance of Zac Farro's project HalfNoise's "All That Love Is." At one point earlier in the night, Williams asked the crowd "You ever try crying and dancing at the same time?" and that perfectly sums up a night on the After Laughter Tour 5; you'll dance, you'll smile, and you might even cry at some point, but you'll do it with a family that has been brought together by the healing power of music. 

If you missed out on the show, check out our gallery of Foster The People and Paramore to relive some of the concert's magic. 

Check out the rest of Paramore's tour dates here, and listen to After Laughter in full below. 

Bonnaroo 2018 Sunday Highlights

The final day of Bonnaroo began with a rainstorm, breaking the streak of sunny days that the festival had seen so far. Fortunately, the rain stopped in time for most of the acts scheduled in Centeroo, only leaving behind some puddles and mud piles around the festival grounds. The mud didn't stop the party, and music only got off to a delayed start at some of the stages, eventually catching back up to the original schedule. Check out our final day highlights of Roo 2018 below. 


Sir Sly Opened With a New Song

Sir Sly was on one of the stages effected by the rain delay, but they got things moving quickly, only starting about ten minutes late, rewarding the patiently awaiting tent by opening with an unreleased new song called "Welcome The Pressure." "This has been the year of our dreams," frontman Landon Jacobs told the crowd, mentioning that this was their very first Bonnaroo and that they'd had so many great opportunities this year. Sir Sly has had a recent much-deserved streak of success following the release of their sophomore album Don't You Worry, Honey; the album showcases a raw vulnerability in Jacobs' lyrics, which reveal the hardships of a divorce and losing his mom to brain cancer, and the growth that the trio has shown in their sound and production. During their live show, all of that mixed with Jacobs zealous stage presence makes for an unforgettable show. At their Roo set, Jacobs moved around the stage to jam with his bandmates Jason Suwito and Hayden Coplen, and even climbed up the stage truss at one point. The band let their enthusiastic audience let them know how appreciative they are of their support, with Jacobs saying, "This reconfirmed the choice I made years ago to finish this album instead of sticking it out with someone who didn't support my dreams," referring to his decision to pursue music instead of staying in his marriage. It was clear that the crowd at Bonnaroo were very happy he made that choice, too. 

Fans Danced in the Mud to Jungle

London soul collective Jungle hit the Which Stage in the evening with the sun shining, almost making us all forget that it had stormed earlier that day...if it hadn’t been for the giant mud pits around that stage. Fans made the most of it though, sliding around barefoot in the mud to move along to the cool, groovy tunes provided by Jungle. Jungle's mix of chilled out and funk vibes paired perfectly with the mood on the last day of Roo, allowing for fans to relax a bit after three long days of music and festivities. The group also played several new songs, like "Happy Man," "Cherry," and "House in LA," which all follow up their 2014 debut album. 

Dua Lipa Hosted a Dance Party

British singer songwriter Dua Lipa has quickly become one of the biggest names in international pop music over the last year, with collaborations with the likes of Calvin Harris and Sean Paul. Naturally, she drew a massive crowd at the What Stage for her evening set, with flocks of fans eager to get in any last chance to dance this weekend. As expected, Dua brought the dance party, providing all of the bangers and by bringing along her crew of backing dancers and singers. Opening with "Blow Your Mind (Mwah)," the set kept moving with hit after hit, like "Be The One" and "Hotter Than Hell," which had the crowd singing along to the catchy choruses. 

The Killers Opened With "Mr. Brightside"

Some ardent fans had been waiting all day for a chance to get in the main pit for The Killers' headlining slot. By 10:20 PM, the long wait was over when the band hit the decked out stage, with frontman Brandon Flowers looking sharp as usual in a flashy red suit. The energy of the huge crowd immediately peaked when the opening chords of "Mr. Brightside" rang out into the field, fans losing their minds, jumping and dancing around for the entire song. It's rare that a band starts their set with their biggest hit, but the bold move got the crowd immediately amped up and ready for the remainder of the set that featured a dynamic mix of The Killers' discography.  About two songs in, Flowers brought up the quote from Evel Knievel that people come to see the attempt, not the perfect landing, and that they'd be giving it their all to put on a rock'n'roll show. As promised, The Killers gave it their all for the final set of the entire weekend, ending the weekend on a high note. 


That's a wrap for Bonnaroo 2018! Keep an eye out for our upcoming festival coverage this summer.

Bonnaroo 2018 Saturday Highlights

Saturday at Bonnaroo featured tons of incredible shows from artists of every genre. In fact, the schedule was so jam-packed that it left a lot of fans wishing they could be two places at once due to conflicting shows. Here are some highlights you may have missed from the third day of Roo if you were busy hopping from show to show. 


POND Crowd Surfed During Their Second Song

POND took the stage bright and early on Saturday afternoon, breaking in the This Tent with their psych rock jams and laid back attitudes. The band let the crowd know that their Bonnaroo performance was the very last show of their recent US tour before they return home to Australia, and they definitely went out with a bang. Frontman Nick Allbrook began the set on the right foot, immediately jumping into the audience to crowd surf during the second song. From there on, the energy remained high, with Allbrook sauntering around the entire stage, jumping down at certain points to go up to the fans at the barricade. The crowd’s energy remained right up there with the band’s, with everyone dancing and singing along despite the extreme heat. 

POND Frontman Nick Allbrook

POND Frontman Nick Allbrook

Chance The Rapper Crashed Knox Fortune's Set

Chicago Producer and singer songwriter Knox Fortune has garnered buzz for his work with rapper Joey Purp, but more notably for singing the hook on Chance The Rapper’s song “All Night.” Naturally, when rumors surfaced on Friday that Chance The Rapper had been spotted around the Bonnaroo campgrounds, some clever fans began to speculate whether or not Chance might join Knox Fortune’s set to bring their collaboration to life. Sure enough, towards the end of Knox’s afternoon set at the That Tent, some lucky fans were able to witness a rare special performance of the track when Chance came onstage to perform his verses. Chance hasn’t made any other pop up appearances onstage this weekend, so this may have been the only chance to catch him (pun intended). 

Knox Fortune at The That Tent

Knox Fortune at The That Tent

Rag'N'Bone Man Apologized For His Dancing

British singer songwriter Rory Graham, aka Rag’N’Bone Man, combines his raw, bluesy vocals with soulful pop melodies to craft addictively catchy songs that made for a great sing along during his set. The success of his single “Human” from his debut album also of the same name attracted hoards of fans to the This Tent for his evening set. During his set, Graham displayed his humble nature, often thanking the crowd for turning up and making self-deprecating jokes. He told the crowd that playing festivals in the states can be quite daunting since he always thinks no one “knows who the fuck I am,” and he seemed genuinely touched at how many people turned up to watch him. All of the fans who showed up were treated to stripped down introductions and intricate arrangements of Graham’s songs, as well as some laughs when he chatted between tunes. “I apologize for my dancing,” Graham said, recalling a time someone wrote a review of his show saying he was good, but his dancing is awful. We’re all for his dancing here though since Bonnaroo is about radiating positivity. 

Rag'n'Bone Man at the This Tent

Rag'n'Bone Man at the This Tent

A Blow Up Doll Crowd Surfed During Post Animal

Our pals in Post Animal made their Bonnaroo debut last night to an overflowing and hyped up crowd at the Who Stage. Although their set time clashed with some other major shows, including Bon Iver’s first set, fans still flocked to see their second ever festival performance, following last month’s debut at Shaky Knees in Atlanta. Throughout the past couple of years, the group has beefed up their live show, honing in on their song transitions and arrangements to make for a special experience of their songs that you can only get at their live shows. Their efforts to put on a smooth and engaging show didn’t go unnoticed by their enthusiastic crowd, who immediately opened up a mosh pit and crowd surfed throughout the 45 minute set. One audience member brought a blow up doll with them, which surfed above the crowd and even ended up on stage at one point. Post Animal has never been known to put on a tame show, but last night was definitely one of the wildest. You can catch their next major festival performance later in the summer, when they take the Lollapalooza stage for the first time. 

Justin Vernon Brought The Eaux Claires Spirit to the Second Bon Iver Set

When Bon Iver’s first set of Saturday night consisted mostly of songs from the album 22, A Million, fans began to speculate that the later set would include some of the classics from the earlier days. However, Justin Vernon took a completely different approach by turning the set into a collaborative performance piece. The collaborative vision closely tied into the mission of Vernon’s hometown festival in Eau Claires, Wisconsin, which frequently features surprise sets and crossover between bands and artists during their shows. Not only did the Bon Iver show last night have special guest appearances, but dancers also accompanied the music for certain songs. Coupled with the intricate lighting design, the dancers tied together the show’s production level. As for the musical guests, Vernon first invited Francis and the Lights early on in the set, before welcoming him back to perform their hit “Friends”…with both Vernon and Francis joining in on the dancing. Other guests included Moses Sumney and Sylvan Esso, with the latter coming out on stage to perform “Flume” with the band, as well as their own song “Coffee.” Vernon even invited Parkland survivor Aalayah Eastmond out to speak about gun control, adding some activism into the set. Overall, the show was completely unique to most Bon Iver shows you’d catch, which made for the perfect ending to Bonnaroo’s third day. 

Don't forget to also check out our Thursday and Friday highlights, and stay tuned for coverage of the final day today!

Bonnaroo 2018 Friday Highlights

Bonnaroo continued on Friday with even more memorable moments than the first day. Read up on what you may have missed around Centeroo on Friday, and as always keep an eye on our social media for live updates throughout the weekend. 


An Encouraging Crowd Waited For Japanese Breakfast

Tons of Bonnarooians flocked to Centeroo early on Friday to catch Japanese Breakfast's set that was scheduled for 2:15 PM. Although the set got off to a late start, actually starting around 2:30, fans waited patiently, cheering and clapping through the last minute sound check. Front woman Michelle Zauner started off the set stationary with her guitar, but a couple of songs in, she roamed the stage sans guitar to get closer to the audience and work the entire crowd. As Zauner sang through songs on her 2017 album Soft Sounds From Another Planet, the crowd sang along loudly, getting Bonnaroo Day 2 off to a great start. 

Michelle Zauner of Japanese Breakfast

Michelle Zauner of Japanese Breakfast

Sheryl Crow Teased an Unannounced Performer

"This [song] is older than most of y'all. You guys are younger than this song, and you know it. That's weird," Sheryl Crow addressed the overflowing audience at her early evening set at the What Stage, who had been singing along all the words. Although the hits Crow played during her Friday set may have been from years ago, that didn't stop the diverse audience from knowing them all, and she started strong with epic sing alongs like "If It Makes You Happy" and "Every Day Is A Winding Road." Crow's stage banter remained strong throughout her entire set, with her teasing both her participation in the Super Jam and a surprise guest appearance. After pointing out a Tom Petty sign one of the audience members was holding up, Crow asked for the fan to pass it to her, and she held it up, reminding everyone to come see the Super Jam tribute to Tom Petty later that night. "Y'all have a big weekend ahead of you," Crow said. "I just met someone who is gonna be on the stage later, but it's not announced. I would leak it, but I haven't had anything to drink yet." Maybe tonight we'll find out who the unannounced performer is, but Crow never did end up leaking it during her set. 

Paramore Finally Played Bonnaroo

Paramore hit the What Stage after Sheryl Crow, taking the stage to eager audience members, who were all excited to finally see the Nashville band on the Roo stage. "Right in our backyard and we never came to see you," lead singer Hayley Williams said to the Friday evening crowd, addressing the band's absence from the festival thus far. Although Paramore fans might have been waiting years to see the band on the farm, Williams and the band more than made up for it with a mix of songs from throughout their discography, Williams' powerhouse vocals that stayed strong despite her constant dancing and jumping, and the performance of a Halfnoise song (drummer Zac Farro's other project). The band also took the time to use their platform to promote positivity between their songs, Williams addressing the death of Anthony Bourdain, as the news had broken earlier that day. "I see a lot of smiles, and that's really nice to see in 2018," Williams said, continuing on to say that the news these days is usually pretty awful, but dancing and music has the ability to bring people together and add something positive to all of the negative news of the world. Paramore's set definitely acted as the perfect mood booster and distraction on a day that had begun with some heavy news for the entertainment industry. 

Okey Dokey Brought Out All Their Friends

Like Paramore, Nashville duo Okey Dokey also played their first Bonnaroo as this project, but lead singer Aaron Martin told the audience that this was his fifth time at Bonnaroo. In celebration of Okey Dokey making it to Roo, the pair invited a bunch of their musical friends to join them on The Who Stage. Liz Cooper of Liz Cooper & The Stampede joined the band on stage for the entire set, playing different percussion instruments (including a banana shaker), but towards the end of the set, she sang a duet with Martin. Rayland Baxter, who would later be joining in on the Tom Petty Super Jam, also joined this sort of mini Super Jam, singing the song he had written with the group. Brad Shultz and Nick Bockrath of Cage The Elephant even hopped on stage to play guitar for a couple of songs. 

Okey Dokey Featuring Liz Cooper

Okey Dokey Featuring Liz Cooper

Super Jam Featured an All Star Line Up Playing Tom Petty Hits

Every year, Bonnaroo puts on a Super Jam featuring a line up of musical guests performing at the festival throughout the weekend. This year, the Super Jam paid tribute to Tom Petty, which meant the entire crowd screamed along the entire time as the band played through hit after hit. The core band that played the entire two hour set included Patrick Hallahan, Tom Blankenship, Pat Sansone, Craig Pfunder, Daniel Creamer, and The Watson Twins, and the special guests ranged from artists just starting out to veteran rockstars. Bonnaroo first timers FRENSHIP and Durand Jones and the Indications joined early on in the set to play "Refugee" and "You Wreck Me," with legend Sheryl Crow following shortly after to sing "American Girl." The massive crowd that had flocked to the This Tent for the jam had dwindled slightly towards the end of the set, but the tent remained packed until past 3AM, with special guests like Matt Shultz (Cage The Elephant), Vanessa Carlton, Justin Vernon (Bon Iver), and Sameer Gadhia (Young The Giant) anchoring out the set with songs like "Breakdown," "Learning to Fly," and "Free Fallin'." The artists that contributed all sounded incredible together, paying a beautiful homage to Mr. Tom Petty. 

Super Jam closing out the This Tent on Friday 

Super Jam closing out the This Tent on Friday 

Bonnaroo 2018 Thursday Highlights

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Bonnaroo 2018 kicked off yesterday, delivering the usual friendly and fun atmosphere full of random acts of kindness, pop up experiences, and 24/7 entertainment throughout the stages and campgrounds. As you get ready for Roo day 2, read up on the music highlights of Thursday below!


Jade Bird Made Her US Festival Debut

British singer songwriter Jade Bird hit the ground running during her first US festival appearance by not only playing a late night set at The Who Stage, but by playing a stripped down set at Coleman's The Campout experience out by plaza four. Jade's raw vocal power and fiery spirit shone through just as much at the early afternoon set as it did during her main performance. The enthusiastic Thursday night crowd welcomed Bird with open arms as she played through songs on her debut EP like "Good Woman" and "Cathedral," as well as a couple covers of songs by The Pixies and Kate Bush. Bird's performance of her popular single "Lottery" acted as the highlight of the set, the crowd all singing along to the belter of a chorus. "I've been Jade Bird and you guys have been the best audience I've ever had," Bird said at the end of her show. 

Jade Bird at the Coleman Camp Out experience 

Jade Bird at the Coleman Camp Out experience 

Ron Gallo Said Sorry a Bunch

Self-proclaimed really nice guy Ron Gallo and his band packed the tent for their energetic early evening set at the That Tent. Gallo displayed his usual quirky antics during the show, incorporating a trumpet into their songs, introducing his band and himself in a monotone voice as he read off a piece of paper, and saying "sorry" a bunch of times mid-song. Although the live band is usually a trio with Joe Bisirri on bass and Dylan Sevey on drums, the group was joined by the band's tour manager on keys yesterday and during the last song, the band added an impromptu new member. Gallo invited an audience member onstage to play his guitar, ending the set on a high note. 

Ron Gallo and his newest band member

Ron Gallo and his newest band member

FRENSHIP Took Their Pants Off

Los Angeles duo James Sunderland and Brett Hite, better known as FRENSHIP, played their first Bonnaroo last night to an eager crowd at the This Tent, and they were shocked at the Thursday turn out. "Nobody comes on a Thursday," Sunderland said in awe of the overflowing tent, which was full of fans singing the lyrics back to them. In addition to playing their popular tracks like "Carpet" and "Capsize" from their first EP, Hite and Sunderland treated the crowd to some of their newer singles like "LOVE Somebody" and "MI Amore." The duo also made sure to dress their best for their Bonnaroo debut by wearing matching pants. "We're wearing the same damn pants. We wore the same pants for you, Bonnaroo," they admitted. The audience was so enthusiastic that they started a "take them off!" chant about the pants, and Sunderland made a promise that they would take them off by the end of the set if the audience promised to stay with them through their entire career. True to their words, during the final song "1000 Nights," Sunderland took his pants off, ending their set with another memorable moment.

James Sunderland finishing FRENSHIP's set sans pants

James Sunderland finishing FRENSHIP's set sans pants

Durand Jones & The Indications Brought Soul to The Farm

Soul outfit Durand Jones and The Indications delivered the smoothest set of Thursday, bringing their full, rich big band sound to the That Tent. The band displayed incredible chemistry and musicianship as they played through their hour long set, horns and woodwinds complementing the sheer power Durand Jones' vocals. Their groovy, R&B songs have a retro quality to them, but their tight sound and Jones' showmanship put a refreshing spin on a vintage sound. Drummer Aaron Frazer also displayed his incredible multi-tasking skills when he lent his vocals to a few of the songs during the set. The group will take part in the "Into The Great Wide Open" Superjam tonight, so if you missed them on Thursday, make sure you catch them during this all-star packed set tonight. 

Durand Jones and The Indications Bringing Soul to The Farm

Durand Jones and The Indications Bringing Soul to The Farm

Cage The Elephant Played a Surprise Set

If you're camping at 'Roo, you might have noticed the permanent party set up in Plaza 9, which has been curated by none other than Cage The Elephant's Matt Shultz. The set up in Plaza 9 includes birthday decorations to celebrate Roo Day, as well as pop up experiences with some of the performing artists; like karaoke with Okey Dokey, watercolor painting with Lissie, DJ sets, and yoga. Thursday at Plaza 9 ended with a huge bang when Cage The Elephant played a surprise full show, which they had teased with a now deleted Instagram post. If you weren't in the know for the secret show, you can also catch Shultz and his bandmate Nick Bockrath partaking in the "Into The Great Wide Open" Superjam tonight.

Stay tuned for our daily updates throughout the weekend, and follow us on social media for live updates throughout the day.