ANCHR Magazine

Holding you down with the best new music

Live Recap: Young the Giant with Danielle Ponder at Aragon Ballroom

This past Thursday night, the Aragon Ballroom hosted a feel-good show from Young The Giant and Danielle Ponder as part of the American Bollywood Tour.

The night kicked off with singer-songwriter Danielle Ponder from Rochester, New York. I had listened to Ponder a bit on Spotify and already couldn’t wait to see her perform live, but her powerhouse vocals absolutely blew me (and everyone else at the venue) away. Right from the jump, Ponder filled the ballroom with her rich, soulful voice and poetic lyricism. Ponder also had a sense a humor and introduced her song “Someone Like You” by asking all the singles in the crowd to make some noise while sharing her frustration with the dating app Hinge (I think most singles can relate to that sentiment). Later on in the set, Ponder shared that she used to be a public defender, but I’m so glad she’s now able to share her musical talent with us all. In addition to her own songs, Ponder performed a chilled out cover of “Creep” by Radiohead. “Being on a stage like this means everything to me,” she told the audience, but I would bet this won’t be her biggest stage—soon she’ll be headlining even larger rooms.

Next up, the stage was set for headliners Young the Giant, with risers placed on both sides of the stage. The band entered the stage to a backdrop of hazy blue lighting, before launching into their song “American Bollywood,” which is the namesake of their tour and the title of their four-part album that has been released in increments this year. Similarly to the structure of the new album, the live performance was broken up into different acts for different clusters of songs, and between each act, the house speakers played different audio interludes to break them up.

Young the Giant performed the majority of the American Bollywood songs like “Cult of Personality” and “Dancing in the Rain” interlaced with other fan favorites from their earlier discography. Most notably, “Cough Syrup” elicited an immediate response of enthusiastic screams after the first few chords rang out. I feel like very few songs evoke that kind of immediate response, so it was incredible to witness that moment, and something that makes live music continue to be such a beautiful experience.

No matter what song the band was playing throughout the night, lead vocalist Sameer Gadhia remained captivating as he made sure to wander to both ends of the stage and connect with fans in the front, and the entire band occasionally rotated their placement on stage, which kept their performance dynamic and engaging.

Another fan favorite, “My Body” closed out the last act before the three-song encore, hinting that the show was winding down but there was still more to come in the encore. The final three songs consisted of “Superposition,” “Mind Over Matter,” and “Silvertongue.”

If you get the chance, don’t miss out on the American Bollywood tour—see the remaining dates here, and check out the photo recap below.

Live Recap: Turnstile with JPEGMafia and Snail Mail at Aragon Ballroom

Chicago’s Aragon Ballroom hosted a sold out show from Turnstile, JPEGMafia and Snail Mail on Sunday, October 23rd to finish up the weekend.

Snail Mail, the project of singer-songwriter and musician Lindsey Jordan, kicked off the evening bright and early around 6 P.M. At the beginning of their set, Jordan and her bandmates experienced some technical difficulties, but the show must go on—and Jordan proceeded to still give a stellar performance through the challenges. Snail Mail’s performance may have been short and sweet, but Jordan still squeezed in some friendly banter in between songs, including telling the audience about a fever dream she had in which she’s playing a big room and having guitar pedal issues (essentially the exact scenario that was happening in real life). The setlist ranged from featuring songs from the early EP days to tracks like “Heat Wave” and “Pristine” from the 2018 album Lush, as well as newer songs like “Ben Franklin” and the title track from 2021’s Valentine.

Towards the end of Snail Mail’s set, the crowd had grown larger and was beginning to fill in even the outskirts of the room. The larger crowd only amplified the energy for the second act of the night, rapper JPEGMafia. Fans throughout the venue welcomed him to the stage by chanting “Peggy!” and I even spotted a “Peggy for president” sign in the front row. JPEGMafia reciprocated the audience’s tone by bursting onto the stage with flashing, electrifying lighting and launching into his set with the song “Jesus Forgive Me, I Am a Thot.” The energy remained high as he worked through his setlist, typically sharing anecdotes about each song before performing them. Before performing his song “BALD!”, JPEGMafia told the crowd that he looked around the room and saw a bunch of beautiful heads of hair. Another highlight was his cover of the iconic Carly Rae Jepsen song “Call Me Maybe,” which JPEGMafia performed A capella. The audience was also treated to some sneak peeks of unreleased material that JPEGMafia called “previews” to his new music.

Speaking of previews, during JPEGMafia’s set, we got a taste of the rowdy moshing that would take place during the entirety of headliner Turnstile’s set. Turnstile performed on the Aragon stage after playing at the legendary Lollapalooza festival this summer, and the Chicago crowd welcomed them back by chanting “TLC!” ahead of their set starting. The band marked the beginning of their set by playing Whitney Houston’s “I Wanna Dance With Somebody” through the house speakers before diving into their massively popular song “HOLIDAY” from their 2021 album Glow On. From then on, the setlist heavily pulled from that same album, including performances of songs like “BLACKOUT,” “FLY AGAIN,” and “MYSTERY.” I watched the majority of the show from the Aragon balcony, at any given point during the show, the crowd on the main floor remained a spectacle as the sea of people continued to jump around nonstop, despite the rising temperatures in the venue. Vocalist Brendan Yates matched their energy, jumping around the stage and stripping his shirt off after the first couple of songs. By the end of the night, the audience and band had worked up so much momentum that the floor of the venue was literally slick with sweat.

Overall, the evening showcased a dynamic and diverse line up, highlighting indie rock, rap, and hardcore punk music all in one show. See where you can catch the tour next here, and check out the photo recap of the Chicago show below.

Live Recap: Father John Misty at Riverside Theater

On Monday October 3rd, Father John Misty made his grand return to Milwaukee for his first show there since June of 2019 (then at the BMO Harris Pavilion) and his first indoor show there since he played The Pabst back in September of 2018. Taking the stage of the Riverside Theater for the first time on a chilly early October night the seasonal winds of change not only brought Josh Tillman and his band back sounding better than ever, but also with a setlist filled with surprises and some rarely played gems among the 22-song set. Among these songs were six new “fake-jazz” (his words) tracks from his new album Chloë and the Next 20th Century, which he reminded us was music made during the pandemic and songs he never thought would be tour-able. Among these tracks were opener “Q4,” the breezy “Goodbye Mr. Blue,” the lush, old-Hollywood “Funny Girl” and the 20’s rag-time bop “Chloë.”

Throughout the evening many classic Father John Misty favorites were on display, from the crowd-pleasing “Hollywood Forever Cemetery Sings” and up-tempo “Total Entertainment Forever” to the soaring and feels-inducing “Chateau Lobby #4 (in C for Two Virgins).” Also on display was the distinctive stage presence Josh Tillman is known for as he bantered with the audience, at one point asking if anyone had recently lost a pet. After an audience member gave a brief remembrance of their departed, Tillman dead-panned, “well, I can empathize. I too recently lost a fictional cat…” in reference to the narrative of “Mr. Blue.”

As the band settled into the stage and with the audience fully along for the ride, the night started to take some surprising turns. Early on, for example, the infrequently played “The Night Josh Tillman Came to Our Apt.” made a welcome appearance. Then midway through the set, Tillman proclaimed, “this is going well, I think. Now let’s do something very misguided and reckless and derail the evening” as the band started to play somber rarity “The Memo” from 2017’s Pure Comedy to this reviewer’s pure delight. The surprises didn’t end there however as late in the set we got a half-title track “The Next 20th Century” (sparingly played so far on this leg of the tour) which brought a completely different flavor to the repertoire, which its verbose spoken-word verses over sparse instrumentation interrupted by a thunderous, wall-of-sound interlude set against a stark black-and-white stage. This stunner was then followed up with another: the magnificent, soaring and cathartic “In Twenty Years or So.”

This was one of those nights that serves to remind us why we love live music. From the buoyant presence of an immense talent on stage to the marvelous sound of a room like the Riverside Theatre to the unexpected appearances of deep-cuts and rarities, this is one of those shows that just HIT on every level, with artist and audience fully engaged and feeding off each other. Upon taking the stage again for his four-song encore, Tillman remarked, “after playing for weeks with a very well-tuned and tight set, we decided to change it up a bit tonight. We knew you could handle it.” The buzz and excitement in the lobby after the show confirmed it.

Check out photos of the evening below, and see where you can catch the tour next here.


PHOTO RECAP: Riot Fest 2022- Sunday

ANCHR spent the last weekend at Riot Fest checking out a mix of old favorites and new discoveries. Check out the Sunday photo gallery recap, featuring Chastity, Concrete Castles, Coolio, Ice Cube, Jimmy Eat World, Kid Sistr, Moon Kissed, Real Friends, Renforshort, Save Face, The Academy Is, Weathers, Yeah Yeah Yeahs, and Zola Jesus.

Be sure to also check out the recaps of Day 1 and Day 2.

PHOTO RECAP: Riot Fest 2022- Saturday

ANCHR spent the last weekend at Riot Fest checking out a mix of old favorites and new discoveries. Check out the Saturday photo gallery recap, featuring Bridge City Sinners, Bully, Cumgirl8, Gwar, Madball, Mannequin Pussy, No Trigger, Surfbort, Thick, War on Women, Yungblud, and Yellowcard.

Stay tuned for more coverage of the rest of the weekend.

PHOTO RECAP: Riot Fest 2022- Friday

PHOTOS: Lord Huron and First Aid Kit at Salt Shed

PHOTOS: Here and There Festival with Courtney Barnett, Alvvays, and The Beths

This week the Courtney Barnett-curated music festival, Here and There, stopped in Chicago with Alvvays and The Beths for an unforgettable night at the city’s newest venue, The Salt Shed. See photos of the evening below, and see where you can catch the tour next here.

PHOTOS: The Wild Hearts Tour at Salt Shed

Live Recap: Fleet Foxes and Uwade at Salt Shed

Fleet Foxes and Uwade performed to a huge crowd this past Wednesday night during the Salt Shed’s inaugural week.

The show was part of Salt Shed’s “Outside the Shed” series— a string of outdoor shows taking place around the venue while the indoor space continues to be revamped. The forecast had been calling for potential thunderstorms all evening, but the musical and weather gods blessed us with a clear forecast aside from a few sprinkles of rain here and there.

Uwade kicked off the evening with a solo support set, warming up the crowd with her stunning songwriting and friendly banter. Her show opened up with her song “Nostalgia,” which the singer shared was the first song she wrote. Uwade also introduced her next song “The Man Who Sees Tomorrow” by dedicating it to her father and sharing an anecdote about him and the creation of the song. Uwade also performed her newest single “Do You See The Light Around Me?,” which was released this year by Sylvan Esso’s record label Psychic Hotline.

The crowd attentively basked in the beauty of Uwade’s original music, and fortunately her set wasn’t the only time we saw her that evening— she returned to the stage at the start of Fleet Foxe’s set to perform “Wading In Waist-Hight Water” with the band. The track from 2020’s Shore features the collaboration between the singer and Fleet Foxes, so it was incredible to hear the song brought to life as the opening tune of their show.

Fleet Foxes’ set took place as the sun began to set, casting a hazy glow on the city’s skyline while the band provided the perfect soundtrack. Fleet Foxes’ frontman Robin Pecknold took the opportunity to share his appreciation for the evening several times throughout the night, but in the very beginning of the show, he told the audience how great it was to be at the venue for the opening week and called out that the weather cooperating.

Pecknold also engaged the crowd in banter between songs, asking “did everyone get a free popsicle?” in reference to the giveaway from Salt Shed, in partnership with Pretty Cool Ice Cream. While the set weaved through fan favorites like “Can I Believe You,” “White Winter Hymnal,” and “Third of May / Ōdaigahara,” Fleet Foxes also incorporated a few covers into the mix, including “Phoenix” by Big Red Machine and “The Kiss” by Judee Sill. Before playing the latter, Pecknold performed the song “If You Need To, Keep Time on Me” on acoustic guitar, accompanied only by Casey Westcott on piano while the rest of the band took a breather. The quieter moment provided juxtaposition against the full band that played for most of the show and included everything from trumpets, trombones and tambourines alongside the more traditional guitar, bass and piano.

The Chicago audience sadly missed out on the performance of Rage Against The Machine’s “Killing in the Name,” which a fan in the front had requested after seeing them cover it earlier this tour. Pecknold joked with the audience that they couldn’t perform the song because Christian [Wargo]’s mom was in attendance that night.

The evening wrapped up with an encore that once again featured the vocals of Uwade, providing a full circle moment to a wonderful night.

See photos of the show below, and see where you can catch Fleet Foxes on tour next here.