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LIVE: Marika Hackman Brings Her Latest Album to Life with The Big Moon at Schubas Tavern
This past Friday night at Schubas Tavern, Marika Hackman and The Big Moon created an IRL experience of Hackman’s latest album I’m Not Your Man. Released on June 2nd, the sophomore album from Hackman marks a departure and transformation for the formerly folk artist. Boosting blunt lyrics, lighter melodies, and a lax, carefree recording style, I’m Not Your Man takes listeners through a 15-song journey, featuring The Big Moon as the backing band for the majority of them. Before The Big Moon pulled their second shift of the evening, backing Hackman at the Lakeview venue, they had performed their own 45 minute set, which carried the same carefree mood of friendship that comes across on their recordings. In addition to songs from their debut album Love in the 4th Dimension, the group also performed a cover of “Total Eclipse of the Heart.” Between songs, the band kept the crowd laughing with a bit of sarcasm and banter, but the standout moment of their set occurred during their song “Bonfire.” Front woman Juliette (Jules) Jackson left the stage and abandoned her guitar to sing the song in the crowd.
The same banter and laughter only amplified when Hackman joined The Big Moon, but the focus of the night remained on the effortless musicianship displayed between the friends. The songs from I’m Not Your Man translated beautifully in the live sense, seeing as most of the album had actually been tracked live, with a minimal use of overdubs. Hackman’s hourlong set focused on the new album, with a couple of older tunes like “Cinnamon” and “Ophelia” sprinkled in. The direct, honest lyrics of tracks like “My Lover Cindy” and “Violet” had the crowd captivated and wrapped around Hackman’s finger. Prior to performing the latter, Hackman introduced “Violet” as a sexy song, encouraging the crowd to kiss their dates (only with consent) if they were feeling it. “Gina’s World” also stood out during the 11-song set, with its hauntingly heavy guitar riffs and striking harmonies, which echoed beautifully throughout the venue. Just before the set wrapped up with the dreamy melody of “BlahBlahBlah,” Hackman and The Big Moon performed the lead single from I’m Not Your Man, “Boyfriend.” The playful tune teased the light-hearted reinvention of Hackman before the release of the album, and it definitely acted as a highlight of the live show.
Photos: The Big Moon and Marika Hackman at Schubas 8/11/17
Marika Hackman and The Big Moon wrap up their US Summer Tour this week. See the remaining dates here, and stay tuned for our interview with Marika Hackman, coming soon!
Listen to I'm Not Your Man in full below.
LIVE: Barns Courtney Rocks Schubas on One Leg During His Lollapalooza Aftershow
This past weekend, singer songwriter Barns Courtney put on one of the rowdy, energetic performances that he’s become infamous for...only this time, he did it on one leg, while the other remained locked in a cast. Earlier this Summer, while Courtney was putting on one of those aforementioned wild performances, he jumped off the stage at Milwaukee’s Summerfest, right onto a slab of concrete. Instead of cancelling his upcoming tour and festivals appearances to heal his broken foot, Courtney decided to power through, and during Lollapalooza weekend, the singer performed three times in Chicago.
For his first performance, Courtney hit the stage at Schubas Tavern just past midnight, forgoing his crutches and hopping right up to his mic stand. From then on, it was full force for the next 60 minutes, while Courtney performed songs from his EP The Dull Drums, as well as some unreleased tracks from his upcoming album The Attractions Of Youth. Rather than stay stationary with his makeshift leg rest that was placed next to the mic stand, Courtney hobbled around the stage as he performed popular songs like “Glitter and Gold” and “Little Boy.” The energy ironically amplified during one of the unreleased tracks called “Kicks,” even though one of Courtney’s legs was out of kicking commission. Between songs, Courtney also rattled of some of his infamously raunchy stage banter, telling fans about a wild plane ride with his lady.
The rambunctious set came to an end with the crowd and Courtney giving it 1000 percent, the latter jumping offstage, cast and all, to dance with his fans. While the set may have come to an explosive ending around 1 AM, the night didn’t end there. Barns Courtney mustered all of his final strands of energy to bound offstage and collapse onto the sidewalk outside of the venue, where he hosted one of the most unconventional meet and greets we’ve seen.
Chicago! If you missed out on Lolla and the sidewalk meet and greet, Barns Courtney will be back (hopefully with two fully functioning legs) on October 11th with The Kooks. Grab tickets to their show at The Vic Theatre here, and see all of his upcoming tour dates here.
Can't get enough Barns Courtney? Check out our interview with him from Hangout Festival here, and listen to his latest single "Golden Dandelions" below!
LIVE: Frenship at Park West 8.3.2017
LA duo James Sunderland and Brett Hite, AKA Frenship, and their live band hit the stage at Park West this past Thursday evening just after 11PM, as part of an official Lollapalooza aftershow with Tegan and Sara. Despite the late start of the show and the fact that some of the crowd had been watching music all day across Chicago's massive Grant Park, the room still buzzed with excited energy when the opening notes of Frenship's "Run Wild" rang out. The energy only amplified as the band performed some of their popular tunes like "Carpet" and "Knives," which featured Hite and Sunderland showing off some of their signature dance moves. As the set progressed, the duo worked the entire stage, quickly winning over the crowd at the intimate Lincoln Park venue. Towards the end of the set, the energy peaked when the keyboardist, Celeste, took center stage to sing Emily Warren's part of the band's viral song, "Capsize." The crowd sang along to its melodic and addictive track, remaining hooked as Frenship performed the final song of the evening, "1000 Nights."
Frenship will be on a headlining tour in select cities this fall--check out all of their upcoming shows here, and listen to their debut EP below.
PHOTOS: Sports at Schubas 7.27.17
This past Thursday night, the Oklahoman boys of Sports had the crowd at Schubas Tavern instantly hooked with their dreamy, synth-heavy jams. The audience all packed into the front of the venue so as not to miss out on any of the action, which included some crowdsurfing from lead singer Cale Chronister. The night ended up closing out with a proposal right before the last song of the evening,"You Are The Right One" (so appropriate). Check out the full gallery of the show, including some shots of the happy couple!
Check out the rest of Sports' tour dates here, and listen to their new single "Crime" below!
PHOTOS: Public at Schubas 7.25.17
Public is one of the most personable bands out there right now. If you come to their show, they want to know your story...what brought you to their music. They also want you to leave with something new; a takeaway from their live performance that you can't find anywhere else. And during their hour long set on Tuesday night at Schubas Tavern, the trio delivered exactly what they set out to at the start of tour; a unique experience that put each member of the audience in a better mood and higher spirits than when they entered the concert hall. By the end of the night, even the most tame members of the crowd had found themselves out of their chairs and dancing in the crowd.
Although the dancing reached its peak during the final song of the night "4Her," songs like "Pretty Face" and "Make You Mine" also had the crowd moving. In our interview before the show, frontman John Vaughn described his vision of their developed live show this tour, and their set went above and beyond what he explained. Before the trio played "Make You Mine," towards the end of the set, Vaughn gave the crowd some insight to his inspiration behind the song. These introductions occurred before most of the songs, acting as another way to keep the crowd engaged. The majority of the songs also featured special arrangements or extended jams between the band members that you can't hear on the EPs Sweet Lemonade or Let's Remake It. Mixing things up even more, the set also featured a very well-received cover of "Toxic" by Britney Spears.
If you're looking for a truly unique concert experience, make sure you go see Public on the remaining dates of their Sweet Lemonade Tour. You can see all of the tour dates here, and check out a photo gallery of their show below.
While you wait patiently for our interview with Public, in which they reveal their most recent Google searches, each others' pet peeves, the secrets behind their show and more...listen to the Sweet Lemonade EP in full below!
Pitchfork Festival Photo Gallery
Already got the post-Pitchfork blues? Relive all the fun with our photo gallery of the incredible weekend, and check out our daily highlights featuring some standout moments during the performances.
Friday featured Priests, Hiss Golden Messenger, Vince Staples, Frankie Cosmos, Danny Brown, Dirty Projectors, and LCD Soundsystem.
Sunday featured NE-HI, Kilo Kish, poetry reading by the book fort, Isaiah Rashad, Joey Purp, Hamilton Leithauser, Pinegrove, Jamila Woods, and portraits with Vic Mensa and Taylor Bennett.
From Psych Rock to Rap, Audiotree Music Festival Has It All
Chicago based company Audiotree has become known as a tastemaker over the past few years. Taking artists of all different calibers and genres and giving them a means to showcase their live performances, Audiotree records live sessions in-studio and at local venues, opening up a world of discovery for music fans and a window of opportunities for musicians. In addition to these live sessions, Audiotree also puts on an annual music festival in Kalamazoo, Michigan, and this year they've got their best lineup yet. Headlined by Australian psych rockers King Gizzard and the Lizard Wizard and rapper SuperDuperKyle, the two day festival has a little something for everyone. Check out the entire line up below, and grab your tickets here before they're gone. Single day tickets start at a mere $32.50 for GA with VIP options, and you can snag a two day GA pass for $60.
Pitchfork Fest Day 3 Highlights
Another year at Union Park has come and gone, with many standout moments in between Friday afternoon and Sunday night. By the time Sunday rolled around, the crowd at Pitchfork had definitely dwindled down (three days of nonstop music can really get to you), but the performances were still topnotch. If you missed the festival and didn't opt to have Pitchfork couch party with the live streams, here's what you missed at the final day of Pitchfork!
Kilo Kish Got Theatrical
The LA based multi-talented Kilo Kish opened up the festival on Sunday, getting a little theatrical on The Green Stage. As Kish took the stage, it almost felt more like a Broadway musical was about to begin, rather than a festival performance. Kish's work as a visual artist definitely bled through into her performance as a musician. The multi-faceted and dynamic performance also featured dancing from Kish and she remained emotive while singing, which made for a perfectly well-rounded start to Sunday at Pitchfork.
One of the many expressive faces made by Kilo Kish
Danny Pudi Watched NE-HI
Chicago's own NE-HI had quite the draw at The Green Stage despite their early slot at 2:30PM on the last day of the festival. Among the thrones of locals coming out to support their own, actor and comedian Danny Pudi, who is best known for his role on Community, was spotted watching NE-HI's set. Regardless of their audience, NE-HI gave the same energetic performance they always do, with guitarist Michael Wells doing his signature high jumps and lead singer and guitarist Jason Balla throwing himself around the stage as he strummed his guitar. If you missed NE-HI at Pitchfork, catch them in the fall with fellow Chicagoans Whitney.
Jason Balla of NE-HI
Vic Mensa and Towkio Crashed Joey Purp's Set
Things got rowdy by 4PM on Sunday when Joey Purp took the stage with the support of his DJ Knox Fortune, Peter CottonTale of The Social Experiment, and a whole lot of bass. The crowd at The Blue Stage immediately went wild, reciting the Chicago based rapper's words back to him. During Purp's set, fellow Chicago rappers Vic Mensa and Towkio made a surprise appearance. Purp's set highlighted the collaborative nature of the Chicago music scene.
Joey Purp rapping to a packed crowd
Pinegrove Practically Hosted a Singalong
Some music festivals draw people in for the fashion or the non-music activities, but at Pitchfork most of the folks are there simply to enjoy their favorite bands. While devoted music fans staked out to see their favorite artists all weekend, none seemed more dedicated than those that watched the New Jersey natives of Pinegrove perform on Sunday evening. From the instant that lead singer Evan Stephens Hall sang the first note, the audience became a backing choir, loudly singing along to every word in songs like "Old Friends" and "Then Again." Hall fed the energy right back the enthusiastic crowd, giving a passionate performance.
Evan Stephens Hall mirroring the energy of the crowd
Jamila Woods Got Moved To The Main Stage
Another Chicago artist at Pitchfork this year, Jamila Woods got a much deserved stage bump on Sunday evening when her set got moved from The Blue Stage to The Green Stage. Unfortunately, The Avalanches had to cancel at the last minute due to a family emergency, so the poet and singer songwriter filled in for their slot on the main stage. Many fans had camped out all day to see Solange, and they got treated to an elegant and well-rounded performance featuring Wood's silky vocals and her boisterous backup singers. The Chicago music scene is alive and well thanks to talented songwriters like Woods, and we can't wait to see what else 2017 has in store for her.
Jamila Woods singing in the sunshine
Pitchfork Fest Day 1 Highlights
Pitchfork Festival returned to its rightful place in Union Park yesterday on Friday, July 14th, and so begins one of the best festivals of the summer. Each year, Pitchfork Festival curators do an excellent job of placing some of the best up and coming acts on the Red, Green, and Blue stages at the three day event, but this year they also wrangled in massive headliners LCD Soundsystem, Solange, and A Tribe Called Quest. This year's line up also feels more diverse and wide-reaching with genre, drawing in a large crowd early on Friday afternoon. If you weren't among the masses last night, here's what you missed at P4K Day 1.
Priests Put On A Bright and Bold Performance
Prior to the festival, we compiled seven of our most anticipated acts, and of course it included Washington DC punk band Priests. Although they got stuck with the second performance of the festival at 1:45PM on Friday, a surprisingly large number of festival attendees managed to get out of work and to The Green Stage just in time. Lead singer Katie Alice Greer had the crowd instantly wrapped around her finger with her roaring vocals and magnetic stage presence. In addition to singing back the words of popular Priests songs like "JJ" and "Appropriate," the crowd also went wild when drummer Daniele Daniele multitasked on the drums and vocals during one of the songs. If you missed their wild and captivating performance yesterday, catch them tonight at Schubas! Tickets will still be available at the door, and show starts at 8:45 with Espejos.
Frontwoman Katie Alice Greer in her bright and bold Pitchfork getup
Phil Cook Rocked The Harmonica with Hiss Golden Messenger
Based in Durham, North Carolina, Hiss Golden Messenger is the brainchild of M.C Taylor, but on his records and live performances, you never know who will show up to lend a hand. In fact, on the Facebook page for Hiss Golden Messenger, under band members it just says "M.C Taylor + pals," and on Friday afternoon, Taylor's definitely brought his pals out to play. The collaborative set of folk and alt-country music featured the likes of Ryan Gustafson on guitar, Scott Hirsch on bass, and Phil Cook on the keys. Cook brought some character into the afternoon set, multitasking on the harmonica and keys at one point, which had the crowd going wild.
Frontman M.C Taylor
Vince Staples Promoted #WearOrange
This year, Pitchfork Festival has partnered up with organizations Everytown for Gun Safety and Mothers Against Senseless Killings to promote the campaign Wear Orange, to raise awareness of the senseless gun violence that plagues Chicago. Vince Staples took the stage at 4PM Friday and performed his entire set in front of an orange backdrop with orange stage lights, lending a hand to the campaign. In addition to his powerful backdrop, Staples had the crowd screaming back his lyrics and moving nonstop during his rowdy performance.
Vince Staples rapping to a packed crowd
Frankie Cosmos Overflowed The Blue Stage
Another act on our list of can't miss performances this weekend, Frankie Cosmos and her band completely overpacked the area in front of The Blue Stage for their 5:15 PM show. As the smallest stage at the festival, The Blue Stage often gets crowded, but folks showed up early to soak in Frankie Cosmos' indie pop narratives, and the band gave it their all during each song. Keyboardist Lauren Martin danced while playing the keys and Frankie Cosmos (Greta Kline) enthusiastically played guitar, at one point dropping to the stage floor to ground all her energy into playing. If you missed their mesmerizing set, catch the band at SPACE in Evanston on September 30th!
Great Kline, AKA Frankie Cosmos playing her heart out
LCD Soundsystem Made It Smell Like Middle-Aged Sprit
Hands down the best set of the day, the seasoned musicians of LCD Soundsystem had the crowd grooving the whole time. Although they've been around for a while, the band still gave an incredibly enthusiastic performance, completely entrancing the audience. Lead singer James Murphy acknowledged their veteran status early on in the set joking "it smells like middle-aged spirit up here." In addition to the high-quality tunes, LCD Soundsystem's performance also featured topnotch production, with trippy effects added to their video projections on the big screen and of course--their trademark disco ball.
The LCD Disco Ball in Full Effect
That's all for Day 1, but don't forget to follow along on our social media for some real time updates, and check back for day 2 highlights, as well as a photo gallery of the whole weekend!