ANCHR Magazine

Holding you down with the best new music

LIVE: Gordi Delivers an Ethereal Performance at Schubas Tavern

Basked in purple lights and smoke, Australian singer Gordi delivered a performance at Schubas Tavern that was ethereal, yet yielded a high degree of raw emotional power. Her deeply humanistic lyrics were sung with closed eyes and a wavered hand, creating an essence of authenticity that made it feel as if she hit a bullseye into the epicenter of one’s soul.

Photo Credit: Cameron Wittig

Photo Credit: Cameron Wittig

The result of this was pure captivation. The sizeable crowd stood facing the stage - with little to no chatter otherwise - for an overwhelming majority of the performance. In a sense it is almost more difficult to maintain attention than it is to harness it, but this manifested automatically and almost effortlessly from the moment Gordi began the set until she departed the stage. This is, perhaps, due to the intriguing cerebral element that her music contains. With the accompanying musical elements being skillful yet soft, the lyrics are made to be the artistic focal point. The beauty of this, however, is that it serves as a catalyst for connectivity. Listeners are left to think about the words being sung, crafting their own unique meaning  to the text in the process. This is one of the most noteworthy facets of Gordi’s music: it allows people to develop a potent relationship to it.

The emotional heaviness within Gordi’s songs was delightfully juxtaposed by the humorous anecdotes she told between songs. Whether it be a tale about past crowds or about barely making it onto a plane to Toronto, Gordi presented herself as a well-rounded creator. She wasn’t just a musician on a stage; she displayed her witty personality which allowed audience members to connect with her on a personal level as well as a musical one.

One of the anecdotes Gordi told between songs centered on her creative process when bringing the track “Heaven I Know” to fruition. She told the audience that she started working on the song during a long solo driving trip, when she was completely without instruments and unable to write. As a result, she would talk out the counts of the song to conjure up the pace and rhythm. These counts ultimately made it into the final recorded version of the track, but they are spoken so rhythmically subtly that one who does not know the authenticity of their sonic origins may miss their presence all together. However, since the audience was told this story prior to it being played, it was able to be appreciated that a facet of the song’s most primitive stages made it all the way to the final cut. The presence of the counts in the song were a welcome combination of all that is thoughtful and true, making the listening experience that much more personal and meaningful.

The music of Gordi is so alluring to the ear because it is riddled with workable opposites. It is dreamy with a dash of realism, delicate yet tenacious, and subtle yet containing the innate ability to cultivate power and impact. The artistic needs of the mind, ear, and soul are all met in equilibrium.


Keep up with all of Gordi's upcoming shows here. 

LIVE: Marika Hackman Brings Her Latest Album to Life with The Big Moon at Schubas Tavern

This past Friday night at Schubas Tavern, Marika Hackman and The Big Moon created an IRL experience of Hackman’s latest album I’m Not Your Man. Released on June 2nd, the sophomore album from Hackman marks a departure and transformation for the formerly folk artist. Boosting blunt lyrics, lighter melodies, and a lax, carefree recording style, I’m Not Your Man takes listeners through a 15-song journey, featuring The Big Moon as the backing band for the majority of them. Before The Big Moon pulled their second shift of the evening, backing Hackman at the Lakeview venue, they had performed their own 45 minute set, which carried the same carefree mood of friendship that comes across on their recordings. In addition to songs from their debut album Love in the 4th Dimension, the group also performed a cover of “Total Eclipse of the Heart.” Between songs, the band kept the crowd laughing with a bit of sarcasm and banter, but the standout moment of their set occurred during their song “Bonfire.” Front woman Juliette (Jules) Jackson left the stage and abandoned her guitar to sing the song in the crowd.

The same banter and laughter only amplified when Hackman joined The Big Moon, but the focus of the night remained on the effortless musicianship displayed between the friends. The songs from I’m Not Your Man translated beautifully in the live sense, seeing as most of the album had actually been tracked live, with a minimal use of overdubs. Hackman’s hourlong set focused on the new album, with a couple of older tunes like “Cinnamon” and “Ophelia” sprinkled in. The direct, honest lyrics of tracks like “My Lover Cindy” and “Violet” had the crowd captivated and wrapped around Hackman’s finger. Prior to performing the latter, Hackman introduced “Violet” as a sexy song, encouraging the crowd to kiss their dates (only with consent) if they were feeling it. “Gina’s World” also stood out during the 11-song set, with its hauntingly heavy guitar riffs and striking harmonies, which echoed beautifully throughout the venue. Just before the set wrapped up with the dreamy melody of “BlahBlahBlah,” Hackman and The Big Moon performed the lead single from I’m Not Your Man, “Boyfriend.” The playful tune teased the light-hearted reinvention of Hackman before the release of the album, and it definitely acted as a highlight of the live show.

Photos: The Big Moon and Marika Hackman at Schubas 8/11/17


Marika Hackman and The Big Moon wrap up their US Summer Tour this week. See the remaining dates here, and stay tuned for our interview with Marika Hackman, coming soon! 

Listen to I'm Not Your Man in full below. 

LIVE: Barns Courtney Rocks Schubas on One Leg During His Lollapalooza Aftershow

This past weekend, singer songwriter Barns Courtney put on one of the rowdy, energetic performances that he’s become infamous for...only this time, he did it on one leg, while the other remained locked in a cast. Earlier this Summer, while Courtney was putting on one of those aforementioned wild performances, he jumped off the stage at Milwaukee’s Summerfest, right onto a slab of concrete. Instead of cancelling his upcoming tour and festivals appearances to heal his broken foot, Courtney decided to power through, and during Lollapalooza weekend, the singer performed three times in Chicago. 


For his first performance, Courtney hit the stage at Schubas Tavern just past midnight, forgoing his crutches and hopping right up to his mic stand. From then on, it was full force for the next 60 minutes, while Courtney performed songs from his EP The Dull Drums, as well as some unreleased tracks from his upcoming album The Attractions Of Youth. Rather than stay stationary with his makeshift leg rest that was placed next to the mic stand, Courtney hobbled around the stage as he performed popular songs like “Glitter and Gold” and “Little Boy.”  The energy ironically amplified during one of the unreleased tracks called “Kicks,” even though one of Courtney’s legs was out of kicking commission. Between songs, Courtney also rattled of some of his infamously raunchy stage banter, telling fans about a wild plane ride with his lady. 

The rambunctious set came to an end with the crowd and Courtney giving it 1000 percent, the latter jumping offstage, cast and all, to dance with his fans. While the set may have come to an explosive ending around 1 AM, the night didn’t end there. Barns Courtney mustered all of his final strands of energy to bound offstage and collapse onto the sidewalk outside of the venue, where he hosted one of the most unconventional meet and greets we’ve seen. 

Chicago! If you missed out on Lolla and the sidewalk meet and greet, Barns Courtney will be back (hopefully with two fully functioning legs) on October 11th with The Kooks. Grab tickets to their show at The Vic Theatre here, and see all of his upcoming tour dates here 

Can't get enough Barns Courtney? Check out our interview with him from Hangout Festival here, and listen to his latest single "Golden Dandelions" below!

 

LIVE: Frenship at Park West 8.3.2017

LA duo James Sunderland and Brett Hite, AKA Frenship, and their live band hit the stage at Park West this past Thursday evening just after 11PM, as part of an official Lollapalooza aftershow with Tegan and Sara. Despite the late start of the show and the fact that some of the crowd had been watching music all day across Chicago's massive Grant Park, the room still buzzed with excited energy when the opening notes of Frenship's "Run Wild" rang out. The energy only amplified as the band performed some of their popular tunes like "Carpet" and "Knives," which featured Hite and Sunderland showing off some of their signature dance moves. As the set progressed, the duo worked the entire stage, quickly winning over the crowd at the intimate Lincoln Park venue. Towards the end of the set, the energy peaked when the keyboardist, Celeste, took center stage to sing Emily Warren's part of the band's viral song, "Capsize." The crowd sang along to its melodic and addictive track, remaining hooked as Frenship performed the final song of the evening, "1000 Nights." 

Frenship will be on a headlining tour in select cities this fall--check out all of their upcoming shows here, and listen to their debut EP below. 

LIVE: Temples and Declan McKenna 8.2.2017

The British invaded Lincoln Hall on Wednesday, August 2nd for an evening of pure talent, charisma, and rock'n'roll. Kicking off the Wednesday night "after" show, which actually took place before this year's 4-day Lollapalooza, Declan McKenna and his band played in celebration of both his first Lolla performance and the release of his debut album What Do You Think About the Car? As McKenna played through crowd favorites like his debut single "Paracetamol" and his latest, "Humongous," he and his band jammed cohesively, feeding off one another's energy. His 45 minute set concluded with the high energy single "Brazil," with its impossible-to-get-out-of-your-head chorus. 

After a quick stage changeover, fellow Brits Temples took the stage to deliver a smooth and polished performance for the next 90 minutes. Combining a solid variety of songs from their debut LP Sun Structures and 2017's Volcano, the set flowed from start to finish with extensive jams and additions to songs that added layers to the live performance. The band's frontman James Edward Bagshaw sauntered around the small stage at the Lincoln Park venue, energy surging through not only Bagshaw and his bandmates, but the crowd and the band as well. A magnetic presence filled the concert hall as the crisp and perfected sound soared through the room during songs like "Certainty" and "Shelter Song." A lighting rig composted of chameleon, color-changing diamonds added another depth to the already enthralling performance from Temples. It's a rare feat when a band can develop such an engaging and evolved live show while still managing to sound flawless and in sync, but Temples made it look easy with their Wednesday night show. 

If you missed both Temples' shows at Lincoln Hall and Lollapalooza, check out their remaining tour dates here. 

LIVE: White Reaper at Mo Pop Festival

Not only is the music of White Reaper the ultimate nexus of charm and pure rock ‘n’ roll, but it is uniquely adrenalized as well. This is a trait that leaps from the record to the stage, as the band delivered an invigorating performance at this year’s Mo Pop Festival in Detroit, Michigan.

One of the most memorable aspects of White Reaper’s set was their banter between songs. They evaded the trap of appearing as musical robots who went through song after song without acknowledging the crowd by a wide margin, and instead revealed an innate ability to make the audience burst with laughter. Guitarist Hunter Thompson jokingly asked the audience if they were enjoying their sabbath, as the performance took place on a Sunday, and bassist Sam Wilkerson gave a shout out to his twin brother and White Reaper drummer Nick - who then promptly removed his shirt and pants before continuing with the rest of the set. White Reaper is effortlessly charismatic - something that will contribute to the band’s inevitable longevity just as much as their musical skill.

White Reaper at Mo Pop 2017

White Reaper at Mo Pop 2017

Perhaps one of the most enjoyable aspects of White Reaper’s live performances is simply watching keyboardist Ryan Hater. Taking full advantage of the fact that he does not have an instrument strapped to him, Hater jumps and thrashes - even making the occasional venture to the microphone to interact with the crowd. One of the most enjoyable aspects of watching live music is being able to witness the palpable cycle of energy that exists between a group of musicians creating art that they love, and a group of people who love their art. For White Reaper, Hater is a major catalyst for the radiation of this powerful electricity.

After reaching the conclusion of their set with the track “Judy French,” a single from their most recent album that drips with a delectable combination of goodness and grit, the previously quiet audience was in an uproar of applause and cheers. The audience had fallen White Reaper’s spell - an easy feat for a band that’s a refreshing combination of skill and stage presence.


White Reaper is hitting Chicago this week! They'll be at Lollapalooza Thursday, August 3rd at 12:45 on the Grant Park Stage. They'll also be opening a sold out show with Royal Blood at Lincoln Hall on Friday, August 4th!

Can't get White Reaper? Revisit our interview with them here
 

PHOTOS: Cap'n Jazz and Hop Along at House of Vans 7.29.17

If you missed out on House of Vans' party this past Saturday, don't fret! We were there and got some pictures of the evening, including performances from Hop Along and Cap'n Jazz. 

Cap'n Jazz has a few more tour dates throughout the fall--Check out their upcoming dates below. 

PHOTOS: Sports at Schubas 7.27.17

This past Thursday night, the Oklahoman boys of Sports had the crowd at Schubas Tavern instantly hooked with their dreamy, synth-heavy jams. The audience all packed into the front of the venue so as not to miss out on any of the action, which included some crowdsurfing from lead singer Cale Chronister. The night ended up closing out with a proposal right before the last song of the evening,"You Are The Right One" (so appropriate). Check out the full gallery of the show, including some shots of the happy couple!


Check out the rest of Sports' tour dates here, and listen to their new single "Crime" below!

PHOTOS: Future Generations with Private Island and Wilder

Last week, we caught Future Generations rock the stage at The Beat Kitchen with Private Island and Wilder. Check out the photo gallery of their high energy gig below!

Future Generations are still wrapping up their tour on the east coast. Check out all of the upcoming dates here, and listen to their new single "One More Problem" below!

PHOTOS: Public at Schubas 7.25.17

Public is one of the most personable bands out there right now. If you come to their show, they want to know your story...what brought you to their music. They also want you to leave with something new; a takeaway from their live performance that you can't find anywhere else. And during their hour long set on Tuesday night at Schubas Tavern, the trio delivered exactly what they set out to at the start of tour; a unique experience that put each member of the audience in a better mood and higher spirits than when they entered the concert hall. By the end of the night, even the most tame members of the crowd had found themselves out of their chairs and dancing in the crowd.

Although the dancing reached its peak during the final song of the night "4Her," songs like "Pretty Face" and "Make You Mine" also had the crowd moving. In our interview before the show, frontman John Vaughn described his vision of their developed live show this tour, and their set went above and beyond what he explained. Before the trio played "Make You Mine," towards the end of the set, Vaughn gave the crowd some insight to his inspiration behind the song. These introductions occurred before most of the songs, acting as another way to keep the crowd engaged. The majority of the songs also featured special arrangements or extended jams between the band members that you can't hear on the EPs Sweet Lemonade or Let's Remake It. Mixing things up even more, the set also featured a very well-received cover of "Toxic" by Britney Spears. 

If you're looking for a truly unique concert experience, make sure you go see Public on the remaining dates of their Sweet Lemonade Tour. You can see all of the tour dates here, and check out a photo gallery of their show below. 


While you wait patiently for our interview with Public, in which they reveal their most recent Google searches, each others' pet peeves, the secrets behind their show and more...listen to the Sweet Lemonade EP in full below!